Analysis of emalkay
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Jazz The document discusses the music video "Emalkay 'Fabrication'" and how it tells a narrative story through visuals that sync with the song's lyrics. It begins with a man entering a building using dark colors and strobe lights. The video fits the category of "anti-performance pieces" that do not show the actual performance. YouTube allows comments on videos, but some comments are subjective rather than objective. Some comments reference drugs in association with Emalkay's music, which could hurt his image, but other comments strongly promote his music. The sidebar on YouTube links to other videos by Emalkay and similar artists to direct viewers to more of the same genre of music.
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Analysis of emalkay
The document discusses the music video "Emalkay - Fabrication". It begins with a man walking into a building to establish the setting. Dark colors and strobe lights are used to focus on the character and elements of the narrative. The video tells a story through visuals that sync with the song lyrics. It is classified as a "non-performance piece" by Joe Gow's genres of music video since it does not contain a performance of the song but instead uses narrative. Viewer comments on YouTube have been generally positive, with some using metaphorical language to describe enjoying the video. The target audience seems to be young fans of genres like dubstep and drum and bass based on the vocabulary used and content referenced.
Album covers hip hop
The document analyzes several hip-hop album covers and music videos. It finds that they often feature the artist prominently and link back to the album cover. This helps audiences recognize the artist and suggests the album is based on them. Videos may also reference elements from the album title or lyrics to provide context about the song. Overall, R&B music tends to focus on the artist personally and draw connections between their visual content and albums.
Initial ideas
The document discusses the process of choosing a song to base a coursework project around. It begins by explaining why the group chose Maroon 5's "Misery" over other options like "Moves Like Jagger". Research was also done on the band Innerpartysystem and their song "Don't Stop". Inspiration was drawn from music videos like Panic! At The Disco's "I Write Sins Not Tragedies" in terms of costumes and symbolism. Between The Feeling and Maroon 5, they ultimately chose Maroon 5 because their album was newer. Aspects they want to recreate include the use of stop motion from "Don't Stop" and symbolism/costumes from "I Write
Final proposal
The target audience for the music video would primarily be females ages 18-24, as research shows Adele's music appeals more to females. The narrative of the music video, focusing on a relationship breakup, would also relate more to females. Most of the music video will be filmed from the female artist's perspective to allow female viewers to relate to the feelings of a relationship ending. Performance and narrative genres will be used, matching the style of Adele's "Hello" song. Transitions, camera angles, lighting, and editing effects like slow motion will be employed to set the mood and pace of the dramatic story.
Music Video Proposal
The document is a proposal for a music video for the song "Gravity" by the artist EDEN. It outlines plans to create a 3-4 minute video that stays true to EDEN's style using ideas, artists, locations and props. The video will tell the meaningful story behind the lyrics through various camera shots and lighting, featuring a male teenager lip syncing to the song. The target audience is fans of indie and pop music, and similar artists include James Bay and videos that were inspirations include "Come and Goes" by Covey and "Holocene" by Bon Iver.
Bastille digipak analysis
The album cover features the artist's name and personal symbol prominently displayed at the top, with the record label name below in smaller text. The artwork depicts a boy running away from headlights that appear to be chasing him, suggesting a theme of fleeing or being pursued. Production credits are listed at the bottom in the style of a movie or DVD cover, implying the album has a cinematic quality to its music videos.
G eazy website research
G-Eazy's website homepage utilizes a simple black and white design that reinforces his "bad boy" image. The homepage features G-Eazy's latest album prominently and provides links to his music, tour dates, merchandise store, and social media profiles. While concise, the site effectively promotes G-Eazy's brand and new content across different pages.
Common motifs in music videos
The document outlines different motifs that are commonly used in modern music videos and provides descriptions and examples of each one. Some of the key motifs discussed include body fragmentation using close-ups of body parts, mythical and mysterious settings like jungles and fairy tale lands, references to violence and hell, and the use of impossible sequences involving fast and slow motion shots.
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Analysis of emalkay
The document discusses the music video "Emalkay - Fabrication". It begins with a man walking into a building to establish the setting. Dark colors and strobe lights are used to focus on the character and elements of the narrative. The video tells a story through visuals that sync with the song lyrics. It is classified as a "non-performance piece" by Joe Gow's genres of music video since it does not contain a performance of the song but instead uses narrative. Viewer comments on YouTube have been generally positive, with some using metaphorical language to describe enjoying the video. The target audience seems to be young fans of genres like dubstep and drum and bass based on the vocabulary used and content referenced.
Album covers hip hop
The document analyzes several hip-hop album covers and music videos. It finds that they often feature the artist prominently and link back to the album cover. This helps audiences recognize the artist and suggests the album is based on them. Videos may also reference elements from the album title or lyrics to provide context about the song. Overall, R&B music tends to focus on the artist personally and draw connections between their visual content and albums.
Initial ideas
The document discusses the process of choosing a song to base a coursework project around. It begins by explaining why the group chose Maroon 5's "Misery" over other options like "Moves Like Jagger". Research was also done on the band Innerpartysystem and their song "Don't Stop". Inspiration was drawn from music videos like Panic! At The Disco's "I Write Sins Not Tragedies" in terms of costumes and symbolism. Between The Feeling and Maroon 5, they ultimately chose Maroon 5 because their album was newer. Aspects they want to recreate include the use of stop motion from "Don't Stop" and symbolism/costumes from "I Write
Final proposal
The target audience for the music video would primarily be females ages 18-24, as research shows Adele's music appeals more to females. The narrative of the music video, focusing on a relationship breakup, would also relate more to females. Most of the music video will be filmed from the female artist's perspective to allow female viewers to relate to the feelings of a relationship ending. Performance and narrative genres will be used, matching the style of Adele's "Hello" song. Transitions, camera angles, lighting, and editing effects like slow motion will be employed to set the mood and pace of the dramatic story.
