Assistant stage manager
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An assistant stage manager has various responsibilities before, during, and after shows. They help prepare rehearsals, procure props and set dressing, and cover rehearsals if needed. During shows, their main roles are to schedule performances, ensure performers are ready and props are set, and control backstage operations. After shows, assistant stage managers oversee the safe removal of props, sets, and costumes, as well as scheduling the de-rigging of technical equipment and clearing of the venue.
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The producer is responsible for the financial and contractual aspects of a production, including raising funds, hiring facilities and staff. The director develops the artistic vision and oversees all creative aspects such as casting, rehearsals, and collaborating with designers. The stage manager leads the stage management team and ensures the smooth running of the production by coordinating cues, scene changes, and calling actors. The makeup artist is responsible for designing and applying makeup for actors, maintaining the inventory, and supervising application throughout the run of the show.
Theatre hierarchy
The Stage Manager oversees every performance and ensures efficient backstage management by communicating the director's vision and assigning tasks to the Assistant Stage Manager and Stage Crew. The Deputy Stage Manager cues the lighting and sound operators during performances based on cues learned during rehearsals. The Assistant Stage Manager assists the Stage Manager and is often in charge of the Stage Crew and props. The Stage Crew assists with quick scene and costume changes to ensure smooth performances.
Events management team job roles
An events management team typically includes roles such as:
- A director who has overall artistic control of the production and advises other departments.
- An administrator who manages finances and ensures employees' rights.
- A production manager who oversees all production staff and ensures a safe working environment.
- A stage manager who coordinates information between departments and ensures props, sets and costumes are safely stored.
- Designers who work with the director and production manager to design sets, lighting, sound, and costumes within budget.
- Technicians who implement the designs and maintain equipment throughout the run of the production.
- Managers who oversee departments like wardrobe, front of house, and marketing/publicity
Research of Job Roles in the Production Arts Industry
The document summarizes several job roles in the production arts industry, including stage manager, sound designer, sound operator, lighting designer, lighting operator, deputy stage manager, assistant stage manager, costume master/mistress, props master/mistress, and front of house manager. It provides brief descriptions of the key responsibilities for each role, such as coordinating all aspects of a performance for a stage manager, designing sound elements for a production for a sound designer, and managing customer service staff and the audience experience for a front of house manager.
Gc1 job roles
The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
Events management hierarchy
The document outlines an events management hierarchy with the client at the top overseeing an events manager. The events manager oversees various departments including a budget manager, creative team, technical manager, talent relations, marketing/PR, and catering. The budget manager divides the budget among departments. The creative team develops performances and finds talent. The technical manager handles equipment and crew. Talent relations provides performers and handles contracts. Marketing promotes the event. Catering provides food and waiting staff. Each department has specific responsibilities to ensure the successful planning and execution of the event.
Gc1 job roles done
The document outlines the key roles and responsibilities in a theatrical production, including the stage manager who oversees all aspects of the production to ensure it runs smoothly, assistant stage managers who help control areas on the stage's sides, the sound designer who sources and manipulates sounds and music, the sound operator who prepares and runs sound cues, the front of house manager who organizes the front-of-house staff and refreshments, the lighting designer who designs the lighting setup and cues, and the lighting operator who operates the lighting desk during performances.
My job roles and responsibilities props mistress
As the props mistress, Ann Brown is responsible for managing the sourcing, collection, and organization of props for performances. This includes creating detailed props lists, communicating with the director, attending rehearsals, instructing actors, supervising other staff, and ensuring all props are in place. She must source props on budget, make sure they enhance the narrative, and effectively communicate with the production team.
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The producer is responsible for the financial and contractual aspects of a production, including raising funds, hiring facilities and staff. The director develops the artistic vision and oversees all creative aspects such as casting, rehearsals, and collaborating with designers. The stage manager leads the stage management team and ensures the smooth running of the production by coordinating cues, scene changes, and calling actors. The makeup artist is responsible for designing and applying makeup for actors, maintaining the inventory, and supervising application throughout the run of the show.
