Assignment 27
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The document provides a 10 point bullet point summary of the key events in a story about a girl in a field. It then outlines the timeline and structure of the story in two non-linear timelines, indicating the sequence of flashbacks and shots including locations, distances from the camera, and times. The timelines show the story unfolding from a girl in a field through flashbacks of her returning from work and being bitten, back to her in the field struggling and turning into a zombie.
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Assignment27
The document outlines a 10-point story timeline and proposed visual timeline for a zombie film opening sequence. The timeline begins with a girl in a field and flashes back to show her returning from work and discovering a secret file. It then cuts back to the field where she gets closer to the camera and has flashbacks of hearing a noise and getting bitten. The timeline continues with her falling in the field, crawling in pain, and ultimately turning into a zombie. The document also provides potential timing, camera shots, and effects to bring the linear and non-linear timeline to life over the course of a 2 minute and 20 second opening sequence.
Assignment 27
This document outlines the timeline and storyboard for a short zombie film. It includes:
1) A 10 point bullet point summary of the story, from a girl in a field hearing noises to her transforming into a zombie.
2) A timeline of the shots planned in the film from establishing shots of the girl in the field to her transformation, with estimated shot lengths.
3) Details of the credits and titles that would appear at the end.
Assignment 27
The document outlines a 10 point timeline and story for a zombie film. It begins with the girl in a field and flashes back to her returning from work and discovering a secret file. The timeline then cuts between the girl in the field crawling in pain and flashbacks of her getting bitten. It concludes with the girl turning into a zombie. The document also provides more details on the potential shots, effects, and timeline for the opening sequence including locations, durations, and close up shots of the girl's wound and her turning.
Shotlist
This document outlines the shots, timing, and camera angles for a film scene. It involves two girls doing photography work in a studio at night. When their camera is left on with night vision, it captures a figure (a ghost) that approaches the girls as they struggle to open a door, panicking. The ghost stares at the girls by the door then quickly looks away, causing the door to open and allowing the girls to escape, after which the ghost continues toward the now open door.
Shot list
This shot list details 30 shots to tell the story of a boy who has been institutionalized. It begins with establishing shots of the boy in a straitjacket in an abandoned room. Flashbacks show him being bullied and abused at school. As his condition worsens, he recalls his family home burning down and his parents screams. The shots culminate with doctors sedating the delirious boy, leaving him alone in the dark room with scars all over his face.
the woman in black opening sequence analysis
The opening scene shows three children having a tea party with dolls. The camera switches between close-up shots of the children playing, with an ominous soundtrack building tension. As the music intensifies, the children stand up and walk towards a window. The camera zooms in on a child dropping and crushing a teacup, then smashing a doll's head. It then shows the children climbing onto the window ledge and jumping out as the soundtrack reaches its peak. The camera zooms in on a doll's face as a scream of "noooo my babies" is heard, then zooms out over the shoulder of the woman in black before fading to black.
Media Script
The document outlines a 14 shot script to film a scene where a girl investigates strange noises coming from her attic. The shots progress from establishing shots of the girl entering her home to shots of her investigating sounds in her bedroom and climbing into the attic. The final shot shows a figure by candlelight in the attic before another figure extinguishes the candle and the girl screams, ending the scene.
Timeline final draft
This document provides a detailed 16-point timeline and storyboard for a short film about a girl who encounters a zombie. The timeline includes timing information, camera shots, transitions, and descriptions of the action over 160 seconds. It establishes the story through shots of the girl running in a field, entering her home, discovering an open door, investigating outside where she is bitten by a zombie, fighting it off with a hammer, and ultimately turning into a zombie herself as indicated by a change in her eyes. The timeline aims to clearly layout the visual story with specified camera angles, shots, transitions and timing for each story point.
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Assignment27
The document outlines a 10-point story timeline and proposed visual timeline for a zombie film opening sequence. The timeline begins with a girl in a field and flashes back to show her returning from work and discovering a secret file. It then cuts back to the field where she gets closer to the camera and has flashbacks of hearing a noise and getting bitten. The timeline continues with her falling in the field, crawling in pain, and ultimately turning into a zombie. The document also provides potential timing, camera shots, and effects to bring the linear and non-linear timeline to life over the course of a 2 minute and 20 second opening sequence.