Music Video Proposal
The document is a proposal for a music video for the song "Gravity" by the artist EDEN. It outlines plans to create a 3-4 minute video that stays true to EDEN's style using ideas, artists, locations and props. The video will tell the meaningful story behind the lyrics through various camera shots and lighting, featuring a male teenager lip syncing to the song. The target audience is fans of indie and pop music, and similar artists include James Bay and videos that were inspirations include "Come and Goes" by Covey and "Holocene" by Bon Iver.
Bastille digipak analysis
The album cover features the artist's name and personal symbol prominently displayed at the top, with the record label name below in smaller text. The artwork depicts a boy running away from headlights that appear to be chasing him, suggesting a theme of fleeing or being pursued. Production credits are listed at the bottom in the style of a movie or DVD cover, implying the album has a cinematic quality to its music videos.
G eazy website research
G-Eazy's website homepage utilizes a simple black and white design that reinforces his "bad boy" image. The homepage features G-Eazy's latest album prominently and provides links to his music, tour dates, merchandise store, and social media profiles. While concise, the site effectively promotes G-Eazy's brand and new content across different pages.
Common motifs in music videos
The document outlines different motifs that are commonly used in modern music videos and provides descriptions and examples of each one. Some of the key motifs discussed include body fragmentation using close-ups of body parts, mythical and mysterious settings like jungles and fairy tale lands, references to violence and hell, and the use of impossible sequences involving fast and slow motion shots.
Heaven lesson 3
The document provides instructions for homework on the artist Emeli Sande and her song "Heaven". Students are asked to:
1. Research Emeli Sande's background and her first album "Our Version of Events" as well as the song "Heaven".
2. Research the year 2011 and key events in the UK around the August 12th release date of "Heaven" to see if any events are linked to the song.
3. Answer questions about how the "Heaven" music video promotes Emeli Sande in both positive and negative lights.
Music video formal assessment feedback
This document provides feedback on a music video formal assessment. It includes the following:
- Average grades received were mostly E/D with a lowest of U/E and highest of C2.
- Annotations on specific parts of student answers including things to expand on, awkward wordings, incorrect terms, spelling errors etc.
- Explanations of concepts like denotation vs connotation and technical codes and meanings in music videos.
- Suggestions to look at screenshots and examples together to analyze techniques.
- A model paragraph using the PEA (Point, Evidence, Analysis) structure to analyze a shot in a music video.
- Tips for providing detailed and specific
The weekend
The document provides an overview of an artist's website, describing various sections including a gif from a new music video, options to watch the full video or keep up with news, a house style in white and black, pages for tours and music with options to buy songs, an automatically playing recent video with links to other videos, and a store tab leading to a page with merchandise where hovering displays details.
Proposal document blank for unit 21
The music video will tell a narrative story through outdoor activities like skiing and skydiving set to the pop song. It will use colorful props, lights, paint, and powder to depict a journey of life experiences and love. Performances and lip syncing by the filmmaker's sister will be included to make it feel more like a traditional music video rather than a documentary.
Media music research
The document discusses the origins and types of music videos. It begins by explaining that modern music videos originated as a marketing tool to promote music recordings. It then describes four common types of music videos: performance videos that film a live show; narrative videos that tell a story; symbolic videos that represent lyrics through symbolism; and "notion of looking" videos that show the audience viewing something. The document also outlines some typical codes and conventions for music videos, such as editing techniques, camerawork, and aspects of mise-en-scene like props, costumes and location.
Heaven lesson 2
The document provides instructions for a lesson asking students to analyze representations of social groups in the music video for Emeli Sande's song "Heaven". Students will be split into groups, with each group analyzing a different social representation - religion, street life, class, or ethnicity. They will consider how these groups are depicted through mise-en-scène, camerawork, editing, narrative, and themes. Each group will then create a PowerPoint presentation analyzing their assigned representation and how Emeli Sande is depicted, to present to the class. The document includes a marking scheme for evaluating students' work.
Analysis of 3 similar products to main piece ed sheeran
Ed Sheeran's music video for "The A Team" is filmed entirely in black and white, giving it a dramatic effect fitting the song's subject of a young girl's death. It uses both professional actors and brief appearances by Sheeran himself, making the video seem more realistic. Mirror shots showing the artist's inner feelings and shots of applying makeup are popular techniques that will be drawn upon for the new music video, along with scenes of everyday public life to make it feel grounded.
Assignment 5 – further research
The document discusses four music videos that the author analyzed for an assignment. It provides the name, artist, genre, type of video, purpose, and inspiration for each one. The videos discussed different types such as lyric, conceptual, narrative, and performance videos. The document also notes that the core function of a music video is to promote the artist and their song.
Example 1
This document summarizes Elliot Hogan-Keogh's presentation on the codes and conventions of music videos. It discusses several purposes and types of music videos, such as performance-based, narrative-based, and concept-based videos. It also examines how genre characteristics are demonstrated in videos, how lyrics and visuals relate, and how music and visuals synchronize. Specific examples are provided to illustrate techniques like cutting to the beat, focusing on the singer during choruses/repetition, and relating album artwork to video imagery. The document also discusses Andrew Goodwin's notions of "looking" in music videos through techniques like screens within screens and voyeuristic treatment of the female body.
