Music director research
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Jazz Joseph Kahn is an American music video and film director known for winning multiple MTV Video Music Awards. He started his own production company called Supermega in 1999. Despite successful careers in film and music videos, Kahn has also found success directing commercials for major brands. After researching Kahn, the author was impressed by his many achievements and commitment to music and film. Kahn has directed videos for many top artists spanning different eras, showing his ability to promote both the artists and himself. His video for Lady Gaga's "Love Game" exemplifies his creative style in matching an artist's persona. The author's favorite video directed by Kahn is "Gravel Pit" by Wu-Tang Clan for its unique narrative and representation of the
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Research into the Music Video industry
The document discusses research into the music video industry. It provides information on the purposes of music videos, which include promotion and marketing. Famous music video directors like Spike Jonze, Michael Gondry, and Mark Romanek are profiled for their unique styles. The average music video costs between $200,000-$500,000 to produce. Examples of large and small budget music videos are given. Finally, the document discusses how audiences most commonly access music videos through websites like YouTube, Vevo, and Vimeo.
Purpose and director case study1
The purpose of music videos is to promote artists and songs in several ways:
1) They are advertisements that illustrate and draw attention to songs while expressing emotions and stories to appeal to visual audiences.
2) Videos help create and market artist brands to inspire audiences to identify with and purchase those brands.
3) They allow artists to promote songs when unavailable via live performances by providing content to music channels and programs.
4) Videos extend artists' incomes and outlets through increased music, DVD, and merchandise sales, as well as synergistic opportunities like film placements.
Major record labels, independent labels, and self-produced artists all utilize different video production strategies to promote songs and artists. Case studies of
Music video - the purpose of music videos
This document provides an overview of a music video production unit. It will teach students about the purposes of music videos, the planning and production process, and have them create a music video for a local band. By the end of the unit, students will produce a written report on music video styles and a planned, filmed, and edited music video. Music video production is discussed as a way for aspiring filmmakers to gain skills and as a creative medium. Students will analyze example music videos to evaluate their purposes and promotion of albums, singles, and artists' brands. The document also explores how artists can make money from publishing videos online through platforms like YouTube.
Music videos
The document discusses the history and types of music videos. It notes that the first music video was created in the 1920s using a gramophone, but they became more prominent in the 1980s when MTV's format focused on them. There are different types of music video genres, including homage videos that pay tribute to past works, animation videos that use drawings to illustrate lyrics, and narrative videos that tell a story. The document also provides examples for each genre and discusses techniques used in music video production.
The purpose of a music video finished
This document discusses the key elements involved in creating a music video. It explains that music videos originally served as a promotional tool when artists were unavailable for in-person appearances. It became regular practice for record companies to produce music videos to promote singles and air them on TV shows. The document outlines different strategies for major labels, independent labels, and self-produced artists. Major labels use large platforms like VEVO to promote videos online while independents use videos to help directors' careers. Self-produced artists rely heavily on videos to promote their early careers.
Presentation on music video's and their importance
The document discusses the importance of music videos for artists and the music industry. It explains that music videos help artists promote themselves through their visual image and talents beyond just their vocals. The document also discusses how music videos help fans connect with songs and how early pioneers like MTV helped establish music videos as an important promotional tool that could drive sales and popularity.
The purpose of music videos
The document discusses the purpose and importance of music videos for artists' careers. It provides examples of how music videos can help with artists' availability, promotion, creating a brand image, and extending their income. Music videos allow artists to reach audiences through various outlets and platforms. Major record labels and independent labels have different strategies for using music videos, such as partnering with platforms like YouTube and VEVO to gain profits from advertising. Self-produced artists may use YouTube to help launch their careers if a video goes viral.
The purpose of a music video
The main purposes of music videos are to promote the artist's song and increase sales of their music and CDs. Music videos help explain the artist's lyrics and get viewers to remember the song. They enhance the artist's public profile and increase streams and views of their music online. Major record labels use a variety of strategies like TV appearances, product placements, social media, and airplay on radio and MTV to promote their artists. Independent artists rely more on increasing interest in their music through low-budget music videos and social media buzz.
