Its a brief discussion about the liberation war museum of Bangladesh - its importance, solemnity and the sacrifice, struggle and bravery of our brave freedom fighters for whom we are proud of.
Sharing Truth- National Research Centre Forum
"Australia, East Timor, Bangladesh and New Zealand"
Mofidul Hoque: Trustee and Secretary, Liberation War Museum, Bangladesh
Museums are institutions that house, preserve, and display collections of artifacts and objects of cultural, historical, or scientific significance. Most large museums are located in major cities and aim to serve both researchers and the general public. The earliest museums began as private collections of wealthy individuals and families displayed in "wonder rooms." Modern museum design and planning aims to properly house collections and meet the needs of the community through intentional planning of the mission and physical space. Proper environmental controls are crucial, as museums require strict temperature and humidity levels to prevent damage to artifacts from fluctuations or condensation.
The presentation summarized the Liberation War Museum located in Dhaka, Bangladesh. It has 4 galleries that showcase the country's struggle for independence from British rule and Pakistan from 1947 to 1971. Gallery 1 displays archaeological artifacts and the history of Bengal. Gallery 2 covers the movement for Bengali language and secular democracy. Gallery 3 exhibits documents on international support during the war. Gallery 4 honors the victory over Pakistan in 1971 and the sacrifices made for Bangladeshi independence and values.
The document summarizes information about the Bangladesh National Museum and the Museum of Independence in Dhaka, Bangladesh. The Bangladesh National Museum was formally inaugurated in 1983 and houses collections ranging from prehistory to the present. It has over 200,000 square feet of floor space spread across four floors, with artifacts, sculptures, coins, inscriptions and more. The Museum of Independence depicts Bangladesh's struggle for independence and shows its history from the Mughal period to 1971. It is located underground at Suhrawardy Udyan in Dhaka.
Architecture is the art of spaces. The human feelings were influenced by architectural
space from time to time. Relating to the design of a history museum, it could evoke a
certain feeling or memory of a historical event. This dissertation focuses on the
influence of architectural space over period of times.
A theoretical as well as practical key issue in the design of museum and galleries is how
the layout of space interacts with displays to create a specific effect, express the intended
message to visitors. This dissertation aims to capture and represent the history of
mankind’s understanding of space in the design of an architectural building.
1. The document provides information about the Bangladesh National Museum, including its history and galleries.
2. The Museum was originally established in 1913 as the Dhaka Museum and moved to its current location in 1983, where it has over 20,000 square meters of exhibition space across 44 galleries.
3. The galleries cover the natural history of Bangladesh, archaeological artifacts, sculptures, coins and medals, musical instruments, textiles, and struggles for independence.
Museum of architecture pre-thesis synopsisahed sohail
This document proposes the design of a Museum of Architecture in Delhi, India. It would showcase the works of important national architects to educate students and the public about architecture and its evolution. The museum would display drawings, models, photographs and other materials from architects throughout history. It would be located on a 3.2 acre plot donated by the Delhi Development Authority. The museum aims to celebrate architecture and provide a space to study building designs, materials, urban planning issues and more. It would partner with organizations like the Council of Architecture to create an educational resource for architects and the community.
Undergraduate thesis at the Faculty of Architecture & Ekistics in Jamia Millia Islamia seeking a Bachelor's in Architecture. The thesis from 2011-2012 proposes developing a cultural heritage and interpretation center in Varanasi, India. The city of Varanasi attracts thousands of tourists annually due to its UNESCO World Heritage status but lacks a central facility to inform visitors about its rich cultural history and mythology. The proposed center near Sarnath would fill this need through exhibition spaces, auditoriums, and other areas to help locals and tourists better understand and engage with Varanasi's cultural traditions.
Sharing Truth- National Research Centre Forum
"Australia, East Timor, Bangladesh and New Zealand"
Mofidul Hoque: Trustee and Secretary, Liberation War Museum, Bangladesh
Museums are institutions that house, preserve, and display collections of artifacts and objects of cultural, historical, or scientific significance. Most large museums are located in major cities and aim to serve both researchers and the general public. The earliest museums began as private collections of wealthy individuals and families displayed in "wonder rooms." Modern museum design and planning aims to properly house collections and meet the needs of the community through intentional planning of the mission and physical space. Proper environmental controls are crucial, as museums require strict temperature and humidity levels to prevent damage to artifacts from fluctuations or condensation.
The presentation summarized the Liberation War Museum located in Dhaka, Bangladesh. It has 4 galleries that showcase the country's struggle for independence from British rule and Pakistan from 1947 to 1971. Gallery 1 displays archaeological artifacts and the history of Bengal. Gallery 2 covers the movement for Bengali language and secular democracy. Gallery 3 exhibits documents on international support during the war. Gallery 4 honors the victory over Pakistan in 1971 and the sacrifices made for Bangladeshi independence and values.
