Anatoly's Art History: Ancient Egypt
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Anatoly "Tony" Vanetik, an art lover at heart, examines some of Ancient Egypt's most influential pieces of art and art forms.
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This document provides an overview of ancient and classical art from 15,000 BC to 450 AD. It mentions that early ancient art from Egypt is known for frescoes, pottery, metalwork and artifacts found in tombs, with a scarce amount of examples that favored drawing over color. Classical art from Rome and Greece is characterized by its use of geometry and symmetry rather than individual expression. Several known artists from this period are mentioned like Myron, Praxiteles, and the Niobid Painter, along with some of their notable works.
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Ancient art refers to art from advanced ancient societies with writing systems, including ancient China, India, Mesopotamia, Persia, Israel, Egypt, Greece and Rome. Prehistoric art was produced before the development of writing or record keeping in preliterate cultures, beginning in the late geological era and often continuing until contact with other cultures. Some of the earliest known artworks include the Venus of Hohle Fels figurine from 35,000-40,000 years ago, the Venus of Dolní Věstonice ceramic figurine from 29,000-25,000 BCE, and the Lion Man of Hohlenstein Stadel ivory sculpture from around 40,000 years ago.
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Egyptian painting followed strict rules and symbolic conventions. Certain colors were reserved for specific genders and deities. Yellow and red dyes were obtained from natural sources and applied with gum. Figures' sizes indicated social status. Temple paintings explained rituals while tomb paintings aided the deceased's afterlife. Symbolism conveyed order and mythology. Greek influence later prioritized realism over rigid guidelines.
Ancient art
The document provides an overview of prehistoric and ancient art from various regions around the world, beginning with Paleolithic cave paintings dated to around 15,000 BCE. It then discusses the art of ancient civilizations like the Sumerians, Egyptians, Minoans, Mycenaeans, and others, focusing on materials, styles, religious and cultural influences. Major art forms included sculpture, architecture like pyramids and temples, and carved reliefs depicting rulers, gods, and important events. Styles ranged from naturalistic to highly stylized depending on the culture and time period.
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The document provides an overview of ancient Egyptian art from the Predynastic and Early Dynastic Periods through the New Kingdom. It describes the major historical periods of ancient Egypt and highlights several key works that exemplify artistic conventions like composite view, hieratic scale, and registers. The document discusses the relationship between art, architecture, and expressions of power and authority. It also examines ideals of idealization versus naturalism and how the human form was depicted over time in ancient Egyptian art.
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This document provides an overview of ancient and classical art from 15,000 BC to 450 AD. It mentions that early ancient art from Egypt is known for frescoes, pottery, metalwork and artifacts found in tombs, with a scarce amount of examples that favored drawing over color. Classical art from Rome and Greece is characterized by its use of geometry and symmetry rather than individual expression. Several known artists from this period are mentioned like Myron, Praxiteles, and the Niobid Painter, along with some of their notable works.
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Ancient art refers to art from advanced ancient societies with writing systems, including ancient China, India, Mesopotamia, Persia, Israel, Egypt, Greece and Rome. Prehistoric art was produced before the development of writing or record keeping in preliterate cultures, beginning in the late geological era and often continuing until contact with other cultures. Some of the earliest known artworks include the Venus of Hohle Fels figurine from 35,000-40,000 years ago, the Venus of Dolní Věstonice ceramic figurine from 29,000-25,000 BCE, and the Lion Man of Hohlenstein Stadel ivory sculpture from around 40,000 years ago.
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Egyptian painting followed strict rules and symbolic conventions. Certain colors were reserved for specific genders and deities. Yellow and red dyes were obtained from natural sources and applied with gum. Figures' sizes indicated social status. Temple paintings explained rituals while tomb paintings aided the deceased's afterlife. Symbolism conveyed order and mythology. Greek influence later prioritized realism over rigid guidelines.
