Architecture as language. Who creates architectures? Not the Heroes, but you and I. Its a collective enterprise. Architects selecting and combining each others works.
Architectural conservation_laws and practices_authenticityJoarder Hafiz Ullah
“Antiquity”
BNBC:
Definitions of Conservation
General Guidelines for Heritage Buildings and Sites
Promote cultural continuity
Integrate development with conservation
Outstanding Universal Value
Authenticity
Aspects of Authenticity
John Ruskin- The Seven Lamps of ArchitectureVaibhav Mudgal
From Theory of Architecture the presentation is about the modern philosopher/writer/architect/artist john ruskin and his book seven lamps of architecture
Architectural conservation_laws and practices_authenticityJoarder Hafiz Ullah
“Antiquity”
BNBC:
Definitions of Conservation
General Guidelines for Heritage Buildings and Sites
Promote cultural continuity
Integrate development with conservation
Outstanding Universal Value
Authenticity
Aspects of Authenticity
John Ruskin- The Seven Lamps of ArchitectureVaibhav Mudgal
From Theory of Architecture the presentation is about the modern philosopher/writer/architect/artist john ruskin and his book seven lamps of architecture
A brief yet effective presentation on the life, teaching and learning philosophy of Architect B.V Doshi. On the basis of what I observed and learned I produced my own inference. Please like and share as much possible. Lets all spread the word that "Architecture" is much more than just Building and Designing. For any help or query DM on Instagram handle zenith.gomez.96. Thank You!
The English translation of the content presented at the joint meeting of
Research Meeting for Embodied Approach
http://www.geocities.jp/body_of_knowledge/
and
Meta-theoretical Studies of Mind Science
http://www.isc.meiji.ac.jp/~ishikawa/kokoro.html
on July 11th, 2015.
Ref. Phenomenology of Artefacts
http://rondelionai.blogspot.jp/2014/02/phenomenology-of-artefacts.html
The Japanese (original) version: https://www.slideshare.net/naoyaarakawa39/201507-50448060
A brief yet effective presentation on the life, teaching and learning philosophy of Architect B.V Doshi. On the basis of what I observed and learned I produced my own inference. Please like and share as much possible. Lets all spread the word that "Architecture" is much more than just Building and Designing. For any help or query DM on Instagram handle zenith.gomez.96. Thank You!
The English translation of the content presented at the joint meeting of
Research Meeting for Embodied Approach
http://www.geocities.jp/body_of_knowledge/
and
Meta-theoretical Studies of Mind Science
http://www.isc.meiji.ac.jp/~ishikawa/kokoro.html
on July 11th, 2015.
Ref. Phenomenology of Artefacts
http://rondelionai.blogspot.jp/2014/02/phenomenology-of-artefacts.html
The Japanese (original) version: https://www.slideshare.net/naoyaarakawa39/201507-50448060
barch_1st sem_anna univ. affl._msajaa_INTRODUCTION TO ARCHITECTURE_ELEMENTS OF ARCHITECTURE_ELEMENTS OF ARCHITECTURE – FORM_ELEMENTS OF ARCHITECTURE – SPACE_PRINCIPLES OF ARCHITECTURE
Some of the theories are now certainly outdated and have little interest to a modern builder, but some contain still valid information about important goals of building, notably on the questions of functionality, construction, economy and ecology. While theory of design is intended to help design, it does not necessarily precede design. On the contrary, the first building where a new architectural style is exposed, is usually created intuitively, without the help of any theory, just by the skill of a brilliant architect. The design theory comes a little later, and even less brilliant architects can then base their work on it.
Theories can be seen as building-specific branches of the general goal-specific theories which pertain to all types of products and are listed in Paradigms Of Design Theory. Thematic or "analytic" theories are treatises which aim at the fulfilment of one principal goal of architecture. Theories of architectural synthesis are examples of theories which aim at fulfilling simultaneously several goals, usually all the goals that are known.
In present day, the design theory of architecture includes all that is presented in the handbooks of architects: legislation, norms and standards of building. All of them are intended to aid the work of the architect and improve its product -- the quality of buildings technology and production in general: proven theory helps designers to do their work better and more effectively. It occasionally even helps to do things that were believed to be impossible earlier on. As an old saying goes, there is nothing more practical than a good theory. The aesthetization of utilitarian ideas is the primacy of architecture as a vessel of life, accommodating the needs of human beings .