Theatre hierarchy
The Stage Manager oversees every performance and ensures efficient backstage management by communicating the director's vision and assigning tasks to the Assistant Stage Manager and Stage Crew. The Deputy Stage Manager cues the lighting and sound operators during performances based on cues learned during rehearsals. The Assistant Stage Manager assists the Stage Manager and is often in charge of the Stage Crew and props. The Stage Crew assists with quick scene and costume changes to ensure smooth performances.
Events management team job roles
An events management team typically includes roles such as:
- A director who has overall artistic control of the production and advises other departments.
- An administrator who manages finances and ensures employees' rights.
- A production manager who oversees all production staff and ensures a safe working environment.
- A stage manager who coordinates information between departments and ensures props, sets and costumes are safely stored.
- Designers who work with the director and production manager to design sets, lighting, sound, and costumes within budget.
- Technicians who implement the designs and maintain equipment throughout the run of the production.
- Managers who oversee departments like wardrobe, front of house, and marketing/publicity
Research of Job Roles in the Production Arts Industry
The document summarizes several job roles in the production arts industry, including stage manager, sound designer, sound operator, lighting designer, lighting operator, deputy stage manager, assistant stage manager, costume master/mistress, props master/mistress, and front of house manager. It provides brief descriptions of the key responsibilities for each role, such as coordinating all aspects of a performance for a stage manager, designing sound elements for a production for a sound designer, and managing customer service staff and the audience experience for a front of house manager.
Gc1 job roles
The stage manager coordinates all aspects of a production to ensure its successful delivery. They manage rehearsals, actors, technicians and more from rehearsal through performance, dealing with any issues.
The sound designer is responsible for all audio elements of a production. This includes editing sounds, finding sound effects, and understanding sound programs like QLAB. They must adapt their role to each specific production.
The front of house manager oversees the audience experience and front of house facilities like bars and ticket sales. They are the first impression of the venue and must ensure a smooth performance.
The deputy/assistant stage manager assists the stage manager and director. They prompt actors, cue crew, and fill in for the stage manager
Events management hierarchy
The document outlines an events management hierarchy with the client at the top overseeing an events manager. The events manager oversees various departments including a budget manager, creative team, technical manager, talent relations, marketing/PR, and catering. The budget manager divides the budget among departments. The creative team develops performances and finds talent. The technical manager handles equipment and crew. Talent relations provides performers and handles contracts. Marketing promotes the event. Catering provides food and waiting staff. Each department has specific responsibilities to ensure the successful planning and execution of the event.
Gc1 job roles done
The document outlines the key roles and responsibilities in a theatrical production, including the stage manager who oversees all aspects of the production to ensure it runs smoothly, assistant stage managers who help control areas on the stage's sides, the sound designer who sources and manipulates sounds and music, the sound operator who prepares and runs sound cues, the front of house manager who organizes the front-of-house staff and refreshments, the lighting designer who designs the lighting setup and cues, and the lighting operator who operates the lighting desk during performances.
My job roles and responsibilities props mistress
As the props mistress, Ann Brown is responsible for managing the sourcing, collection, and organization of props for performances. This includes creating detailed props lists, communicating with the director, attending rehearsals, instructing actors, supervising other staff, and ensuring all props are in place. She must source props on budget, make sure they enhance the narrative, and effectively communicate with the production team.
Stage manager’s responsibilities
The stage manager is responsible for overseeing all rehearsal and performance aspects from pre-production through strike. Key responsibilities include setting up rehearsals, taking notes, communicating with the director and crew, running technical rehearsals, calling cues during performances, and ensuring all equipment and personnel are ready. The stage manager may delegate some tasks but is ultimately accountable for ensuring the smooth running of the production.