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The document provides an overview of prehistoric and ancient art from various regions around the world, beginning with Paleolithic cave paintings dated to around 15,000 BCE. It then discusses the art of ancient civilizations like the Sumerians, Egyptians, Minoans, Mycenaeans, and others, focusing on materials, styles, religious and cultural influences. Major art forms included sculpture, architecture like pyramids and temples, and carved reliefs depicting rulers, gods, and important events. Styles ranged from naturalistic to highly stylized depending on the culture and time period.
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Egyptian art developed between 5000 BC and 300 BC and was focused on honoring the dead. Paintings and sculptures depicted gods and the pharaohs and were meant to accompany people into the afterlife. Architecture like pyramids and temples were constructed as tombs and places of worship. Egyptian artforms included paintings on papyrus and walls, sculptures of gods and people, and massive architectural structures for burial and religion. Egyptian art and culture influenced later societies through hieroglyphics, calendar systems, and beliefs about the afterlife.
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The Romans created many forms of art including sculptures, paintings, architecture, and mosaics. Their sculptures were realistic in style compared to the idealized Greek sculptures that influenced them. Roman paintings included frescoes on walls and their iconic architecture featured arches, columns like Doric, Ionic and Corinthian, and structures such as aqueducts and stadiums. Mosaics were made with small tiles and often depicted Roman history and life.
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Ancient Egyptian art originated around 3000 BC and was highly symbolic. It was expressed through paintings and sculptures that were intended to keep history alive. Common art forms included architecture, papyrus, pottery, sculpture, hieroglyphs, and literature. Paintings depicted figures in profile views of the head and frontal views of the body using limited colors like red, blue, black, gold, and green. Symbolism was prominently featured through religious symbols, animals, and colors representing youth, women, gods, and royalty. Techniques included drawing heads in profile with full eyes and legs turned to match while the head was at a right angle to the body. Wall paintings adorned tombs and temples and depicted religious scenes
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This document discusses ancient Greek and Roman art from 800 BC to 400 AD. It covers the development of styles from geometric to ideal forms in vase painting and the invention of the nude. Architecture is also summarized, including the three classical orders and famous structures like the Parthenon. Roman art is described as adapting Greek works and focusing more on functionality, while late Roman art conveyed political messages. Pompeii is mentioned as an archaeological site preserving artworks.
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This document provides an overview of ancient Egyptian art from the Predynastic period through the Old Kingdom. It describes key developments like the unification of Egypt under King Narmer, the evolution of tomb architecture from mastabas to step pyramids and true pyramids, and important artistic conventions like frontalism. Major artworks discussed include the Narmer Palette, the Step Pyramid and mortuary of Djoser, statues of Khafre and Menkaure, and wall paintings from Saqqara tombs. The document also outlines Egyptian contributions to mathematics, shipbuilding, and other areas.
Egyptian art
Egyptian art and culture developed over thousands of years along the Nile River. Egyptian society was stratified, with pharaohs, priests and scribes at the top of social hierarchy. Common people included farmers, fishermen, artisans and laborers. The ancient Egyptians had a rich cultural tradition and produced art to serve religious and functional purposes. They also placed great importance on the afterlife, leading to the practice of mummification and burial customs. Hieroglyphics, papyrus and monumental structures like the pyramids and Sphinx provide insights into Egyptian civilization.
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The document provides an overview of ancient Egyptian art from the Predynastic period through the Roman period, listing many prominent artworks and architectural structures from each era. It describes artifacts like the Palette of King Narmer from ca. 3000 BCE, the Great Pyramids at Giza from ca. 2551-2528 BCE, statues of Hatshepsut from ca. 1473-1458 BCE, the Temple of Ramses II at Abu Simbel from ca. 1290-1224 BCE, and portraits from Faiyum from the 2nd century AD. A wide range of materials are also mentioned, including slate, limestone, sandstone, granite, wood, gold, and encaustic.
