Assignment 20
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This document analyzes features across albums, trailers, and music videos from three different artists/groups - Imagine Dragons, Skepta, and The 1975 - to identify common branding elements. For Imagine Dragons, a consistent dark theme and atmosphere is used. Skepta prominently features a red stamp image of the artist across various products. The 1975 utilizes the color pink in multiple ways to relate to their target audience and establish a distinct visual identity with consistent fonts and color schemes.
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20 tom
This document analyzes various media from the band Imagine Dragons to identify features that create brand identity across their products. It examines the album cover, teaser trailer, and music videos for "Gold" and "I Bet My Life" from the album "Smoke and Mirrors." Common features seen across all items include the use of dark colors and an overall dark theme or atmosphere. Additionally, the band's passion for and focus on music is evident. These consistent elements help establish Imagine Dragons' brand identity.
20 ben
The 1975 is a British band known for incorporating the color pink into their album covers, trailers, and music videos to relate to their target female audience. Their album I Like It When You Sleep features shades of pink and white with contrast to make the colors stand out. Teasers and videos for singles from the album continue this color scheme and font to maintain a consistent brand identity across products. Most of their videos simply feature the band performing to highlight their music.
Sam 20
Skepta uses consistent branding across his album, promotion poster, and music videos to create a cohesive identity. The album "Konnichiwa" features a plain cover with a red stamp of the artist's name. This red stamp is also used on the promotion tour poster. The music videos for singles "Man" and "It Ain't Safe" feature the red stamp in locations around London and depict Skepta's daily life, highlighting his background growing up on the streets of London. These consistent visual elements and London locations create a unified brand that increases awareness of the artist.
20 max
The document analyzes various products from the band Of Monster and Men including their album Beneth the Skin, its trailer, and two music videos. It finds that across all four products there is a consistent dark and mysterious atmosphere created through the use of black and white imagery and graphics. Additionally, each product focuses on the band themselves either through performance or narrative to establish a clear brand identity.
Evaluation Q2
The CD cover successfully conveys the genre of hybrid hip hop and grime through the urban image and use of color and lighting effects to give a unique look. The poster is less successful as it shows too much white space and does not use the color scheme as effectively. It still manages to convey urban elements. The music video subverts stereotypes of grime and hip hop genres through a lighthearted, fun approach inspired by Kanye West videos like "Good Life" with words flying in. This presents the artist in a more upbeat, positive way.
Tv advert analysis
The document analyzes three advertisements:
1) A 2003 Honda ad that uses mechanical sounds and parts moving together to represent how all the parts of the car work together reliably.
2) A 2005 Sony Bravia TV ad showing colorful bouncing balls to convey the vivid colors and realistic images of the TV.
3) A T-Mobile ad from filmed people spontaneously dancing in a train station to promote sharing experiences on their network.
R&r media doc nice new
The document outlines a plan for a music video by Kendrick Lamar for the song "Trip". It discusses:
1) The concept of the song which is about a literal and metaphorical journey.
2) Details on the independent record label producing the music.
3) Plans for the video content including themes, locations in London, costumes, and camera shots.
4) Information on the intended audience, video distribution plans, and a production schedule.
R&r media final
The document outlines a plan for a music video by Kendrick Lamar that will tell the story of his literal and metaphorical journey. It discusses the concept, content, locations, costumes, camera shots, target audience, and production schedule. The video will use locations around London to represent Lamar's trip and rising status through various camera shots. It aims to appeal to hip hop fans ages 16-25 through distribution on YouTube, social media, and music sites.
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20 tom
This document analyzes various media from the band Imagine Dragons to identify features that create brand identity across their products. It examines the album cover, teaser trailer, and music videos for "Gold" and "I Bet My Life" from the album "Smoke and Mirrors." Common features seen across all items include the use of dark colors and an overall dark theme or atmosphere. Additionally, the band's passion for and focus on music is evident. These consistent elements help establish Imagine Dragons' brand identity.
20 ben
The 1975 is a British band known for incorporating the color pink into their album covers, trailers, and music videos to relate to their target female audience. Their album I Like It When You Sleep features shades of pink and white with contrast to make the colors stand out. Teasers and videos for singles from the album continue this color scheme and font to maintain a consistent brand identity across products. Most of their videos simply feature the band performing to highlight their music.
Sam 20
Skepta uses consistent branding across his album, promotion poster, and music videos to create a cohesive identity. The album "Konnichiwa" features a plain cover with a red stamp of the artist's name. This red stamp is also used on the promotion tour poster. The music videos for singles "Man" and "It Ain't Safe" feature the red stamp in locations around London and depict Skepta's daily life, highlighting his background growing up on the streets of London. These consistent visual elements and London locations create a unified brand that increases awareness of the artist.
20 max
The document analyzes various products from the band Of Monster and Men including their album Beneth the Skin, its trailer, and two music videos. It finds that across all four products there is a consistent dark and mysterious atmosphere created through the use of black and white imagery and graphics. Additionally, each product focuses on the band themselves either through performance or narrative to establish a clear brand identity.
Evaluation Q2
The CD cover successfully conveys the genre of hybrid hip hop and grime through the urban image and use of color and lighting effects to give a unique look. The poster is less successful as it shows too much white space and does not use the color scheme as effectively. It still manages to convey urban elements. The music video subverts stereotypes of grime and hip hop genres through a lighthearted, fun approach inspired by Kanye West videos like "Good Life" with words flying in. This presents the artist in a more upbeat, positive way.