The document summarizes information about the Bangladesh National Museum and the Museum of Independence in Dhaka, Bangladesh. The Bangladesh National Museum was formally inaugurated in 1983 and houses collections ranging from prehistory to the present. It has over 200,000 square feet of floor space spread across four floors, with artifacts, sculptures, coins, inscriptions and more. The Museum of Independence depicts Bangladesh's struggle for independence and shows its history from the Mughal period to 1971. It is located underground at Suhrawardy Udyan in Dhaka.
Architecture is the art of spaces. The human feelings were influenced by architectural
space from time to time. Relating to the design of a history museum, it could evoke a
certain feeling or memory of a historical event. This dissertation focuses on the
influence of architectural space over period of times.
A theoretical as well as practical key issue in the design of museum and galleries is how
the layout of space interacts with displays to create a specific effect, express the intended
message to visitors. This dissertation aims to capture and represent the history of
mankind’s understanding of space in the design of an architectural building.
1. The document provides information about the Bangladesh National Museum, including its history and galleries.
2. The Museum was originally established in 1913 as the Dhaka Museum and moved to its current location in 1983, where it has over 20,000 square meters of exhibition space across 44 galleries.
3. The galleries cover the natural history of Bangladesh, archaeological artifacts, sculptures, coins and medals, musical instruments, textiles, and struggles for independence.
Museum of architecture pre-thesis synopsisahed sohail
This document proposes the design of a Museum of Architecture in Delhi, India. It would showcase the works of important national architects to educate students and the public about architecture and its evolution. The museum would display drawings, models, photographs and other materials from architects throughout history. It would be located on a 3.2 acre plot donated by the Delhi Development Authority. The museum aims to celebrate architecture and provide a space to study building designs, materials, urban planning issues and more. It would partner with organizations like the Council of Architecture to create an educational resource for architects and the community.
Undergraduate thesis at the Faculty of Architecture & Ekistics in Jamia Millia Islamia seeking a Bachelor's in Architecture. The thesis from 2011-2012 proposes developing a cultural heritage and interpretation center in Varanasi, India. The city of Varanasi attracts thousands of tourists annually due to its UNESCO World Heritage status but lacks a central facility to inform visitors about its rich cultural history and mythology. The proposed center near Sarnath would fill this need through exhibition spaces, auditoriums, and other areas to help locals and tourists better understand and engage with Varanasi's cultural traditions.
The National Museum in New Delhi is one of the largest museums in India. It houses a variety of artifacts ranging from pre-historic to modern works of art. The museum aims to collect, preserve, and interpret historically and artistically significant objects. It provides information about history, culture, and art through its galleries covering topics like the Harappa civilization, Buddhist art, Indian miniature paintings, and more. Services include audio guides in several languages and facilities for disabled visitors. Natural light is used in some corridors, while different types of artificial lighting are used in the exhibition areas.
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
Daniel Libeskind's addition to the Jewish Museum Berlin uses metaphor, fragmentation, void, and disorientation to communicate the displacement and suffering of Jewish people in Germany. The building's overall distorted Star of David shape contains three underground axes representing continuity, emigration, and the Holocaust. Features like the narrow and unheated Holocaust Tower and empty, unlit Voids symbolize that which cannot be exhibited about Jewish history in Berlin. The Garden of Exile further disorients visitors to represent the instability felt by those forced out of Germany. Libeskind's deconstructivist design successfully tells the story of Jewish culture through architectural form.
Bharat Bhavan is a cultural center located in Bhopal, India that was designed by architect Charles Correa and inaugurated by Indira Gandhi in 1982. It is built into a hillside with a series of terraces and courtyards that cascade down toward a lake. The complex includes galleries, a museum of tribal art, an auditorium, a library of Indian poetry, a print shop, and a studio for artists-in-residence. Correa's design emphasizes spirituality through ritualistic pathways that reference Indian architecture and imply sanctity as visitors move from the highest terraces down to an amphitheater by the lake.
The Indira Gandhi National Centre for the Arts (IGNCA) was established in 1985 in memory of Indira Gandhi. It serves as a major resource center for research and promotion of Indian arts. IGNCA aims to be interdisciplinary and study the relationships between different art forms, nature, society and cosmology. It houses collections related to performing arts, visual arts, literature and crafts from across India. IGNCA also has regional centers located across India to promote arts and culture.
