Our film is a closed narrative that tells the complete story of Laura's life with drugs from start to finish without any cliffhangers. It sends a clear message that drug use will ultimately lead to death without leaving any unanswered questions for the audience. The narrative structure has not changed from the first draft, as it still follows Laura's story in a linear manner from start to end.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
Learning analytics - Analíticas de aprendizaje: tecnología, profesores, entor...Baltasar Fernández-Manjón
Analíticas de aprendizaje: tecnología, profesores, entorno, juegos
Que es learning analytics o las analíticas de aprendizaje y como se puede usar para mejorar el proceso educativo
En concreto como se puede usar para ayudar al profesor a entender que es lo que está pasando cuando se usa tecnología en la clase
Incluye ejemplos que implican el uso y despliegue de juegos en la clase.
Evaluation question 1- improved
In what ways does your media product use, develop or challenge forms and conventions of real media products?
IMPROVED VERSION.
Learning analytics - Analíticas de aprendizaje: tecnología, profesores, entor...Baltasar Fernández-Manjón
Analíticas de aprendizaje: tecnología, profesores, entorno, juegos
Que es learning analytics o las analíticas de aprendizaje y como se puede usar para mejorar el proceso educativo
En concreto como se puede usar para ayudar al profesor a entender que es lo que está pasando cuando se usa tecnología en la clase
Incluye ejemplos que implican el uso y despliegue de juegos en la clase.
This is the pitch we made for our opening scene.
We got some good feedback from the group including:
The fact we had good detail
They liked the genre and concept we had
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Young Tom Selleck: A Journey Through His Early Years and Rise to Stardomgreendigital
Introduction
When one thinks of Hollywood legends, Tom Selleck is a name that comes to mind. Known for his charming smile, rugged good looks. and the iconic mustache that has become synonymous with his persona. Tom Selleck has had a prolific career spanning decades. But, the journey of young Tom Selleck, from his early years to becoming a household name. is a story filled with determination, talent, and a touch of luck. This article delves into young Tom Selleck's life, background, early struggles. and pivotal moments that led to his rise in Hollywood.
Follow us on: Pinterest
Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
Education and Early Interests
Growing up, young Tom Selleck was an active and athletic child. He attended Grant High School in Van Nuys, California. where he excelled in sports, particularly basketball. His tall and athletic build made him a standout player, and he earned a basketball scholarship to the University of Southern California (U.S.C.). While at U.S.C., Selleck studied business administration. but his interests shifted toward acting.
Discovery of Acting Passion
Tom Selleck's journey into acting was serendipitous. During his time at U.S.C., a drama coach encouraged him to try acting. This nudge led him to join the Hills Playhouse, where he began honing his craft. Transitioning from an aspiring athlete to an actor took time. but young Tom Selleck became drawn to the performance world.
Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
The Commercial Breakthrough
During the late 1960s and early 1970s, Selleck began appearing in television commercials. His rugged good looks and charismatic presence made him a popular brand choice. He starred in advertisements for Pepsi-Cola, Revlon, and Close-Up toothpaste. These commercials provided financial stability and helped him gain visibility in the industry.
Struggling Actor in Hollywood
Despite his success in commercials. breaking into large acting roles remained a challenge for young Tom Selleck. He auditioned and took on small parts in T.V. shows and movies. Some of his early television appearances included roles in popular series like Lancer, The F.B.I., and Bracken's World. But, it would take a
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
Hollywood Actress amazon album eminent worldwide media, female-singer, actresses, alhletina-woman, 250 collection.
Highest and photoreal-print exclusive testament PC collage.
Focused television virtuality crime, novel.
The sheer afterlife of the work is activism-like hollywood-actresses point com.
173 Illustrate, 250 gallery, 154 blog, 120 TV serie logo, 17 TV president logo, 183 active hyperlink.
HD AI face enhancement 384 page plus Bowker ISBN, Congress LLCL or US Copyright.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
Follow us on: Pinterest
Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
1. Kaya
Narrative P
Our film is closed narrative, Why?
• Our film is like reading a book, it goes to a start to an end – the film doesn't
have a cliff hanger, just a solid ending where the story of Laura’s life ends
• The film doesn't leave the audience asking questions, it leave the audience
with the statement that drugs will end up killing you and you should never try
them
How has it changed since Draft 1?
• In our first draft because we has a completely different story it has changed
from the film ending in a cliff hanger being a open narrative, to a closed
narrative sending out a message for the end of the film because before we
wanted the audience to question what happens in the film and create their
own ending according to what they saw.
