This document provides information about the Indian architect Anant Raje, including his education, career, architectural principles, achievements and important works. It focuses on two buildings designed by Raje - the Indian Institute of Forest Management in Bhopal from 1984, and the Farmers Training Institute in Gujarat. For both projects, Raje employed exposed concrete construction with arched forms and courtyards to achieve a light, well-ventilated design that integrates the interior and exterior spaces.

1. CASE STUDY ON:
AR. ANANT RAJE
HISTORY OF MORDEN ACHITECTURE

2. CONTENTS
 LIFE EDUCATION & CAREER OF ANANT RAJE
 ARCHITECTURAL PRINCIPLES
 CONCEPTS
 ACHIEVMENTS
 IMPORTANT BUILDINGS
• IIFM , BHOPAL
• FARMER’S TRAINING ISTITUTE

3. LIFE, EDUCATION AND CAREER
• BORN IN MUMBAI , INDIA ON 26 SEPTEMBER 1929
• WAS WELL KNOWN ARCHITECT , INTELLCTUAL AND TEACHER
• 1954 :GRADUATED FROM SIR .J.J. SCHOOL OF FINE ARTS , MUMBAI
• 1957-1960 : PROFESSIONAL PRACTICE WITH AR. B.V.DOSHI , IN
AHEMDABAD
• 1961-1964 : PROFESSIONAL PRACTICE , IN AHEMDABAD
• 1964-1968 : IN THE OFFICE OF AR.LOUISH KHAN IN PHILADELPHIA
• 1969-1971 : WORKING ON CONSTRUCTION OF IIM WITH AR.LOUISH
KHAN
• LATER HE BECAME THE HONORARY DIRECTOR OF SCHOOL OF
ARCHITECTURE , AHMEDABD(C.E.P.T.)
• RAJE LIVED HIS LAST BREATH ON THE 27 JUNE 2009

4. ARCHITECTURAL PRINCIPLES
• USE OF BOLD MATERIAL AND VERY CLEAN GEOMETRIC SHAPES AND
FORMS
• BELND OF EXTERIOR TO THE INTERIORS
• AN EXPERIENCE USINGTHE PLAY OF TEXTURES ON THE EXTERNAL
FACEDES
• ATTENDED TO ISSUES OF LIGHT AND VENTILATION
CONCEPTS
•RAJE’S WORK EXHIBITS PURPINTEGRITY BETWEEN OSE AND
EXPRESSION, BUILDING AND LANDSCAPNE , PART AND WHOLE, THE
UNILIMATED QUALITY OF ALL GOOD ARCHITECTURE THROUGH TIME- A
SENSE OF REPOSE
• YET IT IS AN ORDRE ENRICHHEDBY THE PANTINAOF MATERIALS
HECHOSES ANDHIS SENSTIVILY OFLIGHT
•HIS WORKS HAD IDEEED A SOFTNESS AND QUALITY OF TRANSCEDENCE

5. ACHIEVMENTS
• DISTHINGUISHED PROFESSOR’S AWARD FROM C.E.P.T
• THE INDIAN INSTITUTE OF ARCHITECT (IIA)
• BABUROA MHATRE GOLD MEDAL FOR ARCHITECTURE IN 1993
• THEMASTER AWARD FORLIFTIME CONTRIBUTION INARCHITECTURE
FROM J.K.INDUSTERIES ,INDIA IN 2000.
IMPORTANT BUILDINGS
• EXECUTIVE MANAGEMENT CENTRE AT THE INDIAN INTITUTE OF
MAGMENT , AHMEDABAD
• INDIAN INTITUTE OF FOREST MAGMENT (IIFM), BHOPAL
• FARMERS TRAINING INSTITUTE IN GUJRAT

6. INDIAN INTITUTE OF FOREST
MAGMENT (IIFM), BHOPAL
• DESIGINER : AR.ANANT RAJE
• LOCATION : BHOPAL
• YEAR : 1984
• BUILDING : INSTITUTIONAL
• CONSRUCTION SYSTEM : CONCRETE
• ARCHITECTURAL STYLE : MORDEN

7. INDIAN INTITUTE OF FOREST
MAGMENT (IIFM), BHOPAL

8. INDIAN INTITUTE OF FOREST
MAGMENT (IIFM), BHOPAL
• BUILT IN CONCRETE , THE BUILDING INTERIOR INTERACT WITH THE
EXTERIORSTHROUGH A MEDIUMOFCONCREE ARCHED SKIN THAT SESTO
WRAP AROUND , STANDING LIGHTLY ALONG THE GIVINGTHE OVERALL
BUILDING A CERTAIN LIGHTNESS OF FORM

9. INDIAN INTITUTE OF FOREST
MAGMENT (IIFM), BHOPAL
• THE MAGNIFICENCE OFTHECLEAR SKY IS BRILLANTLY FARMED
THROUGHT THECIRCULARRINGS SUPPORTEDON THE ARCHES AS
CAREFULLY AND PRECIISELY ASONE WOULD STRACK CARD

10. INDIAN INTITUTE OF FOREST
MAGMENT (IIFM), BHOPAL
• LOOKING AT THE MAIN BUILDING THAT SITS A TOP THE LANDSCAPED
SURRODINGS , ONE MIGHTSENSE A SIMILARITY OF FORM WITH
THEIIMA BUILDING THANKS TO THEARCHE AND COURTYARDS

11. GALBABHAI TRAINING INSTITUTE
PALANPUR, INDIA
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12. 12

13. 13

14. • The buildings are based on the
repetition of 4.5 meter wide structural
bays roofed with a barrel vault concrete
shell.
• This standardization allowed for a rapid
and economical construction process.
• The project also features an auction
hall with raised platform for loading and
unloading produce.
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15. PLAN
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16. SECTIONS 16

17. • The series of loggias making up the
dormitories do not open on the
courtyard placed in their center in
order to achieve maximum privacy
• The compound is enclosed by stone
walls, and the buildings' openings are
spanned by concrete lintels and are
deeply recessed to provide additional
shade.
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18. The exposed
stone facades
and arched
lintels used
throughout
convey a visual
unity to the
overall design.
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