The document provides case studies and standard analyses of several art gallery projects including the Liberation War Museum in Dhaka, Bangladesh, the Shadhinota Tower monument in Dhaka, and the Louvre Museum in Paris, France. For each project, the summary includes the location, key architects, concepts, forms, plans, and photographs of the sites. It then analyzes the standard requirements for various functional areas of an art gallery like parking, exhibition spaces, kitchens, washrooms, restaurants, libraries, and amphitheaters.
Architecture can be traced in history since the beginning of civilization. It is an ancient discipline
and the results of its thinking and endeavor provide us with some of the most lasting examples of
our culture. Our monuments, cities, and village speak of our culture over the longest span of
time. Yet, the representation of architecture and its role in our society has not flowered. To
bridge this gap in understating between the profession and society, a National Museum of
Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
The Salar Jung Museum is located in Hyderabad, Telangana and houses over 1.1 million artifacts making it the largest single-owner collection in the world. It consists of 38 galleries spread over two floors containing sculptures, paintings, carvings and other objects. Lighting is carefully designed throughout the museum to properly display and preserve the artifacts, with natural light only used in the central courtyard. The museum also has a library, conservation lab and other facilities but lacks sufficient parking options for its many daily visitors.
Case study of NATIONAL WAR MUSEUM , DELHI .Kureelalok55
DELHI >> INDIA GATE COMPLEX >> PRINCESS PARK >> PROPOSED SITE.
CASE STUDY 1..... SAURYA SMARAK , BHOPAL.
CASE STUDY 2..... NATIONAL MAUSEUM , DELHI.
CASE STUDY 3..... JANG - E - AZADI , KARTARPUR , PUNJAB
The National Gallery of Modern Art is located in Jaipur House near India Gate in New Delhi. It is open daily from 10 AM to 5 PM except Mondays and national holidays. Entry is free for children and students, Rs. 20 for Indian nationals, and Rs. 500 for foreign nationals. The gallery was established in 1954 and houses around 4,000 paintings, graphics, and sculptures of modern Indian artists. It organizes special exhibitions and educational programs.
The Forum Mall in Bangalore is a 650,000 square foot complex with four floors of shopping and entertainment. On weekdays it receives 35,000-40,000 visitors, increasing to over 75,000 on weekends. It has 11 screens of PVR Cinemas and was one of the first large shopping malls in India. The document provides details on the mall's layout, amenities, infrastructure including parking, water and power systems, and fire safety measures.
The Salar Jung Museum in Hyderabad, India is the third largest museum in the country. Established in 1951, it houses over 43,000 rare art objects from around the world collected by Nawab Mir Yousuf Ali Khan, who served as prime minister in the early 1900s. The museum was declared an Institution of National Importance by the Indian government in 1961. It is spread over multiple buildings and galleries containing artifacts from India, the Middle East, Europe, East Asia, and more.
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
Case study (JAWAHAR KALA KENDRA & SFMOMA SAN FRANSISCO)Akshit Charan
The document provides case studies of two cultural centers - Jawahar Kala Kendra in Jaipur, India and SFMoMA in San Francisco, USA. Both centers were designed to showcase and promote local arts while being inspired by the cities' histories and designs. JKK's layout was based on Jaipur's original city plan while SFMoMA's central atrium and skylights aim to maximize natural light. Though different in region and culture, both centers effectively balance functionality, aesthetics, and connection to their surrounding communities through their architectural design.
Hyderabad International Convention Centre (H.I.C.C)Manish Agarwal
HICC is India's first purpose-built convention center located in Hyderabad. It has over 27,000 square meters of space configured for large conventions up to 6,500 attendees, as well as smaller events. Adjacent is the 287-room Novotel Hyderabad Convention Centre hotel. HICC aims to be on par with the best global convention facilities with its infrastructure, services, and technological capabilities. It has received national awards for its facilities and services.
Museums and Shoah, from yesterday to today: the case of Italy, by Paolo CoenPaolo Coen
This document discusses the history and development of Holocaust museums in Italy. It begins by defining different categories of Holocaust museums, including those built on historical sites and those dedicated specifically to commemorating the Shoah. The document then outlines the early Holocaust memorials and museums established in Italy up until 1989, including sites like the Risiera di San Sabba. It proceeds to discuss some recent and current Holocaust museum projects in Italy, such as the expansion of the Maison d'Izieu and the planned MEIS museum in Ferrara. The document emphasizes that Holocaust museums in Italy serve as bulwarks against denying or trivializing the Shoah and help shape collective memory in a peaceful, democratic manner.
An interactive walk through exhibition for Holocaust week on campus in Simon Fraser University, Spring 2006.
The concept, objective, and construction of the exhibit are discussed.