Textual Analysis 02
The document provides an analysis of the music video "rock + roll" by the electronic artist Eden. Some of the key points:
- The music video tells a story-based narrative about a relationship between two lovers.
- It uses various locations and vintage-style camera shots and coloring to depict the story.
- While there are some shots of Eden, the video primarily focuses on his girlfriend to convey his feelings for her.
- Small details like Eden using a camera are used to emphasize the love and memories he has with his girlfriend.
Treatment By Becky And Sophie
This document outlines plans for a music video for the band Amorth to accompany their song "Time to Change". The video will tell the story of a famous dancer, Ellen, who gets injured and can no longer dance. It will show her returning to the studio where she was injured and starting to dance again for herself. The video will feature both performances by the band and shots illustrating Ellen's story. Details are provided about the target audience, equipment needed, scheduling, potential locations, and health and safety considerations for the production.
Proposal
Grace Arnell proposes to create a music video for the song "Hey There Delilah" by the alternative rock band The Plain White T's. The video will feature fast cuts between shots that keep time with the lyrics and beat of the song. It will show personal experiences of the artist to make the audience feel a connection. The performance will be in black and white while the narrative parts will be in color. The target audience is male alternative rock fans ages 16-25, as the band performs smaller, more expensive concerts appealing to that demographic.
Evaluation: Question 1
1. The document discusses how a media project uses conventions from Goodwin's analysis of real media products in a music video. It shows how the video incorporates relationships between lyrics and visuals, different genres, artist close-ups, voyeurism, and other conventions.
2. It also discusses how the project's digipak and advertisement follow conventions of real digipaks and ads, such as including track listings, logos, titles, and formats. The goal was to stick closely to typical media forms and conventions.
Eminem Project
Eminem was born in America in 1972 and was raised by his mother after being abandoned by his father at 18 months old. They moved frequently before settling in Detroit, Michigan. The document discusses Eminem's albums The Eminem Show (2002), Encore (2004), Recovery (2010) and provides details on some of the popular songs from each album as well as sales and chart performance. It also includes links to pictures and Wikipedia articles about Eminem and his albums.
1
1. The document discusses how a media project uses conventions from Goodwin's analysis of real media products in a music video, digipak, and advertisement. Key points covered include relationships between lyrics and visuals, genres, artist close-ups, voyeurism, and intertextuality.
2. Examples are provided from clips of the music video showing how it incorporates points from Goodwin's analysis, such as matching locations in lyrics and visuals.
3. The digipak and advertisement designs aim to match conventions of real products, including typical front/back cover information and elements featured in advertisements.
Changedthewayyoukissme 110627034945-phpapp02
The video uses 78 shots to portray Elliot's concert experience in a realistic way. It begins in black and white as Elliot washes his face before the show. As the drumbeat hits, the camera cuts to shots of Elliot singing on stage to convey the atmosphere. One point-of-view shot from someone's hand feels realistic. Medium shots show both Elliot and the engaged crowd reacting to the performance. Long shots portray Elliot and the band performing for fans. The variety of shots cut to the beat of the up-tempo song.
Conventions of CDs
The document discusses the typical elements found on an album cover, using Selena Gomez's album cover as an example. It explains that the artist's name is usually the largest text and appears prominently at the front to identify the artist. The main image takes up the whole front cover and aims to represent the music's style. The album name is also on the front in smaller text. Key information like the barcode, song list, record label, and copyright details are typically on the back cover.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through flashbacks showing their relationship. It will appeal to both male and female audiences aged 16-25 and feature black and white filming to convey sadness. Inspiration will be drawn from other music videos using flashbacks and narrative storytelling. The video will be filmed using a Canon DSLR camera and edited with slow motion effects to match the song's melody.
Heaven lesson 1
The document provides background information on Emeli Sande's song "Heaven" and its music video. It discusses the themes of guilt and regret in the lyrics and Sande's intention to portray trying to be good. The music video was filmed in London and features scenes of Sande singing as well as shots of a cathedral and the Virgin Mary to represent religious themes prominent in the song.
Synergy
The document analyzes similarities between album covers and music videos for several artists. It finds common visual themes like clothing, backgrounds, color schemes, and imagery that link the album art to the corresponding music video. For example, Mystery Jets uses a similar old-timey filter in both the album cover and music video. Labrinth also features the artist against a foggy blue background and use of bright lights in both formats.
Analysis of Nero-Guilt
This document provides an analysis of the music video for the song "Guilt" by Nero. It summarizes the narrative of the music video, which depicts a stripper attempting to seduce businessmen at a strip club. Key moments in the video visually relate to the song's lyrics. The video uses special effects during the dancer's "special show." It complies with Joe Gow's genre of the "special effects extravaganza." The video has been intentionally portrayed as explicit to shock viewers and encourage sharing online.
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Heaven lesson 3
The document provides instructions for homework on the artist Emeli Sande and her song "Heaven". Students are asked to:
1. Research Emeli Sande's background and her first album "Our Version of Events" as well as the song "Heaven".
2. Research the year 2011 and key events in the UK around the August 12th release date of "Heaven" to see if any events are linked to the song.
3. Answer questions about how the "Heaven" music video promotes Emeli Sande in both positive and negative lights.
Music video formal assessment feedback
This document provides feedback on a music video formal assessment. It includes the following:
- Average grades received were mostly E/D with a lowest of U/E and highest of C2.
- Annotations on specific parts of student answers including things to expand on, awkward wordings, incorrect terms, spelling errors etc.
- Explanations of concepts like denotation vs connotation and technical codes and meanings in music videos.