Tv advert analysis
The document analyzes three advertisements:
1) A 2003 Honda ad that uses mechanical sounds and parts moving together to represent how all the parts of the car work together reliably.
2) A 2005 Sony Bravia TV ad showing colorful bouncing balls to convey the vivid colors and realistic images of the TV.
3) A T-Mobile ad from filmed people spontaneously dancing in a train station to promote sharing experiences on their network.
R&r media doc nice new
The document outlines a plan for a music video by Kendrick Lamar for the song "Trip". It discusses:
1) The concept of the song which is about a literal and metaphorical journey.
2) Details on the independent record label producing the music.
3) Plans for the video content including themes, locations in London, costumes, and camera shots.
4) Information on the intended audience, video distribution plans, and a production schedule.
R&r media final
The document outlines a plan for a music video by Kendrick Lamar that will tell the story of his literal and metaphorical journey. It discusses the concept, content, locations, costumes, camera shots, target audience, and production schedule. The video will use locations around London to represent Lamar's trip and rising status through various camera shots. It aims to appeal to hip hop fans ages 16-25 through distribution on YouTube, social media, and music sites.
Evaluation question
The document discusses design choices made for a grime music video and album cover. It explores how the designs both conform to and challenge conventions in the grime genre. Effects like duplication and flashing lights were used to portray grime becoming more mainstream. Locations also reinforced genre roots while showing its evolution. Bright colors and an aspirational depiction of the artist diverged from norms set by influential grime figures like Stormzy to help the artist stand out. Linking imagery across materials paid homage to standard practices but added unique elements.
Flatplans for digipak
The digipak for the album "Guts Over Fear" uses the color red throughout to represent emotions like anger, passion and fear related to the song's meaning. An image on the front cover is intended to convey the artist's vulnerability. Inside, a continuous image from the music video ties the album and video together, while the CD and back cover use the same colors for readability and brand consistency across products. Text on the side panels includes song lyrics and a message from the artist, following conventions from other artists' digipaks.
History of music videos
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
Lonely
The document discusses a song by the indie rock band Red House Glory called "Lonely" and provides ideas for a potential music video. It notes the song's catchy indie rock style and recommends close-up shots of the band, incorporating a narrative unrelated to the band, including live performances, and using slow motion. However, it remains unclear if the band is currently signed.
1
The music video uses concepts from the film "They Live" to challenge conventions of the genre. Shots were recorded at night with minimal lighting to create a dark, mysterious atmosphere. The video amplifies the song lyrics to add layers of meaning about capitalist society. Intertextuality with "They Live" is clear through the sunglasses concept and black/white zombie-like vision.
The band's branding uses red and black colors that connote darkness and mystery, fitting for a doom metal genre. The album cover artwork was inspired by a video game and printed inside the CD case. Lyrics in the booklet use old-style fonts for mystery. Together the elements create a dark, demonic atmosphere across all marketing
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Post modernism presentation gorillaz
Gorillaz is an animated virtual band created by Damon Albarn and Jamie Hewlett that pays homage to other artists in their music. They use samples from songs by artists like Snoop Dogg in a respectful manner. As an animated band, Gorillaz does not perform live but rather uses holograms of the band characters. Their virtual nature allows for creative artistic control over the band's image and story.
Evaluation Q1
A2 Media Studies Advanced Portfolio question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Coldplay 'Fix you' analysis
Coldplay's 2005 song "Fix You" was directed by Sophie Muller. The music video features footage of Coldplay performing live on stage and close-ups of lead singer Chris Martin singing. While the song's lyrics discuss emotional support, the video lacks a narrative and instead focuses on visually representing the song and band's performance. Camera techniques like slow motion and tracking shots are used to immerse viewers in the live concert experience and illustrate the song's changing tempo and emotions.
Maccabees Anaylsis Digipack
The document summarizes different panels of a CD digipak. The right panel shows pictures from a music video featuring the color red. The middle panel describes how the CD would cover an image of a doll, surprising viewers. The left panel displays song lyrics and reinforces themes of danger, music, and the indie genre through use of color and font.
Rahan snapshot
The document discusses the use of mise-en-scene in several rap music videos. Common elements across many rap videos include displaying expensive props like cars, clothing, and jewelry to portray wealth and status. Videos also often use dark lighting and feature women to reinforce stereotypes of the rap genre. Specific videos summarized include Drake's "Started From the Bottom" and "Versace", Rick Ross' "Boss", French Montana's "Worry Bout Nothing", and Krept and Konan's rap song.
Post Modernism and The Gorillaz.
The Gorillaz are a virtual band created in 1998 by Damon Albarn and artist Jamie Hewlett. They are composed of four animated characters - 2D, Murdoc Niccals, Noodle, and Russel Hobbs - who are completely fictional. The Gorillaz sample and reference various other songs and artists in their music, and their animated music videos contain intertextual references to other films and their own videos. They release music, videos, and games on their website to engage with fans in a virtual space.
Ian wolfson
Ian Wolfson is an independent filmmaker known for directing music videos for hip hop artist Mac Miller that have received over 400 million online views. Wolfson's production company, Rex Arrow Films, uses common techniques like mirroring images, warping effects, hanging lights, and neon paint to distort scenes and set distinctive moods and atmospheres that enhance the themes and meanings of the songs. While Wolfson frequently collaborates with Mac Miller, he has also worked with many other artists across different genres.