Job roles in the production arts industry
The document discusses several job roles in the production arts industry, including stage manager, assistant stage manager, deputy stage manager, front of house manager, lighting operator, sound operator, costume master/mistress, props master/mistress, costume assistant, props assistant, lighting designer, and sound designer. It provides descriptions of the typical responsibilities and tasks for each role.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through scene changes, cues, and crew tasks. The deputy stage manager cues the lighting and sound operators during performances based on cues prepared during rehearsals. Other important roles include the assistant stage manager, stage crew, lighting and sound designers/operators, and those responsible for costumes, props, and front of house duties.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Production arts production roles in musical theatre
The producer manages all financial and creative aspects of a theatrical production, hiring employees like writers, directors, designers, and performers. The director works closely with the producer and cast to bring the script to life on stage in a way that connects with audiences. The musical director ensures the musical elements are thoroughly prepared and interpreted, conducting rehearsals and performances. Choreographers create and teach dance routines and sequences for performers in various creative works. The technical director oversees all technical equipment and production processes to ensure functionality, maintenance, organization, and safety. The deputy stage manager prompts actors and cues crew during rehearsals and performances under the direction of the stage manager. Assistant stage managers take on various responsibilities assigned by the deputy stage manager to
Stage manager’s responsibilities
The stage manager is responsible for overseeing the rehearsal space and coordinating the production. Their duties include setting up the space, taking notes during rehearsals, communicating schedule changes to the cast and crew, and coordinating the strike of the set after the final performance. During tech week and performances, the stage manager cues all lighting, sound, and scene shifts according to the prompt book. They facilitate smooth rehearsals and performances through clear communication and organization.
Abbie team dynamics and roles
The document outlines various roles and responsibilities within a theatre organization. The General Manager has overall responsibility for running the theatre and works with the Artistic Director, board, and various departments. The Artistic Director works with the General Manager on artistic planning and resource management. The Director has artistic control of productions and works with designers and the Production Manager. The Production Manager oversees health and safety, budgets, and schedules for technical aspects of productions. The Marketing/Publicity Manager is responsible for promoting productions and attracting sponsorship.
Theatre hierarchy
The Stage Manager oversees every performance, ensuring quick costume and mic changes happen efficiently. They communicate the director's vision and organize backstage tasks. The Deputy Stage Manager cues lighting and sound operators during performances based on rehearsals. The Assistant Stage Manager assists the Stage Manager with errands and ensures the stage crew understand their roles, such as quick changes. The stage crew help with props, answering questions, and setting up the set efficiently.
Elements of theatre - Stage manager, stage crew and house management
The document discusses the key roles and responsibilities of a stage manager, stage crew, and house manager in a theatrical production. A stage manager oversees the entire production process including organizing rehearsals, cueing actors, and running technical rehearsals and performances. Stage crew help with tasks like moving scenery, operating fly systems, and assisting actors with quick changes. The house manager coordinates front of house operations such as opening and closing the theater, crowd control, and ensuring programs and ushers are in place for each performance.
Production staff positions in theater
The document outlines various staff positions involved in a theater production, including producers, directors, stage managers, designers, and others. It describes the key responsibilities of each position throughout the pre-production, production, and post-production stages. The positions work together cooperatively to bring the artistic vision to life on stage.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
Events management team job roles
The document describes various job roles in event management and their responsibilities. It discusses roles at the top of the hierarchy like the events coordinator who manages all staff, and the client service event manager who deals with customers. Mid-level roles covered include event planner, event manager, and event assistant. The document also outlines design and technical roles like choreographer, lighting operator, and sound operator.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
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Gc1 job roles in the production roles
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The document discusses the roles and responsibilities of stage managers and assistant stage managers in different theatre contexts:
- Touring theatres require company stage managers to manage actors, equipment transportation, load-ins/outs, and lighting and sound, with actor assistance during load-ins/outs.
- In West End theatres, assistant stage managers' main role is organizing and preparing props and set pieces for each performance and cueing actors on stage.
- For medium theatres, assistant stage managers work as part of a team with the stage manager and director to support the smooth running of productions.
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Gc1
The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
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Stage manager’s responsibilities
The stage manager is responsible for overseeing all rehearsal and performance aspects from pre-production through strike. Key responsibilities include setting up rehearsals, taking notes, communicating with the director and crew, running technical rehearsals, calling cues during performances, and ensuring all equipment and personnel are ready. The stage manager may delegate some tasks but is ultimately accountable for ensuring the smooth running of the production.