Assignment 27
This document outlines the timeline and storyboard for a short zombie film. It includes:
1) A 10 point bullet point summary of the story, from a girl in a field hearing noises to her transforming into a zombie.
2) A timeline of the shots planned in the film from establishing shots of the girl in the field to her transformation, with estimated shot lengths.
3) Details of the credits and titles that would appear at the end.
Assignment 27
The document outlines a 10 point timeline and story for a zombie film. It begins with the girl in a field and flashes back to her returning from work and discovering a secret file. The timeline then cuts between the girl in the field crawling in pain and flashbacks of her getting bitten. It concludes with the girl turning into a zombie. The document also provides more details on the potential shots, effects, and timeline for the opening sequence including locations, durations, and close up shots of the girl's wound and her turning.
Shotlist
This document outlines the shots, timing, and camera angles for a film scene. It involves two girls doing photography work in a studio at night. When their camera is left on with night vision, it captures a figure (a ghost) that approaches the girls as they struggle to open a door, panicking. The ghost stares at the girls by the door then quickly looks away, causing the door to open and allowing the girls to escape, after which the ghost continues toward the now open door.
Shot list
This shot list details 30 shots to tell the story of a boy who has been institutionalized. It begins with establishing shots of the boy in a straitjacket in an abandoned room. Flashbacks show him being bullied and abused at school. As his condition worsens, he recalls his family home burning down and his parents screams. The shots culminate with doctors sedating the delirious boy, leaving him alone in the dark room with scars all over his face.
the woman in black opening sequence analysis
The opening scene shows three children having a tea party with dolls. The camera switches between close-up shots of the children playing, with an ominous soundtrack building tension. As the music intensifies, the children stand up and walk towards a window. The camera zooms in on a child dropping and crushing a teacup, then smashing a doll's head. It then shows the children climbing onto the window ledge and jumping out as the soundtrack reaches its peak. The camera zooms in on a doll's face as a scream of "noooo my babies" is heard, then zooms out over the shoulder of the woman in black before fading to black.
Media Script
The document outlines a 14 shot script to film a scene where a girl investigates strange noises coming from her attic. The shots progress from establishing shots of the girl entering her home to shots of her investigating sounds in her bedroom and climbing into the attic. The final shot shows a figure by candlelight in the attic before another figure extinguishes the candle and the girl screams, ending the scene.
Timeline final draft
This document provides a detailed 16-point timeline and storyboard for a short film about a girl who encounters a zombie. The timeline includes timing information, camera shots, transitions, and descriptions of the action over 160 seconds. It establishes the story through shots of the girl running in a field, entering her home, discovering an open door, investigating outside where she is bitten by a zombie, fighting it off with a hammer, and ultimately turning into a zombie herself as indicated by a change in her eyes. The timeline aims to clearly layout the visual story with specified camera angles, shots, transitions and timing for each story point.
Script for main task
1. The production company name and logo will appear on screen before fading out as the backing track music starts. An establishing shot of a girl's house is shown, then her feet in the shower are tracked as she gets out and takes a towel.
2. The scene cuts to an establishing shot of a boy's house where he is seen shaving at the sink without showing his face.
3. The girl is then seen drying and styling her hair in her bedroom without showing her face, while the boy styles his hair with gel in the mirror.
Preliminary planning shot list
The document provides a shot list for a scene between characters Chloe and Natasha. It describes 25 shots including close-ups, mid shots, and two shots showing the characters texting, talking at a table, arguing as Natasha refuses to tell Chloe something, and Chloe storming away in frustration as the tension escalates between them. The shots are meant to capture the conversation and rising conflict between the two characters in the scene.
Revised Story Board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance program. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye preparing, practicing her dance, performing her audition, receiving feedback, and learning the results of her application.
Revised story board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance school. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye getting ready, practicing her dance, performing her audition, receiving feedback, and learning the outcome of her application.
Misconception Shot List
1. The document outlines the shot list and descriptions for a film project titled "Misconception". It details 35 shots ranging from long shots to close-ups showing a girl getting into a car with a man after school and later revealing to the man that she is pregnant.