Coldplay analysis
The music video for Coldplay's "Paradise" tells the story of an elephant (Chris Martin in costume) escaping captivity and journeying to find paradise. It shows the elephant traveling from London to Heathrow airport and flying to an unknown location where he is reunited with three other elephants playing instruments. Though the band members' faces are hidden by the costumes, the video connects the elephants to Coldplay through lyrics, locations, and live performances. It takes an unconventional approach for a rock music video but still builds excitement for the main character's journey through editing and the familiar band narrative.
Jonathan glazer
Jonathon Glazer is an English film, music video, and commercial director born in 1966. He is most famous for directing the film "Sexybeast" starring Ray Winstone in 2000. As a music video director, Glazer's videos are often abstract, dark, and in black and white, focusing on themes of death. However, his video for Jamiroquai's "Virtual Insanity" stands out as being brighter and more lively. Glazer has worked with many notable artists including Radiohead, Massive Attack, and Nick Cave and the Bad Seeds.
Music video analysis WEIRD AL
1) This video analyzes Weird Al Yankovic's music video for his song "White & Nerdy", which parodies Chamillionaire's song "Ridin'".
2) The video targets four main audiences - those who enjoy music parodies, Weird Al's existing fanbase, hip hop fans, and self-identified "nerdy" people.
3) Like the original "Ridin'" video, "White & Nerdy" is fast-paced and references pop culture. It mocks rap culture and portrays Weird Al as a desperate nerd trying unsuccessfully to impress gangsters.
Snoopppp
The document analyzes the cover art of Snoop Dogg's album, finding it emblematic of rap music conventions. Snoop is flanked by flashy cars in front of a mansion, reinforcing his newfound wealth and power. The font and Snoop's clothing also emphasize his luxury lifestyle. The presence of Rottweilers further suggests Snoop is powerful and not to be challenged due to both his personality and status.
1
The music video for the song "Dead Side" by the band Quad Damage draws inspiration from the film "They Live" to critique capitalist society. Elements like sunglasses that reveal the true nature of the world are incorporated, along with a dark, mysterious atmosphere emphasized through lighting, shots, and setting. Feedback on the music video and other band media was gathered through online platforms like Facebook, YouTube, and SoundCloud to aid evaluation. A variety of media technologies assisted at different stages, including research, planning, production, and distribution.
Beth's presentation
The document discusses how the media product, a film called "White Lies", uses conventions of indie films in its genre, camerawork, audio, mise-en-scene, editing, and unique elements. Specifically, it compares the film to other indie films like "Submarine" and "Donnie Darko" in its quirky camera shots and unusual soundtrack. It also uses location shooting at a real coffee shop, jump cuts which are more common in indie films, and a blue tint in one scene to add to the melancholy tone. Overall, the film draws from conventions of indie genres while also including some unique technical elements.
RISCOSS platform: evaluation results
The results of the RISCOSS evaluation have been presented in the PMI academic workshop 2016 at the United Nations Global Service Centre in Brindisi. Many thanks to PMI-NIC volunteers and to TAAS branch.
Joint Services Transcript (JST)
Mark Dukes served in the U.S. Navy from 1979 to 1998, achieving the rank of Aviation Electronics Technician, Second Class. He completed extensive training in aviation electronics, including courses in basic electricity, communications fundamentals, and microelectronics repair. Dukes' transcript details his occupational experience maintaining and repairing electronic systems on aircraft as an Aviation Electronics Technician.
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Evaluation question
The document discusses design choices made for a grime music video and album cover. It explores how the designs both conform to and challenge conventions in the grime genre. Effects like duplication and flashing lights were used to portray grime becoming more mainstream. Locations also reinforced genre roots while showing its evolution. Bright colors and an aspirational depiction of the artist diverged from norms set by influential grime figures like Stormzy to help the artist stand out. Linking imagery across materials paid homage to standard practices but added unique elements.
Flatplans for digipak
The digipak for the album "Guts Over Fear" uses the color red throughout to represent emotions like anger, passion and fear related to the song's meaning. An image on the front cover is intended to convey the artist's vulnerability. Inside, a continuous image from the music video ties the album and video together, while the CD and back cover use the same colors for readability and brand consistency across products. Text on the side panels includes song lyrics and a message from the artist, following conventions from other artists' digipaks.
History of music videos
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
Lonely
The document discusses a song by the indie rock band Red House Glory called "Lonely" and provides ideas for a potential music video. It notes the song's catchy indie rock style and recommends close-up shots of the band, incorporating a narrative unrelated to the band, including live performances, and using slow motion. However, it remains unclear if the band is currently signed.
1
The music video uses concepts from the film "They Live" to challenge conventions of the genre. Shots were recorded at night with minimal lighting to create a dark, mysterious atmosphere. The video amplifies the song lyrics to add layers of meaning about capitalist society. Intertextuality with "They Live" is clear through the sunglasses concept and black/white zombie-like vision.
The band's branding uses red and black colors that connote darkness and mystery, fitting for a doom metal genre. The album cover artwork was inspired by a video game and printed inside the CD case. Lyrics in the booklet use old-style fonts for mystery. Together the elements create a dark, demonic atmosphere across all marketing
Synopsis
The music video will feature a female main character whose face is not revealed until the end to build mystery and tension. Various shots from her point of view will be used to make the viewer feel like they are experiencing her journey. Scenes will be filmed in several London locations, including a train station, Hyde Park, and streets, to showcase ordinary lives and link to the song's lyrics. The narrative aims to tell a story about people's lives through the main character's eyes and show the highs and lows, building to a revelation of her story at the end when her face is shown as she finds her "one," connecting to the religious theme of finding God.