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While Greek statuary was created to represent idealized human forms of athletes and gods, Ancient Roman sculpture represented real, ordinary people with their natural beauty and imperfections. The main purpose of the statuary was to immortalize, though many Greek and Roman statues were originally painted with bright colors which over the centuries lost the pigment. Greek sculptors derived the facial features from the idealized inner and intellectual characteristics, whereas the Romans inferred the personality from the physical features. As a very representative example, I suggest observing any bust of Vespasian, Roman Emperor depicted with each feature without any glorification. When comparing the statuary of the two great civilizations we can notice another significant difference. The traditions of the Roman Republic equate the nudity represented by the Greek sculpture as a dishonorable impudicity, more in favor of an iconography that represents the republican values of the citizenship.
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Ancient art refers to creative works from early civilizations where history was first recorded, including those in China, India, Mesopotamia, Babylonia, and Egypt. Prehistoric art from the Stone Age includes cave paintings from as early as 16,000 BC featuring animals and pictographs found in places like Lascaux, France and Altamira, Spain. Early civilizations like the Sumerians in Mesopotamia established writing systems and religious structures like ziggurats, while the Egyptians are renowned for their mummification practices, hieroglyphics, pyramid tombs for pharaohs, and sculptures and paintings found therein.
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This document describes an exhibition that explores how early art forms from ancient civilizations like Egypt, Mesopotamia, Crete, and mainland Greece influenced modern artists such as Brancusi, Picasso, Matisse, Giacometti, and Moore. The exhibition presents ancient artifacts from these civilizations alongside sculptures, paintings, drawings and photographs by modern artists in an attempt to create a dialogue between past and present. It provides examples of specific works shown, including Brancusi's "Torso of a young girl" and Picasso's "Pregnant Woman", and discusses the Cycladic civilization and their marble figurines and ceramic vases.
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The document provides an overview of ancient Egyptian art and culture. It describes how ancient Egyptians created paintings and sculptures to decorate tombs and pyramids in order to provide help for the soul in the afterlife. Key art forms discussed include sculptures of pharaohs and gods, gold masks placed on mummies, and wall paintings in tombs that depicted daily life. Architecture such as pyramids and temples are also summarized.
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The document provides descriptions of various works of ancient Egyptian art from around 2500 BCE to 1290 BCE. It includes summaries of sculptures like the Great Pyramids of Giza and the Great Sphinx, as well as paintings from tombs and temples depicting pharaohs and their activities. The art served religious purposes related to burial and commemorating rulers, and featured themes of royalty, the afterlife, and Egyptian mythology. Styles ranged from realistic portraits to idealized figures, and materials included stone, wood, and paintings on walls and papyrus.
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Ancient Egyptian art included tomb paintings, statues, and jewelry. Tomb paintings depicted figures and hieroglyphics in profile and showed the pharaoh as larger. Statues included magical shabti figures placed in coffins and carvings of wood, stone, and precious metals. Jewelry was crafted from gold, lapis lazuli, faience, beads, and silver. Coffins were typically wood or stone, sometimes inlaid with gold or painted, while the wealthy were buried in pure gold sarcophagi like Tutankhamun's. Egyptian art and architecture developed over thousands of years from pre-dynastic tombs at Abydos to the Great Pyramids built at Giza in
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The document summarizes Aegean art from the Bronze Age civilizations of the Cyclades islands, Minoan Crete, and Mycenaean Greece between 3000 BCE to 1000 BCE. It describes Cycladic marble sculptures, Minoan palace architecture and frescoes at sites like Knossos depicting natural scenes and rituals. Metalworking and pottery featured marine designs. Mycenaeans later dominated the region and constructed fortified citadels and beehive tombs, as described in Homer's epics. Significant artworks uncovered include the Bull Leaping fresco and Mask of Agamemnon.
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The document discusses various forms of ancient Egyptian art including painting, architecture, pottery, and sculpture. Painting followed conventions like depicting figures in profile with frontal eyes and shoulders, and using hieroglyphics as captions. Architecture featured pyramids as royal tombs. Pottery included soft, ordinary pottery and a coarse white pottery often with blue glaze. Sculpture included raised and sunk relief techniques. Symbolism was important in Egyptian art, conveying stories of life and the afterlife, such as the Scarab Beetle representing the Sun god and helping the deceased pass into the afterlife.