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Research into the Music Video industry
The document discusses research into the music video industry. It provides information on the purposes of music videos, which include promotion and marketing. Famous music video directors like Spike Jonze, Michael Gondry, and Mark Romanek are profiled for their unique styles. The average music video costs between $200,000-$500,000 to produce. Examples of large and small budget music videos are given. Finally, the document discusses how audiences most commonly access music videos through websites like YouTube, Vevo, and Vimeo.
Purpose and director case study1
The purpose of music videos is to promote artists and songs in several ways:
1) They are advertisements that illustrate and draw attention to songs while expressing emotions and stories to appeal to visual audiences.
2) Videos help create and market artist brands to inspire audiences to identify with and purchase those brands.
3) They allow artists to promote songs when unavailable via live performances by providing content to music channels and programs.
4) Videos extend artists' incomes and outlets through increased music, DVD, and merchandise sales, as well as synergistic opportunities like film placements.
Major record labels, independent labels, and self-produced artists all utilize different video production strategies to promote songs and artists. Case studies of
Music video - the purpose of music videos
This document provides an overview of a music video production unit. It will teach students about the purposes of music videos, the planning and production process, and have them create a music video for a local band. By the end of the unit, students will produce a written report on music video styles and a planned, filmed, and edited music video. Music video production is discussed as a way for aspiring filmmakers to gain skills and as a creative medium. Students will analyze example music videos to evaluate their purposes and promotion of albums, singles, and artists' brands. The document also explores how artists can make money from publishing videos online through platforms like YouTube.
Music videos
The document discusses the history and types of music videos. It notes that the first music video was created in the 1920s using a gramophone, but they became more prominent in the 1980s when MTV's format focused on them. There are different types of music video genres, including homage videos that pay tribute to past works, animation videos that use drawings to illustrate lyrics, and narrative videos that tell a story. The document also provides examples for each genre and discusses techniques used in music video production.
The purpose of a music video finished
This document discusses the key elements involved in creating a music video. It explains that music videos originally served as a promotional tool when artists were unavailable for in-person appearances. It became regular practice for record companies to produce music videos to promote singles and air them on TV shows. The document outlines different strategies for major labels, independent labels, and self-produced artists. Major labels use large platforms like VEVO to promote videos online while independents use videos to help directors' careers. Self-produced artists rely heavily on videos to promote their early careers.
Presentation on music video's and their importance
The document discusses the importance of music videos for artists and the music industry. It explains that music videos help artists promote themselves through their visual image and talents beyond just their vocals. The document also discusses how music videos help fans connect with songs and how early pioneers like MTV helped establish music videos as an important promotional tool that could drive sales and popularity.
The purpose of music videos
The document discusses the purpose and importance of music videos for artists' careers. It provides examples of how music videos can help with artists' availability, promotion, creating a brand image, and extending their income. Music videos allow artists to reach audiences through various outlets and platforms. Major record labels and independent labels have different strategies for using music videos, such as partnering with platforms like YouTube and VEVO to gain profits from advertising. Self-produced artists may use YouTube to help launch their careers if a video goes viral.
The purpose of a music video
The main purposes of music videos are to promote the artist's song and increase sales of their music and CDs. Music videos help explain the artist's lyrics and get viewers to remember the song. They enhance the artist's public profile and increase streams and views of their music online. Major record labels use a variety of strategies like TV appearances, product placements, social media, and airplay on radio and MTV to promote their artists. Independent artists rely more on increasing interest in their music through low-budget music videos and social media buzz.
Chase and status music video synergy
This document discusses the purposes and benefits of music videos for artists and their target audiences. Music videos promote the artist's new album and upcoming tours on their website and social media. Performing at festivals and on the radio also promotes the artist. Artists generate additional income through merchandise sold online and in stores. Producers help with album art and advertisements to promote ticket and merchandise sales that benefit both the artist and record label.