Post modernism presentation gorillaz
Gorillaz is an animated virtual band created by Damon Albarn and Jamie Hewlett that pays homage to other artists in their music. They use samples from songs by artists like Snoop Dogg in a respectful manner. As an animated band, Gorillaz does not perform live but rather uses holograms of the band characters. Their virtual nature allows for creative artistic control over the band's image and story.
Evaluation Q1
A2 Media Studies Advanced Portfolio question 1: In what ways does your media product use, develop or challenge forms and conventions of real media products?
Coldplay 'Fix you' analysis
Coldplay's 2005 song "Fix You" was directed by Sophie Muller. The music video features footage of Coldplay performing live on stage and close-ups of lead singer Chris Martin singing. While the song's lyrics discuss emotional support, the video lacks a narrative and instead focuses on visually representing the song and band's performance. Camera techniques like slow motion and tracking shots are used to immerse viewers in the live concert experience and illustrate the song's changing tempo and emotions.
Maccabees Anaylsis Digipack
The document summarizes different panels of a CD digipak. The right panel shows pictures from a music video featuring the color red. The middle panel describes how the CD would cover an image of a doll, surprising viewers. The left panel displays song lyrics and reinforces themes of danger, music, and the indie genre through use of color and font.
Rahan snapshot
The document discusses the use of mise-en-scene in several rap music videos. Common elements across many rap videos include displaying expensive props like cars, clothing, and jewelry to portray wealth and status. Videos also often use dark lighting and feature women to reinforce stereotypes of the rap genre. Specific videos summarized include Drake's "Started From the Bottom" and "Versace", Rick Ross' "Boss", French Montana's "Worry Bout Nothing", and Krept and Konan's rap song.
Post Modernism and The Gorillaz.
The Gorillaz are a virtual band created in 1998 by Damon Albarn and artist Jamie Hewlett. They are composed of four animated characters - 2D, Murdoc Niccals, Noodle, and Russel Hobbs - who are completely fictional. The Gorillaz sample and reference various other songs and artists in their music, and their animated music videos contain intertextual references to other films and their own videos. They release music, videos, and games on their website to engage with fans in a virtual space.
Ian wolfson
Ian Wolfson is an independent filmmaker known for directing music videos for hip hop artist Mac Miller that have received over 400 million online views. Wolfson's production company, Rex Arrow Films, uses common techniques like mirroring images, warping effects, hanging lights, and neon paint to distort scenes and set distinctive moods and atmospheres that enhance the themes and meanings of the songs. While Wolfson frequently collaborates with Mac Miller, he has also worked with many other artists across different genres.
Coldplay analysis
The music video for Coldplay's "Paradise" tells the story of an elephant (Chris Martin in costume) escaping captivity and journeying to find paradise. It shows the elephant traveling from London to Heathrow airport and flying to an unknown location where he is reunited with three other elephants playing instruments. Though the band members' faces are hidden by the costumes, the video connects the elephants to Coldplay through lyrics, locations, and live performances. It takes an unconventional approach for a rock music video but still builds excitement for the main character's journey through editing and the familiar band narrative.
Jonathan glazer
Jonathon Glazer is an English film, music video, and commercial director born in 1966. He is most famous for directing the film "Sexybeast" starring Ray Winstone in 2000. As a music video director, Glazer's videos are often abstract, dark, and in black and white, focusing on themes of death. However, his video for Jamiroquai's "Virtual Insanity" stands out as being brighter and more lively. Glazer has worked with many notable artists including Radiohead, Massive Attack, and Nick Cave and the Bad Seeds.
Music video analysis WEIRD AL
1) This video analyzes Weird Al Yankovic's music video for his song "White & Nerdy", which parodies Chamillionaire's song "Ridin'".
2) The video targets four main audiences - those who enjoy music parodies, Weird Al's existing fanbase, hip hop fans, and self-identified "nerdy" people.
3) Like the original "Ridin'" video, "White & Nerdy" is fast-paced and references pop culture. It mocks rap culture and portrays Weird Al as a desperate nerd trying unsuccessfully to impress gangsters.
Snoopppp
The document analyzes the cover art of Snoop Dogg's album, finding it emblematic of rap music conventions. Snoop is flanked by flashy cars in front of a mansion, reinforcing his newfound wealth and power. The font and Snoop's clothing also emphasize his luxury lifestyle. The presence of Rottweilers further suggests Snoop is powerful and not to be challenged due to both his personality and status.
1
The music video for the song "Dead Side" by the band Quad Damage draws inspiration from the film "They Live" to critique capitalist society. Elements like sunglasses that reveal the true nature of the world are incorporated, along with a dark, mysterious atmosphere emphasized through lighting, shots, and setting. Feedback on the music video and other band media was gathered through online platforms like Facebook, YouTube, and SoundCloud to aid evaluation. A variety of media technologies assisted at different stages, including research, planning, production, and distribution.
Beth's presentation
The document discusses how the media product, a film called "White Lies", uses conventions of indie films in its genre, camerawork, audio, mise-en-scene, editing, and unique elements. Specifically, it compares the film to other indie films like "Submarine" and "Donnie Darko" in its quirky camera shots and unusual soundtrack. It also uses location shooting at a real coffee shop, jump cuts which are more common in indie films, and a blue tint in one scene to add to the melancholy tone. Overall, the film draws from conventions of indie genres while also including some unique technical elements.
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RISCOSS platform: evaluation results
The results of the RISCOSS evaluation have been presented in the PMI academic workshop 2016 at the United Nations Global Service Centre in Brindisi. Many thanks to PMI-NIC volunteers and to TAAS branch.
