Basic conventions of a documentary
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This document outlines some basic conventions for filming and editing documentary footage. It discusses A-roll footage of interviews with subjects, which are usually filmed on a tripod using proper lighting and framing. B-roll footage supplements the interviews and can include establishing shots, archive footage, still photos, and vox pops. An authoritative voice-over narration guides the viewer's understanding and anchors the visuals.
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Basic conventions of documentary
This document outlines basic conventions for A-roll and B-roll footage in documentary filmmaking. A-roll footage consists of interviews with subjects framed using rules of composition and lighting. B-roll footage is used to supplement the interviews, including establishing shots, archive footage, photographs, and vox pops to illustrate points. A presenter or voiceover narration is typically used to anchor the meaning and guide viewer understanding.
Basic conventions of documentary
Basic documentary conventions include interviewing subjects about the topic while framing them using the rule of thirds. Cutaway shots and graphics are used to illustrate points, and establishing shots identify locations. A voiceover narrator guides the viewer by anchoring the visuals and script. Still photos and archive footage can also illustrate topics.
Shot types
The document describes different types of camera shots commonly used in documentaries. An extreme long shot is used at the beginning to establish the location and show landmarks. A long shot shows the full body of a character with space above and below to include background. A medium shot contains the subject from the waist up for dialogue or action scenes with a blurred background. A close up focuses on a character's face or specific scene details, blurring the background. An extreme close up frames only a small facial feature like the eyes or mouth with no background visible.
Conventions of a documentary
The document outlines several conventions used in documentaries, including interviews filmed with tripods using the rule of thirds, presenters who address the audience directly, backstage footage providing insight into the documentary's topic, archive footage and photographs showing changes over time, vox pops collecting public opinions, and establishing shots identifying important locations. Non-diegetic music is also used for interviews and voiceovers.
Codes and conventions of interview
The document provides guidelines for conducting interviews for documentaries. Interviews should be filmed in medium close-ups or close-ups of the interviewee's face, with the interviewee looking at the interviewer rather than the camera. Cutaways are sometimes included to avoid jump cuts and illustrate points, and can be archive footage or filmed later. Questions are edited out so only answers are heard.
Conventions of a documentary
This document outlines various techniques used in documentary filmmaking. It discusses how interviews are filmed professionally using tripods and the rule of thirds for composition. It also covers using chroma keying to add relevant backgrounds, lighting interviews properly, and including important details about interviewees on screen. Presenters are used to further guide the audience, and footage, stills, archive media, vox pops, music, and establishing shots can provide additional context.
Codes and conventions of an interview
The document provides guidance for filming interviews. It recommends filming the interviewee in medium close up or close up, seated in an immovable chair and looking at the interviewer, not the camera. Cutaways should be edited into the interview for continuity and to illustrate points, drawn from archive material or things mentioned. Proper lighting, background, camera angles, and open-ended questions are also discussed.
Basic conventions of documentary
A-roll footage consists of interviews with subjects important to the documentary's topic, usually filmed with a stationary camera. Interviews follow conventions like using the rule of thirds for framing and lighting the subject from the front. B-roll footage supplements the interviews with additional shots that illustrate points or provide context, and may be edited creatively. Vox pops include interviews with ordinary people sometimes captured with a handheld camera. A presenter or narration guides viewers' understanding by speaking authoritatively and anchoring the meaning of visuals.
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Basic conventions of documentary
This document outlines basic conventions for A-roll and B-roll footage in documentary filmmaking. A-roll footage consists of interviews with subjects framed using rules of composition and lighting. B-roll footage is used to supplement the interviews, including establishing shots, archive footage, photographs, and vox pops to illustrate points. A presenter or voiceover narration is typically used to anchor the meaning and guide viewer understanding.
Basic conventions of documentary
Basic documentary conventions include interviewing subjects about the topic while framing them using the rule of thirds. Cutaway shots and graphics are used to illustrate points, and establishing shots identify locations. A voiceover narrator guides the viewer by anchoring the visuals and script. Still photos and archive footage can also illustrate topics.
