This document provides guidance on the Area of Study (AOS) of Discovery for an English syllabus. It discusses what the AOS involves, including exploring how texts represent discovery and how it is conveyed through language features. Discovery can include new discoveries, rediscoveries, and realizations through analysis. It notes discoveries can impact individuals and societies and be challenging or transformative. The document outlines what students should consider, like attitudes affirmed or challenged. It provides examples of discoveries related to people, relationships, ideas, etc. It emphasizes discovery as a process that can have triggers, involve experiences, and have consequences. Students should reflect on and speculate about discovery in responses and compositions.
A guide on how to annotate a text and why we annotate in English class. Created in 2007,so some of the graphics may not be correctly visible unless you download it.
Why do we still study HAMLET in 2015? What gives it that "enduring appeal"? Are the ideas and values and concepts which are explored in HAMLET still relevant today?
Disney seems to thinks so ;)
A guide on how to annotate a text and why we annotate in English class. Created in 2007,so some of the graphics may not be correctly visible unless you download it.
Why do we still study HAMLET in 2015? What gives it that "enduring appeal"? Are the ideas and values and concepts which are explored in HAMLET still relevant today?
Disney seems to thinks so ;)
The words used and our interpretation of images and statistics are an insight into our perspective or bias – our view of the world. Bias influences our attitudes and behaviours towards other people, places and issues. Our experiences, gender, age, class, religion and values all affect our bias. People who are passionate about an issue will generally be quite overt about their bias. People who want to promote a particular point of view may be less overt and more subtle in their use of words and images.
Global education aims to assist students to recognise bias in written and visual texts, consider different points of view and make judgements about how bias can lead to discrimination and inequality.
New, improved, updated version just uploaded! This introductory 2.5-hour seminar is presented regularly to groups of instructors at the University of Toronto School of Continuing Studies on teaching to a multicultural audience. I use a cultural competence framework to approach the topic.
Explores the connection between Identity and Self-care. Who is this self that we are caring for? Connects to trauma informed care and trauma informed practice.
This presentation examines the necessity of encouraging writing across the curriculum areas. Writing activities have to be engaging, meaningful and help to develop the writing skills of the audience. These slides examine how and why one should teach writing across the curriculum.
Final Project Cultural ImmersionCultural Competence is an ess.docxAKHIL969626
Final Project: Cultural Immersion
Cultural Competence is an essential aspect of counselor training. In order to begin to understand a culture, it is essential to have sustained interaction with the culture. For the final project for this course, each student will be responsible for actively investigating multicultural issues in the “real world,” by gradually immersing in a culture different from their own. The immersion project will involve experiential learning about other cultures. The intent is to increase your knowledge and sensitivity to other cultures.
In order to complete this project successfully, you will need to work on it throughout the entire course. As part of the project, each of you will select a culture different from your own and participate in at least three distinct cultural immersion experiences/observations within that culture. The idea is to gradually immerse into the different culture over the course of the term. You may use the list of suggestions below to guide your immersion process or you can devise some ideas of your own. It is essential that each experience is qualitatively different from that of your own culture and that the experiences gradually become more involved directly with the culture of choice.
1. The activities you select must include active involvement in the culture/activity. In other words, you may “observe” the culture but you may not limit the activity to passive observation. Make sure that each activity involves interaction with members of the culture, either through active participation in the activity itself or through conversations with members of the culture. Of course your third activity, the personal dialogue, already requires your active participation.
2. Submit a written narrative of your immersion activities. The paper will be 8-10 pages long (typed, double-spaced, 12 point font), This paper must include the following elements:
· Identification and Description of Population: This section must clearly identify the population you will be studying, how this population is different from you, and what your perceptions of this group are at this point in life. The description of differences should include both the obvious (visible differences, etc.) and the not so obvious (religious beliefs, sexual orientation, etc.). Please state all the differences you can identify. Your perceptions of this group should include information such as what you were told about this group as you were growing up, any beliefs/perceptions/assumptions you have about this group, what your sources of information about this group have been in the past, and why you have an interest in this group. In this section, you must make a case for how this person is different from you and why this experience will be challenging for you.
· Observation: You will need to complete at least three observational activities of the group you have chosen to study. Examples and suggestions of observational activities are listed below. If y ...
Similar to Area of study guide to narrative writing (20)
Honest Reviews of Tim Han LMA Course Program.pptxtimhan337
Personal development courses are widely available today, with each one promising life-changing outcomes. Tim Han’s Life Mastery Achievers (LMA) Course has drawn a lot of interest. In addition to offering my frank assessment of Success Insider’s LMA Course, this piece examines the course’s effects via a variety of Tim Han LMA course reviews and Success Insider comments.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
How to Make a Field invisible in Odoo 17Celine George
It is possible to hide or invisible some fields in odoo. Commonly using “invisible” attribute in the field definition to invisible the fields. This slide will show how to make a field invisible in odoo 17.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
3. Discovery as a concept?
Breaking it down:
o How texts affirm/confirm attitudes and beliefs
o How texts challenge attitudes and beliefs
o Composing a wide range of texts – you may be asked to respond in various text types and forms i.e. creative,
essay, speech, short answer…
o Responding to a wide range of texts – various texts from various textual forms i.e. poetry, drama, film, prose…
o Discoveries can be made about:
• People
• Relationships
• Societies
• Places
• Events
• Ideas
o Ways – Techniques, language modes, forms, features…
o Students make their own discoveries when analysing texts
o Explore the process of discovery through various techniques
4. Discoveries can:
• be new discoveries - Discoveries can
encompass the experience of discovering
something for the first time
• be rediscoveries something that has been
lost, forgotten or concealed (hidden)
• be sudden and unexpected
• emerge from a process of deliberate and
careful planning
• be evoked by curiosity and wonder
Discovery as a concept?