A video of the exhibit is shown
The National Museum in New Delhi is one of the largest museums in India. It houses a variety of artifacts ranging from pre-historic to modern works of art. The museum aims to collect, preserve, and interpret historically and artistically significant objects. It provides information about history, culture, and art through its galleries covering topics like the Harappa civilization, Buddhist art, Indian miniature paintings, and more. Services include audio guides in several languages and facilities for disabled visitors. Natural light is used in some corridors, while different types of artificial lighting are used in the exhibition areas.
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
Daniel Libeskind's addition to the Jewish Museum Berlin uses metaphor, fragmentation, void, and disorientation to communicate the displacement and suffering of Jewish people in Germany. The building's overall distorted Star of David shape contains three underground axes representing continuity, emigration, and the Holocaust. Features like the narrow and unheated Holocaust Tower and empty, unlit Voids symbolize that which cannot be exhibited about Jewish history in Berlin. The Garden of Exile further disorients visitors to represent the instability felt by those forced out of Germany. Libeskind's deconstructivist design successfully tells the story of Jewish culture through architectural form.
Bharat Bhavan is a cultural center located in Bhopal, India that was designed by architect Charles Correa and inaugurated by Indira Gandhi in 1982. It is built into a hillside with a series of terraces and courtyards that cascade down toward a lake. The complex includes galleries, a museum of tribal art, an auditorium, a library of Indian poetry, a print shop, and a studio for artists-in-residence. Correa's design emphasizes spirituality through ritualistic pathways that reference Indian architecture and imply sanctity as visitors move from the highest terraces down to an amphitheater by the lake.
The Indira Gandhi National Centre for the Arts (IGNCA) was established in 1985 in memory of Indira Gandhi. It serves as a major resource center for research and promotion of Indian arts. IGNCA aims to be interdisciplinary and study the relationships between different art forms, nature, society and cosmology. It houses collections related to performing arts, visual arts, literature and crafts from across India. IGNCA also has regional centers located across India to promote arts and culture.
The document provides case studies and standard analyses of several art gallery projects including the Liberation War Museum in Dhaka, Bangladesh, the Shadhinota Tower monument in Dhaka, and the Louvre Museum in Paris, France. For each project, the summary includes the location, key architects, concepts, forms, plans, and photographs of the sites. It then analyzes the standard requirements for various functional areas of an art gallery like parking, exhibition spaces, kitchens, washrooms, restaurants, libraries, and amphitheaters.
Architecture can be traced in history since the beginning of civilization. It is an ancient discipline
and the results of its thinking and endeavor provide us with some of the most lasting examples of
our culture. Our monuments, cities, and village speak of our culture over the longest span of
time. Yet, the representation of architecture and its role in our society has not flowered. To
bridge this gap in understating between the profession and society, a National Museum of
Architecture is needed. The designed museum should provide spatial variety and inspire a sense
of visual excitement, thus contributing to the overall concept of entertainment and learning.
The Salar Jung Museum is located in Hyderabad, Telangana and houses over 1.1 million artifacts making it the largest single-owner collection in the world. It consists of 38 galleries spread over two floors containing sculptures, paintings, carvings and other objects. Lighting is carefully designed throughout the museum to properly display and preserve the artifacts, with natural light only used in the central courtyard. The museum also has a library, conservation lab and other facilities but lacks sufficient parking options for its many daily visitors.
Case study of NATIONAL WAR MUSEUM , DELHI .Kureelalok55
DELHI >> INDIA GATE COMPLEX >> PRINCESS PARK >> PROPOSED SITE.
CASE STUDY 1..... SAURYA SMARAK , BHOPAL.
CASE STUDY 2..... NATIONAL MAUSEUM , DELHI.
CASE STUDY 3..... JANG - E - AZADI , KARTARPUR , PUNJAB
The National Gallery of Modern Art is located in Jaipur House near India Gate in New Delhi. It is open daily from 10 AM to 5 PM except Mondays and national holidays. Entry is free for children and students, Rs. 20 for Indian nationals, and Rs. 500 for foreign nationals. The gallery was established in 1954 and houses around 4,000 paintings, graphics, and sculptures of modern Indian artists. It organizes special exhibitions and educational programs.
The Forum Mall in Bangalore is a 650,000 square foot complex with four floors of shopping and entertainment. On weekdays it receives 35,000-40,000 visitors, increasing to over 75,000 on weekends. It has 11 screens of PVR Cinemas and was one of the first large shopping malls in India. The document provides details on the mall's layout, amenities, infrastructure including parking, water and power systems, and fire safety measures.