Joint Services Transcript (JST)
Mark Dukes served in the U.S. Navy from 1979 to 1998, achieving the rank of Aviation Electronics Technician, Second Class. He completed extensive training in aviation electronics, including courses in basic electricity, communications fundamentals, and microelectronics repair. Dukes' transcript details his occupational experience maintaining and repairing electronic systems on aircraft as an Aviation Electronics Technician.
Revisionismo del holocausto
Revisionismo del Holocausto
"Toda verdad atraviesa tres fases. Primero es ridiculizada. Después recibe una violenta oposición. Finalmente es aceptada como hecho evidente." —Arthur Schopenhauer
Harry Elmer Barnes historiador por la Universidad de Columbia fue uno de los pioneros del revisionismo del Holocausto en Estados Unidos.
Mark Weber historiador estadounidense, otro gran difusor del revisionismo del Holocausto como director del Institute for Historical Review.
El revisionismo del Holocausto es una corriente histórica que tiene la finalidad de reinterpretar, a la luz de nuevas evidencias, los hechos acaecidos en Europa entre los años 1941 y 1946 y que fueron posteriormente tergiversados por los intereses políticos que impulsaron la creación del Estado de Israel en la región de Palestina en 1948.
La negación del Holocausto es a menudo la conclusión natural de la mayoría de los estudios revisionistas, al incluir nuevas pruebas forenses, análisis científicos y evidencia documental no disponible hace 60 años. Sin embargo, esta negación sólo comprende aspectos puntuales, como por ejemplo la existencia de cámaras de gas homicidas o la cifra de seis millones de víctimas judías. No niega la persecución de los judíos y otras minorías, el establecimiento de campos de concentración para grupos considerados como un riesgo para el Estado en guerra ni otros acontecimientos de la historia oficial.
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Evaluation 2
The document discusses the links between a digipak, advertisement, and music video created to promote an album. Key elements were carried over between the materials to tie them together, like using graffiti from the music video throughout the digipak and having the artist photographed in the same location for the advertisement and digipak back cover. Dark lighting and themes of depression from the narrative music video were also reflected in the print materials. This was to help audiences connect the different elements and understand the full story being told across the promotional campaign.
Media Evaluation
The document summarizes the forms and conventions used in a music video created by the student. It discusses how the video was inspired by another indie pop video but developed its own style. It analyzes the camera work, editing, mise-en-scene, representation, and postmodern elements used to represent the band and amplify the song's meaning through the visuals. Additional texts like a magazine advert and digipak were created to further develop the band's image.
Media Evaluation
The document summarizes the creative process behind a music video for an indie pop band. It describes how the video was inspired by typical conventions of the genre, such as using a black and white filter and close-up shots of the band members. Footage was shot in London with a handcam to convey a casual atmosphere. Additional studio shots included props representing the band's American origins. Editing employed a fast cutting rate and bright colors to match the upbeat song. The video, advert, and album packaging worked together to construct an image of the band as carefree young musicians.
Question 2
The document discusses branding in advertising and music. It provides examples of how Cadbury and Coca-Cola use branding in their advertisements to convey emotional connections to their brands rather than directly promoting their products. Music branding is also examined, with One Republic used as an example of maintaining a consistent brand image across their music videos and album covers through elements like color schemes, imagery and themes. The document then proposes a brand image of "Quirky, Timeless, Unique" for a fictional music artist and analyzes how this brand would be conveyed through elements in a music video, album artwork and promotional materials.
Hype in the booth evaluation two
The document discusses the synergy between three media products created to promote musician Isaiah Dreads' album: a music video, album digipak, and magazine poster. Synergy was maintained throughout by aligning the aesthetics, imagery, and themes of each product to the London grime genre. Close-up shots of the artist from the music video were consistently featured to connect the audience visually. Location, clothing, fonts, and color schemes were also aligned across products to establish coherence and effectively promote the artist and album as a whole.
Question 2
This document discusses how a band created and portrayed their brand identity through their music, music video, and other promotional materials. Their brand identity represents a hybrid of rock and grunge genres to create something unique. They use masks to represent each band member's individual identity. In their music video and other media, they show close-ups of themselves playing instruments and use a derelict building setting with graffiti to match their genre and brand image. Their promotional materials like advertisements and album packaging feature their logo, masks, and color schemes to clearly identify their brand.
Evaluation question 2 media
The document discusses the effectiveness of combining a music video, digipak, and poster for a band. The music video uses a black and white scheme with four pastel colors representing each band member. This color scheme is continued in the digipak layout and design. However, the poster only uses black and white to appear crisper and appeal to a wider audience. Overall, the imagery, themes, and representation of the band remain consistent across products while allowing for variation to suit each format.
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The document provides an overview of The Weeknd's musical career and album eras from 2010 to the present. It discusses the aesthetics, themes, and visual styles of each of his album releases from House of Balloons to Dawn FM. It also describes some of his major tours from 2013 to the present, highlighting how the stage designs and visuals evolved to match the concepts of the different album eras. The document concludes by outlining the production methods and software that will be used to create visual materials for a proposed Dawn FM tour, including the use of Photoshop for graphic design work and After Effects for stage visuals.
Synergy presentation
The document analyzes how various artists create distinct brand identities across their album covers, music videos, and promotional materials. Key consistent elements identified include similar fonts, colors, poses, clothing, and themes. Maintaining visual consistency of these features helps make the artist and album easily recognizable and ties different media together as part of a cohesive brand identity.