5. • be confronting and provocative
• lead us to new worlds
• establish new values
• stimulate new ideas
• enable us to speculate about future possibilities
• offer new understandings and renewed perceptions of ourselves and others.
• vary according to personal, cultural, historical and social contexts and values.
• be far-reaching and transformative for the individual and for broader society.
• may be questioned or challenged when viewed from different perspectives
• their worth may be reassessed over time
• the ramifications of particular discoveries may differ for individuals and their
worlds
6. What students have to do…
In their responses and compositions, students examine, question, and reflect and speculate on:
• their own experiences of discovery
• the experience of discovery (and discovering) in and through their engagement with texts
• assumptions underlying various representations of the concept of discovery
• how the concept of discovery is conveyed through the representations of:
• people
• relationships
• Societies
• places
• events
• ideas that they encounter in the prescribed text and other related texts of their own choosing
• how the composer’s choice of language modes, forms, features and structure shapes representations of
discovery and discovering
• the ways in which exploring the concept of discovery may broaden and deepen their understanding of
themselves and their world.
7. Discovery Rubric in Summary
Rubric says consider ‘the ways in which the concept of Discovery is represented in and through texts’
Consider:
• discovery and rediscovery
• discovery may be planned or unplanned evoked by curiosity, necessity, wonder leading to new:
• worlds, values and ideas
• understandings and renewed perceptions of ourselves, others and the world
• can enable us to speculate about future possibilities
• can be, emotional, creative, intellectual, physical and spiritual
• can vary according to personal, cultural, historical and social contexts and values
• can be confronting and challenging
Impact of Discoveries
• may be transformative for the individual and broader society
• can be questioned or challenged when viewed from different perspectives
• may be reassessed over time
9. Triggers
•What lead to the discovery? What started the process? What has motivated the discovery? What was the catalyst?
•Had something been hidden, lost, concealed or forgotten?
•Was it sudden and unexpected or deliberately and carefully planned?
•Was it sparked by desire, curiosity, wonder or out of necessity?
•Were there any intrinsic or extrinsic influences, personal, cultural, social, historical, values and beliefs?
•What values, beliefs or attitudes did the individual have before the discovery?
Experiences
•Was this a new discovery or a rediscovery? Was it a rediscovery that involved reassessing? Was the discovery reassessed overtime?
•What were the meaningful experiences? What were the fresh, emotional, physical, intellectual and/or spiritual experiences?
•What was discovered? Were new worlds, new ideas, new attitudes, new beliefs, new understandings, new opportunities discovered?
•What type of discovery was made, personal, cultural, physical, intellectual, spiritual? Was it a self-discovery or a physical discovery?
•Were discoveries made about individuals, peoples, places, societies, relationships, events, new knowledge?
•Have previously held values, beliefs, attitude been challenged or affirmed? Was anything confronting, provocative, challenging,
daunting, difficult transformative or cathartic?
Consequences
•What was the impact/ramifications of the discovery? Were they far-reaching? How far-reaching? Were the consequences long-term or
short-term?
•Were the consequences positive, negative, neutral? Did they effect individuals, relationships, the boarder society?
•What new insights, values, beliefs, attitudes, outlook and perspectives were gained? Were any of these challenged or affirmed?
•Did the experience offer a sense of rejuvenation, a sense of redemption? Did the discovery lead to a re-evaluation of self or others? Did
the discovery lead to a transformation or altered perspectives?
•Have experience lead to future speculations and future possibilities?
•Did the text contain a moral or didactic message for the responder to discover?
10. Responding Imaginatively
Keep in mind what you have learnt from the Rubric about the concept of
Discovery
and
attempt each one of the following tasks.
11. Remember…
good writers don’t say that it is
raining, they create the feeling of
being rained upon for the reader…
Therefore you must write around
the concept – show, do not tell
12. Example:
The sad echo of hollow drips beat rhythmically on her
faded umbrella. Streaming slowly, sliding gently
and falling tearfully onto the pale skin of her
outstretched palm.
Never is the word
rainmentioned…but
we still know that it is
raining.
13. Image One
You have discovered a lost Kitten
in a drain.
In four to five sentences “show”
what you see, hear, feel and
smell?
You are not allowed to use the words
Kitten or Cat, or any other synonym.
14. Image TwoYou have just discovered chocolate for
the first time. You have never tasted
this food before.
In four to five sentence “show” the
experience of eating this delicious treat
for the first time.
You must “show” its taste, smell and
texture.
You are not allowed to use the words
sweet and chocolate.
15. Image Three
You have discovered this never-
before-seen photograph of your
Grandfather.
In four to five sentences “show” what
you see and “show” your emotional
response to this discovery?
You are not allowed to use the words
photograph, discover, or soldier.
16. Image Four
You find the following box. What is
hidden inside?
In four to five sentences “show” the
box and what you discover inside.
You are not allowed to use the words
old, small, big, large, wood, or
wooden. You may only use the word
box in conjunction with an adjective.
17. Image Five
You remember the first time you were
allowed beyond the back fence.
In four to five sentences “show” how you
feel and “show” what you discover?
You are not allowed to use the words
scared, excited, or happy. You may only
use the words fence, and gate if you’re
creating a metaphor / simile /
personification / allusion / etc...
18. Image Six
You find your old teddy bear from when you
were a small child.
In four to five sentences “show” your
emotional response to this discovery – and
“show” how the teddy bear feels and looks?
You are not allowed to use the words sad,
happy, old or fluffy. You may only use the
words teddy/bear, if you’re creating a
figurative language technique.