This document summarizes a presentation on new ways of thinking about copyright in film. It discusses how the traditional "rights clearance culture" focuses on getting permission for all content, which can be cumbersome and expensive. Alternative approaches discussed include open licensing models like Creative Commons that provide standard licenses for sharing content freely or with some restrictions. Examples are given of films like Tarnation that faced high clearance costs, and how open models enabled other films like Outfoxed. The benefits of open approaches for institutions like museums are also outlined.
Beyond the Rights Clearance Culture: new ways to think about copyright in film
1. byron bay film festival | 8 march 2010 Beyond the Rights Clearance Culture: New Ways to Think about Copyright in Film profbrianfitzgerald & jessica coates
5. "Copyright", Randall Munroe, http://xkcd.org/14/, Creative Commons Attribution-NonCommercial 2.5 license AUSTRALIA part of the Creative Commons international initiative CRICOS No. 00213J
14. Generic 2.0Dollar Eagle Paper by Photos8, http://www.photos8.com/dollar_eagle_paper-wallpapers.html
15. Berne Convention 1886 Rome Convention 1961 TRIPS Agreement 1994 WCT and WPPT 1996 stainless steel globe; Corona Park by Global Jet, http://flickr.com/photos/global-jet/2473311265
16. covers everything you want to use - film, music, script, dance, art, computer programs covers everything you want to do – copy, publish, email, post online, remix, reuse, share commercial or non-commercial Generic 2.0No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830
20. literary works compilation expressed in words, figures or symbols – incl computer programs Open Book by Osbornb, http://flickr.com/photos/osbornb/2457712870
21. literary works compilation expressed in words, figures or symbols – incl computer programs dramatic works play, choreography, dumb show Tribal Dance by BdwayDiva1, http://flickr.com/photos/bdwaydiva1/2306372642
22. literary works compilation expressed in words, figures or symbols – incl computer programs dramatic works play, choreography, dumb show musical works score, tune – not recording A gal and her guitar by xlordashx, http://www.flickr.com/photos/xlordashx/2936494210
23. literary works compilation expressed in words, figures or symbols – incl computer programs dramatic works play, choreography, dumb show musical works score, tune – not recording artistic works paintings, sculptures, photographs, diagrams, buildings & models of buildings portrait: yellows and blues by freeparking, http://flickr.com/photos/freeparking/2801058207
25. films including moving images in computer games 16mm educational film screening by lorelei, http://flickr.com/photos/filmfatale/423329167
26. films including moving images in computer games sound recordings the actual ‘taping’ – eg original v cover Audio Technica ATH-M50 byCLF, http://flickr.com/photos/clf/3184796740
27. films including moving images in computer games sound recordings the actual ‘taping’ – eg original v cover broadcasts radio and TV Kent Portable Tube AM Radio byalexkerhead, http://flickr.com/photos/alexkerhead/3607581577
28. films including moving images in computer games sound recordings the actual ‘taping’ – eg original v cover broadcasts radio and TV published editions the ‘look’ and ‘layout’ of books etc Side byeuphbass, http://flickr.com/photos/euphbass/3317710740
30. reproduce Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908
31. reproduce communicate to the public http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/
32. reproduce communicate to the public publish The Fruits of Religion 1 by andymangold, http://flickr.com/photos/andymangold/3489545384
33. reproduce communicate to the public publish perform in public Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358
34. reproduce communicate to the public publish perform in public adapt (except artistic) Cut my breath by batega, http://flickr.com/photos/batega/1467019878
35. reproduce communicate to the public publish perform in public adapt (except artistic) rental right for software Cut my breath by batega, http://flickr.com/photos/batega/1467019878
37. copy (only right for published editions) Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908
38. copy (only right for published editions) perform (seen/heard in public) Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358
39. copy (only right for published editions) perform (seen/heard in public) communicate to the public http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/
40. copy (only right for published editions) perform (seen/heard in public) communicate to the public also commercial rental for sound recordings http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/
42. Desk Mine by Kitty de Medici, http://www.flickr.com/photos/kittieth/1370989416/ works owner = author subject matter owner = maker (with some exceptions)
43. automatic protection registration not required notification not required original expression Generic 2.0No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830