Evaluation Q 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Genre Research on the House Music Industry
The document analyzes the house music genre and four house music artists - Fatboy Slim, The Chemical Brothers, Lucas and Steve, and Underworld. It summarizes their music, videos, packaging, websites, and star appeal. Key similarities across the artists include repetitive motifs, muted colors, and promotion of performance in videos and packaging. Differences include narrative elements in Lucas and Steve's video and The Chemical Brothers' unique video setting and editing. The analysis provides context on conventions in the house music genre.
Eveulation 1st question finished
The document discusses forms and conventions of alternative indie rock media products. It provides details on typical characteristics like using faded colors like black, dark tones, and grungy or abstract imagery. It also notes the target audience is usually ages 15-21. The poster developed for the band "New Desert Blues" uses dark colors and a simplistic font as is common in the genre. The digipak challenges some conventions by using staged photos rather than performance shots and not including black and white images typically seen in the genre.
Research into Digipacks and Music Magazine adverts
The document provides information about a digipack and advert analysis for a media coursework project. It discusses what a digipack and advert are, then analyzes the digipack and single advert for British rapper Tinie Tempah's debut album "Disc-Overy." It notes design elements like the artist's photo, logo, and colors that establish the album's brand identity within the R&B genre. It also analyzes the advert's darker theme suited to promoting the artist's tour. Finally, it examines the digipack and advert for the British rock band Oasis' debut album "Definitely Maybe," noting design conventions and how the photography style captures the band's laidback persona.
How effective is the combination of your main1
The document discusses the band The Rumour Has It's branding and identity. It establishes that the band uses masks as a central part of their image, with each member having a unique mask representing their personality. Throughout their album packaging, music video, and promotional materials, the band consistently features these masks, dark colors, graffiti imagery, and themes of danger and pain to create a cohesive gothic/heavy metal aesthetic.
Evaluation Task 1
The document discusses various forms and conventions used in media products like music videos. It analyzes the student's music video and compares elements to other well-known music videos. Key elements discussed include camera techniques like tracking shots and handheld shots, editing techniques like jump cuts, sets, lighting, costumes, and branding elements like the logo, website, and album packaging design. Many conventions from indie/rock genre music videos influenced the student's media project.
Digipaks.
This document discusses the typical features found on digipaks, which are packaging for CDs and DVDs. It outlines elements commonly included, such as information about the artist, track listings, and images. It then examines features specific to different music genres, including indie, dark folk, and house/electro. Common indie conventions highlighted are an emphasis on instruments, handdrawn artwork, bright colors, and themes of childhood freedom and carefreeness. Overall, the document provides an overview of standard digipak elements and explores genre-specific traditions.
Research and conclusions2[1]
The document analyzes characteristics of alternative rock music videos, album packaging, and advertisements. It finds that they commonly feature close-ups of band members to build recognition, long shots to show their style and costumes, black clothing to denote the rock genre, and sexuality to appeal to audiences. They also typically include shots of band performances and darkness to signify rock. Branding is shown through themes, colors and images that match the band's image. Alternative rock packaging and ads stand out through bold colors and themes while incorporating black and white colors common to the genre.
Blog task 2
The document discusses different marketing materials created for the band Toy Hearts, including a music video, digipack, and magazine advert. It aimed to establish the band's bluegrass genre and image to appeal to audiences. For the digipack and advert, vintage styles were used to create a consistent vintage feel. Carlsson's theory of commercial stars is also summarized, categorizing stars as commercial exhibitionists, televised bards telling stories through lyrics, or electronic shamans preaching messages. The document analyzes how Toy Hearts exhibits qualities of televised bards through storytelling lyrics and electronic shamans by conveying messages.
Evaluation question 1
Georgia McLaughlin produced a music video for her media studies coursework. The video was for the song "So Far (It's Alright)" by 1975. It featured a fragmented narrative that leaves the audience questioning what happens rather than providing resolution. This challenges conventions of clear storylines in indie music videos. Stylistically, it followed conventions like using black and white footage and casual outfits, but did not include a music performance or shots of the artist, unlike many indie music videos. The video was edited in a way that cut between narratives quickly and used shaky handheld camerawork to involve the audience, representing a personalized spin on typical music video conventions and styles.
Evaluation question 1
This document summarizes a student's media studies coursework where they produced a music video for the song "So Far (It's Alright)" by 1975. The student discusses how their music video challenged some conventions of the indie music genre while also following others. Some ways their video broke conventions included leaving the narrative ambiguous and lacking a performance aspect. However, it kept conventions like a black and white aesthetic, casual clothing styles, and handheld cinematography. Overall, the student aimed to put their own spin on typical music video forms while still clearly fitting the indie genre.
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Evaluation 1
The document discusses various conventions used in different media products within the genres of pop, indie/alternative, and discusses how the student's media products both develop and challenge some of these conventions.
For the music video, it develops conventions such as dressing the artist casually to relate to audiences and having quick cuts between narrative and performance. It challenges conventions by having more narrative focus than performance.
The digipak develops conventions such as prominently displaying the artist's name and image and using consistent text/themes.
The magazine ad develops conventions like using a visual hierarchy but challenges displaying the release date. Inspiration is drawn from various artists like Rihanna, Olly Murs and Bastille.
Final draft 2
The Windsor Boys School document lists 4 students - Ben Chaisty with student number 2039, Max Kimberley with number 2126, Thomas Baldwin with 2015, and Sam Percy with 2165. It also mentions two posters, with the first in all capital letters and the second without capital letters.