Presentation about Domain Modelling (and language / philosophy) on https://kandddinsky.de/ Berlin 2019,October 18
In mister Occam's barbershop we'll have Domain Modelling in our chair to have a fresh cut and shave. We'll cut, redefine, rename and rearrange concepts like bounded contexts, ubiquitous language, context maps, aggregates and their roots, entities, value objects and event sourcing. Our modeling tools have grown, but might need some maintenance service... Language is the vehicle of modeling, it is the tool by which we understand the world. Our words are the building blocks of our models. If our language is imprecise, inconsistent or contradictory, so our models will be imprecise, inconsistent or contradictory. Although some practicioners of Domain Driven Design proudly call themselves “domain linguists”, not all DDD-jargon is very well defined. Some concepts come from different paradigms or contain logical errors. Too broad or too narrow definitions introduce unnecessary accidental complexity. This presentation aims to show some mistakes and do proposals to improve the situation. The proof of the pudding is to show how models can be made more useful by that. On our road we'll be helped by some modelers from the past, like Aristotle, Hume, Kant, Wittgenstein or Ryle. And we'll see how a 14th century razor blade can still be sharp.
Creative developer Herman Peeren likes creativity and exploring new ideas. Modelling is a way to better understand the world around us. Computer Science is Philosophy. Languages carry our thoughts, and that holds for both natural languages and computer languages.
Resources & links can be found on http://hermanpeeren.nl/
1 TABLOID TRANSPARENCY, OR, LOOKING THROUGH LEGIBILITY, .docxdorishigh
1
TABLOID TRANSPARENCY, OR, LOOKING THROUGH LEGIBILITY, ABSTRACTION,
AND THE DISCIPLINE OF ARCHITECTURE
Andrew Zago and Todd Gannon
Architecture can only be political, that is, contribute to the production of another world,
by being relentlessly attentive to its own discipline.
- R.E. Somol
Contemporary architecture is in the throes of an unprecedented expansion of practice types, areas
of expertise, and topics of interest. Though similar proliferations of specialized niches have
occurred in fields ranging from engineering to music, architecture’s unique responsibilities to
society as both a service profession and a cultural discipline have produced more, and more
problematic, internal divergences than in other fields. Today, one is more likely to speak of the
concerns of “sustainability architects,” “interior architects,” or “healthcare architects,” than to
speak of the concerns of the field as a whole. Indeed, articulating such overarching concerns has
become increasingly challenging, just as constructing productive conversations between
architecture’s internal specializations has become more difficult.
At issue in any discussion of nascent tendencies within architecture is the status of the
field’s conventions of communication, its habits of speech, its discourse. The difficulty of
communicating disciplinary concerns to popular audiences is well known. Less often considered
is the difficulty of communication within the field, which often suffers from a similar lack of
linguistic common ground. Failing to recognize important shades of meaning in familiar terms,
members of specialized sub-groups in architecture —both established and emerging ones—often
fail to recognize, and thus to understand and respect, the contrasting ambitions, roles, and
responsibilities of architecture’s varied specializations. In short, many architects today simply do
2
not speak the same language. What follows is an attempt to clarify some basic terminological
distinctions in architecture, to outline some of the field’s generally accepted and less often
acknowledged responsibilities to society, and to sketch the contours of a few promising
developments in architecture’s recent contributions to culture.
Discourse Communities
Fields of cultural production, like all social groups, develop unique vocabularies to articulate
shared ambitions, to identify novel forms that emerge as the field progresses, and, perhaps most
importantly, to signal an individual’s membership in that group. When associated with
geographical regions and socio-economic classes, these clusters of linguistic habits are
commonly known as dialects. Think of Swiss-German, Québécois French, or the distinctive
speech patterns of the American South. Social groups defined by shared professional
responsibilities or cultural interests also develop specific dialects, which in many cases are
known (often derisively) by their jargon ...
Introductory presentation by Prof. Louis Sauer to Graduate Architecture students considering taking his course in Urban Housing Design, July 2011. Cultural values are essential to understanding architectural aesthetics. Prof. Sauer gives students a brief introduction to these ideas, using "poetry" as a metaphor for architectural aesthetics.
finX1.2.3.4 - combined design exercises for meaningful concept development fo...Christiaan Weiler
METHOD
finX1 : language
step 1 : choose a text as starting point
step 2 : withing this text find 1. a noun 2. an adjective 3. a verb of crcucial meaning
step 3 : describe each word in 4 synonyms (4 nouns for noun, etc.)
step 4 : repeat to arrive at a set of 16 words
step 5 : set 4 project specific criteria
step 6 : choose from the set of 16 a word to correspond to each one of hte criteria
step 7 : with the 4 chosen words compose a phrase that is grammatically correct, not necessarily logically
step 8 : capture the phrase (haiku) in one word
finX2 : image
like finX1 but with image analysis
finX3 : volume
like finX1 but with volume analysis
finX4 : synthesis
take the results of all exercises and bring them together in one three dimensional model.