Job roles in the production arts industry
The document discusses several job roles in the production arts industry, including stage manager, assistant stage manager, deputy stage manager, front of house manager, lighting operator, sound operator, costume master/mistress, props master/mistress, costume assistant, props assistant, lighting designer, and sound designer. It provides descriptions of the typical responsibilities and tasks for each role.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through scene changes, cues, and crew tasks. The deputy stage manager cues the lighting and sound operators during performances based on cues prepared during rehearsals. Other important roles include the assistant stage manager, stage crew, lighting and sound designers/operators, and those responsible for costumes, props, and front of house duties.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Theatre hierarchy
The stage manager oversees all aspects of the production backstage and ensures the show runs smoothly through cues and organization. The deputy stage manager cues the lighting and sound operators during performances. Other important roles include the assistant stage manager, stage crew, lighting and sound designers and operators, mic operator, and those in charge of props, costumes, and front of house.
Production arts production roles in musical theatre
The producer manages all financial and creative aspects of a theatrical production, hiring employees like writers, directors, designers, and performers. The director works closely with the producer and cast to bring the script to life on stage in a way that connects with audiences. The musical director ensures the musical elements are thoroughly prepared and interpreted, conducting rehearsals and performances. Choreographers create and teach dance routines and sequences for performers in various creative works. The technical director oversees all technical equipment and production processes to ensure functionality, maintenance, organization, and safety. The deputy stage manager prompts actors and cues crew during rehearsals and performances under the direction of the stage manager. Assistant stage managers take on various responsibilities assigned by the deputy stage manager to
Stage manager’s responsibilities
The stage manager is responsible for overseeing the rehearsal space and coordinating the production. Their duties include setting up the space, taking notes during rehearsals, communicating schedule changes to the cast and crew, and coordinating the strike of the set after the final performance. During tech week and performances, the stage manager cues all lighting, sound, and scene shifts according to the prompt book. They facilitate smooth rehearsals and performances through clear communication and organization.
Abbie team dynamics and roles
The document outlines various roles and responsibilities within a theatre organization. The General Manager has overall responsibility for running the theatre and works with the Artistic Director, board, and various departments. The Artistic Director works with the General Manager on artistic planning and resource management. The Director has artistic control of productions and works with designers and the Production Manager. The Production Manager oversees health and safety, budgets, and schedules for technical aspects of productions. The Marketing/Publicity Manager is responsible for promoting productions and attracting sponsorship.
Theatre hierarchy
The Stage Manager oversees every performance, ensuring quick costume and mic changes happen efficiently. They communicate the director's vision and organize backstage tasks. The Deputy Stage Manager cues lighting and sound operators during performances based on rehearsals. The Assistant Stage Manager assists the Stage Manager with errands and ensures the stage crew understand their roles, such as quick changes. The stage crew help with props, answering questions, and setting up the set efficiently.
Elements of theatre - Stage manager, stage crew and house management
The document discusses the key roles and responsibilities of a stage manager, stage crew, and house manager in a theatrical production. A stage manager oversees the entire production process including organizing rehearsals, cueing actors, and running technical rehearsals and performances. Stage crew help with tasks like moving scenery, operating fly systems, and assisting actors with quick changes. The house manager coordinates front of house operations such as opening and closing the theater, crowd control, and ensuring programs and ushers are in place for each performance.
Production staff positions in theater
The document outlines various staff positions involved in a theater production, including producers, directors, stage managers, designers, and others. It describes the key responsibilities of each position throughout the pre-production, production, and post-production stages. The positions work together cooperatively to bring the artistic vision to life on stage.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as their assistant. Other roles covered include sound designer and operator, lighting designer and operator, costume mistress, props mistress, and front of house manager. Each role has specific tasks such as designing elements, operating equipment, or overseeing departments and ensuring smooth performances. The stage manager sits at the top of the hierarchy and coordinates communication between all roles.