44. Generic 2.0Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495
45. material can be protected in more than one copyright category eg computer games = literary works and films a single product can include more than one copyright work eg broadcast = broadcast, film, sound recording, script, music, lyrics, art Generic 2.0Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495
46. Generic 2.0Stop by brainware3000, http://flickr.com/photos/brainware3000/22205084
58. research or study (s40) Generic 2.0That time of year again… by Etwood, http://flickr.com/photos/etwood/231364920
59. research or study (s40) criticism or review (s41) Generic 2.0Cut my breath by batega, http://flickr.com/photos/batega/1467019878
60. research or study (s40) criticism or review (s41) parody or satire (s41A) Generic 2.0Evil Dead Poster Parodies by jbcurio, http://flickr.com/photos/jbcurio/2593693627
61. research or study (s40) criticism or review (s41) parody or satire (s41A) reporting the news (s42) Generic 2.0yesterdays news by chaosinjune, http://flickr.com/photos/cijmyjune/521661296
62. research or study (s40) criticism or review (s41) parody or satire (s41A) reporting the news (s42) legal advice (s43) Generic 2.0Barrister Bear by Shiny Things, http://flickr.com/photos/shinythings/161216658
64. public buildings and statues (s66) incidental filming (s67) Generic 2.0Writing for Film & Television students behind the scenes while filming "7 Day Work Week", a Port Short by vancouverfilmschool, http://www.flickr.com/photos/vancouverfilmschool/3704913141/
66. screenrights – use of films ppca – sound recordings (apra-amcos – music) Money, Money, Money by borman818, http://www.flickr.com/photos/dborman2/3258378233/
70. Tarnation created on a mac for $218 home footage and cultural ref screened at Sundance, won awards http://www.youtube.com/watch?v=mLDQL23nutw $400k for copyright clearances http://jonathancaouette.blogspot.com/
71. Outfoxed dococriticising Fox news footage permissions not forthcoming so released own footage under CC …I learned how cumbersome and expensive it can be to license footage from news organizations I could think of no better way to walk the talk myself than by releasing the interviews from Outfoxed and Uncovered under a license that allows other filmmakers to use my material in new and creative ways - David Greenwald http://www.outfoxed.org/
72.
73. Aims to make copyright more flexible by providing free licences that creators can use to give certain permissions in advance
80. CC is designed to… provide standardised licences that facilitate sharing are flexible are easy to use and understand (for people and machines) and that apply in the same way anywhere in the world. AUSTRALIA part of the Creative Commons international initiative CRICOS No. 00213J
81. CC Myths CC is not: anti-copyright – just another rights management tool the public domain – just giving certain permission in advance anti-commercial – can charge for first use, commercial uses, “premium” service, or embed advertising right for every situation – entirely voluntary, and won’t be best solution for all creators Free, as in beer by Unhindered by Talent available at http://www.flickr.com/photos/nicmcphee/2345633527/ under a Creative Commons Attribution ShareAlike 2.0 licence AUSTRALIA part of the Creative Commons international initiative CRICOS No. 00213J
104. About 250 million CC objects on the internet Over 130 million photos on Flickr alone Thank you for sharing by Clearly Ambiguous available at http://www.flickr.com/photos/clearlyambiguous/39896923/ under a Creative Commons Attribution 2.0 licence
105. www.smh.com.au Eiffel Tower at night by rednuht, http://www.flickr.com/photos/rednuht/275062341/, Creative Commons Attribution 2.0 http://creativecommons.org/licenses/by/2.0/deed.en
106.
107. Generic 2.0Andy in the VAB by adactio, http://flickr.com/photos/adactio/301112397
127. Australia 2.5Which Creative Commons licence is right for me? by ccAustralia, http://creativecommons.org.au/factsheets/licensing-flowchart
128. the tide of ‘big screen movie-and-popcorn’ enthusiasts did not exchange the box office lines for their computers . . . if there were no demand, the film would not have returned to the big screen http://www.cafune.com/
129. Many of these videos address concerns that are largely ignored by other funding and distribution outlets. . . Creative Commons provides a very usable framework for filmmakers … They can allow reproduction and distribution while preserving some rights . . .that leaves open the potential to recoup production funds through commercial distribution of their work. – Anna Helm http://www.engagemedia.org/
130. Sita Sings the Blues – Nina Paley Total donations from people who appreciate her giving out free content: $23,000 Profits from her online store which sells merchandise and DVDs: $19,000 Theatrical distribution revenues: $3,000 (out of total box office tally of $22,350) Additional DVD distribution: $3,000 Broadcast television distribution: $3,000 Revenue from Central Cinema in Seattle which showed the film: $4,000 Grand total: $55,000 http://www.sitasingstheblues.com/
131.