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The document provides information about Cycladic art from the Cycladic Islands in the Aegean Sea. It describes distinct features of Cycladic art including small, simple female idols used for funerary purposes that ranged from 1 to 5 feet tall and had minimal facial features. A few male statues depicted musicians. The document also provides details about Minoan and Mycenaean art, including characteristics of Palace architecture and wall paintings at Knossos, distinctive features of Minoan pottery and figurines, and burial practices like beehive tombs and shaft graves.
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The document discusses the classical period art of Egypt, Greece, and Rome, describing Egyptian art as primarily religious in nature and focused on themes to make the afterlife pleasant, Greek art as having a strong influence worldwide in sculpture and architecture with themes from mythology, and Roman art developing landscapes and adapting Greek styles in paintings, sculptures, and architecture such as aqueducts and theaters.
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Ancient Egyptian art spanned over 3,000 years yet changed little, reflecting important aspects of their lives and culture. Early art served the king and queen and was featured in pyramids and tombs to guide souls in the afterlife. Egyptians also produced durable pottery decorated with paintings reflecting their imagination. Some of the most famous artworks include King Tutankhamen's painted golden burial mask. Egyptians utilized locally sourced paint pigments and had no exact word for "art" in their language.
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The document provides an overview of classical period art from ancient Egypt, Greece, and Rome. Egyptian art focused primarily on religious themes and depicting the afterlife to make the deceased's journey pleasant. Greek art had an enormous influence on cultures worldwide, particularly in sculpture and architecture. Key Greek artworks included sculptures like the Aphrodite of Knidos and temples at Delphi. Roman art incorporated styles from conquered territories and is best known for sculptures, architecture like aqueducts and theaters, and realistic paintings including landscapes and portraits.
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Egyptian art developed between 5000 BC and 300 BC and was focused on honoring the dead. Paintings and sculptures depicted gods and the pharaohs and were meant to accompany people into the afterlife. Architecture like pyramids and temples were constructed as tombs and places of worship. Egyptian artforms included paintings on papyrus and walls, sculptures of gods and people, and massive architectural structures for burial and religion. Egyptian art and culture influenced later societies through hieroglyphics, calendar systems, and beliefs about the afterlife.
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Ancient Egyptian art originated around 3000 BC and was highly symbolic. It was expressed through paintings and sculptures that were intended to keep history alive. Common art forms included architecture, papyrus, pottery, sculpture, hieroglyphs, and literature. Paintings depicted figures in profile views of the head and frontal views of the body using limited colors like red, blue, black, gold, and green. Symbolism was prominently featured through religious symbols, animals, and colors representing youth, women, gods, and royalty. Techniques included drawing heads in profile with full eyes and legs turned to match while the head was at a right angle to the body. Wall paintings adorned tombs and temples and depicted religious scenes
Greek and Roman Art
This document discusses ancient Greek and Roman art from 800 BC to 400 AD. It covers the development of styles from geometric to ideal forms in vase painting and the invention of the nude. Architecture is also summarized, including the three classical orders and famous structures like the Parthenon. Roman art is described as adapting Greek works and focusing more on functionality, while late Roman art conveyed political messages. Pompeii is mentioned as an archaeological site preserving artworks.
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This document provides an overview of ancient Egyptian art from the Predynastic period through the Old Kingdom. It describes key developments like the unification of Egypt under King Narmer, the evolution of tomb architecture from mastabas to step pyramids and true pyramids, and important artistic conventions like frontalism. Major artworks discussed include the Narmer Palette, the Step Pyramid and mortuary of Djoser, statues of Khafre and Menkaure, and wall paintings from Saqqara tombs. The document also outlines Egyptian contributions to mathematics, shipbuilding, and other areas.
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Egyptian art and culture developed over thousands of years along the Nile River. Egyptian society was stratified, with pharaohs, priests and scribes at the top of social hierarchy. Common people included farmers, fishermen, artisans and laborers. The ancient Egyptians had a rich cultural tradition and produced art to serve religious and functional purposes. They also placed great importance on the afterlife, leading to the practice of mummification and burial customs. Hieroglyphics, papyrus and monumental structures like the pyramids and Sphinx provide insights into Egyptian civilization.