2. The man, Nathan, reacts angrily at first but then agrees to talk more at his home. There, the girl tells him she is 2 months pregnant and wants to keep the baby, though Nathan paces in distress.
3. Later, Nathan secretly turns up the heat in the sauna where the girl is, killing her. He covers it up by welcoming his new girlfriend Lily into his home, who also reveals
Assignment 27: Group Two
This document outlines a revised timeline for a short film with non-linear flashback sequences. The original timeline lacked detail about the flashbacks. The revised version includes 5 flashback scenes shown through cutaways as the main character walks through a canal area. Each flashback is described in more detail, such as showing the character cleaning blood or wrapping up evidence. Specifying the flashback content allows for better placement within the timeline structure.
Analysis of Prelim Task
The document analyzes shots used in a film sequence. It describes two establishing shots that show a girl alone on a couch and then the entrance and exit of another girl. It also discusses two extreme close up shots, one of feet walking in to add mystery and one of a character's face to convey emotion towards instructions received. The shots are used to establish characters, show their expressions and body language, and add mystery or convey emotion.
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Ecliptic ( how tension is created )
The document analyzes how tension is created in an opening film sequence where a man wakes up trapped in a smoking car. It builds tension through confusion about why the car is smoking, continuous shots that don't show the character as scared, and a close-up shot where the audience sees the character's emotions and vulnerability as he tries to escape. The sequence aims to make the audience feel sympathy for the victim and hope he can escape his dangerous situation.
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This document outlines the plot, location, storyboard, target audience, style, and influences for a horror/comedy video opening sequence. The general plot involves undead creatures living in the water near a private beach house who come out at night to torment the inhabitants. The storyboard describes 11 shots that will establish the setting and introduce the undead creatures crawling into the house to scare one of the inhabitants. The target audience is male teenagers and young adults aged 15-25. The video aims to have a creepy atmosphere and tense music to make the audience feel nervous, while also overdriving horror movie stereotypes for humor. Influences include zombie media and a short story previously written by the creator.
Shooting schedule template
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Final script 2
A three-scene script follows a girl as she enters an empty house with a box, tries to turn on lights, lights candles around the house, and peers into rooms while being stalked by a ghost. Subtle cuts show the ghost appearing behind her. In the climax, the ghost is revealed when the girl lights a match, and finally appears behind her in the mirror wardrobe.
Assignment 12 individual ideas (2)
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Shot list
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Sweeney todd
1) The opening titles feature shots of London buildings from a crane camera and zooming into a window showing an armchair with blood on it, introducing the film's dark and ominous tone.
2) Text credits are shown over shots of cogs and gears turning, with blood dripping among them, building intrigue around the mechanical elements.
3) Dramatic red text spells out the film's title "Sweeney Todd: The Demon of Fleet Street" over images of a grinder and meat turning to blood, hinting at the story's violent acts and foreboding atmosphere through the use of disturbing visuals.
Script 1
Mark finds a magazine left behind at a public bench. He takes it home and begins looking through it. He then retrieves a dress from under his bed and tries it on, seeming satisfied with how it looks in the mirror. He suddenly hears the front door slam and turns away from the mirror as the film title appears.
Conventions of the sub genre 'slasher’ films
This document outlines several key conventions of slasher films. It notes that these films typically take place in isolated locations like college campuses and feature teenage victims. A mysterious psychopathic killer stalks and brutally murders the victims. Trailers for slasher films aim to build tension and suspense through techniques like unsettling music, quick cuts between scenes, flashes of weapons, and heart-pounding sound effects that leave the threat ambiguous until the end.
Assignment 12
The document discusses several films including The Pursuit of Happyness, Sucker Punch, Blood Diamond, and Source Code. For each film, the document provides 1-2 sentences summarizing elements like the drama, emotion, suspense, and themes around corruption and struggle that are portrayed. It also includes potential structures and conventions for an opening film sequence, discussing settings, flashbacks, and narration to set up the protagonist's backstory and journey.
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- Total revenues decreased 21% to $904.2 million due to lower trust, investment and other servicing fees and noninterest income, partially offset by higher net interest income.
- Expenses increased 11% to $593.5 million, driven by higher provision for credit losses, partially offset by lower compensation and interest expenses.