Shot types
The document describes different types of camera shots commonly used in documentaries. An extreme long shot is used at the beginning to establish the location and show landmarks. A long shot shows the full body of a character with space above and below to include background. A medium shot contains the subject from the waist up for dialogue or action scenes with a blurred background. A close up focuses on a character's face or specific scene details, blurring the background. An extreme close up frames only a small facial feature like the eyes or mouth with no background visible.
Conventions of a documentary
The document outlines several conventions used in documentaries, including interviews filmed with tripods using the rule of thirds, presenters who address the audience directly, backstage footage providing insight into the documentary's topic, archive footage and photographs showing changes over time, vox pops collecting public opinions, and establishing shots identifying important locations. Non-diegetic music is also used for interviews and voiceovers.
Codes and conventions of interview
The document provides guidelines for conducting interviews for documentaries. Interviews should be filmed in medium close-ups or close-ups of the interviewee's face, with the interviewee looking at the interviewer rather than the camera. Cutaways are sometimes included to avoid jump cuts and illustrate points, and can be archive footage or filmed later. Questions are edited out so only answers are heard.
Conventions of a documentary
This document outlines various techniques used in documentary filmmaking. It discusses how interviews are filmed professionally using tripods and the rule of thirds for composition. It also covers using chroma keying to add relevant backgrounds, lighting interviews properly, and including important details about interviewees on screen. Presenters are used to further guide the audience, and footage, stills, archive media, vox pops, music, and establishing shots can provide additional context.
Codes and conventions of an interview
The document provides guidance for filming interviews. It recommends filming the interviewee in medium close up or close up, seated in an immovable chair and looking at the interviewer, not the camera. Cutaways should be edited into the interview for continuity and to illustrate points, drawn from archive material or things mentioned. Proper lighting, background, camera angles, and open-ended questions are also discussed.
Basic conventions of documentary
A-roll footage consists of interviews with subjects important to the documentary's topic, usually filmed with a stationary camera. Interviews follow conventions like using the rule of thirds for framing and lighting the subject from the front. B-roll footage supplements the interviews with additional shots that illustrate points or provide context, and may be edited creatively. Vox pops include interviews with ordinary people sometimes captured with a handheld camera. A presenter or narration guides viewers' understanding by speaking authoritatively and anchoring the meaning of visuals.
Codes and Conventions of Interviews
Codes and Conventions of Interviews outlines key techniques for filming and editing interviews. Cinematography focuses on framing the subject using the rule of thirds and mid shots from eye-level. Editing removes questions and uses cutaways of relevant footage to keep viewers engaged when the subject speaks. Mise-en-scene considers the subject's costume, lighting, makeup, props, and setting to relate to the documentary's topic. Graphics identify the subject and their relevance in two superimposed lines using easy-to-read font related to the documentary's theme.
Film studies
Camera shots and angles can be used to manipulate the viewer's perspective and emotions. There are five main shot sizes - close-up, long shot, medium shot, and single/two/three shots defined by the number of subjects. Camera angles include eye level, low angles to make subjects appear powerful, and high angles to make them seem small. Over-the-shoulder shots are used to convey conflict between characters. Together, shots and angles allow filmmakers to tell stories visually.
Conventions of documentary
Documentary conventions include conducting interviews with subjects framed using the rule of thirds and lit from the front. Graphics are positioned at the bottom of the screen with the subjects' names. B-roll footage supplements the interviews and is edited together between them sometimes in a creative montage. Cutaway shots and archive footage may also be used to illustrate what the subject is discussing.
BLOG1: Cinematography
Cinematography refers to the art of motion picture photography and includes camera shots, angles, and movements that help tell a visual story. The cinematographer, also known as the director of photography, is responsible for creative decisions around camera techniques. Different types of shots like close-ups, long shots, and point-of-view shots can convey different meanings depending on the context. Camera movements such as pans, zooms, tracks, tilts and handheld shots also impact the audience's experience. Together, camera techniques are an essential part of visual storytelling in films, videos, and other moving images.