132.
133. Revver Advertising supported Video sharing site with embedded advertising – money split 50/50 with creators All videos under Creative Commons BY-NC-ND licence – to allow for maximum distribution Success story – Eepybird.com’s “Extreme diet coke and mentos experiment” - watched over 6 million times; made US$30,000 in first year Now hosts other popular video series - eg Lonelygirl15, “ask a ninja” Countless previews http://www.revver.com/
134. Beatpick ‘premium service’ model ‘Fairplay’ music label All music downloadable DRM free under Creative Commons BY-NC-SA licence Sells ‘high quality’ downloads Negotiates ‘commercial’ licences Success story – “Memories Child” by Jamison Young (Australian musician) licensed for “The X-Files: I Want to Believe“ feature film Has also licensed material for ads, video games, corporate events, political campaigns http://www.beatpick.com/
135. 9 tracks free download 36 tracks licensed 5 payment options $300 ultra deluxe package 2500 units sold out in 30 hours amazon’s highest selling MP3s United States 2.0Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.com
136. “The end result is a wildly varied body of music that we're able to present to the world in ways the confines of a major record label would never have allowed – from a 100% DRM-free, high-quality download, to the most luxurious physical package we've ever created.” – Trent Reznor United States 2.0Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.com
137. Generic 2.0IBM Think D100 Test by Howdy, I'm H. Michael Karshis, http://flickr.com/photos/hmk/2741404653
142. Thanks creativecommons.org wiki.creativecommons.org/casestudies creativecommons.org.au info@creativecommons.org.au Carpeted commons by Glutnix, http://www.flickr.com/photos/glutnix/2079709803/in/pool-ccswagcontest07 available under a Creative Commons Attribution 2.0 licence, http://creativecommons.org/licenses/by/2.0/deed.en This slide show is licensed under a Creative Commons Australia Attribution licence. For more information see http://creativecommons.org/licenses/by/2.5/au/. Images in the slideshow are licensed as marked. CRICOS No. 00213J
Editor's Notes
We’re hear to talk about copyright
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
We’re hear to talk about copyright
The Gutenberg printing press.Although some legislative moves to create a right to control reproduction of books had occurred earlier, including the Licensing Act of 1662 passed by the King of England and Scotland, the legislative instrument commonly held to be the origin of modern copyright law is
So copyright was basically invented to ensure that creators could make money from their creation.But this system has become far more complex over the last few hundred years.
Copyright is now governed by a series of international treaties – these are some of the most important, but they are by no means all.This has the advantage of ensuring that copyright applies fairly uniformly worldwide – though there are still differences.And as with any joint agreement, the influences on these treaties and their development becomes quite complex.Ben will tell you more about this . . .
And the rights are automatic
This is the phrase that most people associate with copyright – but does anyone know what it means?Copyright basically is an area of law that vests certain exclusive rights in the creators to control the use their creations.
The important thing to note is the copyright isn’t just one right – it’s rights plural. Copyright is a misnomer. It really should be copyrightsThe rights conveyed by copyright apply to a lot of different materials, and a lot of different acts.
So looking first at what copyright protects.The core materials that copyright applies to are called ‘works’
literary works;
dramatic works;
musical works; and
artistic works, or they be
Copyright also protects other materials that can be created by combining these works.These are called ‘other subject matter’ and include
films;
sound recordings;
television and radio broadcasts; or
published editions.
The creators of these kinds of materials have a number of different exclusive rights over them. The rights the creator has depends on the type of material.For works, there are five rights
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file. The right to publish the work. In other words, to make copies of it available to the public for the first time.
communicate the work. This includes any form of transmission such as publishing it online, broadcasting it or emailing digital files containing the work.introduced by Digital Agenda Act 2000 must be ‘to the public’ – ie the copyright owner’s public - Telstra Corporation Ltd v Australasian Performing Right Association Ltd (1997) 191 CLR 140 maker = person responsible for determining the content of the communication: s 22(6) – ie sender, not receivera link is not a communication - Universal Music Australia Pty Ltd v Cooper [2005] FCA 972communicate" means make available online or electronically transmit (whether over a path, or a combination of paths, provided by a material substance or otherwise) a work or other subject-matter, including a performance or live performance within the meaning of this Act.
publish the work. In other words, to make copies of it available to the public for the first time.
perform or recite the work in public.