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Christine marsh presentation association congress june 2012
This document discusses research, realities, and relationships for membership growth at the International Federation of Training and Development Organizations (IFTDO). It summarizes research conducted with current and past members to understand satisfaction levels and improvement opportunities. It also discusses collaborating with other societies to increase value for members through reciprocal memberships and shared resources. The document proposes actions like updating membership categories and benefits, as well as using global conferences to promote membership and transition concepts discussed into tangible actions.
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Script for main task
1. The production company name and logo will appear on screen before fading out as the backing track music starts. An establishing shot of a girl's house is shown, then her feet in the shower are tracked as she gets out and takes a towel.
2. The scene cuts to an establishing shot of a boy's house where he is seen shaving at the sink without showing his face.
3. The girl is then seen drying and styling her hair in her bedroom without showing her face, while the boy styles his hair with gel in the mirror.
Preliminary planning shot list
The document provides a shot list for a scene between characters Chloe and Natasha. It describes 25 shots including close-ups, mid shots, and two shots showing the characters texting, talking at a table, arguing as Natasha refuses to tell Chloe something, and Chloe storming away in frustration as the tension escalates between them. The shots are meant to capture the conversation and rising conflict between the two characters in the scene.
Revised Story Board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance program. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye preparing, practicing her dance, performing her audition, receiving feedback, and learning the results of her application.
Revised story board
The storyboard document outlines 28 shots that will be used to film a story about a girl named Faye who is auditioning for a dance school. The shots include close-ups, medium shots, long shots, high angles, low angles, pans, zooms, and tilts to show Faye getting ready, practicing her dance, performing her audition, receiving feedback, and learning the outcome of her application.
Misconception Shot List
1. The document outlines the shot list and descriptions for a film project titled "Misconception". It details 35 shots ranging from long shots to close-ups showing a girl getting into a car with a man after school and later revealing to the man that she is pregnant.
2. The man, Nathan, reacts angrily at first but then agrees to talk more at his home. There, the girl tells him she is 2 months pregnant and wants to keep the baby, though Nathan paces in distress.
3. Later, Nathan secretly turns up the heat in the sauna where the girl is, killing her. He covers it up by welcoming his new girlfriend Lily into his home, who also reveals
Assignment 27: Group Two
This document outlines a revised timeline for a short film with non-linear flashback sequences. The original timeline lacked detail about the flashbacks. The revised version includes 5 flashback scenes shown through cutaways as the main character walks through a canal area. Each flashback is described in more detail, such as showing the character cleaning blood or wrapping up evidence. Specifying the flashback content allows for better placement within the timeline structure.
Analysis of Prelim Task
The document analyzes shots used in a film sequence. It describes two establishing shots that show a girl alone on a couch and then the entrance and exit of another girl. It also discusses two extreme close up shots, one of feet walking in to add mystery and one of a character's face to convey emotion towards instructions received. The shots are used to establish characters, show their expressions and body language, and add mystery or convey emotion.
RoommatesNotes
The document is a storyboard for an animated scene that depicts a girl moving into a new apartment with a roommate. It begins with the girl giving her mother a tour of the new apartment. When the roommate arrives home, the mother is surprised and upset to learn that the girl has a roommate. The mother abruptly leaves. Later, the girl has a conversation with her roommate where she explains she forgot to tell her mother about the living situation. The storyboard then shows the girl having a vision of when she previously moved away from her mother's home to go to college.
Ecliptic ( how tension is created )
The document analyzes how tension is created in an opening film sequence where a man wakes up trapped in a smoking car. It builds tension through confusion about why the car is smoking, continuous shots that don't show the character as scared, and a close-up shot where the audience sees the character's emotions and vulnerability as he tries to escape. The sequence aims to make the audience feel sympathy for the victim and hope he can escape his dangerous situation.
Horror coursework video media as
This document outlines the plot, location, storyboard, target audience, style, and influences for a horror/comedy video opening sequence. The general plot involves undead creatures living in the water near a private beach house who come out at night to torment the inhabitants. The storyboard describes 11 shots that will establish the setting and introduce the undead creatures crawling into the house to scare one of the inhabitants. The target audience is male teenagers and young adults aged 15-25. The video aims to have a creepy atmosphere and tense music to make the audience feel nervous, while also overdriving horror movie stereotypes for humor. Influences include zombie media and a short story previously written by the creator.
