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Kaya
       Titles                                S

       The ring

          During the opening of the ring, we
          were inspired by the white colour of
          the font making it look quite ghostly.
          Also the way the text is not in line
          made it seem more childlike, which
          we thought would link to our childish
          doll sentiments,
Kaya
                                    Credits                                        S
                                   Devil - 2010




  We were inspired by the credits in Devil because of the way the credits come on
   screen then fade away after. We thought it suited our opening sequence in the
 sense that it’s calm, just like the beginning of ours and now too attention grabbing,
                      so that our character is still the main focus.
Kaya
Kaya
Kaya
Kaya
Kaya & Sanel
                                   Titles/Credits                                              S
               Here are some of our idea’s of what we would like to use in our title




      Maids                                                 Maids
     Secrets                                                secrets
                                                     We like this font because it looks like
    We like this as its very conventional
                                                     writing written in the 1800’s which is
        in ghost films and there's very
                                                       when the ghost maids were living.
      minimal choice on IMovie so we
                                                       Also we feel as though it suits our
    though this would be a good choice
                                                      opening sequence. However, its not
                     in font.
                                                     very conventional to ghost films from
    It’s not too bold and goes well with
                                                        the research shown and IMovie
            our opening sequence
                                                       doesn't have must variety anyway
Kaya & Sanel
                                   Titles/Credits                                             S
                                  IDEAS FOR COLOUR OF FONT



     Maids secrets                                      Maids secrets
                                                   For the credits we cant to use the same font
 For the credits we cant to use the same font      as our title called ’batang’. A colour we might
 as our title called ’batang’. A colour we might        use is black as its simple, dark, and
    use is grey, because it looks mysterious          mysterious. We feel it suits our opening
  however we didn’t like it cause it looked to       sequence but it doesn't distract too much
      dull and weren’t very eye-catching.                              attention


      Maids secrets                                    Maids secrets
For the credits we cant to use the same font as    For the credits we cant to use the same font
our title called ’batang’. A colour we might use   as our title called ’batang’. A colour we might
    is red, we feel it really suits our opening     use is white. It’s the same colour as our title
sequence as it shows something bad happens             would be as it goes with our opening
 like violence. The red would stand out during     sequence of a spirit looking or wearing white
    our opening sequence so that could be a            and so we think this looks well for our
                      problem                                     opening sequence.
Kaya
                         Inspirational                               L

                       Non-diegetic sound




       The sound used in insidious opening sequence has greatly
       inspired me to use it through our opening sequence. It
       creates a big climax with tensions as well as making it
       uncomfortable and scary for the audience. It is a very high
       pitched violin sound which gets extremely fast when the
       tensions get to its highest points to a sudden stop or thud
       perfect to fit with our opening sequence
Kaya
                         Music/Sounds                                             T

Diegetic Sound

Gasps & breathing




Non-Diegetic Sound

FREESOUND.ORG
& FREEPLAYMUSIC.COM
From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we
would like to download the tracks called
• Behind the looking glass
• Thriller
• One foolish night owl
• cryptomnesia
BBFC And Rating
What is BBFC- The British Board of Film
Classification.

What is BBFC used for- responsible for what was
shown in cinemas and from early on established
the decisions of the BBFC.

Are film will be rated an 15 because it not in the
interest of an younger audience.
BBFC And Rating
•   It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four
    years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence,
    threat or horror.

•   children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are
    advised to consider whether the content may upset younger or more sensitive children.

•   Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is
    suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or
    contain material which many parents will find unsuitable for them.

•   No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.

•   Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or
    watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used.
    Scenes of strong real sex may be permitted if right by the context.

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As 11 fixed draft 6 part 7

  • 1. Kaya Titles S The ring During the opening of the ring, we were inspired by the white colour of the font making it look quite ghostly. Also the way the text is not in line made it seem more childlike, which we thought would link to our childish doll sentiments,
  • 2. Kaya Credits S Devil - 2010 We were inspired by the credits in Devil because of the way the credits come on screen then fade away after. We thought it suited our opening sequence in the sense that it’s calm, just like the beginning of ours and now too attention grabbing, so that our character is still the main focus.
  • 7. Kaya & Sanel Titles/Credits S Here are some of our idea’s of what we would like to use in our title Maids Maids Secrets secrets We like this font because it looks like We like this as its very conventional writing written in the 1800’s which is in ghost films and there's very when the ghost maids were living. minimal choice on IMovie so we Also we feel as though it suits our though this would be a good choice opening sequence. However, its not in font. very conventional to ghost films from It’s not too bold and goes well with the research shown and IMovie our opening sequence doesn't have must variety anyway
  • 8. Kaya & Sanel Titles/Credits S IDEAS FOR COLOUR OF FONT Maids secrets Maids secrets For the credits we cant to use the same font For the credits we cant to use the same font as our title called ’batang’. A colour we might as our title called ’batang’. A colour we might use is black as its simple, dark, and use is grey, because it looks mysterious mysterious. We feel it suits our opening however we didn’t like it cause it looked to sequence but it doesn't distract too much dull and weren’t very eye-catching. attention Maids secrets Maids secrets For the credits we cant to use the same font as For the credits we cant to use the same font our title called ’batang’. A colour we might use as our title called ’batang’. A colour we might is red, we feel it really suits our opening use is white. It’s the same colour as our title sequence as it shows something bad happens would be as it goes with our opening like violence. The red would stand out during sequence of a spirit looking or wearing white our opening sequence so that could be a and so we think this looks well for our problem opening sequence.
  • 9. Kaya Inspirational L Non-diegetic sound The sound used in insidious opening sequence has greatly inspired me to use it through our opening sequence. It creates a big climax with tensions as well as making it uncomfortable and scary for the audience. It is a very high pitched violin sound which gets extremely fast when the tensions get to its highest points to a sudden stop or thud perfect to fit with our opening sequence
  • 10. Kaya Music/Sounds T Diegetic Sound Gasps & breathing Non-Diegetic Sound FREESOUND.ORG & FREEPLAYMUSIC.COM From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we would like to download the tracks called • Behind the looking glass • Thriller • One foolish night owl • cryptomnesia
  • 11. BBFC And Rating What is BBFC- The British Board of Film Classification. What is BBFC used for- responsible for what was shown in cinemas and from early on established the decisions of the BBFC. Are film will be rated an 15 because it not in the interest of an younger audience.
  • 12. BBFC And Rating • It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence, threat or horror. • children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children. • Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them. • No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work. • Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used. Scenes of strong real sex may be permitted if right by the context.