2. Kaya
Narrative P
Our film is linear narrative, Why?
• Our film is a story that goes from start, middle, to end to tell the story of
Laura’s drug use.
• Although there are flashbacks, they are only very short and not the main basis
of our story
START MIDDLE END
How has this changed since draft 1?
• Although the story is different from draft1, we have always kept a linear
narrative as we want to make a film that tells a story from start middle to the
end because we think its more understandable and a better way of presenting
a story effectively
3. Kaya & Sanel
Film Theory Q
Tzvetan Todorov – Narrative Film Theorist
How we will be using his theory…
Equlibrium – Before Laura tried the drug, she was doing well at school and had a promising ‘
. future ahead of her and everything in her life was where it should be
Disequilibrium – As soon as she was introduced to the drug her life just went downwards at
. a rhythm that just went worse and worse, until she eventually dies.
New Equilibrium – There is no new equilibrium as our film ends horrible with Laura dying in
. A bad state with no friends, or anyone to help or support her in her time
. of need
4. Kaya
Film Theory Q
Vladimir Propp – Film Theorist
Why we wont be using his theory…
The villain – No-one in our film intentionally tries to hurt or ruin anybody
The dispatcher – This doesn't apply to our film at all, there is no hero to send off
The (magical) helper – No-one in the film does, or even try help Laura in her struggle
The princess or prize – There is no prize and its based on real life
Her father – She doesn't have a father, it’s a broken family
The donor – The film is based on real life therefore no magical objects
The hero or victim/seeker hero – There is no hero
False hero – There is no hero therefore no false hero
5. Kaya
Film Theory Q
Claude Lévi-Strauss - Narrative Film Theorist
Binary opposition
How we will be using this theory
Good life : Bad life Real life : Fantasy Good trip : Bad trip
Laura’s life in the We see Laura’s life The first time
beginning was throughout the Laura tires the
whole film the way drug she has a
good and anyone around her
promising good trip and has
would
fun
However we also
see her point of
Until she started view of the But then she has
using LSD which characters and a bad trip that
suddenly ruined sounds she doesn't makes her feel
her life in her hallucinations confused and
which aren't really frightened
there
6. R
Distributor Film Budget
Revolver Anuvahood $1,000,000
Entertainment (estimated)
Revolver Kidulthood £600,000
Entertainment (estimated)
Revolver Sket $1,000,000
Entertainment (estimated)
Revolver Shank £385,000
Entertainment (estimated)
7. Why we chose Revolver R
Entertainment
• They are able to work with flexible budgets
• They have operations in both London and Los Angeles, so a
variety of influence will be obtained
• Most films they distribute were filmed in London
• The films they distribute are mainly targeted at a young
audience
• The central characters in the films they distribute are young and
troubled
• The films they distribute are very similar to our opening
sequence which features drugs
For these reasons we believe that Revolver Entertainment will be
able to distribute our film effectively.
8. R
Distributor Film Budget
Universal Studios 4321 $4,600,000
(estimated)
Universal Studios Alpha Dog $30,000,000
(estimated)
9. R
Universal..
• Distribute movies similar to ours such as 4321 and
Alpha Dog
• Distribute some films centred around young
characters like our opening sequence.
• Are experienced in releasing drama films
• Is based in America, however they have filmed in
British locations and have had British actors
feature in the film
10. R
Warner Bros
Distributor Film Budget
Warner Bros Altered States $15, 000, 000
Warner A Home at the $6.5, 000, 000
Independent World
Pictures
Warner Bros Conspiracy Theory $80, 000, 000
11. R
Warner Bros..
• Have distributed a lot of drug related films
• Is a long established film distribution company
• Have distributed a variety of drama films
12. Kaya & Sanel
Titles S
Dazed and confused - 1993
During the trailer of dazed and confused we
got inspired by the bright colour and they
way they faded from bright dark blue to
bright fuchsia.
This inspired us to use distorted shape in
our font. This also inspired us to use bright
changing colours in our title because it
almost looks like hallucination. We also
thought it would be effective to use a bright
colour then a darker one to symbolise
Laura.
13. Kaya & Sanel
Credits S
Devil - 2010
We were inspired by the credits in Devil because of the way the credits come on
screen then fade away after. We thought it suited our opening sequence in the
sense that it’s calm, just like the beginning of ours and now too attention grabbing,
so that our character is still the main focus.
