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Francisco Arcellana
 Francisco "Franz“ Arcellana (September 6, 1916 –
 August 1, 2002) was a Filipino writer, poet, essayist,
 critic, journalist and teacher. He was born on September
 16, 1916. Arcellana already had ambitions of becoming
 a writer during his years in the elementary. His actual
 writing, however, started when he became a member
 of The Torres Torch Organization during his high school
 years. Arcellana continued writing in various school
 papers at the University of the Philippines Diliman . He
 later on received a Rockfeller Grant and became a
 fellow in creative writing the University of Iowa and
 Breadloaf's writers conference from 1956- 1957.
 He is considered an important progenitor of the modern
  Filipino short story in English. Arcellana pioneered the
  development of the short story as a lyrical prose-poetic form
  within Filipino literature. His works are now often taught in
  tertiary-level-syllabi in the Philippines. Many of his works were
  translated into Tagalog, Malaysian, Russian, Italian, and
  German. Arcellana won 2nd place in 1951 Don Carlos
  Palanca Memorial Awards for Literature, with his short
  story, "The Flowers of May." 14 of his short stories were also
  included in Jose Garcia Villa's Honor Roll from 1928 to 1939.
  His major achievements included the first award in art
  criticism from the Art Association of the Philippines in
  1954, the Patnubay ng Sining at Kalinangan award from the
  city government of Manila in 1981, and the Gawad
  Pambansang Alagad ni Balagtas for English fiction from the
  Unyon ng mga Manunulat sa Pilipino (UMPIL) in 1988.
  Francisco Arcellana was proclaimed National Artist of the
  Philippines in Literature in 1990.
Characters:
  Mr. Angeles (Jaime) - the head of Angeles
   family
  Emilia (Miling) - wife of Mr. Angeles
  Marcelina, Jose, Antonio,
   Juan, Jesus, Susanna, and Alfonso -
   children of Mr. and Mrs. Angeles
  Josefina, Victoria, and Concepcion - dead
   family members.
Summary:
 For the Angeles family, Mr. Angeles'; homecoming from his periodic inspection
  trips was always an occasion for celebration. But his homecoming--from a trip
  to the South--was fated to be more memorable than, say, of the others.
  He had written from Mariveles: "I have just met a marvelous mat weaver--a real
  artist--and I shall have a surprise for you. I asked him to weave a sleeping-mat
  for every one of the family. He is using many different colors and for each mat
  the dominant color is that of our respective birthstones. I am sure that the
  children will be very pleased. I know you will be. I can hardly wait to show
  them to you."
  Nana Emilia read the letter that morning and again and again every time she
  had a chance to leave the kitchen. In the evening when all the children were
  home from school she asked her oldest son, José, to read the letter at dinner
  table. The children became very much excited about the mats, and talked
  about them until late into the night. This wrote her husband when she labored
  over a reply to him. For days after that, mats continued to be the chief topic of
  conversation among the children.
Mr. Angeles travelled to southern Philippines and bought mats
for his wife and children. Each mat has the corresponding
name of all his living offspring, even those who already died.
When he arrived home from his trip, he presented the mats to
his family. As he unfolds one mat after another, he narrated
the emotions, longings and beautiful memories they have had
as a family. The sorrow heightened when the last two mats he
opened are for his dead children who made his wife reacted
with grief, and told Mr. Angeles that there is no need for him to
open those mats for the two were already dead.
At that point, Mr. Angeles cried with pain while telling his wife
that his children must always be in their memory no matter
where they are now.
Theme:
 The theme of The Mats covers family and Filipino values.
 The closeness of family has always been a major Filipino
 value - respect for the elders and parents, the stability of
 parents' marriage, equality of siblings, so on and so forth.
 The Mats dissects these when it paints a picture of the
 relationships of the various members of the family. When
 Mr. Angeles brings out mats even for his children who are
 no longer with them, it shows that the love between
 members of a Filipino family transcends even death.
 The mats were the ideal archetype to use here because
 they are carefully handcrafted and woven, the threads
 and strips tied tightly together. A Filipino family is like a
 mat or banig, with its members bound tightly together too.
Symbolism:
 the relationships of the various members of the
  family.
 the Filipinos have strong family ties and the mats have
  bonded that tie till death.