Shooting schedule template
The shooting schedule outlines 3 scenes to be filmed between November 9th and December 7th for the production "Killer Affairs". On November 9th, the first scene will be filmed in the E16 media classroom featuring Holly Thomson. On December 1st, an interview scene will be filmed in the drama studio starring Chloe Spencer, Holly Thomson, Kieran Morris and Clare McGinn. The final scene on December 7th returns to the E16 media classroom for a close-up shot of Holly Thomson.
Final script 2
A three-scene script follows a girl as she enters an empty house with a box, tries to turn on lights, lights candles around the house, and peers into rooms while being stalked by a ghost. Subtle cuts show the ghost appearing behind her. In the climax, the ghost is revealed when the girl lights a match, and finally appears behind her in the mirror wardrobe.
Assignment 12 individual ideas (2)
The document provides details for an opening sequence for a film. It would start with a girl lying on the floor breathing heavily, then use flashbacks and voice over narration to show her past struggles of abuse, homelessness, and seeking help. The sequence would end with her back on the floor. It explores using different settings, a montage style, and following Todorov's narrative structure theory to develop the character's journey from her current state through recognizing and attempting to repair past disequilibriums.
Shot list
This shot list contains 30 scenes for a horror film. It includes various shot sizes ranging from close-ups to long shots in different locations such as a forest, train station, house, and white room. Many of the shots focus on a female protagonist who appears distressed and is being stalked by an unknown entity. She expresses to a friend that she feels someone is after her. Later shots show her looking frightened while whispering for someone to leave her alone in a white room. The list ends by transporting the story back 6 months earlier through a black screen title card.
Sweeney todd
1) The opening titles feature shots of London buildings from a crane camera and zooming into a window showing an armchair with blood on it, introducing the film's dark and ominous tone.
2) Text credits are shown over shots of cogs and gears turning, with blood dripping among them, building intrigue around the mechanical elements.
3) Dramatic red text spells out the film's title "Sweeney Todd: The Demon of Fleet Street" over images of a grinder and meat turning to blood, hinting at the story's violent acts and foreboding atmosphere through the use of disturbing visuals.
Script 1
Mark finds a magazine left behind at a public bench. He takes it home and begins looking through it. He then retrieves a dress from under his bed and tries it on, seeming satisfied with how it looks in the mirror. He suddenly hears the front door slam and turns away from the mirror as the film title appears.
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This document outlines several key conventions of slasher films. It notes that these films typically take place in isolated locations like college campuses and feature teenage victims. A mysterious psychopathic killer stalks and brutally murders the victims. Trailers for slasher films aim to build tension and suspense through techniques like unsettling music, quick cuts between scenes, flashes of weapons, and heart-pounding sound effects that leave the threat ambiguous until the end.
Assignment 12
The document discusses several films including The Pursuit of Happyness, Sucker Punch, Blood Diamond, and Source Code. For each film, the document provides 1-2 sentences summarizing elements like the drama, emotion, suspense, and themes around corruption and struggle that are portrayed. It also includes potential structures and conventions for an opening film sequence, discussing settings, flashbacks, and narration to set up the protagonist's backstory and journey.
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- Expenses increased 11% to $593.5 million, driven by higher provision for credit losses, partially offset by lower compensation and interest expenses.
- Pre-tax income declined 57% to $255.7 million due to lower revenues and higher provision for credit losses.
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Evaluation question how effective
The document discusses the effectiveness of combining a main product with ancillary texts. It notes that the poster, trailer, and magazine used consistent fonts, colors, and imagery to tie them together and represent the supernatural thriller genre. Blue and white were used throughout to symbolize evil. Both ancillary texts featured the two main characters to explore their journeys, as in the trailer. The combination of matching design elements across the products helps audiences connect them and promote the main product.
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This document provides instructions for creating a poster using Photoshop in 5 steps:
1. The first step describes using Picmonkey to apply a blue cross process tint and dusk effect to the image.
2. Step two explains how to add a shattered glass effect over the image by importing a glass texture into Photoshop and resizing it.
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4. Step four covers adding and formatting text over the image by creating text boxes and changing font colors and styles.