14. Kaya & Sanel
Titles/Credits S
We would like to use a font that shows the images in a distorted vision. Here are some of
our idea’s of what we would like to use in our title and credits.
Delirium Fantasy Delirium Fantasy
Showcard Gothic Snap ICT
We liked how this font stood out because it was bold
We really like the look of this font because of how
and the letters are quite distorted. Also because the
distorted the letters and how it almost look like
letters are bold the audience would focus on the title
graffiti which would be eye catching for our target
and it’s meaning.
audience, however we just feel this isn't the right font
However, we didn’t feel it completely fitted our film
because it doesn't give out any clues to what the title
as it was probably too firm as we feel we need
represents.
something more flexible.
Delirium Fantasy Chiller
Delirium Fantasy
Ravie
This was our favourite design and font of all that we looked at.
We liked this font because of the way the letters fade We loved the curls at the end on some of the letters and how
towards the bottom which represents our main flexible the letters are. They almost showing a sense of
character, however, we feel it looks too much like a ‘fantasy’ and looks quite confusing. Also we think the target
thiller title and we don’t want to give that kind of audience would be swayed to look at our film as the font isn't
sophisticated, but almost like graffiti in a subtle way. We
image on our film.
decided that this would be the perfect font for our titles and
credits as it ticks all the boxes.
15. Kaya & Sanel
Titles/Credits S
IDEAS FOR COLOUR OF FONT
This was an idea of colours for our titles and We liked the confusing design on this title
credits because we like the bright colours because it was confusing and we wanted our
and the way they fade from bright to dull. audience to feel uncomfortable when
However, we don’t think these colours fully watching this. However, it doesn't fit with
match and doesn't fit properly to what we’re what we’re doing and isn't the correct
showing. portrayal of our film.
We thought maybe we should explore using This was our favourite of all the colours and
a more serious colour as our film has a designs as we wanted a brighter colour to
serious message behind it. However, this is show the hallucinations (as our title will be
to predictable for a film like this and we shown while she is hallucinating). Also we
wanted to do something a bit different. Also believe that although this is a serious film,
it wouldn’t fit in where we will be showing we want our target audience to be attracted
the title as its dull. to the film which I believe the title and credit
does.
16. Kaya & Sanel
Titles/Credits S
IDEAS FOR WHAT WE WANT OUT TITE TO LOOK LIKE
(We don’t have iMovie so we don’t know if this sort of thing is available)
This is not our own image
17. Kaya & Sanel
Titles/Credits S
IDEAS FOR WHAT WE WANT OUT CREDITS TO LOOK LIKE
(We don’t have IMovie so we don’t know if its available)
18. Kaya & Sanel
Music/Sounds T
Non-Diegetic Sounds
The song played by piano in the last song
inspired us to use it for when we show the
flashbacks because we wanted the audience
to connect with Laura and really reflect and
think in depth about why they’re being shown
and what they are to represent
http://http://www.youtube.com/watch?v=-wW_0-TN-
V8&feature=related
19. Kaya & Sanel
Music/Sounds T
Diegetic Sounds
We wanted our character’s from Laura’s hallucination
to almost mock her, so we were inspired from dream
house to use laughter, in an almost creepy way but
still happy. However we wanted to show a scary one
http://www.youtube.com/watch?v=8KIn3yP8c5Q too, so we were inspired from the second clip (from
http://www.youtube.com/watch?v=nIeMYPfnST0 YouTube) to eventually start to make the laugh sound
demented and frighten her as she starts to change
into a ‘bad trip’
20. Kaya & Sanel
Music/Sounds T
Diegetic Sounds
We wanted the characters in the hallucination to talk,
but we didn’t want them to have their normal voices,
so we were inspired by the chipmunks to make their
voices high pitched as we thought this would be
creepy. Though, we would increase their movement
and also their speech so they would be talking a lot
faster but still as high pitched.
http://www.youtube.com/watch?v=kKJ7kDLd2o8
We were inspired to use a siren sound during Laura’s
hallucination from hot fuzz because, the siren was
used in the film because someone was doing
something wrong, therefore, we wanted to use it in
ours to show that Laura knows what she's doing is
wrong in the back of her mind
http://www.youtube.com/watch?v=0-lcqIuVaR8
21. Kaya & Sanel
Music/Sounds T
Diegetic Sounds
We were inspired by this story called ‘I’ll follow the
moon’ background music because it was very relaxing
and calm, which almost sounded twisted in a way. So
we wanted to make something very similar to be the
main sound play during her hallucination, as well as
sirens, children's laughter and characters dialogue
http://www.youtube.com/watch?v=QApwa7NtmXI&feature=pyv
22. Kaya & Sanel
Music/Sounds T
Sounds we would have potentially used…
http://www.shockwave-sound.com/sws_player.php?v=4804&l=
The music we downloaded wouldn’t upload to the presentation, so we
recorded the sound on webcam our selves.