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
Other subject matter, on the other hand, are only given three main rights – this is because they’re basically seen as ‘derivatives’ of the main works.These rights are phrased slightly differently than those above, but essentially cover the same ground
Copy the work – so burning a DVD to a computer
Cause it to be seen or heard in public – playing it in a pub or hairdresser
communicate the work to the public – same as before. Eg streaming, uploading and downloading
communicate the work to the public – same as before. Eg streaming, uploading and downloading
You need the copyright owner’s permission before you can perform any of these acts
Again – the language differs depending on the type of material, but the concept remains basically the same.Importantly, for films the terminology is ‘the person who is responsible for making the arrangements necessary for making the film’ – this is basically the producer, but for certain limited purposes the director (retransmission of film) and even the scriptwriter (moral rights) also has rights
And the rights are automatic
An important thing to note is that all these rights over different materials belonging to different people apply simultaneously – in different ‘layers’.So, for example, a song may include a musical work – the composition – as well as a literary work – the lyrics. The composer will have all the exclusive rights in the composition and the lyricist will have all the exclusive rights in the literary work.If it’s been recorded, then the producer will own all the rights over the sound recordingof copyright material.This is particularly important for you as film makers – as films have the most complex layering of rights
An important thing to note is that all these rights over different materials belonging to different people apply simultaneously – in different ‘layers’.So, for example, a song may include a musical work – the composition – as well as a literary work – the lyrics. The composer will have all the exclusive rights in the composition and the lyricist will have all the exclusive rights in the literary work.If it’s been recorded, then the producer will own all the rights over the sound recordingof copyright material.This is particularly important for you as film makers – as films have the most complex layering of rights
This is what makes copyright hard.Because you need the permission of each of these different copyright owners before you can use the work.In fact, they need each other’s permission before they can use the final work (eg CD), such as publishing it or putting it online.Well – in most circumstances you need their permission. There are exceptions:
The first is if copyright has ended in a work, and it’s in the public domain
Unfortunately, copyright lasts a long time
For works, it is the life of the author
Plus 70 years - Your copyright lives on posthumously
For subject matter, it’s shorter, but still long.So most of the works you will want to use won’t be in the public domain
For subject matter, it’s shorter, but still long.So most of the works you will want to use won’t be in the public domain
For subject matter, it’s shorter, but still long.So most of the works you will want to use won’t be in the public domain
Copyright is a misnomer. It really should be copyrights
The courts have ruled that a ‘substantial part’ can be extremely small.
You can also use the material without permission if an exception applies
The most common exceptions that you are most likely to use are the fair dealing exceptions
Obviously the first 3 will be the most useful for you
Copyright is a misnomer. It really should be copyrights
s 67
Copyright is a misnomer. It really should be copyrights
This is what makes copyright hard.Because you need the permission of each of these different copyright owners before you can use the work.In fact, they need each other’s permission before they can use the final work (eg CD), such as publishing it or putting it online.Well – in most circumstances you need their permission. There are exceptions:
Copyright is a misnomer. It really should be copyrights
This is what makes copyright hard.Because you need the permission of each of these different copyright owners before you can use the work.In fact, they need each other’s permission before they can use the final work (eg CD), such as publishing it or putting it online.Well – in most circumstances you need their permission. There are exceptions:
Copyright is a misnomer. It really should be copyrights
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
Copyright is a misnomer. It really should be copyrights
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
Standard copyright law says that you can’t reproduce or communicate creative material (eg movies, books, music etc) without the copyright owner’s permission, except in very limited circumstancesThe problem with this in the digital era is that every use of material makes a reproduction. This includes just viewing This means that, under the default copyright laws, printing out a webpage, emailing a picture to your friend, making a digital collage or remix work etc will all generally infringe copyright
reproduce the work. This includes any form of copying of the whole or part of the work including photocopies, copying it by hand, recording a dictation of it, scanning it into a digital file format or printing out a copy from a digital file.