 A very sentimental write. Arcellana's story would
  indeed capture the Filipino readers by heart for his
  brilliant display of emotions by using only one
  symbolism-THE MAT.

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Bandasan, renalyn. philippine literature

  • 1.
  • 2. Francisco Arcellana  Francisco "Franz“ Arcellana (September 6, 1916 – August 1, 2002) was a Filipino writer, poet, essayist, critic, journalist and teacher. He was born on September 16, 1916. Arcellana already had ambitions of becoming a writer during his years in the elementary. His actual writing, however, started when he became a member of The Torres Torch Organization during his high school years. Arcellana continued writing in various school papers at the University of the Philippines Diliman . He later on received a Rockfeller Grant and became a fellow in creative writing the University of Iowa and Breadloaf's writers conference from 1956- 1957.
  • 3.  He is considered an important progenitor of the modern Filipino short story in English. Arcellana pioneered the development of the short story as a lyrical prose-poetic form within Filipino literature. His works are now often taught in tertiary-level-syllabi in the Philippines. Many of his works were translated into Tagalog, Malaysian, Russian, Italian, and German. Arcellana won 2nd place in 1951 Don Carlos Palanca Memorial Awards for Literature, with his short story, "The Flowers of May." 14 of his short stories were also included in Jose Garcia Villa's Honor Roll from 1928 to 1939. His major achievements included the first award in art criticism from the Art Association of the Philippines in 1954, the Patnubay ng Sining at Kalinangan award from the city government of Manila in 1981, and the Gawad Pambansang Alagad ni Balagtas for English fiction from the Unyon ng mga Manunulat sa Pilipino (UMPIL) in 1988. Francisco Arcellana was proclaimed National Artist of the Philippines in Literature in 1990.
  • 4.
  • 5. Characters:  Mr. Angeles (Jaime) - the head of Angeles family  Emilia (Miling) - wife of Mr. Angeles  Marcelina, Jose, Antonio, Juan, Jesus, Susanna, and Alfonso - children of Mr. and Mrs. Angeles  Josefina, Victoria, and Concepcion - dead family members.
  • 6. Summary:  For the Angeles family, Mr. Angeles'; homecoming from his periodic inspection trips was always an occasion for celebration. But his homecoming--from a trip to the South--was fated to be more memorable than, say, of the others. He had written from Mariveles: "I have just met a marvelous mat weaver--a real artist--and I shall have a surprise for you. I asked him to weave a sleeping-mat for every one of the family. He is using many different colors and for each mat the dominant color is that of our respective birthstones. I am sure that the children will be very pleased. I know you will be. I can hardly wait to show them to you." Nana Emilia read the letter that morning and again and again every time she had a chance to leave the kitchen. In the evening when all the children were home from school she asked her oldest son, José, to read the letter at dinner table. The children became very much excited about the mats, and talked about them until late into the night. This wrote her husband when she labored over a reply to him. For days after that, mats continued to be the chief topic of conversation among the children.
  • 7. Mr. Angeles travelled to southern Philippines and bought mats for his wife and children. Each mat has the corresponding name of all his living offspring, even those who already died. When he arrived home from his trip, he presented the mats to his family. As he unfolds one mat after another, he narrated the emotions, longings and beautiful memories they have had as a family. The sorrow heightened when the last two mats he opened are for his dead children who made his wife reacted with grief, and told Mr. Angeles that there is no need for him to open those mats for the two were already dead. At that point, Mr. Angeles cried with pain while telling his wife that his children must always be in their memory no matter where they are now.
  • 8. Theme:  The theme of The Mats covers family and Filipino values. The closeness of family has always been a major Filipino value - respect for the elders and parents, the stability of parents' marriage, equality of siblings, so on and so forth. The Mats dissects these when it paints a picture of the relationships of the various members of the family. When Mr. Angeles brings out mats even for his children who are no longer with them, it shows that the love between members of a Filipino family transcends even death. The mats were the ideal archetype to use here because they are carefully handcrafted and woven, the threads and strips tied tightly together. A Filipino family is like a mat or banig, with its members bound tightly together too.
  • 9. Symbolism:  the relationships of the various members of the family.  the Filipinos have strong family ties and the mats have bonded that tie till death.  A very sentimental write. Arcellana's story would indeed capture the Filipino readers by heart for his brilliant display of emotions by using only one symbolism-THE MAT.