Camera shots and Angles
High angle shots are taken from above eye level and make subjects seem smaller, adding drama. Low angle shots are taken below eye level and make subjects seem more powerful or intimidating. Oblique angle shots are at an angle rather than straight on, creating a sense of instability. Bird's eye view shots are taken directly overhead, putting the audience in a detached, godlike position looking down.
Media Camerawork
1. The document describes different types of camera shots including extreme long shots, long shots, mid shots, close ups, extreme close ups, bird's eye shots, worm's eye shots, over the shoulder shots, point of view shots, high angle shots, low angle shots, and two shots.
2. Each shot type is used to show different aspects of a scene like setting, body language, facial expressions, emotions, or relationships between characters.
3. Shots from a low angle make characters appear powerful while high angles shots make them seem insignificant.
Cinematography Task
The document discusses different types of shots used in cinematography including extreme close-ups, close-ups, mid shots, medium long shots, long shots, two shots, three shots, over the shoulder shots, high angle shots, and low angle shots. Each shot type is used to focus audience attention on specific details, characters, or their surroundings and emotions or to frame the action and conversation in different ways such as making characters look powerful or vulnerable.
Cinematography
Cinematography involves capturing photographic images through controllable elements like film stock, camera lenses, framing, and movement. Different techniques like deep focus, shallow focus, racking focus, and zoom shots manipulate what is in or out of focus to direct audience attention or illustrate relationships. Framing also influences perspective through angles, heights, and point-of-view shots. Scale is controlled through shots like extreme long shots and close-ups. Movement is created through pans and tracking shots that follow action through space. These techniques are used in horror to build suspense, emphasize emotions, and create jump scares.
Basic conventions of documentary
Documentary films use different types of footage and editing techniques to tell a story. A-roll footage features interviews with subjects important to the topic, filmed with stable camera work and proper lighting and framing. B-roll footage supplements the interviews with additional imagery edited together. Cutaway shots, establishing shots, archive footage, still photos, and vox pops provide visual context for what is being discussed. A presenter or voiceover guides the viewer with a script and anchors the meaning of the images.
Cinematography techniques
This document defines and describes different types of camera shots including establishing shots, extreme long shots, long shots, medium shots, close ups, and extreme close ups. It also covers camera angles such as bird's-eye view, worm's-eye view, and Dutch angles. Finally, it discusses camera movements including tilts, dolly shots, and pans. The learning objective is to understand these key cinematography terms and how different shots can affect the audience.
Cinematography and editing
The document provides information about different cinematography techniques like close-up shots, long shots, high angle shots, and over the shoulder shots. It also discusses editing techniques such as cuts, dissolves, and cross-cutting and how they are used to advance the story and create meaning and tension. The purpose of editing is to connect shots and tell a coherent story through techniques like following the 180 degree rule or breaking conventions for effect.
Types of Camea shots
This document defines and provides examples of different types of camera shots and angles used in filmmaking, including establishing shots, extreme long shots, medium shots, close-ups, extreme close-ups, high-angle shots, two-shots, point-of-view shots, over-the-shoulder shots, aerial shots, and worm's-eye view shots. These shots are used to establish locations, show movement and surroundings, focus on details, manipulate how characters are perceived, and put the audience in the perspective of characters.
Camerawork
This document defines and describes common camera shot types used in filmmaking. It explains establishing shots are used to introduce the location, long shots show the whole scene, mid-shots are from the waist up, and close ups focus on a person's face or object. It also defines extreme long shots, point of view shots, over the shoulder shots, reverse shots, high and low angles, bird's eye and worm's eye views, and two shots.