The Salar Jung Museum in Hyderabad, India is the third largest museum in the country. Established in 1951, it houses over 43,000 rare art objects from around the world collected by Nawab Mir Yousuf Ali Khan, who served as prime minister in the early 1900s. The museum was declared an Institution of National Importance by the Indian government in 1961. It is spread over multiple buildings and galleries containing artifacts from India, the Middle East, Europe, East Asia, and more.
Museum Case Studies
http://en.wikipedia.org/wiki/Museum
A museum is an institution that cares for (conserves) a collection of artifacts and other objects of scientific, artistic, cultural, or historical importance and makes them available for public viewing through exhibits that may be permanent or temporary.[1] Most large museums are located in major cities throughout the world and more local ones exist in smaller cities, towns and even the countryside. Museums have varying aims, ranging from serving researchers and specialists to serving the general public. The continuing acceleration in the digitization of information, combined with the increasing capacity of digital information storage, is causing the traditional model of museums (i.e. as static "collections of collections" of three-dimensional specimens and artifacts) to expand to include virtual exhibits and high-resolution images of their collections for perusal, study, and exploration from any place with Internet.[citation needed] The city with the largest number of museums is Mexico City with over 128 museums. According to The World Museum Community, there are more than 55,000 museums in 202 countries.[2]
Case study (JAWAHAR KALA KENDRA & SFMOMA SAN FRANSISCO)Akshit Charan
The document provides case studies of two cultural centers - Jawahar Kala Kendra in Jaipur, India and SFMoMA in San Francisco, USA. Both centers were designed to showcase and promote local arts while being inspired by the cities' histories and designs. JKK's layout was based on Jaipur's original city plan while SFMoMA's central atrium and skylights aim to maximize natural light. Though different in region and culture, both centers effectively balance functionality, aesthetics, and connection to their surrounding communities through their architectural design.
Hyderabad International Convention Centre (H.I.C.C)Manish Agarwal
HICC is India's first purpose-built convention center located in Hyderabad. It has over 27,000 square meters of space configured for large conventions up to 6,500 attendees, as well as smaller events. Adjacent is the 287-room Novotel Hyderabad Convention Centre hotel. HICC aims to be on par with the best global convention facilities with its infrastructure, services, and technological capabilities. It has received national awards for its facilities and services.
Museums and Shoah, from yesterday to today: the case of Italy, by Paolo CoenPaolo Coen
This document discusses the history and development of Holocaust museums in Italy. It begins by defining different categories of Holocaust museums, including those built on historical sites and those dedicated specifically to commemorating the Shoah. The document then outlines the early Holocaust memorials and museums established in Italy up until 1989, including sites like the Risiera di San Sabba. It proceeds to discuss some recent and current Holocaust museum projects in Italy, such as the expansion of the Maison d'Izieu and the planned MEIS museum in Ferrara. The document emphasizes that Holocaust museums in Italy serve as bulwarks against denying or trivializing the Shoah and help shape collective memory in a peaceful, democratic manner.
An interactive walk through exhibition for Holocaust week on campus in Simon Fraser University, Spring 2006.
The concept, objective, and construction of the exhibit are discussed.
A video of the exhibit is shown
Ideal Museum Proposal: The American Museum of Wonder and Curiosity Cabinets W...Kate Marcus
Using the Guggenheim Helsinki proposal as a case study, I created a proposal for an imaginary museum called The American Museum of Wonder and Curiosity Cabinets. The written component includes the following sections:
• Introduction to The American Museum of Wonder and Curiosity Cabinets
• Location Rationale
• Mission Statement
• Members of the Board of Directors
• Building Program
• Exhibition Plans
• Permanent Collection
• Special Exhibitions
KOREA published by the Korean Culture and Information ServiceKOZAZA
KOREA
published by the Korean Culture and Information Service.
Cove story of Maech 2014 issue:
Korea’s Museums and
Galleries
Fascinating exhibit spaces are the repository of Korean art and culture.
This document provides a summary and analysis of the early development of museums in China from the late 19th century to 1949. It discusses several key early modern museums in China - the Zikawei Museum (1868), the Shanghai Museum (1874), and the Nantong Museum (1912) - and analyzes their collections, audiences, and significance. It also provides historical context on the development of museums in Beijing from 1911-1924. The document examines how these early modern museums influenced the development of museums in China and the models they established.
IETC Free Digital Content: Understanding The Value of Digital Special Collect...Paula Murphy
This document provides links to various online resources for exploring primary sources and digital collections. It includes short descriptions of each resource and suggests things to search for within the collections, such as photographs, manuscripts, or audio recordings. Some of the highlighted resources allow browsing museum collections, maps, newspapers, and educational materials from around the world. The focus is on accessing digitized special collections from Illinois and other states.