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This document provides an agenda and information about medieval art. It begins with an "Art Rx" quiz on ancient art movements. Then it discusses the medieval art period from 400-1400 CE, including the influences on art during this time from invaders destroying Roman culture. Specific medieval art styles are examined like Byzantine art with the Hagia Sophia as an example, Islamic art with the Dome of the Rock, and Gothic cathedrals like Notre Dame. The document provides context and examples for each medieval art movement and concludes with next steps of finishing tunnel book planning and drafting.
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The document provides an overview of ancient Egyptian art from the Predynastic period through the Roman period, listing many prominent artworks and architectural structures from each era. It describes artifacts like the Palette of King Narmer from ca. 3000 BCE, the Great Pyramids at Giza from ca. 2551-2528 BCE, statues of Hatshepsut from ca. 1473-1458 BCE, the Temple of Ramses II at Abu Simbel from ca. 1290-1224 BCE, and portraits from Faiyum from the 2nd century AD. A wide range of materials are also mentioned, including slate, limestone, sandstone, granite, wood, gold, and encaustic.
Ancient Roman Art 1.1
While Greek statuary was created to represent idealized human forms of athletes and gods, Ancient Roman sculpture represented real, ordinary people with their natural beauty and imperfections. The main purpose of the statuary was to immortalize, though many Greek and Roman statues were originally painted with bright colors which over the centuries lost the pigment. Greek sculptors derived the facial features from the idealized inner and intellectual characteristics, whereas the Romans inferred the personality from the physical features. As a very representative example, I suggest observing any bust of Vespasian, Roman Emperor depicted with each feature without any glorification. When comparing the statuary of the two great civilizations we can notice another significant difference. The traditions of the Roman Republic equate the nudity represented by the Greek sculpture as a dishonorable impudicity, more in favor of an iconography that represents the republican values of the citizenship.
Ancient art
Ancient art refers to creative works from early civilizations where history was first recorded, including those in China, India, Mesopotamia, Babylonia, and Egypt. Prehistoric art from the Stone Age includes cave paintings from as early as 16,000 BC featuring animals and pictographs found in places like Lascaux, France and Altamira, Spain. Early civilizations like the Sumerians in Mesopotamia established writing systems and religious structures like ziggurats, while the Egyptians are renowned for their mummification practices, hieroglyphics, pyramid tombs for pharaohs, and sculptures and paintings found therein.
Cycladic & Modern art
This document describes an exhibition that explores how early art forms from ancient civilizations like Egypt, Mesopotamia, Crete, and mainland Greece influenced modern artists such as Brancusi, Picasso, Matisse, Giacometti, and Moore. The exhibition presents ancient artifacts from these civilizations alongside sculptures, paintings, drawings and photographs by modern artists in an attempt to create a dialogue between past and present. It provides examples of specific works shown, including Brancusi's "Torso of a young girl" and Picasso's "Pregnant Woman", and discusses the Cycladic civilization and their marble figurines and ceramic vases.
Ancient Egyptian Art
The document provides an overview of ancient Egyptian art and culture. It describes how ancient Egyptians created paintings and sculptures to decorate tombs and pyramids in order to provide help for the soul in the afterlife. Key art forms discussed include sculptures of pharaohs and gods, gold masks placed on mummies, and wall paintings in tombs that depicted daily life. Architecture such as pyramids and temples are also summarized.
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The document provides descriptions of various works of ancient Egyptian art from around 2500 BCE to 1290 BCE. It includes summaries of sculptures like the Great Pyramids of Giza and the Great Sphinx, as well as paintings from tombs and temples depicting pharaohs and their activities. The art served religious purposes related to burial and commemorating rulers, and featured themes of royalty, the afterlife, and Egyptian mythology. Styles ranged from realistic portraits to idealized figures, and materials included stone, wood, and paintings on walls and papyrus.