Events management team job roles
The document describes various job roles in event management and their responsibilities. It discusses roles at the top of the hierarchy like the events coordinator who manages all staff, and the client service event manager who deals with customers. Mid-level roles covered include event planner, event manager, and event assistant. The document also outlines design and technical roles like choreographer, lighting operator, and sound operator.
Gc1 job roles in the production roles
The document outlines the various job roles in stage production, including their responsibilities and hierarchy. It discusses the roles of the stage manager, who oversees the entire production, as well as deputies. Other roles covered are sound and lighting designers, who design audio and visual elements, and their operators who implement them. Front of house, costume, and props managers are also summarized as supporting roles that ensure the smooth running of performances.
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Trevor Nunn is an English theatre director known for his inventive productions of Shakespeare and popular musicals. He has directed for the Royal Shakespeare Company and Royal National Theatre, producing acclaimed versions of works by Shakespeare, Lloyd Webber, and others. Nunn coordinates all aspects of a production, from rehearsals and set design to performances. He works closely with performers, designers, and producers to realize his artistic vision for each show.
Gc1 job roles in the production roles
The document describes the roles and responsibilities of various positions within the production of a musical. It begins by explaining there is a hierarchy and then lists the roles of Stage Manager, Assistant Stage Manager, Deputy Stage Manager, Sound Designer, Sound Operator, Front of House Manager, Lighting Designer, and Lighting Operator. For each role it provides details of their responsibilities and how they interact with other roles to ensure smooth execution of the production.
Asm in diffrent theatres
The document discusses the roles and responsibilities of stage managers and assistant stage managers in different theatre contexts:
- Touring theatres require company stage managers to manage actors, equipment transportation, load-ins/outs, and lighting and sound, with actor assistance during load-ins/outs.
- In West End theatres, assistant stage managers' main role is organizing and preparing props and set pieces for each performance and cueing actors on stage.
- For medium theatres, assistant stage managers work as part of a team with the stage manager and director to support the smooth running of productions.
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The document describes several job roles in theatre production:
Stage Manager coordinates all aspects of a production from rehearsals through performances to ensure successful delivery. Their duties include managing schedules, props, costumes, budgets and communicating between departments.
Sound Designers and Composers create sound effects and music to fit the production concept as directed. Sound Operators operate sound equipment during rehearsals and performances, cueing effects at the proper moments.
Lighting Operators operate lights during rehearsals and performances, programming cues to create desired emotions according to the director's vision.
Front of House Managers oversee ticket sales and audience experience to maintain the production's public image and quality service.
Props
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The document outlines the roles and responsibilities of various positions in radio broadcasting. A radio assistant broadcaster offers support to presenters and producers, helping with research, production, and ensuring a smooth program. They must have strong IT and communication skills to work under pressure. A radio producer creates content, manages pre-production and performance, and ensures programs meet station standards. They oversee licensing, copyright, and budgets. Radio presenters are the voice heard by the audience and work closely with producers to deliver scripted or unscripted segments within a given structure. A radio program controller leads programming teams to meet creative and commercial needs, overseeing various departments. Sound technicians assemble and maintain audio equipment, consulting with producers on sound requirements and managing that
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This document provides a 14-step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. It outlines steps for checking that fixtures have safety chains, clamps, gel frames, and barn doors installed. It also includes steps for ensuring the dimmer control box and lighting desk are powered on and connected. The final steps cover troubleshooting non-functioning lights by checking connections and taking non-working lights to a technician.
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This document provides a 10 step guide for ensuring that lighting equipment in a drama studio is properly set up and functioning correctly. The steps include checking that lights have safety chains, gels, barn doors, and are securely plugged in. It also involves inspecting the bulbs, cleaning dust from lights, and checking wires in plugs. The user is asked to confirm completion of each step by circling yes or no.
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This document provides a checklist to ensure lighting, sound, and projection equipment for an event is properly set up and functioning safely. It includes checking that lights have safety chains, are fully assembled, and focused properly. It also involves verifying the correct number of lights, that the lighting desk is powered on and dimmers are working. For sound, it checks that all necessary leads are connected to the sound desk and laptop. And for projection, it confirms all needed equipment is present and properly connected, including power and video cables.