Unit 29: Purpose of music videos LO1
This document provides guidance and tasks for students to learn about the purposes of music videos. It includes links to example music videos and student blogs. Students are asked to work in groups to create a mind map of music video purposes and post it to their blogs. The document outlines four learning objectives covering the purposes, styles/techniques, planning and production of music videos. Students are provided context as assistant producers needing to explain music video purposes to a record company. Suggested purposes include promotion, creating synergies between song and video, extending income sources and maintaining artist visibility. Groups are assigned hypothetical record label briefs to develop marketing strategies for different artists.
Purpose of Music Videos
The document discusses the various purposes of music videos, including promotion, image, reinvention of artists, and generating income. It provides examples of how music videos can promote artists through increased awareness, understanding of songs, and memorable content. Music videos also allow artists to change their image to influence success. Producers may encourage certain styles to appeal to fans and sell singles. The document also examines how music videos can be used by major labels, independent labels, and self-produced artists to different ends based on budgets and goals. Production techniques, controversy, remaking videos, and the role of platforms like YouTube are additionally covered.
Producers strategies
Producers strategies aim to encourage sales of singles, albums, tours, and merchandise. Music videos are constructed not just as a representation of the song but to further business goals. There are three types of producers: major labels with large budgets, independent labels with smaller budgets, and artists producing themselves due to budget limitations. Producers use various strategies like manipulating image, using provocative narratives, innovative production techniques, and courting controversy to generate discussion and promote the artist/song.
A2 Media- Music Video Director Study
Dave Meyers is a renowned music video director who began his career working for film studios before directing over 200 music videos in a few years, winning numerous MTV Video Music Awards. His video for Kendrick Lamar's "Humble" was praised for challenging conventions through its unique style and controversial imagery. Francis Lawrence is considered one of the top music video directors, known for innovative videos with pop artists through his company DNA Inc. His video for Lady Gaga's "Bad Romance" won a Grammy and has over 800 million YouTube views. Ruskin Kyle founded the independent production company Rivers Rush in 2009 to produce original, visually striking videos on smaller budgets but with creative freedom, such as Ed Sheeran's acclaimed "
Eval task 2 median
The document discusses the creation of a band called Nobody Boys through various marketing materials including a CD digi pack, music video, and website.
The band aims to have a natural, organic image of being young and stylish English musicians. Their target audience is portrayed as young, trendy Europeans and Americans aged 17-25.
The music video and performance style aims to match this image and appeal to fans of similar indie bands like The Kooks and Bombay Bicycle Club. The marketing campaign would feature advertisements on YouTube, in London, and TV to promote the CD digi pack and music video.
Institutions// Record Labels
- Record labels are companies that market, distribute, and manage music recordings and videos, as well as collect royalties and copyrights. The three major record labels are Universal Music Group, Sony Music Entertainment, and Warner Music Group.
- Major labels have large budgets for production and promotion, often funding highly produced performance-based music videos. Independent labels have smaller budgets, so videos tend to be simpler narratives or performances.
- The document discusses several major and independent labels as examples, including their signed artists and typical video styles. It concludes by suggesting creating an independent label inspired by Domino Recording Company for a planned indie/indie rock music video project.
Music industry Analysis
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist develops musical ideas and records a demo. During production, the scenes planned in pre-production are filmed. In post-production, the video is edited, visual effects are added, and the soundtrack is produced. Music videos are accessed by audiences on websites like YouTube and television channels like MTV. They serve to promote the artist's single and allow creative expression and product placement. The top three record labels are Universal Music Group, Sony Music Entertainment, and Warner Music Group.
The purpose of music videos
Music videos first emerged in 1975 with Queen's "Bohemian Rhapsody" and helped promote the band as innovative. Since then, music videos have become popular as a way for musicians to promote their music and brand themselves in the industry. This document discusses how music videos are used for promotion of both artists and directors, how different types of artists market themselves through music videos, and the revenue generated from music video views on various media outlets.
