This is the pitch we made for our opening scene.
We got some good feedback from the group including:
The fact we had good detail
They liked the genre and concept we had
SAP Sapphire 2024 - ASUG301 building better apps with SAP Fiori.pdfPeter Spielvogel
Building better applications for business users with SAP Fiori.
• What is SAP Fiori and why it matters to you
• How a better user experience drives measurable business benefits
• How to get started with SAP Fiori today
• How SAP Fiori elements accelerates application development
• How SAP Build Code includes SAP Fiori tools and other generative artificial intelligence capabilities
• How SAP Fiori paves the way for using AI in SAP apps
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...SOFTTECHHUB
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
GraphRAG is All You need? LLM & Knowledge GraphGuy Korland
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1. Unifying Large Language Models and Knowledge Graphs: A Roadmap.
https://arxiv.org/abs/2306.08302
2. Microsoft Research's GraphRAG paper and a review paper on various uses of knowledge graphs:
https://www.microsoft.com/en-us/research/blog/graphrag-unlocking-llm-discovery-on-narrative-private-data/
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Sudheer Mechineni, Head of Application Frameworks, Standard Chartered Bank
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A tale of scale & speed: How the US Navy is enabling software delivery from l...sonjaschweigert1
Rapid and secure feature delivery is a goal across every application team and every branch of the DoD. The Navy’s DevSecOps platform, Party Barge, has achieved:
- Reduction in onboarding time from 5 weeks to 1 day
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- Maintenance of superior security standards and inherent policy enforcement with Authorization to Operate (ATO)
Development teams can ship efficiently and ensure applications are cyber ready for Navy Authorizing Officials (AOs). In this webinar, Sigma Defense and Anchore will give attendees a look behind the scenes and demo secure pipeline automation and security artifacts that speed up application ATO and time to production.
We will cover:
- How to remove silos in DevSecOps
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DevOps and Testing slides at DASA ConnectKari Kakkonen
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Encryption in Microsoft 365 - ExpertsLive Netherlands 2024Albert Hoitingh
In this session I delve into the encryption technology used in Microsoft 365 and Microsoft Purview. Including the concepts of Customer Key and Double Key Encryption.
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Unlocking Productivity: Leveraging the Potential of Copilot in Microsoft 365, a presentation by Christoforos Vlachos, Senior Solutions Manager – Modern Workplace, Uni Systems
Smart TV Buyer Insights Survey 2024 by 91mobiles.pdf91mobiles
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Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Epistemic Interaction - tuning interfaces to provide information for AI support
As 11 fixed draft 6 part 7
1. Kaya
Titles S
The ring
During the opening of the ring, we
were inspired by the white colour of
the font making it look quite ghostly.
Also the way the text is not in line
made it seem more childlike, which
we thought would link to our childish
doll sentiments,
2. Kaya
Credits S
Devil - 2010
We were inspired by the credits in Devil because of the way the credits come on
screen then fade away after. We thought it suited our opening sequence in the
sense that it’s calm, just like the beginning of ours and now too attention grabbing,
so that our character is still the main focus.
7. Kaya & Sanel
Titles/Credits S
Here are some of our idea’s of what we would like to use in our title
Maids Maids
Secrets secrets
We like this font because it looks like
We like this as its very conventional
writing written in the 1800’s which is
in ghost films and there's very
when the ghost maids were living.
minimal choice on IMovie so we
Also we feel as though it suits our
though this would be a good choice
opening sequence. However, its not
in font.
very conventional to ghost films from
It’s not too bold and goes well with
the research shown and IMovie
our opening sequence
doesn't have must variety anyway
8. Kaya & Sanel
Titles/Credits S
IDEAS FOR COLOUR OF FONT
Maids secrets Maids secrets
For the credits we cant to use the same font
For the credits we cant to use the same font as our title called ’batang’. A colour we might
as our title called ’batang’. A colour we might use is black as its simple, dark, and
use is grey, because it looks mysterious mysterious. We feel it suits our opening
however we didn’t like it cause it looked to sequence but it doesn't distract too much
dull and weren’t very eye-catching. attention
Maids secrets Maids secrets
For the credits we cant to use the same font as For the credits we cant to use the same font
our title called ’batang’. A colour we might use as our title called ’batang’. A colour we might
is red, we feel it really suits our opening use is white. It’s the same colour as our title
sequence as it shows something bad happens would be as it goes with our opening
like violence. The red would stand out during sequence of a spirit looking or wearing white
our opening sequence so that could be a and so we think this looks well for our
problem opening sequence.
9. Kaya
Inspirational L
Non-diegetic sound
The sound used in insidious opening sequence has greatly
inspired me to use it through our opening sequence. It
creates a big climax with tensions as well as making it
uncomfortable and scary for the audience. It is a very high
pitched violin sound which gets extremely fast when the
tensions get to its highest points to a sudden stop or thud
perfect to fit with our opening sequence
10. Kaya
Music/Sounds T
Diegetic Sound
Gasps & breathing
Non-Diegetic Sound
FREESOUND.ORG
& FREEPLAYMUSIC.COM
From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we
would like to download the tracks called
• Behind the looking glass
• Thriller
• One foolish night owl
• cryptomnesia
11. BBFC And Rating
What is BBFC- The British Board of Film
Classification.
What is BBFC used for- responsible for what was
shown in cinemas and from early on established
the decisions of the BBFC.
Are film will be rated an 15 because it not in the
interest of an younger audience.
12. BBFC And Rating
• It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four
years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence,
threat or horror.
• children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are
advised to consider whether the content may upset younger or more sensitive children.
• Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is
suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or
contain material which many parents will find unsuitable for them.
• No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
• Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or
watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used.
Scenes of strong real sex may be permitted if right by the context.