- Suggestions to look at screenshots and examples together to analyze techniques.
- A model paragraph using the PEA (Point, Evidence, Analysis) structure to analyze a shot in a music video.
- Tips for providing detailed and specific
The weekend
The document provides an overview of an artist's website, describing various sections including a gif from a new music video, options to watch the full video or keep up with news, a house style in white and black, pages for tours and music with options to buy songs, an automatically playing recent video with links to other videos, and a store tab leading to a page with merchandise where hovering displays details.
Proposal document blank for unit 21
The music video will tell a narrative story through outdoor activities like skiing and skydiving set to the pop song. It will use colorful props, lights, paint, and powder to depict a journey of life experiences and love. Performances and lip syncing by the filmmaker's sister will be included to make it feel more like a traditional music video rather than a documentary.
Media music research
The document discusses the origins and types of music videos. It begins by explaining that modern music videos originated as a marketing tool to promote music recordings. It then describes four common types of music videos: performance videos that film a live show; narrative videos that tell a story; symbolic videos that represent lyrics through symbolism; and "notion of looking" videos that show the audience viewing something. The document also outlines some typical codes and conventions for music videos, such as editing techniques, camerawork, and aspects of mise-en-scene like props, costumes and location.
Heaven lesson 2
The document provides instructions for a lesson asking students to analyze representations of social groups in the music video for Emeli Sande's song "Heaven". Students will be split into groups, with each group analyzing a different social representation - religion, street life, class, or ethnicity. They will consider how these groups are depicted through mise-en-scène, camerawork, editing, narrative, and themes. Each group will then create a PowerPoint presentation analyzing their assigned representation and how Emeli Sande is depicted, to present to the class. The document includes a marking scheme for evaluating students' work.
Analysis of 3 similar products to main piece ed sheeran
Ed Sheeran's music video for "The A Team" is filmed entirely in black and white, giving it a dramatic effect fitting the song's subject of a young girl's death. It uses both professional actors and brief appearances by Sheeran himself, making the video seem more realistic. Mirror shots showing the artist's inner feelings and shots of applying makeup are popular techniques that will be drawn upon for the new music video, along with scenes of everyday public life to make it feel grounded.
Assignment 5 – further research
The document discusses four music videos that the author analyzed for an assignment. It provides the name, artist, genre, type of video, purpose, and inspiration for each one. The videos discussed different types such as lyric, conceptual, narrative, and performance videos. The document also notes that the core function of a music video is to promote the artist and their song.
Example 1
This document summarizes Elliot Hogan-Keogh's presentation on the codes and conventions of music videos. It discusses several purposes and types of music videos, such as performance-based, narrative-based, and concept-based videos. It also examines how genre characteristics are demonstrated in videos, how lyrics and visuals relate, and how music and visuals synchronize. Specific examples are provided to illustrate techniques like cutting to the beat, focusing on the singer during choruses/repetition, and relating album artwork to video imagery. The document also discusses Andrew Goodwin's notions of "looking" in music videos through techniques like screens within screens and voyeuristic treatment of the female body.
Textual Analysis 02
The document provides an analysis of the music video "rock + roll" by the electronic artist Eden. Some of the key points:
- The music video tells a story-based narrative about a relationship between two lovers.
- It uses various locations and vintage-style camera shots and coloring to depict the story.
- While there are some shots of Eden, the video primarily focuses on his girlfriend to convey his feelings for her.
- Small details like Eden using a camera are used to emphasize the love and memories he has with his girlfriend.
Treatment By Becky And Sophie
This document outlines plans for a music video for the band Amorth to accompany their song "Time to Change". The video will tell the story of a famous dancer, Ellen, who gets injured and can no longer dance. It will show her returning to the studio where she was injured and starting to dance again for herself. The video will feature both performances by the band and shots illustrating Ellen's story. Details are provided about the target audience, equipment needed, scheduling, potential locations, and health and safety considerations for the production.
Proposal
Grace Arnell proposes to create a music video for the song "Hey There Delilah" by the alternative rock band The Plain White T's. The video will feature fast cuts between shots that keep time with the lyrics and beat of the song. It will show personal experiences of the artist to make the audience feel a connection. The performance will be in black and white while the narrative parts will be in color. The target audience is male alternative rock fans ages 16-25, as the band performs smaller, more expensive concerts appealing to that demographic.
Evaluation: Question 1
1. The document discusses how a media project uses conventions from Goodwin's analysis of real media products in a music video. It shows how the video incorporates relationships between lyrics and visuals, different genres, artist close-ups, voyeurism, and other conventions.
2. It also discusses how the project's digipak and advertisement follow conventions of real digipaks and ads, such as including track listings, logos, titles, and formats. The goal was to stick closely to typical media forms and conventions.
Eminem Project
Eminem was born in America in 1972 and was raised by his mother after being abandoned by his father at 18 months old. They moved frequently before settling in Detroit, Michigan. The document discusses Eminem's albums The Eminem Show (2002), Encore (2004), Recovery (2010) and provides details on some of the popular songs from each album as well as sales and chart performance. It also includes links to pictures and Wikipedia articles about Eminem and his albums.
1
1. The document discusses how a media project uses conventions from Goodwin's analysis of real media products in a music video, digipak, and advertisement. Key points covered include relationships between lyrics and visuals, genres, artist close-ups, voyeurism, and intertextuality.
2. Examples are provided from clips of the music video showing how it incorporates points from Goodwin's analysis, such as matching locations in lyrics and visuals.