Why videos essay
The document discusses the importance of music videos for artists and the music industry. It provides examples of how music videos can help relatively unknown artists gain widespread popularity and recognition, as in the case of Psy's "Gangnam Style" which went viral after its music video was released. Even famous artists can miss out on recognition if they do not release a music video for a song. The document also discusses how music videos help promote artists and sell more songs, as well as how television music channels and synergistic partnerships with films and advertisements can further boost a song's publicity.
Research into the Music Video Industry.docx
The document summarizes the process of making a music video. It begins with planning, which involves storyboarding, researching lyrics and themes. Then filming takes place over several days at various locations. Extensive editing turns the raw footage into a finished video. Promotion follows, with teasers and an official release. Music videos aim to promote songs and gain popularity for artists. They can cost anywhere from $20,000 to over $500,000, with some exceeding $7 million. Audiences now primarily access music videos through YouTube and other online platforms.
David fincher
David Fincher is an American film and music video director born in 1962. He has directed commercials for major brands and music videos for popular artists like Madonna, The Rolling Stones, and Michael Jackson. As a film director, he has achieved great success with movies like Se7en, Fight Club, and Panic Room.
How Are Music Videos Made
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist and director come up with an idea and storyboard for the video. During production, the planned scenes are filmed. In post-production, the footage is edited together and promoted on social media. Music videos promote the artist's music and label. They are usually funded by the artist's record label, with more popular artists receiving higher budgets, though some cost-effective videos can still find success.
Director-Jake nava
Jake Nava is a well-known English film director who has directed music videos for many famous artists like Beyoncé, Adele, and Kanye West. He is particularly known for Beyoncé's "Single Ladies" music video from 2008, which received over 80 million views on YouTube in three months and helped Nava receive awards for video of the year. Nava's videos are recognizable for their iconic choreography and use of camera techniques like close-ups to connect emotionally with audiences. He has also worked on advertisements for various companies.
Research into music directors
Anthony Mandler is an American music video and commercial director who has worked with major artists like Rihanna, Beyoncé, Taylor Swift, and Drake. He has directed over 16 of Rihanna's music videos. Though beginning as a music video director, Mandler now also directs commercials for brands such as Cadillac, Lexus, Chevy, Almay, and Nike. His style seamlessly translates between music videos and commercial work, with a focus on lighting and atmosphere.
Music director final
Dave Meyers is one of the top music video directors currently working. He has directed over 100 videos for a wide range of artists from pop and R&B stars like Pink, Missy Elliott, and Britney Spears to rock bands like Slipknot. Meyers has a distinct visual style featuring bright colors, high production values, and a focus on narrative. He carefully plans his videos to connect the visuals to the song lyrics and keep the editing in time with the music. Meyers has developed long-standing relationships with many artists and is known for his collaborations with Pink, having directed 11 of her music videos.
Genre research pop_music
The document discusses the history and evolution of pop music from the 1920s to the present. It notes that pop music began being referred to in the 1920s and was used to describe popular music in Britain in the 1950s, incorporating rock and roll and new youth styles. Pop music was associated with artists like the Beatles and Rolling Stones in the early 1960s. The genre became more clearly defined and separated from rock in the late 1960s. Pop music is characterized as being commercially produced and appealing to wide audiences, in contrast to rock which aims for more authenticity. The document then provides examples of popular artists across different decades from the 1950s to 2000s.
Eminem feat rihanna love the way you lie
Eminem and Rihanna's "Love the Way You Lie" music video uses conventions from both film and music videos to tell a story about domestic violence. It features Eminem and Rihanna as well as film stars Megan Fox and Dominic Monaghan portraying characters in a relationship plagued by abuse. Through its narrative structure, characters, settings, and technical elements like lighting and camerawork, the video successfully applies various analysis theories while presenting a serious theme in an engaging way. Overall, the video combines conventions of both the music video and film genres to raise awareness of domestic abuse.