Cinematography
This document provides an introduction to cinematography techniques and how they are used to communicate meaning in films. It defines cinematography and discusses various shot types like close-ups, two shots, and point of view shots. It also covers different angles like high angles and low angles. The document aims to help readers understand cinematography and how framing, shot types, and angles are used to influence audience experience and emphasize important people or objects. It includes example screenshots and describes how various techniques can be used to elicit emotions from viewers.
Film shots and techniques
The document defines and describes various cinematography techniques used in film including shots (establishing shot, long shot, medium shot, close-up), camera angles (eye-level, high angle, low angle), camera movements (pan, zoom, tilt, dolly/tracking, boom/crane), lighting (high key, low key, bottom lighting/low lighting, front/rear lighting) and how they can influence messages and impact production elements like font, color and layout. Students will analyze the film To Kill a Mockingbird using these techniques.
Cinematography lesson 1
Cinematography is a micro-element that filmmakers can manipulate to influence audience responses. Different shot types like close-ups, low angles, and high angles can be used to make audiences feel closer to characters or make them appear threatening. For example, in Lord of the Rings, close-ups build tension and low angles used on the Nazgul make them appear dangerous. Understanding how to analyze cinematography techniques is essential for success in the film studies course.
Cinematography
The document discusses various cinematography techniques related to lighting and space. It describes three-point lighting which uses a key light, back light, and fill light to model a subject. High-key lighting has the fill light close to the key light level, resulting in few shadows, while low-key lighting uses little fill light, creating strong contrasts. It also discusses techniques for manipulating depth of space including deep space, shallow space, and offscreen space.
camera lighting and soundsc
Lighting is very important in horror films, with low level lighting used to create a creepy atmosphere through darkness. Over the shoulder shots are commonly used to show perspectives between characters during conversations, while medium close ups capture emotions without being too close. High and low angle shots provide different perspectives to show characters' vulnerability or intimidation. Synchronous sounds and non-diegetic music are also important for setting atmosphere and building suspense.
Basic conventions of documentary
The document outlines basic conventions for filming and editing documentary footage. It discusses using steady shots of interview subjects framed using thirds, without the interviewer shown. It also discusses using b-roll footage and cutaways to supplement interviews, as well as establishing shots, archive footage, stills, and vox pops. Finally, it mentions using a presenter or voiceover to anchor meaning and guide understanding with a carefully written script.
Cinematography
The document defines and provides examples of different types of shots used in cinematography, including pans, dollies, tilts, handheld shots, high and low angles, establishing shots, close ups, extreme close ups, pull focus, shot reverse shot, match on action, graphic matches, eye line matches, point of view shots, cutaways, and montages. Each shot type is used to achieve a specific goal, such as tracking movement, establishing location, showing emotion, or creating continuity between scenes. Video links are provided with examples of many of the shot types.
Basic conventions of a documentary
Basic conventions of a documentary include A-roll footage of main interviews with subjects and B-roll footage used to supplement the interviews. A-roll footage consists of interviews filmed with subjects looking at the interviewer, not the camera, while B-roll includes establishing shots, archive footage, photographs, and vox pops to illustrate what the subjects discuss. Graphics with subject names are often included at the bottom of the screen.
Codes and conventions of the documentary genre
The document outlines some common codes and conventions used in documentary filmmaking, including how interviews are typically filmed, the use of archive footage and graphics to support narration, employing relevant mise-en-scene elements, including vox pops from members of the public, and considerations for sound design and editing.
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Codes and Conventions of Interviews
Codes and Conventions of Interviews outlines key techniques for filming and editing interviews. Cinematography focuses on framing the subject using the rule of thirds and mid shots from eye-level. Editing removes questions and uses cutaways of relevant footage to keep viewers engaged when the subject speaks. Mise-en-scene considers the subject's costume, lighting, makeup, props, and setting to relate to the documentary's topic. Graphics identify the subject and their relevance in two superimposed lines using easy-to-read font related to the documentary's theme.
