Bob Dylan's 1965 song "Subterranean Homesick Blues" features conventions common to folk music videos of the time like black and white filters and text overlaid on the video. The lyrics refer to 1960s American drug culture and paranoia about government surveillance. They also mention the Civil Rights Movement and attacks on protesters in Alabama with fire hoses and police dogs. Through songs like this one with culturally relevant lyrics, Dylan became a voice of his generation.
Here is a presentation on the music genre, POP. I have included magazines which relate to this genre. I have also analysed the Mise-en-scene, History, Cultue and audience of this particular genre.
Peter Bogolub began his career as a New York City teacher in 2000. In addition to his work in education, Peter Bogolub writes, records, and performs his own music. He has released multiple albums, while his singles have appeared on several compilations.
Bob Dylan known as a voice of generation. Bob Dylan's songs and lyrics make a huge impact on the human life and world also. Dylan's lyrics connected with the civil moments and protest movements.
Here is a presentation on the music genre, POP. I have included magazines which relate to this genre. I have also analysed the Mise-en-scene, History, Cultue and audience of this particular genre.
Peter Bogolub began his career as a New York City teacher in 2000. In addition to his work in education, Peter Bogolub writes, records, and performs his own music. He has released multiple albums, while his singles have appeared on several compilations.
Bob Dylan known as a voice of generation. Bob Dylan's songs and lyrics make a huge impact on the human life and world also. Dylan's lyrics connected with the civil moments and protest movements.
Module 03 Discussion - Musics Impact on Baby Boomers.pdffeelingspaldi
Module 03 Discussion - Music\'s Impact on Baby Boomers
Discuss the social impact that musicians such as Bob Dylan and the Beatles had on the youth
culture of the \"baby boomer\"/ \"Woodstock\" generation. Your initial post should be a
minimum of 250 words.
Module 03 Discussion - Music\'s Impact on Baby Boomers
Discuss the social impact that musicians such as Bob Dylan and the Beatles had on the youth
culture of the \"baby boomer\"/ \"Woodstock\" generation. Your initial post should be a
minimum of 250 words.
Module 03 Discussion - Music\'s Impact on Baby Boomers
Discuss the social impact that musicians such as Bob Dylan and the Beatles had on the youth
culture of the \"baby boomer\"/ \"Woodstock\" generation. Your initial post should be a
minimum of 250 words.
Solution
Social impact of Bob Dylan and the Beatles
Bob Dylan, born Robert Allen Zimmerman, was affected by the Civil Rights Movement, after-
shocks of the World War, the Cuban missile crisis, and, Kennedy\'s assassination. Dylan wrote
music that evoked changes in the song itself. The lyrics crystallized feelings of individual
identity, ambition, and, rebellion. Around 1963, he started writing his protest songs expressing
frustration towards leaders who opposed change. He wrote these at the beginning of the Civil
Rights movement. He wrote protest songs after the busing segregation even in 1955. He wrote
the death of Emmett Till for Congress of Racial Equality. His song Blowing in the Wind is an
anthem for the civil rights movement. He wrote \'betrayed by our silence\' to encourage people to
speak up. He reacted to events and reinforced political views. His music was a call to action.
Social issues were more important than music. He captured the feeling of nothingness related to
the fear of US-Russia Nuclear warfare. His times they are a changing was about a generation gap
between the conservatives and the liberals. He wrote John Brown and Master of War, two anti-
war songs. He moved away from politics after the assassination of President John F Kennedy.
Dylan provided the emotional drive behind the revolution of hundreds of thousands of people.
Bob Dylan influenced the rise of the Beatles. Their impact was in the counterculture they helped
to create. The youth in the 1960s was a class with a separate sensibility. Hints of such an attitude
were observed in the 1950s. The battle-cry in the 1960s was \"Don\'t trust anyone over thirty\"
The core value of this class was a sense of community. This was also reflected in the Beatles\'
music. The Youth insisted on communality, sharing, a rejection of the retreat into private
satisfaction. This generation did not share the ethic of mutual distrust. Rock n Roll tapped a
sensuality that was never bottled up again..