See also : http://cab54.christiaanweiler.net/?003/projects-[realised]/
Architectural Prototype in Ambiguity Contexts: Degree Zero and Multidimension...CrimsonPublishersAAOA
Architectural Prototype in Ambiguity Contexts: Degree
Zero and Multidimension by Jiang Wang in Archaeology & Anthropology: Open Access
Based on the multi-semantic context of Chinese contemporary architectural design language, a new idea of purified design language was put forward in this paper. The smallest unit and the implied logic of architectural works were studied through relating Roland Barthes’s interpretation of Degree Zero of writing to architects’ confusion about architectural design. It was concluded that the true meaning of works lies in the unchanging prototype and even the idea behind the infinitely changing architectural form. By studying Degree Zero and dimension of architectural prototype, this paper analyzed the dialectical relationship between purity and diversity of architectural form, and then proposed the transformation strategy of architectural prototype.
For more open access journals in Crimson Publishers please click on link: https://crimsonpublishers.com/
For more articles in open access Archaeology journals please click on link: https://crimsonpublishers.com/aaoa/
Course ObjectiveExplore architectural space and form in various.docxmarilucorr
Course Objective:
Explore architectural space and form in various cultures.
15 page paper is due May 4, 2018. The 15 pages should not include cover sheet or citations. Double space, 12 point and number each page. You may choose at two cultures to compare/contrast. You may explore only one. Whatever you do, please use several or one philosophy of architecture. Delve into how a culture define space
Your final research paper is to analyze the importance of architectural space, exploring how at least two cultures express space and the importance of architectural space. I read the wonderful discussions that you all wrote about urban space. Now let us narrow our vision to our immediate space and how we react to space. Try to keep the paper to no more than 15 pages including citations.
OVERALL: Minimum of 15.
Introduction. Identify explain how one culture experience space. Compare to another chore to emphasize. Then tell me how you feel about it. The give summary.
187 | SSpace
soft architecture. Sensors that trigger the opening and closing of doors
and windows, the movement of walls, and even the lowering and raising
of floors and ceilings produce the personalized spaces that characterize
soft architecture. Theatrical stages have had this capability for some
time, and thus have a lot to teach the designer seeking to produce soft
architecture.
Traditional Japanese architecture is an early version of soft architecture.
The ability to change the use and “feel” of a space by simply moving a rice
paper screen and rearranging the mats on the floor is a manual, low-tech
version of soft architecture. A more recent manifestation of softness was
attempted with the Centre Georges Pompidou in Paris (1977) (Figure 93).
It was to have an interior in which many walls and floors were movable.
Unfortunately that degree of flexibility was unjustified. Consequently the
building was renovated in 2000 to increase its capacity and efficiency by
“hardening” it.
In soft architecture each force applied to it creates content that has
form, as “water poured into a vase has form” (Ezra Pound). The water-
generated Blur building by Herzog and Meuron poetically illustrates the
new frontier of soft or reflexive architecture. The term now refers to any
architecture that is not finite or fixed.
See also: Blur • Responsive architecture • Flexibility
Figure 93 Pompidou
Center
Space
The classical questions include: is space real, or is it some kind of
mental construct, or an artifact of our ways of perceiving and thinking?
— Oxford Dictionary of Philosophy
If architecture can be understood as the construction of boundaries in
space, this space must be understood as commonsense space, a space
that possesses meaning and speaks to us long before the architect
goes to work. — Karsten Harries
The ethereal thing about architecture is this thing called “space.” Space, as
a central design concern for architects, has the interesting quality of.
Maximize Your Content with Beautiful Assets : Content & Asset for Landing Page pmgdscunsri
Figma is a cloud-based design tool widely used by designers for prototyping, UI/UX design, and real-time collaboration. With features such as precision pen tools, grid system, and reusable components, Figma makes it easy for teams to work together on design projects. Its flexibility and accessibility make Figma a top choice in the digital age.
Storytelling For The Web: Integrate Storytelling in your Design ProcessChiara Aliotta
In this slides I explain how I have used storytelling techniques to elevate websites and brands and create memorable user experiences. You can discover practical tips as I showcase the elements of good storytelling and its applied to some examples of diverse brands/projects..