Film studies
Camera shots and angles can be used to manipulate the viewer's perspective and emotions. There are five main shot sizes - close-up, long shot, medium shot, and single/two/three shots defined by the number of subjects. Camera angles include eye level, low angles to make subjects appear powerful, and high angles to make them seem small. Over-the-shoulder shots are used to convey conflict between characters. Together, shots and angles allow filmmakers to tell stories visually.
Conventions of documentary
Documentary conventions include conducting interviews with subjects framed using the rule of thirds and lit from the front. Graphics are positioned at the bottom of the screen with the subjects' names. B-roll footage supplements the interviews and is edited together between them sometimes in a creative montage. Cutaway shots and archive footage may also be used to illustrate what the subject is discussing.
BLOG1: Cinematography
Cinematography refers to the art of motion picture photography and includes camera shots, angles, and movements that help tell a visual story. The cinematographer, also known as the director of photography, is responsible for creative decisions around camera techniques. Different types of shots like close-ups, long shots, and point-of-view shots can convey different meanings depending on the context. Camera movements such as pans, zooms, tracks, tilts and handheld shots also impact the audience's experience. Together, camera techniques are an essential part of visual storytelling in films, videos, and other moving images.
Camera shots and Angles
High angle shots are taken from above eye level and make subjects seem smaller, adding drama. Low angle shots are taken below eye level and make subjects seem more powerful or intimidating. Oblique angle shots are at an angle rather than straight on, creating a sense of instability. Bird's eye view shots are taken directly overhead, putting the audience in a detached, godlike position looking down.
Media Camerawork
1. The document describes different types of camera shots including extreme long shots, long shots, mid shots, close ups, extreme close ups, bird's eye shots, worm's eye shots, over the shoulder shots, point of view shots, high angle shots, low angle shots, and two shots.
2. Each shot type is used to show different aspects of a scene like setting, body language, facial expressions, emotions, or relationships between characters.
3. Shots from a low angle make characters appear powerful while high angles shots make them seem insignificant.
Cinematography Task
The document discusses different types of shots used in cinematography including extreme close-ups, close-ups, mid shots, medium long shots, long shots, two shots, three shots, over the shoulder shots, high angle shots, and low angle shots. Each shot type is used to focus audience attention on specific details, characters, or their surroundings and emotions or to frame the action and conversation in different ways such as making characters look powerful or vulnerable.
Cinematography
Cinematography involves capturing photographic images through controllable elements like film stock, camera lenses, framing, and movement. Different techniques like deep focus, shallow focus, racking focus, and zoom shots manipulate what is in or out of focus to direct audience attention or illustrate relationships. Framing also influences perspective through angles, heights, and point-of-view shots. Scale is controlled through shots like extreme long shots and close-ups. Movement is created through pans and tracking shots that follow action through space. These techniques are used in horror to build suspense, emphasize emotions, and create jump scares.
Basic conventions of documentary
Documentary films use different types of footage and editing techniques to tell a story. A-roll footage features interviews with subjects important to the topic, filmed with stable camera work and proper lighting and framing. B-roll footage supplements the interviews with additional imagery edited together. Cutaway shots, establishing shots, archive footage, still photos, and vox pops provide visual context for what is being discussed. A presenter or voiceover guides the viewer with a script and anchors the meaning of the images.
Cinematography techniques
This document defines and describes different types of camera shots including establishing shots, extreme long shots, long shots, medium shots, close ups, and extreme close ups. It also covers camera angles such as bird's-eye view, worm's-eye view, and Dutch angles. Finally, it discusses camera movements including tilts, dolly shots, and pans. The learning objective is to understand these key cinematography terms and how different shots can affect the audience.
Cinematography and editing
The document provides information about different cinematography techniques like close-up shots, long shots, high angle shots, and over the shoulder shots. It also discusses editing techniques such as cuts, dissolves, and cross-cutting and how they are used to advance the story and create meaning and tension. The purpose of editing is to connect shots and tell a coherent story through techniques like following the 180 degree rule or breaking conventions for effect.