Module 3Country and Western MusicThe Folk Origins of Cou.docxannandleola
Module 3
Country and Western Music
The Folk Origins of Country Music
Social, racial and religious elements that comprise country music
• The labor conditions in the South and the ethnic diversity. Isolation
• City vs. rural life. Contrast
• Differences in the urban development of North and South
• Infrastructure of nineteen-century southern society. “Blue bloods”
Poor whites supremacy myths:
• The white’s natural supremacy to blacks.
• Machismo o macho (Latino term), a condition of male strength and virility
Fundamentalist Christianity:
• Shaped and control all other attitudes in the South
• Second Awakening, or Great Revival
• Contradictory behavior or dual moralism
• “Gift of gab”
How Country Music
Reflects Rural Characteristics
• Topics in country music.
• Inner conflicts= Success
• Plain language vs. elegant poetics
• “White blues”
• South’s increasing urbanization of the 1920s.
The Tradition of British and American Balladry
Ballads:
Child ballads.
• Structure of the British ballads.
• Topics
• Key
Broadside.
• Songsters
• Topic
A distinctive trait of American Ballads
Ethnic Influences of the
Anglo-American Music Tradition
• Cultural interchange that distinguishes southern music.
• Blacks and Anglo-American ballads. Differences.
Instruments in the Early Country Music
Anglo-Celtic and Anglo-American
Fiddles
The Guitar
The Banjo
The Mandolin
Urban Influence on
Pre-commercial Country Music
• The process of change due to contact with the commercial products of urban culture.
• Repertoire borrowed from sacred songs.
• City musical styles mixed with country
• Indicatives of the Anglo-American cultural dominance.
• Sense of conservatism. Isolationism.
• Christianity
Early Commercialization of
Country Music
Radio gave popular local entertainers a new medium for reaching their
audience.
Atlanta:
WSB the first radio station in the south.
First country recording stars:
Fiddlin’ John Carson, Reverend Andy Jenkins, and Gid Tanner
Ralph Peer
Early recording expeditions to the South conducted by Ralph Peer
The country and “race” music records: the record industry’s efforts to appeal to various regional and ethnic groups.
“Fiddlin’” John Carson: The first commercial country recording artist. “Little Old Log Cabin in the Line” sold over 500,000 copies
Hillbilly: A term used for people who dwell in rural
Hillbilly music: A label for what is now known as country music.
Rube costumes: Dress in straw hats and ragged clothes
Producer, engineer, and talent scout
Listening of “Little Old Log Cabin in the Line”
Lyric: A typical minstrel fare:
Sung by a blackface character, it is nostalgic and sentimental, in a formal, church-delivered manner and does not act out the lyric or display emotion in his rendering
He plays the melody in his fiddle as he sings.
He use the melody of the verse as an instrumental introduction,
as an interlude between verses and as ending
http://en.wik ...
A presentation on Bob Dylan and his work as a manifestation of poetry. This presentation is not to be used or reproduced for monetary gain, and is strictly for educational purposes. Pictures belong to their original creators. Make sure to attribute the presentation to Alan M. Valle Monagas and Alexander Soto Roman, even when making derivations based on this presentation. For more information, go to icaroson.wordpress.com or write to me at alan.valle@upr.edu.
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2. The pictures above are from Bob Dylan’s song ‘Subterranean Homesick blues’. The music
video has many conventions of a Folk Music Video such as the black and white filter, the
placement of text in a music video. This theme is seen in many music videos within the folk
genre, from the past to the present day. The lyrics in the songs are very interesting; the first
4 lines of lyrics are” Johnny's in the basement, Mixing up the medicine I'm on the pavement,
Thinking about the government” These lyrics relate to the drug culture of the 60’s in America
where LSD was made in people’s basements and people would be paranoid about the
government’s eye watching over them. A lot of bob Dylan’s music is based on love and
American culture throughout the 60’s and 70’s.
The title of the song ‘Subterranean Homesick blues’ refers to the different movements in
America during the 60’s and 70’s. Subterranean holds the meaning of things occurring and
existing under the Earth’s surface, so things commencing in the underground world of
society at this time. References to the Civil Rights Movement id mentioned in the song too,
bringing up attacks that happened in Alabama where Fire and police horses and police dogs
were used in defence of the emergency services to fight off peaceful protesters “Stay away
from those, who carry around a fire hose’, these lyrics are a cultural context.
From this song, Dylan became a voice of his generation through the words of his songs and
lyrical mind-set.