Fonts play a crucial role in both User Interface (UI) and User Experience (UX) design. They affect readability, accessibility, aesthetics, and overall user perception.
ARENA - Young adults in the workplace (Knight Moves).pdfKnight Moves
Presentations of Bavo Raeymaekers (Project lead youth unemployment at the City of Antwerp), Suzan Martens (Service designer at Knight Moves) and Adriaan De Keersmaeker (Community manager at Talk to C)
during the 'Arena • Young adults in the workplace' conference hosted by Knight Moves.
2. Architecture as LanguageArchitecture as Language
Who invented The EnglishWho invented The English
Language ?Language ?
No, Not Him! So
Who?
So who invented Mandarin,
Russian, German, Japanese,
etc, etc. ………
If individuals don’t create the language, who
does?
Is it a collective process?
3. Every person who speaks theEvery person who speaks the
languagelanguage
Communication and exchangeCommunication and exchange
between individuals createsbetween individuals creates
languages.languages.
Its a massive collective effortIts a massive collective effort
Architecture as LanguageArchitecture as Language
5. Architecture as LanguageArchitecture as Language
What is a language?What is a language?
A System of Communication
To report or represent things or events.
To model a particular experience or idea
and transmit the form of that model to
another place
Selection and
Combination
of elements from a given
vocabulary
7. Remember:Remember:
Selection and combination applied toSelection and combination applied to
different vocabularies produce differentdifferent vocabularies produce different
kinds of Languages:kinds of Languages:
MusicMusic
LawLaw
ArtArt
FashionFashion
ReligionReligion
CarpentryCarpentry
Architecture as LanguageArchitecture as Language
Each of these institutions
has a distinct vocabulary:
sounds, modes of behaviour,
colours, forms, fabrics
And so does
Architecture
8. Architecture is aArchitecture is a
collective enterprisecollective enterprise
It is a network of agents interacting with oneIt is a network of agents interacting with one
anotheranother
It exists and changes through theIt exists and changes through the
Communication and ExchangeCommunication and Exchange
of ideas and forms betweenof ideas and forms between
many, many architectsmany, many architects
Architecture as LanguageArchitecture as Language
10. Architecture as LanguageArchitecture as Language
Definitions:Definitions:
Architecture is theArchitecture is the
similarity betweensimilarity between
buildingsbuildings
Buildings are physicalBuildings are physical
concrete objectsconcrete objectsArchitecture is the information that
characterizes these buildings.
11. Design is TranslationDesign is Translation
Architecture as LanguageArchitecture as Language
Translate one set of forms into
another, one language and
vocabulary into another,
12. Architecture as LanguageArchitecture as Language
Design is the Selection andDesign is the Selection and
Combination of elements from aCombination of elements from a
given vocabularygiven vocabulary
To fit a particular context.To fit a particular context.
That vocabulary is the work ofThat vocabulary is the work of
other architectsother architects
I copy your elements, youI copy your elements, you
copy mine times X 10000copy mine times X 10000
14. If architecture is the similarityIf architecture is the similarity
between buildings,between buildings, StyleStyle isis
architecture at ground level -architecture at ground level - thethe
local language.local language.
Definition:Definition:
Style is architecture at a particularStyle is architecture at a particular
place, time and the local vocabulary.place, time and the local vocabulary.
Changes through time given the interactionChanges through time given the interaction
of many architects exchanging ideas andof many architects exchanging ideas and
Architecture as LanguageArchitecture as Language
16. 1.1. StyleStyle is the use of a local vocabulary andis the use of a local vocabulary and
grammar.grammar.
2. Global communication means that2. Global communication means that StylesStyles cancan
now cross cultural boundaries. Decon?now cross cultural boundaries. Decon?
3.3. StyleStyle is the Local Language of architecture.is the Local Language of architecture.
4.4. StyleStyle arises fromarises from Selecting andSelecting and
CombiningCombining from each other’s work.from each other’s work.
Styles change through timeStyles change through time..
Select and combine a thousand times and theSelect and combine a thousand times and the
end result is differentend result is different
Architecture as LanguageArchitecture as Language
18. Style:Style:
A typical set of architectural forms governed by a set ofA typical set of architectural forms governed by a set of
grammatical rules in a particular place and time.grammatical rules in a particular place and time.
Architectural history is a history ofArchitectural history is a history of
stylesstyles (languages)(languages) in evolution.in evolution.