Sound analysis
The document discusses components of musical theatre like using a live orchestra, sound effects, and underscoring action. It then summarizes the plot of the musical comedy horror film The Rocky Horror Picture Show. Next, it analyzes the song "Time Warp" and how it uses tense musical notes and pre-recorded sound effects. It also discusses the artist Bill Fontana and his 2008 piece "Speed of Time" which features environmental sounds recorded from microphones placed around London. Finally, it compares how musical theatre and Bill Fontana's work use sound effects and microphone placement differently.
Gc1
The document outlines several job roles in theatre production, including stage manager, sound designer/operator, lighting operator, front of house manager, and props mistress. A stage manager coordinates all aspects of a production to ensure successful performances. They manage rehearsals, actors, technicians and liaise between departments. A sound designer plans sound effects while an operator plays them at the right time. A lighting operator programs and operates lights to match scenes and cues. The front of house manager oversees customer service. The props mistress sources and manages all props for the production.
Arley hall
The client wants the Production Arts team to put on a Contemporary Dance Show over two nights at Arley Hall & Gardens. On each night, there will be two simultaneous performances - one in the Gallery room and one in the Drawing Room. A total audience of 100 people will watch each night, with 50 people rotating between the two rooms at the interval. The Production team must develop a running order, source the necessary equipment, and assign roles like lighting technician. As the lighting technician, the student will be responsible for rigging, maintaining, and programming the lights under the supervision of the technical manager and assistant stage manager.
Documentary genres
A documentary aims to document real events using actual footage or reconstruction. It can use a narrator's voiceover or rely on participant interviews to provide context. There are several styles of documentaries including fully narrated, observational, mixed, self-reflexive, docu-drama, and docu-soap. Documentaries typically use techniques like observation footage, interviews, drama/reconstruction, and exposition to advance their narrative while acknowledging their constructed nature.
Hsm
High School Musical is a Disney musical film that premiered in 2006, telling the story of Troy Bolton and Gabriella Montez who meet at a New Year's Eve party and discover their shared love of singing, despite coming from different cliques at East High School in Albuquerque, New Mexico. The film follows their audition for and participation in the school's winter musical, facing opposition from the resident thespians Sharpay and Ryan Evans, while also dealing with relationships, school activities, and personal drama.
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Assistant stage manager
- 1. Assistant Stage Manager (ASM) The role of an assistant stage manager has a variety of different duties and responsibilities that they undertake before, during and after shows. They will do jobs that have been assigned to them by the stage manager or deputy stage manageras long as it is part of the stage management role. The pay scale for an assistant stage manager isn’t really too large it can range from £16000 to £17000 and deputy stage managers can earn slightly more whereas stage managers depending on how experienced they are can range from £20000 to £40000. Before a show has been put on the ASM is involved with the auditions and preparation of rehearsal room. They also participate in the procurement of props, furniture and set dressing. While the show is on or touring they are also responsible for maintaining the props so that they aren’t damaged and can still be used in the show. The ASM can also cover rehearsals if needed and take charge of running the rehearsal if needed. They also play a role in the event planning team to make sure that it runs on time and also they know where and when different people should be in different places. During a show the ASM has the responsibility of scheduling the show and making sure that the shows runs on time and that all performers are present to preform. They have the major responsibility of setting props and usually controlling backstage so that the stage manager is free to troubleshoot any problems that occur during the show/ event. Not only do they have to make sure all performers are on time but they also need to make sure that all other teams such as front of house and technical are sticking to deadlines to. They may also be needed to assist where else if needed. Once the show/event is complete they take responsibility of the props, set &costume. This involvesmaking sure that they are removed and placed into transport safely and correctly to prevent any damage to them. Another responsibility is the schedule of the teams to make sure that the public and performers are out of the venue and all the technical equipment is in transport and has been fully de-rigged. This is important to make sure that the venue is left how it was previously was before the show/event.