3. The digipak and advertisement designs aim to match conventions of real products, including typical front/back cover information and elements featured in advertisements.
Changedthewayyoukissme 110627034945-phpapp02
The video uses 78 shots to portray Elliot's concert experience in a realistic way. It begins in black and white as Elliot washes his face before the show. As the drumbeat hits, the camera cuts to shots of Elliot singing on stage to convey the atmosphere. One point-of-view shot from someone's hand feels realistic. Medium shots show both Elliot and the engaged crowd reacting to the performance. Long shots portray Elliot and the band performing for fans. The variety of shots cut to the beat of the up-tempo song.
Conventions of CDs
The document discusses the typical elements found on an album cover, using Selena Gomez's album cover as an example. It explains that the artist's name is usually the largest text and appears prominently at the front to identify the artist. The main image takes up the whole front cover and aims to represent the music's style. The album name is also on the front in smaller text. Key information like the barcode, song list, record label, and copyright details are typically on the back cover.
Proposal
The proposal is for a music video for Ed Sheeran's song "Afire Love" created by Megan Sellar. The video will tell the story of a man losing his grandfather to Alzheimer's through flashbacks showing their relationship. It will appeal to both male and female audiences aged 16-25 and feature black and white filming to convey sadness. Inspiration will be drawn from other music videos using flashbacks and narrative storytelling. The video will be filmed using a Canon DSLR camera and edited with slow motion effects to match the song's melody.
Heaven lesson 1
The document provides background information on Emeli Sande's song "Heaven" and its music video. It discusses the themes of guilt and regret in the lyrics and Sande's intention to portray trying to be good. The music video was filmed in London and features scenes of Sande singing as well as shots of a cathedral and the Virgin Mary to represent religious themes prominent in the song.
Synergy
The document analyzes similarities between album covers and music videos for several artists. It finds common visual themes like clothing, backgrounds, color schemes, and imagery that link the album art to the corresponding music video. For example, Mystery Jets uses a similar old-timey filter in both the album cover and music video. Labrinth also features the artist against a foggy blue background and use of bright lights in both formats.
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Analysis of 3 similar products to main piece ed sheeran
Analysis of 3 similar products to main piece ed sheeran
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Analysis of Nero-Guilt
This document provides an analysis of the music video for the song "Guilt" by Nero. It summarizes the narrative of the music video, which depicts a stripper attempting to seduce businessmen at a strip club. Key moments in the video visually relate to the song's lyrics. The video uses special effects during the dancer's "special show." It complies with Joe Gow's genre of the "special effects extravaganza." The video has been intentionally portrayed as explicit to shock viewers and encourage sharing online.
Music magazine evaluation
The document is a student's evaluation of their music magazine called 'Noir'. It discusses how the magazine challenges conventions by combining music, film, and art. Photos and writing are used to represent the featured artist, Jack Potkins, as creative and influential. Audience feedback was positive about the clear house style and representation of the target audience.
Music magazine evaluation
The document is an evaluation of a music magazine called "Noir" created by the author. It discusses how the magazine uses, develops, and challenges conventions of real music magazines. It includes typical magazine features like reviews, interviews, and photos within the limited scope of the project. The target audience is described as those interested in music, film, and art. Photos of the band member Jack are used to represent his personality and appeal to readers. The magazine would likely be distributed by a publisher targeting both male and female readers with diverse interests, such as Bauer Media or by publishing it online through websites like Issuu.
OESO Mission to Amsterdam beautiful visuals by Eva Hilhorst
The Organisation for Economic Cooperation and Development (OECD) is a unique forum where the
governments of 34 democracies with market economies work with each other, as well as with more than 70 nonmember
economies to promote economic growth, prosperity, and sustainable development. The Organisation
provides a setting where governments can compare policy experiences, seek answers to common problems, identify
good practices and coordinate domestic and international policies. France is a founding country of the organisation,
having joined in 1961.
For more than 50 years, the OECD has been a valuable source of policy analysis and internationally comparable
statistical, economic and social data. Over the past decade, the OECD has further deepened its engagement with
business, trade unions and other representatives of civil society. The organisation provides a forum in which
governments can work together to share experiences and seek solutions to common problems. It works with
governments to understand what drives economic, social and environmental change.
Evaluation of audience research and questionnaires
The document discusses research conducted through surveys to inform the planning of a new music magazine. The surveys found that the target audience is 16-22 year olds, especially females, and they prefer genres like R&B and indie. Respondents said the most appealing features would be interviews, photos, and a cover mount. They also preferred image-led designs and indicated a willingness to pay £1.50-£2.50.
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OESO Mission to Amsterdam beautiful visuals by Eva Hilhorst
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Evaluation of audience research and questionnaires
Evaluation of audience research and questionnaires
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A2 Music Video Analysis
The document discusses various techniques used in music videos that were researched and incorporated into the student's own music video project. These include linking the visuals to lyrics, syncing shots with the music, using conventions of the pop genre like effects and gazes, and challenging some conventions by using simpler clothing styles. The student aimed to tell a narrative story through their video and received feedback that their use of music-to-video synchronization was successful at engaging the audience.
Question 1
The document discusses various theories related to music videos and how they apply to the student's music video "Miss You So". It examines Goodwin's theory of key features of music videos including beat, artist shots, relationship between visuals and lyrics, narrative, and technical aspects. It also discusses Barthes' codes, Levi-Strauss' binary oppositions, Todorov's narrative structure, postmodern elements, mise-en-scene considerations like costumes and location, editing techniques, and sound and packaging design. The student aims to both challenge and reinforce conventions through experimental elements like flashbacks and rewinding while maintaining conventional close-ups, transitions, and emphasis on the artist.