Egyptian Art
Ancient Egyptian art included tomb paintings, statues, and jewelry. Tomb paintings depicted figures and hieroglyphics in profile and showed the pharaoh as larger. Statues included magical shabti figures placed in coffins and carvings of wood, stone, and precious metals. Jewelry was crafted from gold, lapis lazuli, faience, beads, and silver. Coffins were typically wood or stone, sometimes inlaid with gold or painted, while the wealthy were buried in pure gold sarcophagi like Tutankhamun's. Egyptian art and architecture developed over thousands of years from pre-dynastic tombs at Abydos to the Great Pyramids built at Giza in
Aegeanart
The document summarizes Aegean art from the Bronze Age civilizations of the Cyclades islands, Minoan Crete, and Mycenaean Greece between 3000 BCE to 1000 BCE. It describes Cycladic marble sculptures, Minoan palace architecture and frescoes at sites like Knossos depicting natural scenes and rituals. Metalworking and pottery featured marine designs. Mycenaeans later dominated the region and constructed fortified citadels and beehive tombs, as described in Homer's epics. Significant artworks uncovered include the Bull Leaping fresco and Mask of Agamemnon.
Art of egypt
The document discusses various forms of ancient Egyptian art including painting, architecture, pottery, and sculpture. Painting followed conventions like depicting figures in profile with frontal eyes and shoulders, and using hieroglyphics as captions. Architecture featured pyramids as royal tombs. Pottery included soft, ordinary pottery and a coarse white pottery often with blue glaze. Sculpture included raised and sunk relief techniques. Symbolism was important in Egyptian art, conveying stories of life and the afterlife, such as the Scarab Beetle representing the Sun god and helping the deceased pass into the afterlife.
Egyptian and prehistoric art
This document discusses prehistoric and ancient art from several early cultures and time periods. It begins by defining prehistoric art as that which was created before the development of writing or significant contact with other cultures. Examples of prehistoric art mentioned include the Cueva de las Manos stencils from 9500 BCE in Argentina and the Coldstream Burial Stone from 6000 BCE in South Africa. The document then discusses ancient Egyptian art from 3000 BC to 30 AD, noting its highly stylized and symbolic nature. Examples of Egyptian art objects provided are Naquada female figurines from 5500-3000 BCE, the funerary mask of Tutankhamun from 1332-1323 BCE, and the bust of Nefer
SCULPTURE
Sculpture has served many roles throughout human history. Early sculptures were made to aid hunters or represent gods. Ancient kings had portraits carved to seek immortality. The Greeks sculpted idealized human forms. Christians later decorated churches with demons. Sculpture has largely been monumental, honoring biblical or modern figures. Methods include carving, modeling, casting, and construction using various materials and tools.
Aegean
The document provides information about Cycladic art from the Cycladic Islands in the Aegean Sea. It describes distinct features of Cycladic art including small, simple female idols used for funerary purposes that ranged from 1 to 5 feet tall and had minimal facial features. A few male statues depicted musicians. The document also provides details about Minoan and Mycenaean art, including characteristics of Palace architecture and wall paintings at Knossos, distinctive features of Minoan pottery and figurines, and burial practices like beehive tombs and shaft graves.
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The document discusses various art traditions including Western classical art, ancient art, Egyptian art, and folk art. It notes that Western classical art from 1750-1820 draws upon ancient Greek and Roman precedents, emphasizing control, order, and proportion. Ancient art used images rather than words to tell stories, and materials included ochre and flint for cave paintings. Egyptian art spanned 5000 BC to 30 BC and was characterized by linear styles with little depth, as seen in paintings, sculptures like Khafre, and architecture like the pyramids which served as tombs. Materials included mud bricks, limestone, granite and gold was used for pieces like a 18th dynasty pharaoh's pectoral necklace
Egyptian Art
1) The document outlines the evolution of Egyptian art and architecture from the Predynastic period through the New Kingdom, including the development of royal tombs from mastabas to pyramids and the stylistic conventions that remained consistent over thousands of years.