This document summarizes key issues surrounding cultural property law, including past instances of looting and destruction, present efforts toward repatriation and restitution, and potential future disputes. It provides context on the origins of modern cultural property law through conventions like the 1954 Hague Convention, which aimed to protect cultural artifacts during wartime. It then examines two notable cultural property disputes - Cambodia seeking the return of looted statues from the Metropolitan Museum of Art in New York, and a church in Cyprus pursuing legal action to recover religious icons. The document analyzes these cases and discusses how cultural property disputes are often resolved through private negotiations or courts.
Who doesn't visit the museum?Everyone has heard about it and held parents' hands and walked through the aisles of fascinating objects, sculptures, murals, etc and have been in awe.
What is a Museum?
Types of Museums?
Challenges
Case study
Organizational body
Avraham Glattman shares five museums you need to check out when spending time in the New York City area. Ray Glattman loves sharing New York City with visitors.
The document discusses the role of Zimbabwean museums, specifically the Zimbabwe Military Museum, in creating national identity during the post-colonial era. It finds that the museum's collections, themes, events, and displays still pursue colonial ideologies and have done little to address national identity. The research aims to evaluate how well the museum portrays Zimbabwean identity and determines audiences' perceptions of its role in nation-building. It concludes that if the museum does not take steps to reduce colonial influences in its exhibitions, audiences will continue disengaging from its activities.
This document summarizes an internship report by Nilofar Shamim Haja at the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya museum in Mumbai from June 2005. The report acknowledges those who helped guide her internship, including the director, curators, librarian, and other staff. It then provides background on the founding and architecture of the museum, originally established in 1922. The internship involved learning about the museum's collections, departments, and functions through tasks like reading the museum catalogue and observing the miniature painting galleries.
The National Building Museum was founded in 1980 without a collection but has since accumulated around 250,000 objects related to buildings, primarily photographs and architectural drawings. While the museum does not actively collect artifacts, it frequently receives private donations. The museum is currently creating a collecting plan to strengthen and focus its collections according to best practices for managing a collection.
Early Museum as Symbol of National IdentityIJERDJOURNAL
ABSTRACT:- This paper traces the role of the museum as a tool in the formation of national identity, in Bavarian kingdom, during the late eighteen and early nineteenth centuries. The importance of the museums in Berlin and Munich, built under the rule of Ludwig I, is that they helped to forge the new museum typology that were applied to other European cities with the same intent. The paper examines three museums from Munich and Berlin: The Altes Museum, the Glyptothek and the Alte Pinakothek. It seeks to establish the relationship between the content or the collection and the container or the building itself as well as the expression of this phenomena into the architectural language.
The document provides details about the Patricia Art Museum located on the Florida International University campus. It has three floors with several galleries displaying artworks. The first floor has a kids' gallery with art stations. The second floor hosts traveling exhibits, including ones by Cuban artist Carlos Luna and photographer Richard Saxton during the visit. The third floor continues but the document does not provide more details. Richard Saxton's photography exhibit showcased similarities and uniqueness found in major cities across Latin America and the Caribbean. His most impressive photo was a 24'x36' portrait consisting of a modern building covering a portrait from top to bottom in Cuba.
This document provides background information on the author's research assisting with the renovation of the permanent exhibitions at the Nairobi National Museum in Kenya. The museum is updating its displays to better represent Kenya's post-colonial history. The author searched European photographic archives for images to illustrate the new History of Kenya gallery. The document discusses the museum's colonial origins, challenges in presenting a post-colonial perspective, and the author's process of exploring archives and analyzing what types of photos are available from the colonial era. It also reviews literature on the history of photography in Africa and Kenya to understand what might be depicted in different time periods.
Puikios architektūros pastatas puošė mūsų Senamiestį ir buvo labai svarbus viso pasaulio žydų bendruomenei. Teigiama, kad dydžiu ir puošnumu sinagoga lenkė visas sinagogas tuometinėje Abiejų Tautų Respublikoje, o į ją tilpdavo virš 5000 žmonių.
Sharing Archives: Nation State and National Identity in a Global World. The Mutual Cultural Heritage Program of the Nationaal Archief of the Netherlands
Roelof Hol
Archives without borders
August, 30th 2010
Peace Palace, The Hague
The Natural History of Unicorns: Museums, Libraries, and Technology Collabora...Martin Kalfatovic
Presentation for American Society of Information Science and Technology /The Catholic University of America, School of Library and Information Science Student Chapter. April 25, 2003. Washington, DC.
Applications of Supercritical Fluid TechnologyAbir Hasan
This presentation is based on supercritical fluid technology and its applications on various sections specially textile. Feel free to read and share with others. You may find your desired topics on my other slides.