Music video research
The document summarizes conventions used in Avenged Sevenfold music videos. It discusses how the band consistently shows their logo at the beginning or end to build their brand. They often include religious symbols and live performances to advertise themselves. Videos commonly feature scary animals and elements to fit their dark genre. The document analyzes specific videos for Nightmare, Almost Easy, and Afterlife to show how they employ these standard conventions through imagery, locations, and shots that relate to the songs' meanings.
Music video analysis
The "Seen it all" music video by Jake Bugg follows a narrative that carefully represents the lyrics through images. There is a clear relationship between the lyrics and visuals, with scenes depicting lines like "On Friday night, I took a pill or maybe two" and "Then a friend took me aside said everyone here has a knife". Close-ups are sparingly used on the main actor's face to show his changing facial expressions and confusion over the events. While there is no direct eye contact with the camera, the actor looks in its direction to draw attention to his reactions. This original narrative-focused video diverges from conventions of close-ups and eye contact normally seen in other genres.
Textual Analysis
The document discusses the aims and objectives of music videos and album covers. For music videos, it aims to promote the artist's song/album, allow people to gain recognition of the artist, and represent the target audience. Music videos also aim to include product placement and convey political or social messages. Effective music videos include a storyline, shots of the band performing, and casting that appeals to the target audience. For album covers, they are significant in giving the artist a unique image and making their music recognizable. Album covers aim to reflect the genre of music and draw in a specific audience. Advertisements help promote newly released albums and influence where people purchase them.
Music video questionnaire results analysis
- The questionnaire results showed that the target audience for the music video was 16-25 year olds.
- The most popular music genres were dance and indie, but the video will be made in the indie style.
- Most people watch music videos on YouTube and prefer videos that are between 2-3 minutes long.
- The preferred music video styles were abstract, with some narrative and performance elements.
Goodwin common occurences
The document discusses Goodwin's theory of common occurrences in music videos and analyzes how two music videos conform to the theory. It examines six common occurrences: 1) demonstrating genre characteristics 2) relationship between lyrics and visuals 3) relationship between music and visuals 4) role of the artist 5) intertextual references 6) voyeuristic treatment of female bodies. It finds that "When You Love Someone" conforms to most principles while "The A-Team" conforms to some but not others due to its low budget. Relating lyrics to visuals is identified as an important principle for an effective music video.
A2 the evaluation
This is my evaluation so far as it only contains the music video theory comparing and constrating my music video to the theory.
Music vid categories
There are three main categories of music videos: performance-based, narrative-based, and concept-based. Performance-based videos simply show the artist performing the song, narrative-based videos tell a story related to the song's lyrics, and concept-based videos are based on a single random idea rather than the song itself. The document provides examples like "American Idiot" by Green Day for performance, "Take On Me" by a-ha for narrative, and "Here It Goes Again" by OK Go for concept-based. It analyzes some of these in more depth to illustrate the different categories.
Summer assignment2
The document provides an analysis of the music video for "Lean On" by Major Lazer. It finds some relationships between the lyrics and visuals but also instances where they do not match. It notes that the video cuts to the beat of the music. The artist is portrayed sexually to appeal to younger audiences, and girls in the video are dressed provocatively and dance in a sexualized manner. While there are no references to other works, the video is similar to Major Lazer's other videos in its focus on dance and use of girls. The video is deemed more conceptual than narrative-based due to its random dancing without a story.
Evaluation 1 improved
The document discusses how the media producer's music video, digipak, and magazine ad use, develop, or challenge conventions of real media products.
The music video was influenced by "A Team" by Ed Sheeran and "Flashing Lights" by Chase&Status. It tells a narrative story of a girl's drug and alcohol addiction, using conventions like low-key lighting and close-ups. However, it challenges conventions by having a more upbeat music tone than the darker visuals.
The digipak links to the music video by using the same prop of an injected doll. However, it challenges conventions by not featuring the band on the cover.
The magazine ad follows conventions by
Andrew Goodwin’s theory
Andrew Goodwin's Theory, followed by an analysis of Performance, Narrative and Concept-Based Music Video's
Music Video Evaluation
The music video matches the conventions of the alternative rock genre through its lyrical references, slow pacing, and desaturated color scheme. Audience feedback found that most understood the theme of forbidden love and matched the video to the song. Suggested improvements included improving the lead singer's miming and stabilizing camera shots. New media technologies used included YouTube for research, Adobe software for editing and design, and online surveys for evaluation.
Music Video Evaluation (Demanding Eyes- Lips Like Braille)
The student created a music video for the song "Demanding Eyes - Lips Like Braille" and several ancillary texts to accompany it. The music video follows conventions for successful music videos outlined by Andrew Goodwin, such as focusing on close-ups of the artist, linking the visuals to the lyrics, and maintaining a style fitting for the alternative rock genre. Feedback was collected through an online survey and focus group, finding that the blindfold motif was impactful but the narrative could be clearer. Viewers responded positively to the intertextual references and cohesive design across the music video and ancillary texts.
'Annie' Music video analysis
The music video for Neon Indian's song "Annie" is set in the 1980s and uses various filmmaking techniques to immerse the viewer in that era. It features subtitles that match the lyrics, fast-paced camera shots of outdated technology, and split screens showing multiple characters. The narrative portrays the male singer searching vulnerably for the mysterious Annie, challenging gender norms by showing her wield power over him. Analysts have discussed how it references other works through intertextuality and nostalgically represents the genres of synth-pop and electronic music through its style.