2) Notable periods discussed include the Old Kingdom with sculptures showing status differences and the innovations of Imhotep, the Middle Kingdom with rock-cut tombs, and the New Kingdom featuring the grand mortuary temples of Hatshepsut and Ramses II along with the distinctive Amarna style during Akhenaten's reign.
CLASSICAL ART.pptx abcdefghijklmnopqrst
Egyptian art emphasized continuity, order, and endurance as seen in structures like the Great Sphinx. The Palette of King Narmer established basic rules that governed Egyptian art for 3000 years by depicting figures in a standardized way. Sculptures like the Seated Scribe were symmetrical and depicted dignity. Wall paintings showed skill and precision in illustrating hunting scenes. The Egyptians preserved their art by burying valuable objects with the dead.
Greek art is known for sculptures, pottery, and architecture that influenced later Western art. Temple architecture was perfectly planned, using marble. Vase painting featured elaborate geometric designs. Kouros sculptures evolved from rigid cubic forms to more naturalistic poses. Hellenistic art saw innovations
FIRST QUARTER Grade 9 ARTS- Prehistoric Art: Prehistoric Beginnings and Egyp...
1. The document discusses prehistoric art from the Stone Age, including cave paintings from Lascaux Cave in France dating back 15,000-13,000 BCE depicting animals.
2. It also describes megalithic structures from the Stone Age such as menhirs, dolmens, and cromlechs which were made from large standing stones. The most famous is Stonehenge in England.
3. Egyptian art is also examined, including reliefs carved on tombs and structures like mastabas. Hieroglyphics developed as a system of writing using pictures. Ancient Egyptian architecture and sculptures provide insight into their society.
western classical tradition arts.pptx
This document provides information on paintings from three early periods: pre-historic, Ancient Egypt, and Classical Greek. Pre-historic cave paintings depicted animals and may have been used for communication or ceremony. Egyptian paintings emphasized the afterlife, using symbolic, stylized figures and bright colors. They decorated tombs to guide the deceased. Classical Greek paintings featured naturalistic figures and compositions on vases and tombs, revealing perspective and realistic representation.
1Ancient Egyptian Art12Ancient Egypt2.docx
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Ancient Egyptian Art
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Ancient Egypt
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People, boats, and animals, detail of a watercolor copy of a wall painting from tomb 100 at Hierakonpolis, Egypt, Predynastic, ca. 3500–3200 BCE. Paint on plaster, entire painting 16’ 4” X 3’ 7 3/8”. Egyptian Museum, Cairo.
Predynastic, Early Dynasties, and the Old Kingdom
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Stylistic Conventions of Egyptian Art
Palette of Narmer: a blueprint for a formula for figure representation and other conventions seen in Egyptian art for nearly 3000 years.
Palette of King Narmer (left, back; right, front), from Hierakonpolis, Egypt, Predynastic, ca. 3000–2920 BCE. Slate, 2’ 1” high. Egyptian Museum, Cairo.
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Early Funerary Architectural Forms
Section (top), plan (center),and restored view (bottom) of typical Egyptian mastaba tombs.
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IMHOTEP, Stepped Pyramid and mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Restored view (top) and plan (bottom) of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Columnar entrance corridor to the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Detail of the facade of the north palace of the mortuary precinct of Djoser, Saqqara, Egypt, Third Dynasty, ca. 2630–2611 BCE.
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Aerial view of the Fourth Dynasty pyramids (looking north), Gizeh, Egypt. From bottom: Pyramids of Menkaure, ca. 2490–2472 BCE; Khafre, ca. 2520–2494 BCE; and Khufu, ca. 2551–2528 BCE.
The Pyramids
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Section of the Pyramid of Khufu, Gizeh, Egypt, Fourth Dynasty, ca. 2551–2528 BCE.
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Model of the pyramid complex, Gizeh, Egypt. Harvard University Semitic Museum, Cambridge. 1) Pyramid of Menkaure, 2) Pyramid of Khafre, 3) mortuary temple of Khafre, 4) causeway, 5) Great Sphinx, 6) valley temple of Khafre, 7) Pyramid of Khufu, 8) pyramids of the royal family and mastabas of nobles.