Thank you.
Geotextile and it's application on BangladeshAbir Hasan
Detailed concept on geotextile- its evolution, application, current benefits received by Bangladesh and future opportunities for making sustainable environment. Feel free to read and share with others. You may find your desired topics on my other slides.
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Brief discussion on overall knowledge about textile printing process- types, process, methods. Feel free to read and share with others. You may also find your desired presentation topics on my other slides.
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Concept on hardness test conducted on materialAbir Hasan
Conceptual knowledge on hardness test performed on different types of material. Feel free to read and share with others. You may also find your desired presentation topics on my other slides.
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Textile & Environmental Management SystemAbir Hasan
Comprehensive knowledge about ISO 14000 series certificate-its requirements and steps for attainment. Feel free to read and share with others. You may also find your desired presentation topics on my other slides.
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Application of computer in textile industryAbir Hasan
A detailed discussion about the application of computer in textile industries. Feel free to read and share with others. You may also find your desired presentation topics on my other slides.
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This a case study presentation is based on centralization- whether it is helping us or creating pressure in our day to day lives. Feel free to read and share with others. You may also find your desired presentation topic on my other slides.
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Different types of circular knitting machinesAbir Hasan
Its a presentation based on the most commonly used circular knitting machine - its types, difference and usage. Feel free to read and share with others. You may also find your desired presentation topic on my other slides.
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Challenges of textile industry and ways to resolveAbir Hasan
Its a detailed analysis of the current challenges of textile industry in Bangladesh and my recommendation for it. Feel free to read and share with others. You may also find your desired presentation topic on my other slides.
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An analysis presentation for enthusiastic and knowledge learner based on RAM and ROM its application, difference and history. Feel free to read and share with others. You may also find your desired presentation topic on my other slides.
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Based on detailed analysis of RMG condition of Bangladesh in 2020. Feel free to read and share with others. You may also find your desired presentation topic on my other slides.
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Liberation war museum
1. Topic : Liberation War
Museum
Section : C2
ID: 181-23-5270
Course Code : BNS-101
Course Name : Bangladesh Studies
2. 2
Introduction :
A holding for collection, preservation
and display of the objects, artifacts
and all other materials related to
the war of liberation.
2
4. 4
History :
The museum was first established in March
22, 1996 was a two storied building with six
galleries and an outdoor
theatre. the Liberation War Museum has in
store nearly 21,000 artefacts, only around
1,500 of those were on display in the six
galleries. A scarcity of space was becoming
an issue for the museum. Considering this
and understanding the need for a
modernized approach to displaying and
preserving, steps for expansion were
undertaken.
4
5. 5
History :
Back in 2009, a contest was held for the new
architectural design of the museum;
architects Tanzim Hasan Salim and Naheed
Farzana won the first prize for their designs.
Up until 2013, the design only existed as a
scale model. That was the year when around
an acre of land was acquired and
construction finally began. With nationwide
donation drives, fund raising campaigns and
pledge ceremonies, the Liberation War
Museum officially opened its doors at its
new home in Agargaon on April 16, 2017.
5
6. Board of Trustees :
Dr. Sarwar Ali Aly Zaker Mofidul Hoque Ziauddin Tariq Ali
Arch. Rabiul Hussain Asaduzzaman Noor H. Akku Chowdhury Sara Zaker6
6
7. Features :
1. Regular gallery space for displays: 3,500 sqm.
2. Temporary gallery for exhibitions, which meets the IMO and other international
specifications: 500 sqm.
3. Library and research center, 300 sqm.
4. Space for two Institutes, The Institute for Liberation War Studies and the Centre
for the Study in Genocide and Justice
5. Am amphitheater for holding school programs.
6. An covered and open space for assembly which can also be used as additional
viewing area with large-screen projectors in case of visitor overflow from the
auditorium
7
7
8. Features :
7. Stage and auditorium, equipped with latest sound and light systems seating 260
people.
8. Three seminar rooms, the largest of which has space for 50 people.
9. Archive and processing lab. which meet international requirements for
archiving.
10. Gas suppression systems for the archive and the data storage areas and
sprinkler system for the rest.
11. Parking for 106 cars.
12. Kiosk, canteen and a space for “adda”.
8
8
9. 9
Object Collections :
Main asset of the museum are objects
relating to Bengali nation’s struggle for
democracy and national rights and
liberation war that led to the emergence of
independent Bangladesh.
9
10. 10
Purpose :
The museum is dedicated to all freedom
loving people and victims of mindless
atrocities and destructions committed in the
name of religion, ethnicity and sovereignty.