Research into a music director anthony mandler
Anthony Mandler is an American director who has worked extensively with Rihanna, directing 16 of her music videos from 2006 to 2012. He began his career as a photographer, shooting covers for magazines like GQ and ESPN, as well as photographing celebrities. Mandler has since expanded his work to directing music videos for other top artists including Beyoncé, Taylor Swift, and Drake. He is making his feature film directorial debut with the upcoming movie "Tokyo Vice" based on a true crime book.
Music video analysis 2
The music video tells the story of a bullied boy who finds inspiration to stand up for himself from the songs of Eminem and Lil Wayne. In the first 40 seconds, the boy is shown being bullied through short clips. Posters of Eminem and Lil Wayne in his bedroom show who will be singing. Their lyrics describe the fear and violence the boy endures but also convey the strength growing within him to confront his bullies. The video leaves the ending ambiguous, allowing the audience to imagine how the boy faces up to his bullies.
Jimmy Hardy - Music Director
Jimmy Hardy has great years of professional experience. He started his professional journey in the years 1982. he was the Director of Bands at LaSalle Jr. High at Tullos, Louisiana.
Music video directors
This document profiles several music video directors and provides examples of their work. It discusses Jonas Åkerlund, a Swedish director known for directing innovative videos that are like movie trailers, including for Madonna's "Ray of Light." It also mentions Chris Cunningham, a British artist who has primarily directed videos for electronic music. Spike Jonze is profiled as an American director known for his collaborations with musicians and movies like Being John Malkovich. Ben Winston is noted for his comedy sketches, and Ray Kay is a Norwegian director currently based in LA who has worked with stars like Cher, Britney Spears, and Justin Bieber.
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Chase and status music video synergy
This document discusses the purposes and benefits of music videos for artists and their target audiences. Music videos promote the artist's new album and upcoming tours on their website and social media. Performing at festivals and on the radio also promotes the artist. Artists generate additional income through merchandise sold online and in stores. Producers help with album art and advertisements to promote ticket and merchandise sales that benefit both the artist and record label.
Unit 29: Purpose of music videos LO1
This document provides guidance and tasks for students to learn about the purposes of music videos. It includes links to example music videos and student blogs. Students are asked to work in groups to create a mind map of music video purposes and post it to their blogs. The document outlines four learning objectives covering the purposes, styles/techniques, planning and production of music videos. Students are provided context as assistant producers needing to explain music video purposes to a record company. Suggested purposes include promotion, creating synergies between song and video, extending income sources and maintaining artist visibility. Groups are assigned hypothetical record label briefs to develop marketing strategies for different artists.
Purpose of Music Videos
The document discusses the various purposes of music videos, including promotion, image, reinvention of artists, and generating income. It provides examples of how music videos can promote artists through increased awareness, understanding of songs, and memorable content. Music videos also allow artists to change their image to influence success. Producers may encourage certain styles to appeal to fans and sell singles. The document also examines how music videos can be used by major labels, independent labels, and self-produced artists to different ends based on budgets and goals. Production techniques, controversy, remaking videos, and the role of platforms like YouTube are additionally covered.
Producers strategies
Producers strategies aim to encourage sales of singles, albums, tours, and merchandise. Music videos are constructed not just as a representation of the song but to further business goals. There are three types of producers: major labels with large budgets, independent labels with smaller budgets, and artists producing themselves due to budget limitations. Producers use various strategies like manipulating image, using provocative narratives, innovative production techniques, and courting controversy to generate discussion and promote the artist/song.