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Khafre enthroned, from Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Diorite, 5’ 6” high. Egyptian Museum, Cairo.
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Sculptors at work, detail of the south wall of the main hall of the funerary chapel of Rekhmire, Thebes, Egypt, 18th Dynasty, ca. 1425 BCE.
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Great Sphinx (with Pyramid of Khafre in the background at left), Gizeh, Egypt, Fourth Dynasty, ca. 2520–2494 BCE. Sandstone, 65’ X 240’.
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Menkaure and Khamerernebty(?), from Gizeh, Egypt, Fourth Dynasty, ca. 2490–2472 BCE. Graywacke, 4’ 6 1/2” high. Museum of Fine Arts, Boston.
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Seated scribe, from Saqqara, Egypt, Fourth Dynasty, ca. 2500 BCE. Painted limestone, 1’ 9” high. Musée du Louvre, Paris.
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Ti watching a hippopotamus hunt, relief in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450–2350 BCE. Painted limestone, 4’ high.
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Goats treading seed and cattle fording a canal, reliefs in the mastaba of Ti, Saqqara, Egypt, Fifth Dynasty, ca. 2450 – 2350 BCE. Painted limestone.
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Middle Kingdom
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Chapter 4
This document provides an overview of Prehistoric Aegean art, including Cycladic sculptures from 2500-2300 BCE which depicted stylized female and male figures. It also discusses Minoan culture on Crete from 1700-1400 BCE, noting their advanced palace architecture at sites like Knossos with frescoes depicting bull leaping. Minoan pottery styles like Kamares Ware featured naturalistic imagery. The document also describes Mycenaean culture from 1400-1200 BCE, noting their fortified palaces at sites like Mycenae and Tiryns showed Minoan influence mixed with mainland styles like the Lion Gate entrance.
Art Greek Analysis
- The document discusses Greek art from various periods, including the Archaic, Classical, and Hellenistic periods.
- During the Archaic period, Greek art was less realistic and sculptures were rigid. During the Classical period, art became more naturalistic and idealized.
- A key work discussed is the "Spear Bearer" bronze sculpture from the 5th century BCE that depicts the human body in a realistic yet idealized way.
Art_Appreciation_Module_2.pptx
This document provides an overview of the history of art from prehistoric times through contemporary art. It discusses the major periods and movements, including River Civilizations, Ancient Egyptian, Mesopotamian, Chinese, and Indian arts. Greek arts are examined for the Archaic, Classical, and Hellenistic periods. Roman, Early Christian, Byzantine, Romanesque, and Gothic arts are also outlined. The document then focuses on the Renaissance period in Italy and the major artists of the Early and High Renaissance. Finally, it explores the Mannerism, Baroque, Romanticism periods and introduces the concept of the Modern arts avant-garde movement.
Art-History-and-Development.pptx
This document provides an overview of the history and development of art from prehistoric times through modern and contemporary art. It begins with early river civilizations like those along the Tigris, Euphrates, Nile, Yangtze, and Ganges Rivers. Ancient arts from Egypt, Mesopotamia, China, and India are then discussed. The document continues by covering Prehistoric Western art, Ancient Greek arts including the Archaic, Classical, and Hellenistic periods. Roman art, medieval arts including Early Christian, Byzantine, Romanesque and Gothic styles are examined. The Renaissance, Mannerism, Baroque, and Romanticism periods are outlined. Finally, the document introduces modern art movements like Imp
Chapter3
1. The document summarizes key aspects of ancient Egyptian art and culture from the Predynastic period through the Late Period, focusing on funerary architecture and sculpture. It describes the evolution of burial monuments from mastabas and stepped pyramids to true pyramids and rock-cut tombs.
2. Notable monuments discussed include the stepped pyramid and mortuary complex of Djoser, the Great Pyramids of Giza, and the rock-cut tombs at Beni Hasan. Sculptural styles are examined, ranging from stylized figures to more naturalistic portraits.
3. Major historical periods like the Old Kingdom, Middle Kingdom, and New Kingdom are addressed in
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