We cannot understand historyWe cannot understand history
without reference towithout reference to
prevailing stylesprevailing styles
Architecture as LanguageArchitecture as Language
19. Architecture as LanguageArchitecture as Language
Evolution, Evolution, Evolution,Evolution, Evolution, Evolution,
EvolutionEvolution
Sometimes one Style dominates theSometimes one Style dominates the
whole of architectural productionwhole of architectural production
Most buildings look similar to oneMost buildings look similar to one
anotheranother
Architects are selecting from the sameArchitects are selecting from the same
set of typical formsset of typical forms
21. Architecture as LanguageArchitecture as Language
TYPICAL ELEMENTS OF THE MODERN STYLETYPICAL ELEMENTS OF THE MODERN STYLE
VocabularyVocabulary
1.1. Cubic, rectangular or planar formsCubic, rectangular or planar forms – ref. Cubism– ref. Cubism
2.2. White colourWhite colour – machine or metallic reference– machine or metallic reference
3.3. Functional ‘free’ planFunctional ‘free’ plan – ref. Functionalist theory– ref. Functionalist theory
4.4. 3D Skeleton frame grid3D Skeleton frame grid – structural and classical– structural and classical
orderorder
5.5. Strip windowsStrip windows – unifies the elevation + ocean liners– unifies the elevation + ocean liners
ref.ref.
6.6. Asymmetrical general organizationAsymmetrical general organization – non classical– non classical
7.7. External wall as membrane –External wall as membrane – isolation of wallisolation of wall
functionfunction
8.8. Smooth surface texture – aSmooth surface texture – a s in machine references in machine reference
9.9. Flat RoofFlat Roof – available from concrete slab construction– available from concrete slab construction
10.10. Functional isolation of all ElementsFunctional isolation of all Elements – exploded form– exploded form
23. Architecture as LanguageArchitecture as Language
Here they are: The architecturalHere they are: The architectural
heroesheroes..
What did they actually do??
24. Architecture as LanguageArchitecture as Language
Did Le Corbusier, Mies van der Rohe orDid Le Corbusier, Mies van der Rohe or
Walter Gropius create or invent theWalter Gropius create or invent the
language of Modern Architecture?language of Modern Architecture?
No. Obviously not.No. Obviously not.
But what did they do?But what did they do?
They saw which way the wind was blowing.They saw which way the wind was blowing.
In the midst of babel, they saw the key ideas.In the midst of babel, they saw the key ideas.
They produced models/examples of those keyThey produced models/examples of those key
ideas that could be imitated.ideas that could be imitated.
26. After a dominant architectural style thereAfter a dominant architectural style there
will be an inevitable loss of coherence.will be an inevitable loss of coherence.
The continuousThe continuous
interaction/communication andinteraction/communication and
exchangeexchange between architects willbetween architects will
inevitably produce difference, diversityinevitably produce difference, diversity
and maybe chaos.and maybe chaos.
There will be a breakdown of theThere will be a breakdown of the
consensus into a group of localizedconsensus into a group of localized
Architecture as LanguageArchitecture as Language
27. In another sense:In another sense:
Architectural has to find a way out ofArchitectural has to find a way out of
this overwhelming andthis overwhelming and
claustrophobic Modernist similarity.claustrophobic Modernist similarity.
It has to rediscover its creativity.It has to rediscover its creativity.
Its ability to express difference.Its ability to express difference.
Its capacity to represent the local,Its capacity to represent the local,
the contingent, the complexity ofthe contingent, the complexity of
things.things.
And so………………………And so………………………
Architecture as LanguageArchitecture as Language
28. To the Tower of BabelTo the Tower of Babel
The breakdown of the ModernThe breakdown of the Modern
Consensus.Consensus.
Different Local LanguagesDifferent Local Languages
HistoricismHistoricism (Memory)(Memory)
Hi TechHi Tech (Technological fetishism)(Technological fetishism)
RegionalismRegionalism (cultural identity)(cultural identity)
EclecticismEclecticism (Mixture)(Mixture)
Neo-ModernNeo-Modern (enriched Modern Forms)(enriched Modern Forms)
DeconstructivismDeconstructivism (reveals complexity)(reveals complexity)
Architecture as LanguageArchitecture as Language
35. We speakWe speak
Architecture.Architecture.
Buildings are StatementsBuildings are Statements
How well do we speak this language?How well do we speak this language?
Architecture can produceArchitecture can produce
Architecture as LanguageArchitecture as Language
That’s it!
Alex Brown. Blog: alexbrown.net