Sam a6
The document outlines a music video idea about a teenage boy being bullied at school. Throughout the narrative, the boy is seen crying and upset from bullying by a group of boys. At the end, the boy fights one of the bullies and runs off. The video will cut between the narrative of bullying and a performance of "Three Wise Men" by James Blunt, whose lyrics match the theme. Locations will include the school, bus, leisure center to show bullying, while the performance will take place in a dark room with artificial lighting. Costumes are also outlined for the main character and artist.
Final construction
The document discusses various editing tools in Final Cut Pro X and Photoshop that were used to create a class assignment. In Final Cut Pro X, the trim tool allowed editing of clip sizes, the color correction tool adjusted clip colors, and the zoom tool enabled focusing on details in clips. Photoshop tools like the adjustment icon, layers, pen tool, and text tool facilitated photo editing, layering of images, precise selection and sizing, and adding branded text. Overall the tools provided critical editing and design functions for the multimedia assignment.
A55
The document contains rough sketches and ideas for the design of an ancillary package (digipak) for an artist. It includes three design concepts:
1) A sky theme to match an urban idea, featuring a graffiti-style front cover and a close-up of the artist's face with the city in the background.
2) A fantasy beach theme to match a video, with a front cover photo of the artist on a beach and a back cover featuring song lyrics over a water image.
3) A design with smoke coming from behind the artist on the front cover and lyrics on a wall with smoke, to match the artist's style.
The conclusion recommends the third smoke-the
A18
The document discusses screen shots for an assignment involving costumes, locations, and props for music videos being created by a group of students for the songs "Perfect" by One Direction and "Lock Arff" by Section Boyz.
A 63 copy
This document summarizes the use of various editing tools in Final Cut Pro X and Photoshop. It describes how the trim tool, color correction tool, zoom tool, and import tool in Final Cut Pro X allow editing of video clips. The adjustment tool in Photoshop allows editing pictures by adjusting brightness, contrast, and levels. The layer tool in Photoshop controls the order of images and allows placing images on top of each other.
Tom a3
This document analyzes the cover designs of various artists' digipaks and identifies common conventions used. It finds that many artists feature prominent images of themselves to identify the artist and attract fans. Some challenge conventions by omitting text or using landscape images instead of portraits. Artists also commonly include the album and artist name to promote the content and artist brand. Overall, the document examines how different artists employ standard design elements or innovative approaches in crafting their digipak covers.
Sam a3
The document discusses conventions used in digipak album cover designs. Several artists are highlighted:
Coldplay challenges conventions by omitting their name and photo from the cover. 67 also omits themselves to focus attention on their music. Rihanna follows conventions by using her image to appeal to audiences as a "sex symbol." Lil Uzi Vert challenges conventions by omitting text and using a cartoon image rather than a photo.
Max a6
This document outlines three potential music video ideas for different songs. The first idea is for the song "Send Them Off" by Bastille and would tell a narrative of two friends arguing over a girl they both text. The second idea is for the song "Settle Down" by 1975 and would show the band preparing for a show and performing. The third idea is for the song "Wisemen" by James Blunt and would illustrate a boy being bullied through a combination of narrative and performance elements. The document analyzes the genre, narrative, lighting, commercial appeal, and target audience for each idea before concluding that the third idea would be the best to fulfill the goals of the project.
Ben a6
The document outlines 3 initial ideas for music videos. Idea #1 follows friends throughout a day, with performance shots of an artist singing by a campfire using natural lighting. Idea #2 features a band performing in various locations, cutting between members. Idea #3 uses both narrative and performance elements to tell the story of a boy meeting a girl at a club and following their relationship, with parts of the narrative matching song lyrics. The conclusion recommends pursuing Idea #1 as the most feasible given available props and lighting, and having the most interesting themes to appeal commercially.
Film plan
The document contains a filming schedule and notes for three days of shooting. On Monday they will film at Ben's house and various locations in Windsor including the alley, road, and river. They need cameras, gimbals, and specific costumes. On Tuesday they will also film in Windsor and at Ben's house, needing cameras, gimbals, and costumes. Wednesday involves reviewing footage, more filming in Windsor, and a narrative scene of Ben riding a bike in Old Windsor. Notes provide details on performance and narrative scenes, as well as how to improve the "Bad Day" video sequence.
Film plan
The document contains a filming schedule for a short film across three days. On Monday, filming will take place at Windsor including a school, Ben's house, and various outdoor locations. Scenes include a photoshoot and performance. On Tuesday, filming will continue in Windsor and at Ben's house, including scenes of a "bad day" and beer pong. Wednesday's schedule involves reviewing footage, and more filming in Windsor of narrative and performance scenes, including shots of Tom riding a bike. The document outlines equipment, costumes, and shots needed for the various scenes.
Film plan
This document contains a filming schedule and notes for a student film project over three days. On Monday they will film at Ben's house and various locations in Windsor including alleys, roads, and bridges. Scenes include a photoshoot and performance. On Tuesday they will film more scenes in Windsor including a "Bad Day" narrative sequence. Wednesday's schedule includes reviewing footage, and filming more narrative and performance scenes in Windsor and Old Windsor. The document provides details on equipment, costumes, shots needed and transition ideas for the "Bad Day" sequence.
Assignment 47
This document outlines location plans for a music video project. It discusses six potential filming locations - William Street Car Park, Long Walk Windsor, Ward Royal, Ben's House, Brockhill Stables, and Delta Force. For each location, it describes how the group will get there, noting driving and walking distances from school, and potential risks or obstacles to address during filming like members of the public, lighting, noise, weather, or safety concerns. The group considered ease of access, parking availability, and minimizing interruptions at each site.