Types of Camea shots
This document defines and provides examples of different types of camera shots and angles used in filmmaking, including establishing shots, extreme long shots, medium shots, close-ups, extreme close-ups, high-angle shots, two-shots, point-of-view shots, over-the-shoulder shots, aerial shots, and worm's-eye view shots. These shots are used to establish locations, show movement and surroundings, focus on details, manipulate how characters are perceived, and put the audience in the perspective of characters.
Camerawork
This document defines and describes common camera shot types used in filmmaking. It explains establishing shots are used to introduce the location, long shots show the whole scene, mid-shots are from the waist up, and close ups focus on a person's face or object. It also defines extreme long shots, point of view shots, over the shoulder shots, reverse shots, high and low angles, bird's eye and worm's eye views, and two shots.
Cinematography
This document provides an introduction to cinematography techniques and how they are used to communicate meaning in films. It defines cinematography and discusses various shot types like close-ups, two shots, and point of view shots. It also covers different angles like high angles and low angles. The document aims to help readers understand cinematography and how framing, shot types, and angles are used to influence audience experience and emphasize important people or objects. It includes example screenshots and describes how various techniques can be used to elicit emotions from viewers.
Film shots and techniques
The document defines and describes various cinematography techniques used in film including shots (establishing shot, long shot, medium shot, close-up), camera angles (eye-level, high angle, low angle), camera movements (pan, zoom, tilt, dolly/tracking, boom/crane), lighting (high key, low key, bottom lighting/low lighting, front/rear lighting) and how they can influence messages and impact production elements like font, color and layout. Students will analyze the film To Kill a Mockingbird using these techniques.
Cinematography lesson 1
Cinematography is a micro-element that filmmakers can manipulate to influence audience responses. Different shot types like close-ups, low angles, and high angles can be used to make audiences feel closer to characters or make them appear threatening. For example, in Lord of the Rings, close-ups build tension and low angles used on the Nazgul make them appear dangerous. Understanding how to analyze cinematography techniques is essential for success in the film studies course.
Cinematography
The document discusses various cinematography techniques related to lighting and space. It describes three-point lighting which uses a key light, back light, and fill light to model a subject. High-key lighting has the fill light close to the key light level, resulting in few shadows, while low-key lighting uses little fill light, creating strong contrasts. It also discusses techniques for manipulating depth of space including deep space, shallow space, and offscreen space.
camera lighting and soundsc
Lighting is very important in horror films, with low level lighting used to create a creepy atmosphere through darkness. Over the shoulder shots are commonly used to show perspectives between characters during conversations, while medium close ups capture emotions without being too close. High and low angle shots provide different perspectives to show characters' vulnerability or intimidation. Synchronous sounds and non-diegetic music are also important for setting atmosphere and building suspense.
Basic conventions of documentary
The document outlines basic conventions for filming and editing documentary footage. It discusses using steady shots of interview subjects framed using thirds, without the interviewer shown. It also discusses using b-roll footage and cutaways to supplement interviews, as well as establishing shots, archive footage, stills, and vox pops. Finally, it mentions using a presenter or voiceover to anchor meaning and guide understanding with a carefully written script.
Cinematography
The document defines and provides examples of different types of shots used in cinematography, including pans, dollies, tilts, handheld shots, high and low angles, establishing shots, close ups, extreme close ups, pull focus, shot reverse shot, match on action, graphic matches, eye line matches, point of view shots, cutaways, and montages. Each shot type is used to achieve a specific goal, such as tracking movement, establishing location, showing emotion, or creating continuity between scenes. Video links are provided with examples of many of the shot types.
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Basic conventions of a documentary
Basic conventions of a documentary include A-roll footage of main interviews with subjects and B-roll footage used to supplement the interviews. A-roll footage consists of interviews filmed with subjects looking at the interviewer, not the camera, while B-roll includes establishing shots, archive footage, photographs, and vox pops to illustrate what the subjects discuss. Graphics with subject names are often included at the bottom of the screen.