Conventions of a music video
The document discusses conventions used in music videos. It explains that camera shots like long shots, close-ups, and mid shots are used to focus on artists and establish the mood. Mise-en-scene, or the visual elements of a video, reflect the song's emotions and message through settings and costumes. Genres also influence conventions - love videos depict relationships through bright colors and fashion, while indie videos emphasize authenticity with live performances. Edits switch between locations, artists, and scenes to tell the story and match the music. Lighting and sound also reflect the genre through bright versus dark tones and fast versus slow pacing.
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Music Video Evaluation (Demanding Eyes- Lips Like Braille)
Music Video Evaluation (Demanding Eyes- Lips Like Braille)
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Kodak
Kodak is exploring entering the Android device market to capitalize on technology and consumer trends. It will leverage its reputation for quality and innovation from inventing the digital camera. Kodak's proposition will be "The Life Enhancer" - devices that improve life through technology. Its objectives are to increase the brand value by focusing on how technology can benefit users, and expand into the digital market. Competitors like Canon and Fujifilm are adapting to trends like higher-end cameras and mirrorless options.
Swot analysis
Kodak faces weaknesses such as a small market share and poor strategic decisions in the past to resist digital change. However, it also has strengths such as a history of innovation and brand recognition. The document identifies opportunities for Kodak to leverage its brand through new technologies, products, and adapting to consumer needs, as well as threats from high-competition and declining parts of the printing industry.
Evaluation of music video comments
Audience feedback from surveys and social media was very beneficial for improving the music video production. The filmmaker conducted a survey that showed the target audience responded positively to the video. Feedback from the artist also confirmed the video successfully captured his personality and promoted his work. To increase awareness, the filmmaker posted the survey link and video on Facebook, which the artist also shared. This social sharing helped spread the video and gain recognition.
Analysis of modestep sunlight
The document discusses and analyzes the music video for the song "Sunlight" by the band Modestep. It notes that the video contradicts expectations by depicting stereotypical youth activities being performed by elderly people instead. It also discusses how the video establishes relationships between the narrative and lyrics as well as the audience through the use of shots that create voyeurism. The video represents the band's humor and image while contradicting expectations of what youth typically do.
Analysis of nero guilt
This document discusses and analyzes the music video for the song "Guilt" by Nero. It notes that the video tells a narrative that complements the song's title and lyrics, depicting a stripper attempting to seduce businessmen. Special effects are used towards the end to depict "the special show." The video aims to shock viewers in order to attract more views and shares on social media. It complies with Joe Gow's genre of "special effects extravaganza" and uses aspects of narrative and voyeurism discussed by other scholars.
Analysis of survey results
The survey results showed that the majority of respondents were male aged 18-19, matching the target demographic. Most classified the music genre as hip hop. Over 80% felt the video clearly represented the artist and had appropriate editing, camera work, and clothing. While some settings were unclear, most agreed it linked to the artist. Overall the responses were positive, though slightly more 'average' than 'good' ratings were given, suggesting room for improvement in planning and following plans more closely.
Youth subcultures
This document discusses youth subcultures and provides examples such as punks, chavs, emos, ravers, and goths. It explains that youth subcultures offer members an identity outside of social institutions and may show hostility towards dominant culture. The study of subcultures includes symbols in clothing, music, and their interpretations. Socioeconomic class, gender, and other factors can also be important in relation to youth subcultures. The document then provides details about the music artist Victor Karani and how he fits into the hip-hop youth subculture through his style, background, and music focusing on conscious rap.
Music director research
Joseph Kahn is an American music video and film director known for winning multiple MTV Video Music Awards. He started his own production company called Supermega in 1999. Despite successful careers in film and music videos, Kahn has also found success directing commercials for major brands. After researching Kahn, the author was impressed by his many achievements and commitment to music and film. Kahn has directed videos for many top artists spanning different eras, showing his ability to promote both the artists and himself. His video for Lady Gaga's "Love Game" exemplifies his creative style in matching an artist's persona. The author's favorite video directed by Kahn is "Gravel Pit" by Wu-Tang Clan for its unique narrative and representation of the
Analysis of modestep sunlight
The music video for Modestep's "Sunlight" features both a studio performance and narrative sections that contradict stereotypes about the daily activities of elderly people, such as drinking and taking drugs. Not all of Modestep's music videos include full narratives, only their highest-rated tracks that are predicted to get enough views and sales to justify the budget. The video contradicts what audiences might expect based on the lyrics alone by depicting elderly people engaging in stereotypically youthful activities, representing the band's identity in a humorous way.
Examples of photoshop work 2
The document discusses the author's experiments using Photoshop to modify photographs of their friend Jack. They have focused on adjusting curves to modify saturation and color, and have found a distortion effect they want to try. The author intends to continue experimenting with different Photoshop effects like black and white styling to find the most suitable design for a magazine cover image.
Early name ideas
The document discusses early ideas for naming a music magazine. It considers titles like "goodlife" and "noir" to match the non-mainstream genre. Research on existing music magazine titles shows they often consist of a single word like "Q" or "NME". The proposed title of "noir" relates to both music and the magazine's style through concepts of feelings, emotion, and image. Pre-production ideas led the author to decide "noir" would be a suitable title as it meets requirements and complements the handwritten font and house style of the magazine.
Jpeg jack
The document discusses the author's experiments using Adobe Photoshop CS3 to edit photographs of their friend Jack, who will serve as a model for their music magazine. The author tried unusual editing styles programmed in Photoshop, such as applying black and white effects with color tints, to appeal to their target audience and the magazine's non-mainstream style. These Photoshop experiments provided experience that will help with editing photos for their coursework project.