Sam a8
This document reviews and analyzes the music video "Fire Meet Gasoline" by Sia. It discusses the strong performance, varied shots that elicit emotion, and exploration of sexuality as a universal theme. Planning is evident from the locations, outfits, props, and large party scene used. The editing frequently cuts between reactions and uses color correction to seem realistic. The universal theme, casual costumes, and party scene allow the video to relate to a wide audience commercially.
assignment 40
The document summarizes an assignment where a group of students explored features of photography software PicMonkey and Snapseed. They used various tools like crop, rotate, exposure, sharpen, color, blemish fix, Orton, dusk, and frame tools on PicMonkey to edit a photo. With Snapseed, they used text and tune tools. Through this exploration, the group learned how to use different features to edit lighting, color, and other aspects of images.
Presentation2
This document contains 3 rough sketches for ancillary items with annotations provided by Ben, Sam, Tom and Max. The sketches are labeled Number One, Number Two, and Number Three, with each one having corresponding annotations to provide additional details for each sketch.
Assignment 50
This document outlines Ben, Tom, Sam and Max's plans for costumes, props, and makeup for a performance. It discusses the costumes and inspiration for the main artist, including jeans, sneakers, a sweatshirt and jacket. It also outlines the props that will be used, including colored smoke bombs and items for various narrative scenes like swimming trunks, paintball gear and horseback riding clothes. Makeup plans involve using concealer and photo editing. Many of the items already have or will be purchased from online retailers for quick delivery.
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Assignment 20
- 1. Assign20: Synergies (Complete atleast 3 differentartists/groups) Name ofArtist/Group: Imagine Dragons AlbumCover Name Key FeaturesHighlighted Smoke and Mirrors Similargraphicsandideasthatare clearin the trailer. The textstands out fromthe contrastingcolour. Textisclear and simple. AlbumTeaser Trailer Key FeaturesHighlighted Smoke and Mirrors trailer Similarthemesof darknessanddarkcolours. Showsthe groupsuccessand theirlive performanceswhichallowstheir audience togatheranideaof what theyare like live. Playsa varietyof songsfromthe albuminthe backgroundof the trailer. Music VideoSingle Key FeaturesHighlighted Gold Followsare darkand mysterioustheme. The videoisall performance. The lightingaspectplaysakeyrole in thisvideo. Music VideoSingle Key FeaturesHighlighted I bet my life Thisis an all narrative video. Similarthemesrunthroughoutagainof darknesswhichrelatestothe album. What featurescan be seenacross all 4 products to create brand identity? The use of dark coloursand a dark overall theme andatmospheretothe videos,digipakandtrailer. A clearfocuson the bands passionandlove formusic. The constant use of dark colours.
- 2. Assign20: Synergies (Complete atleast 3 differentartists/groups) Name ofArtist/Group: Skepta AlbumCover Name Key FeaturesHighlighted Konnichiwa Plainandsimple layoutanddesign. A none clearpicture of the artist eventhoughhe isa bigname in the Grime genre. The digipakstateswhere he isfrom‘London’whichshowshe isproudof where he grewup. AlbumPromotion Poster Key FeaturesHighlighted Konnichiwatour Simple andsame redstampimage of artist followsthroughtothe poster. Same colourScheme anddesign. Music VideoSingle Key FeaturesHighlighted Man Puttingthe standout feature of the album(the stamp) inareasaroundLondon. Showshe isputtinga stamp on the musicindustry. The videohighlightsthe artistsbackgroundof beinginthe streets. Music VideoSingle Key FeaturesHighlighted It ain’t Safe Performance video Showshisdailylife andthe people he handsaroundwith. What featurescan be seenacross all 4 products to create brand identity? The red stampis puton many of hisproductsto create a brand of himself andtoincrease the awarenessof the artist. The locationsare all verysimilar.The videosare shotonthe streetsof Londonwhichshowshisaudienceshe isproudof whe re he grew up. The name of the albumis named‘Konnichiwa’asitwasone of the artistsfirstabroad performancesandhe hasa large fanbase there.
- 3. Assign20: Synergies (Complete atleast 3 differentartists/groups) Name ofArtist/Group: The 1975 AlbumCover Name Key FeaturesHighlighted I Like It WhenYou Sleep,forYou Are So Beautiful yet So Unaware of It The coloursstand out howeverare shuttle withthe contrastinthe white andthe pink. The use of the colour pinkrelatestotheirtargetaudience (female) asconventionallythe colourpinkisassociatedwith females. AlbumTeaser Trailer Key FeaturesHighlighted I Like It WhenYou Sleep,forYou Are So Beautiful yet So Unaware of It Followsthe same ideaandcolourscheme asthe digipak. Has the artist’ssongsplayinginthe backgroundto make theiraudiencesaware of theirmusic. Askingtheirfanstovote for themsothat theycan winanaward whichwill increase theirawarenessasa band. Music VideoSingle Key FeaturesHighlighted The Sound The colour pinkisclearthroughout. The font isalsolike the one thatcan be seeninthe albumand the teasertrailer. The similaritiesallowthe bandtohave a distinctimage andallowsthemtobe easilyrecognised. The videois purelyperformance. Music VideoSingle Key FeaturesHighlighted UGH Performance Video The colour pinkcan be seeninsome aspectsof the lighting. Dark backdrophoweverthe lightingconstantlychanges. What featurescan be seenacross all 4 products to create brand identity? The same coloursandfontwhichallowsthe bandto be easilyrecognisedwhichwillimprove the awarenessof the band. Most of theirvideosare performance whichshowstheirdedicationandfocusonmusic.