Codes and conventions of the documentary genre
The document outlines some common codes and conventions used in documentary filmmaking, including how interviews are typically filmed, the use of archive footage and graphics to support narration, employing relevant mise-en-scene elements, including vox pops from members of the public, and considerations for sound design and editing.
Codes and conventions of the documentary genre
Documentaries employ specific cinematography, editing, and production techniques to convey information in a clear and engaging manner. Interviews are typically filmed with the subject framed to one side of the screen in close-up or medium close-up. Static tripod shots are common for interviews. A variety of camera movements like zooms and pans are used alongside archive footage and graphics to illustrate topics. Soundtracks with relevant music aid the storytelling, while voiceovers, interviews, and graphics help provide necessary context for viewers. Editing focuses on seamless cuts between scenes rather than complex transitions. Overall, documentaries aim to inform audiences through intentional application of cinematic codes and conventions.
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Codes and conventions of the documentary genre
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Codes and Conventions of Interviews
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The document discusses conventions for shooting interviews in documentaries. It states that interviews typically use a mid shot or medium close up of the interviewee to focus on them while showing some of the background setting. Cutaways are often used instead of showing the interviewer, and graphics introduce the interviewee. Interviews follow the rule of thirds and position the interviewee to address the off-camera interviewer. The background setting is chosen based on the documentary's tone, with natural light used for serious topics and interviews sometimes in the interviewee's own environment.
Codes and conventions of interviews
This document outlines codes and conventions for filming interviews, including framing interviewees using the rule of thirds, using the mise-en-scene to associate with the topic, including graphics with interviewee names and relevance, using cutaways to break up interviews, and editing out questions while including cutaways.
Interview analysis
The interviewees are positioned on the left or right side of the frame using the rule of thirds so that their background is visible and relevant to who they are or what their involvement is. Questions are edited out so that the interviewee appears to speak continuously to save time and make the documentary flow better. The interviewee always addresses the interviewer, not the camera, and the camera is typically placed to the side with the interviewer in the middle to seem more natural. Close-ups and medium close-ups are commonly used and the interviewee and interviewer are at the same level.
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Basic conventions of a documentary
- 1. Basic Conventions of a Documentary
- 2. A-roll footage • A-roll footage involves interviews with people who are important to the subject. These are usually filmed with a camera on a tripod. • These interviews are usually framed using the ‘rule of thirds’ • The interviewer is often not featured; questions are edited out.
- 3. • The subject’s face is always lit from the front, not from behind – never in front of a window. • Different interviews are filmed using different shot sizes and framed to provide variety (e.g. Medium shot, close up, head on right, ect) • Background mise en scene is organised to reflect the topic or personality of the subject.
- 4. • Blue screen/chroma-key may be used to put relevant images behind the subject. • Graphics showing the names of the subjects and other relevant information are positioned at the bottom of the screen.
- 5. Interview framing Mise en Scene relevant to topic Looking at the interviewer Bluescreen or Chroma-key Appropriate Location not camera Rule of thirds Interviewee Graphics: Name of interviewee, Clothing to reflect job or job/relevance personality
- 6. B-roll footage • B-roll footage is used to supplement the main interview footage, edited together between interviews sometimes in a creative montage. • Cutaway shots are inserted into interviews sometimes to illustrate what the subject is talking about.
- 7. • Establishing shots may be used to identify locations where people live or where events are taking place. • Archive footage may be used to illustrate historical facts • Still photographs may be used to illustrate what is being spoken about – the camera may pan or zoom in/out on still photographs.
- 8. • Vox Pops – sound bites of interviews with ordinary people – sometimes filmed with hand-held camera. • A presenter who speaks to the camera and/or voice-over narration delivering a carefully written script – anchors the meaning of the visual images and guides the viewer’s understanding of the topic.
- 9. • Presenter/voice over narrator usually speaks with an authoritative voice. • A non-diegetic musical soundtrack may be used behind the voice over and may rise in volume when there is no voice over.