This sound will be the music played during Laura’s hallucination.
http://www.shockwave-sound.com/sws_player.php?v=84196&l=
The music we downloaded wouldn’t upload to the presentation, so we recorded the
sound on webcam our selves.
This is a police siren what we would have used during the hallucination
http://www.shockwave-sound.com/sws_player.php?v=83604&l=
The music we downloaded wouldn’t upload to the presentation, so we
recorded the sound on webcam our selves.
This would have been played through the flashbacks to intensify them
and add emotion to what is being shown
23. BBFC And Rating
What is BBFC- The British Board of Film Classification.
What is BBFC used for- responsible for what was shown in cinemas and from early
on established the decisions of the BBFC.
Are film would be rated an 18 because it based on drugs sexual context .
24. Rating System
• Universal – It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four
years and over.
• Discrimination
No discriminatory language or behaviour unless clearly disapproved of.
• Drugs
No situations to illegal drugs or drug abuse unless they are infrequent and mild, or there is a clear educational purpose or anti-drug
message suitable for young children.
• Horror
Scary sequences should be mild, short-term and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
• Imitable behaviour
No possibly dangerous behaviour which young children are likely to copy. No importance on realistic or easily accessible weapons.
• Language
Few use only of very mild bad language.
• Nudity
natural nudity, with no sexual context.
• Sex
Mild sexual behaviour (for example, kissing) .
• Theme
While difficult themes may be present, their treatment must be sensitive and correct for young children.
• Violence
Mild violence only. Rare mild threat or danger only.
25. • Parental Guidance
Alone children of any age may watch a ‘PG’ film should not disturb a child aged around eight or older.
• Discrimination
Unfair language or behaviour is unlikely to be acceptable unless clearly disliked of or in an educational or past context.
• Drugs
Situations to illegal drugs or drug waste must be safe or carry a suitable anti-drug message.
• Horror
Scary sequences should not be prolonged or intense. Fantasy settings may be a modifying factor.
• Imitable behaviour
No detail of possibly dangerous behaviour which young children are likely to copy.
• Language
Mild bad language only.
• Nudity
Natural nudity, with no sexual context.
• Sex
Mild sex references and hint only.
• Theme
Where more serious matters are bring out (for example, local violence) nothing in their treatment should overlook unacceptable
behaviour.
• Violence
Enough violence, without detail, may be allowed.
26. • Suitable for 12 years and over
• Exactly the same principles are used to classify works at ‘12A’ and ‘12’.
• The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless go along by an adult, and films
classified ‘12A’ are not recommended for a child below 12.
• Discrimination
language or behaviour must not be recognized by the work as a whole. Aggressive unfair language or behaviour is unlikely to be acceptable unless clearly
condemned.
• Drugs
Any abuse of drugs must be rare.
• Horror
Enough physical and mental risk may be permitted, provided disturbing sequences are not frequent or constant.
• Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail.
• Language
language is allowed. The use of strong language (for example, ‘fuck’) must be rare.
• Nudity
Nudity is allowed, but in a sexual context must be brief and subtle.
• Sex
Sexual activity may be briefly shown. Sex references should not go beyond what is suitable for young teenagers.
• Theme
Mature themes are acceptable, but their conduct must be suitable for young teenagers.
• Violence
Sensible violence is allowed but should not dwell on detail.
27. • No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’
rated video work.
• Discrimination
• The work as a whole must not endorse unfair language or behaviour.
• Drugs
• Drug taking may be shown but the film as a whole must not promote or encourage drug abuse.
• Horror
• Strong threat and danger are permitted unless cruel or sexualised.
• Imitable behaviour
• Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which
could be copied.
• Language
• There may be frequent use of strong language (for example, ‘f****’).
• Nudity
Nudity may be allowed in a sexual context but without strong detail.
28. • Suitable only for adults
• No-one younger than 18 may see an ‘18’ film in a cinema
• Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc,
UMD or game, or watch a film in the cinema with this rating. Films under this category do not have
limitation on the bad language that is used. Scenes of strong real sex may be permitted if right by the
context.