It encourage reflection upon the suffering
and heroism of Bangladesh liberation war
and its ideal. Liberation war Museum
endeavors to link this history with
contemporary pressing social problems and
humanitarian issues. Primary focus of
Liberation War Museum is to educate the
new generation with history of liberation
struggle so that they can feel proud of their
motherland and get imbued with the spirit
of patriotism and liberal democratic ideas.
10
11. 1. Lack of signs and an absence of direction for entry.
2. Some of the gallery walls already bear scribbles, which is definitely not expected
at such a place.
3. Defacing public places like common hoodlums of the dark ages is still a habit of
the 21st century touch screen generation. The museum authority must keep a
close watch on this.
4. In its greys and stoic architectural approach, the museum at its new address has
captured the embedded sombre tones. But it still needs to recapture the
element of life and vibrancy from the old address as the museum continues its
quest to uncover the still untold stories.
Few Drawbacks :
11
11
12. 12
Few Drawbacks :
1. Lack of signs and an absence of direction
for entry.
2. Some of the gallery walls already bear
scribbles.
3. Defacing public places like common
hoodlums of the dark ages is still a habit
of the 21st century touch screen
generation. The museum authority must
keep a close watch on this.
4. In its greys and stoic architectural
approach, though it at its new address has
captured the embedded sombre tones but
still needs to recapture the element of life
and vibrancy from the old address as the
museum continues its quest to uncover
the still untold stories.
12
13. 13
The four Display Galleries :
Gallery l :
Present the history and rich heritage
of syncretistic culture of Bengal,
advent of the colonial rule of
uprisings against foreign domination,
communal tension culminating in
creation of Pakistan (1947).
13
14. 14
The four Display Galleries :
Gallery ll :
Present history of the Pakistan period
(1947-1971) and united struggle of
the people for secular democracy
upholding national culture with the
victory of nationalist forces in the
general election 1970.
14
15. 15
The four Display Galleries :
Gallery lll :
Depicts the event leading to the
Liberation War, the denial of election
verdict by Pakistani rulers, non-violent,
non-cooperation movement (March
1971), genocide unleashed by military
authority, declaration of independence
by Sheikh Mujibur Rahman and General
Ziaur Rahman, refugee camps, and
establishment of provisional
government by elected representatives.
15
16. 16
The four Display Galleries :
Gallery lV :
A present history of the armed struggle
led by Sector & Brigade Commanders,
objects used by martyrs and freedom
fighters, international support by
different governments, public leader
and media, role of the religious
fundamentalist collaborators of the
military regime, killing of the
intellectuals, excavated human remains,
final thrust of the Allied Forces and
victory in December 16, 1971.
16
17. 17
Programs :
1. Outreach program :
School student are brought to visit the
museum in groups. They watch video on
Bangladesh’s freedom struggle (1947-
1971); visit the museum galleries; appear in
quiz competition ending with an interactive
discussion on the liberation war and
implications with contemporary issues. This
program was initiated in 1997.
17
18. 18
Programs :
2.Freedom Festival :
Outreach participants meet annually at a
grand Freedom Festival addressed by
representative of government, public
leaders and cultural personalities. The
program had been imitated in 2001 and so
far has been participated by 12000
students.
18
19. 19
Programs :
3.Mobile Museum:
A big bus mounted with 360 photographs
and objects as a mini-museum is travel to
all parts of the country since 2001. Area
covered till 2009; 28 district town, visited
by 320812 students.
19
20. 20
Programs :
4.Combined Outreach/Mobile museum
expanded programs:
Under the project entitled “Human Rights and
Peace Education for Student in the Light of
history oh Liberation War”. The mobile
museum exhibits were redesigned and
interactive meetings with students arranged
throughout the country. The students were
encouraged to collect eye-witness account of
1971 days and send those to Liberation War
Museum (LWM) to build a central archive of
historical accounts. The museum has collected
about 12000 such stories in its archives.
20
21. 21
Programs :
5.Theme Based Exhibitions:
The museum holds regular special
exhibitions on different aspects of
Liberation War.
21
23. 23
Conclusion :
The museum bring to view the untold stories of
courage and determination, victory and
defiance, heroics and heartbreaks. It is run by a
Board of Trustees with overwhelming support
of all sections of people and is the outcome of
citizen’s effort at all levels. It is now recognized,
nationally and internationally as a reliable and
credible institution protecting the history of the
emergence of Bangladesh. It also bring to view
the untold stories of courage and
determination, victory and defiance, heroics
and heartbreaks. So we should visit The
Liberation War Museum (LWM) to knowing
about the creation of Bangladesh and
Liberation War 1971.
23