This is the phrase that most people associate with copyright – but does anyone know what it means?Copyright basically is an area of law that vests certain exclusive rights in the creators to control the use their creations.
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
Creative Commons comes in. Hopefully you’ll remember from the last lecture I gave,
although my experience working with the literary world, I sometimes suspect they think the world is more like this; FLAT!
although my experience working with the literary world, I sometimes suspect they think the world is more like this; FLAT!
although my experience working with the literary world, I sometimes suspect they think the world is more like this; FLAT!
although my experience working with the literary world, I sometimes suspect they think the world is more like this; FLAT!
although my experience working with the literary world, I sometimes suspect they think the world is more like this; FLAT!
UK-based web developer and hobbyist photographer Jeremy Keith recounts how a vacation photograph he took inside NASA’s Vehicle Assembly Building came to be used in the 2008 blockbuster Iron Man.
Standard copyright law says that you can’t reproduce or communicate creative material (eg movies, books, music etc) without the copyright owner’s permission, except in very limited circumstancesThe problem with this in the digital era is that every use of material makes a reproduction. This includes just viewing This means that, under the default copyright laws, printing out a webpage, emailing a picture to your friend, making a digital collage or remix work etc will all generally infringe copyright
The legal concept of copyright
If you’re still unsure which Creative Commons licence I recommend using the licensing flowchat created by Creative Commons Australia. Start at the green box and work your way through the questions. You should either end up at “All Rights Reserved” or one of the purple licence boxes.
A Brazilian feature film – Cafuné – has been simultaneously released both in the cinemas and on the Internet, allowing the audience create different story ends.Bruno Vianna’s first feature film, called Cafuné, is pioneering an innovative distribution scheme. On August 25th, 2006, it started in the Brazilian movie theaters. In the same day, it was made available for downloading online under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Brazil licence, allowing anyone to download, copy and distribute it for non-commercial purposes. It also allows anyone to make their own cut of the film, subsequently releasing the result, as long as they use the same Creative Commons license.In spite of the growing number of movies being produce in Brazil, only approximately 50 Brazilian movies are released in the Brazilian movie theaters every year, creating a significant distribution funnel. Bruno Viana´s initiative demonstrates new possibilities that might help to overcome the narrow, existing distribution channels. As Bruno says: “Why should movies be restricted to a few cinemas that can show the film only for a short period of time? Why shouldn’t we seek wider audience, exploring all possible means of distribution?”In Brazil, the absolute majority of films are produced by a public financing system. Making movies available online is a way to increase the value of the film to the public, and to society as whole. The simultaneous release was only made possible because of the support of his distributor, the well-known Grupo Estação, based in Rio de Janeiro.Bruno Vianna is known as a short film director concerned with social problems, violence, and gender. The film takes place in the city of Rio de Janeiro, and tells the story of a rich girl falling in love with a poor guy living in the favelas (shantytowns). Viana explores the way people live in Rio de Janeiro, and examines interesting aspects of the contemporary “carioca” society.Another pioneering decision in the distribution of the film is that movie theaters received two versions of the same film. Accordingly, depending on the movie theater that the film is watched, a different conclusion to the story takes place. Bruno´s idea was to demonstrate the narrative possibilities from the same film. Following the director´s example, the audiences will be able to create their own finales to the movie.The two versions of Cafuné are available for downloading at the Overmundo website: one 91 minutes long and one 73 minutes long. More info available here.Thanks to Ronaldo who heads up the CC Brazil team (among many other things) for the information for this posting.
Down and Out in the Magic Kingdom, was published by Tor Books in January 2003. 5 novels, 1 short story collection and 1 non-fiction book.
Down and Out in the Magic Kingdom, was published by Tor Books in January 2003. 5 novels, 1 short story collection and 1 non-fiction book.
Standard copyright law says that you can’t reproduce or communicate creative material (eg movies, books, music etc) without the copyright owner’s permission, except in very limited circumstancesThe problem with this in the digital era is that every use of material makes a reproduction. This includes just viewing This means that, under the default copyright laws, printing out a webpage, emailing a picture to your friend, making a digital collage or remix work etc will all generally infringe copyright