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Technology I Personally Used
The document describes various technologies and software that the author used to complete their coursework, including:
Slideshare to upload PowerPoints and documents to their blogger site; Google/Gmail for research and communication; Blogger to document and present coursework; Word to write treatments and scripts; BBFC and IMDb websites for research on film ratings and conventions; PowerPoint and Prezi for presentations; FreeSFX for sound effects; YouTube to upload draft videos; Wikipedia for research; Final Cut Pro, iMovie and GifMaker for video editing; Picmonkey and Photoshop for photo editing; SurveyMonkey for collecting audience feedback; Facebook to share work; and PhotoPeach, Photoshop and InDesign
Magazine construction powerpoint
This document provides instructions for constructing a magazine cover in 4 steps:
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2) Adding text and formatting fonts using InDesign, including changing colors and fonts.
3) Creating black boxes and placing a barcode using the rectangle tool and placing images.
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Editing powerpoint
Fast editing techniques like fast pace and jump cuts are commonly used in thriller and supernatural trailers to build tension and engage the target audience. Flashbacks may be included to provide backstory for characters. The pace typically starts moderate to introduce characters and the plot but increases during intense or scary scenes shown in a montage to create suspense. Editing styles vary by genre with techniques like fade to black transitions often used in horror. Non-linear narratives and use of sound effects are cited as effective techniques the author wishes to employ.
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The survey results provided feedback on a supernatural thriller film trailer. For question one, respondents were biased since the survey took place at an all-girls school. Question two was also predictable since it was conducted with sixth formers. Responses to question three were similarly influenced by being at a school. For question four, respondents identifying with characters' hobbies could make the trailer more realistic. Questions five and six informed the development of supernatural forces and editing techniques. Question seven confirmed that the trailer structure was successful and involved the audience in pre-production.
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The document discusses two main characters, Gelsomina and Leticia, for an upcoming trailer. Gelsomina will be portrayed by Gelsomina De Lucia and her character is inspired by Beth Anderson from the film "The Perfect Sisters". She will be dressed in gothic black clothing. Leticia will be portrayed by Leticia Silva and her character is inspired by Sandra Anderson from the same film. She will be dressed in floral prints. Both actresses are available for the full 8 weeks of filming.
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This document outlines the costumes and props that will be used in a trailer. The main props include a camera that will be used in a POV style, a phone that Leticia will be holding at the beginning seeking help, and three scratches that will appear on one of the characters to symbolize possession. Gelsomina's costume will be gothic while Leticia's is described as girly. A red ribbon and balloons are also discussed to signify someone going missing and create a birthday atmosphere.
Costumes and props
The document outlines several props and costumes that will be used in a trailer including a camera that both main characters will share, a phone that one character will be holding at the beginning while seeking help, and three scratches that will be used to symbolize possession. It also describes the costumes for the two main characters, one being more gothic while the other is more girly, and a red ribbon that will signify one character going missing.
Costumes and props
The document outlines several props and costumes that will be used in a trailer including a camera that both main characters will share, a phone that one character will be holding at the beginning while seeking help, and three scratches that will be used to symbolize possession. It also describes the costumes for the two main characters, one being more gothic while the other is more girly, and a red ribbon that will signify one character going missing.
Postmodern
The Wolf Among Us is a 2013 video game by Telltale that is based on a comic book series from 1986, blending genres of horror, drama, romance and action. It is presented in a comic book style and TV episode structure, with the player making decisions that influence the story. While borrowing characters and storylines from the original comics, the game aims to provide nostalgia both for those familiar with the source material and a new generation familiar with fairy tales.
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This document discusses conventions used in supernatural thriller trailers. It covers various cinematic techniques including camera movements like zooming and panning to build tension. Composition and framing, as well as lighting, editing and sound design are discussed. Common character archetypes and narrative structures are also summarized, including a build up of scares and a climactic jump scare at the end of trailers. Locations and costumes used help set the tone for supernatural events. Overall, the document provides an overview of techniques employed in trailers for this genre to effectively tease and scare audiences.