Mixmag double page spread analysis, pages 1 and 2
The double-page spread features an image of Annie Mac and promotes her music. The text uses descriptive language appealing to the target audience of young music fans. It provides an overview of Mac's career touring the UK and supporting new dance acts. The layout includes typical magazine elements like columns, a drop cap, and a two-column text layout. The bold colorful fonts and design draw in readers interested in Mac and the music scene.
Photography which has inspired me
The document discusses creating a collage of influential images for the front cover of a music magazine. It mentions a preference for black and white Polaroid photos and editing photos by adjusting saturation and color contrast. The goal is for the images to express the personality of models to readers, which will guide photographing for the magazine.
Mixmag contents page 2 analysis
The document summarizes and analyzes the contents page of the music magazine Mixmag. It describes the main image used and how it relates to a theme of youth culture. It then discusses various design elements of the contents page like the skyline displaying the magazine name and date, a single column layout, and subheadings categorizing articles. Finally, it notes other features such as a small front cover image and advertisements used to attract readers.
Mixmag contents page1 analysis
The contents page of Mixmag magazine uses a combination of images and text laid out with a white-on-black design. The main image is of Lady Gaga, and all images featured are of female artists only. Included as a free gift is a Duck Sauce CD containing 15 tracks to encourage readers to purchase the magazine. Brief descriptions of features like artist interviews and event reviews aim to preview the magazine's content and appeal to the target youth audience interested in music culture.
Mixmag front cover analysis
The document summarizes key design elements of the magazine "Mixmag" including its masthead, lead article, cover price, main image, skyline, left third, and cover lines. The masthead uses an informal style to appeal to a teenage audience. The lead article uses a rhetorical question to engage readers. The main image features DJ Annie Mac making eye contact with readers to link to the lead article and her career. Bright colors and informal language are used throughout to target a young audience interested in dance music.
ATM double-page spread analysis, page 4.
The double-page spread features two mid-shot images of artist Dizzee Rascal from a music magazine, showing his serious attitude. The style of the magazine relates to Dizzee Rascal's personality and focuses on hip-hop music. The images were edited to emphasize bright colors like his green shirt. Dizzee Rascal is positioned next to the word "truman" to influence perceptions of his characteristics. The spread mainly uses images over text to appeal to the magazine's younger audience.
Dizzee rascal ATM double page spread analysis
The main image on the double-page spread is of artist Dizzee Rascal, who is featured in the magazine. This image was edited with Photoshop to highlight his features and portray his confident, up-to-date persona. The art editor chose this image as it is most appropriate and appealing for the target audience. While some pages rely more on images, this page is text-led, featuring an interview with Dizzee Rascal through direct quotes and descriptions of his personality and views on the music industry. The journalist uses descriptive language and references to appeal to readers and connect them to the artist.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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原版纸张【微信：741003700 】【(osu毕业证书)美国俄勒冈州立大学毕业证，双学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The way we consume television has evolved dramatically over the past decade. Internet Protocol Television (IPTV) has emerged as a popular alternative to traditional cable and satellite TV, offering a wide range of channels and on-demand content via the internet. In Ireland, IPTV is rapidly gaining traction, with Xtreame HDTV being one of the prominent providers in the market. This comprehensive guide will delve into everything you need to know about IPTV Ireland, focusing on Xtreame HDTV, its features, benefits, and how it is revolutionizing TV viewing for Irish audiences.
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
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如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
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◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Analysis of emalkay
- 2. Emalkay ‘Fabrication’ is a narrative music video, it tells a story through visual narration. The lyrics are in sync with the images and illustrations played throughout the music video, it begins with a man walking into a building, presumingly his house, with the use of a long shot to establish the setting of the video. Dark colours are heavily used to ensure focus on the character, also strobe lights highlight the features within the video which contribute to the narrative. Joe Gow identified six central genres of music video all of which are defined in terms of their relationship to the display of the performance. He quotes ‘the anti-performance piece-videos which do not contain performance of the song’, this applies to ‘Emalkay-fabrication’ due to its narrative.
- 3. Youtube provides video responses which enables viewers to have their own say on every music video. Anyone can comment on the video, however some comments are not objective ; some are subjective due to the lack of reference to the music artist or track. Video responses can be seen as a positive and negative feature of youtube; it is an open forum to personal feelings about the video, however viewers can criticise the music video as much as they want. The comments made about the video create a negative first impression for a viewer, comments such as ‘jesus on marijuana’ suggest that the type of people who listen to Emalkay are of a youth generation and enjoy referencing his videos to drugs. This may devalue the morals of Emalkay, therefore creating the impression that the artist produces music mainly for drug-users to enjoy. However, a positive reason in regard to the video responses of Emalkay ‘Fabrication’ promote his music, ‘if I had to listen to 1 song for the rest of my life it would be a tie between this’. This shows that comments made about the music video range from both extremes. I strongly agree with the idea of a comment box promoting Emalkay’s iconography and the music itself.
- 4. This sidebar of each music video uploaded to youtube navigates viewers to other music videos of the same artist of similar genre. All of these music videos are of the same artist ‘Emalkay’ or similar music artists which viewers of youtube have chosen to view next. Each preview of music videos on the sidebar show who the video has been uploaded by and how many viewers have viewed the video. ‘Modestep’ is seen to be of a similar artist to ‘Emalkay’ within the dubstep genre of music.
Editor's Notes
- Include screen shots of the comments below the music video and related videos on the right hand side