Presentation ohhh
This document discusses conventions in supernatural thriller trailers. It covers various cinematic techniques used such as camera movements like zooming and panning to build suspense. Composition and framing is also addressed, noting a shift from symmetrical to asymmetrical framing to represent increasing chaos. Character archetypes like curious protagonists and non-believers are described. Common plot themes, uses of sound and music, narrative structures, editing techniques, lighting, and ominous locations are also outlined. Overall, the document provides an overview of visual and technical elements that feature prominently in supernatural thriller trailers.
Presentation oh
Cameras are used in supernatural thrillers to build tension. Zooming builds up to climaxes and jump scares by zooming in on something characters see. Tracking follows victims running away or shows locations. Tilting restricts audiences from seeing what's happening before a jump scare. Stationary cameras on tripods follow the rule of thirds framing while handheld cameras lose compositional structure.
Assignment 3: Distribution/Production Company.
Screen Gems is a production company owned by Sony Pictures Entertainment that has produced films like The Exorcism of Emily Rose and Deliver Us From Evil. Columbia Pictures is a film distribution studio also owned by Sony Pictures Entertainment that has distributed films like Thr13ten Ghost, Deliver Us From Evil and Gothika. The document then analyzes the logos of Screen Gems, Columbia Pictures, and several other production and distribution companies such as Dark Castle Entertainment, Ghost House Pictures, and Vertigo Entertainment.
Assignment 8
This document discusses film poster conventions and research the student completed on different genres of film posters including horror, thriller, romance, and sci-fi. It provides examples of conventions like including the main characters or locations. It also notes that while conventions like the release date are usually at the bottom, research shows dates were not consistently included until the 1990s. The document summarizes that the three most prominent elements on posters are the characters, title size, and release date. It also gives examples of posters that challenge conventions by not including images or only showing a character from behind.
Group assignment 1
The document discusses conventions and inspirations for horror film trailers. For the film "The Pact," conventions discussed include involving a child to make the main character vulnerable and having the female character alone in the house to heighten tension. Fade to white transitions and a worn background are also mentioned. Inspiration comes from using transitions to imply danger and backgrounds that emphasize genre. For "Insidious Chapter 2," conventions include using children to elicit sympathy and slowly building horror music when a character is alone. Inspiration comes from matching music to footage pace. Inspiration and conventions are also discussed for other film trailers.
Assignment 9
This document analyzes and summarizes the key design elements of 5 magazine covers. For each magazine cover, it identifies the masthead placement, central image, use of color, slogans/taglines and how these elements are effective in attracting readers. Overall, the document discusses how visual cues like prominent mastheads, celebrity images, and eye-catching text can help magazines stand out and engage potential buyers.
Assignment 2
The document discusses narrative conventions and structure in horror movie trailers. It notes that trailers typically introduce characters investigating paranormal activity and show footage of their investigations. Things take a scary turn, with people getting hurt, dying, or going missing while only their footage is found. Trailers leave audiences with enigmas by not revealing what happens to characters or the paranormal threats. They create a climactic pace change and shots of characters struggling to generate interest without fully explaining the plot. This leaves audiences wanting resolution and connects to genre expectations of deaths in horror films.
Trailer presentation
This document discusses conventions and inspirations for horror trailers and films. It notes that while ghosts and demons were traditionally the source of horror, the genre is expanding to include other supernatural elements like mummies. Locations are also broadening from just abandoned sites to include realistic settings like planes that are harder to escape. The document advocates using a handheld camera perspective to make audiences feel like they are part of the film, but combining it with traditional filming to avoid being overused. Overall, it promotes drawing on true stories and relatable locations to create more realistic and thus scarier horror content.
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Assignment 27
- 1. Assignment 27: Timeline (Final Draft) Gelsomina De Lucia Kelly Morales Chelsea Hopkins Tayla Humphris
- 2. Story in 10 bullet points • Girl in field • Flashback of her coming back from work • Opens bag and reveals a secret file • Back in fields, closer to camera • Flashback to her hearing noise • Back in fields, closer to camera • Flashback of getting bitten • Back in fields, falls • Crawls in pain • Turns into zombie
- 3. Linear, Chronological time Non Linear (flashbacks) Titles/credits (on black) Camera Shots and effects Figure in field. Long shot, establishing, rul e of thirds. 0 secs Girl walks through door. 10 secs Scene returns to field. Closer to camera. 30 secs 40 secs Goes downstairs and hears noise. Timeline of Idea.
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