A2 Media- Music Video Director Study
Dave Meyers is a renowned music video director who began his career working for film studios before directing over 200 music videos in a few years, winning numerous MTV Video Music Awards. His video for Kendrick Lamar's "Humble" was praised for challenging conventions through its unique style and controversial imagery. Francis Lawrence is considered one of the top music video directors, known for innovative videos with pop artists through his company DNA Inc. His video for Lady Gaga's "Bad Romance" won a Grammy and has over 800 million YouTube views. Ruskin Kyle founded the independent production company Rivers Rush in 2009 to produce original, visually striking videos on smaller budgets but with creative freedom, such as Ed Sheeran's acclaimed "
Eval task 2 median
The document discusses the creation of a band called Nobody Boys through various marketing materials including a CD digi pack, music video, and website.
The band aims to have a natural, organic image of being young and stylish English musicians. Their target audience is portrayed as young, trendy Europeans and Americans aged 17-25.
The music video and performance style aims to match this image and appeal to fans of similar indie bands like The Kooks and Bombay Bicycle Club. The marketing campaign would feature advertisements on YouTube, in London, and TV to promote the CD digi pack and music video.
Institutions// Record Labels
- Record labels are companies that market, distribute, and manage music recordings and videos, as well as collect royalties and copyrights. The three major record labels are Universal Music Group, Sony Music Entertainment, and Warner Music Group.
- Major labels have large budgets for production and promotion, often funding highly produced performance-based music videos. Independent labels have smaller budgets, so videos tend to be simpler narratives or performances.
- The document discusses several major and independent labels as examples, including their signed artists and typical video styles. It concludes by suggesting creating an independent label inspired by Domino Recording Company for a planned indie/indie rock music video project.
Music industry Analysis
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist develops musical ideas and records a demo. During production, the scenes planned in pre-production are filmed. In post-production, the video is edited, visual effects are added, and the soundtrack is produced. Music videos are accessed by audiences on websites like YouTube and television channels like MTV. They serve to promote the artist's single and allow creative expression and product placement. The top three record labels are Universal Music Group, Sony Music Entertainment, and Warner Music Group.
The purpose of music videos
Music videos first emerged in 1975 with Queen's "Bohemian Rhapsody" and helped promote the band as innovative. Since then, music videos have become popular as a way for musicians to promote their music and brand themselves in the industry. This document discusses how music videos are used for promotion of both artists and directors, how different types of artists market themselves through music videos, and the revenue generated from music video views on various media outlets.
Why videos essay
The document discusses the importance of music videos for artists and the music industry. It provides examples of how music videos can help relatively unknown artists gain widespread popularity and recognition, as in the case of Psy's "Gangnam Style" which went viral after its music video was released. Even famous artists can miss out on recognition if they do not release a music video for a song. The document also discusses how music videos help promote artists and sell more songs, as well as how television music channels and synergistic partnerships with films and advertisements can further boost a song's publicity.
Research into the Music Video Industry.docx
The document summarizes the process of making a music video. It begins with planning, which involves storyboarding, researching lyrics and themes. Then filming takes place over several days at various locations. Extensive editing turns the raw footage into a finished video. Promotion follows, with teasers and an official release. Music videos aim to promote songs and gain popularity for artists. They can cost anywhere from $20,000 to over $500,000, with some exceeding $7 million. Audiences now primarily access music videos through YouTube and other online platforms.
David fincher
David Fincher is an American film and music video director born in 1962. He has directed commercials for major brands and music videos for popular artists like Madonna, The Rolling Stones, and Michael Jackson. As a film director, he has achieved great success with movies like Se7en, Fight Club, and Panic Room.
How Are Music Videos Made
There are three main stages to making a music video: pre-production, production, and post-production. In pre-production, the artist and director come up with an idea and storyboard for the video. During production, the planned scenes are filmed. In post-production, the footage is edited together and promoted on social media. Music videos promote the artist's music and label. They are usually funded by the artist's record label, with more popular artists receiving higher budgets, though some cost-effective videos can still find success.
Director-Jake nava
Jake Nava is a well-known English film director who has directed music videos for many famous artists like Beyoncé, Adele, and Kanye West. He is particularly known for Beyoncé's "Single Ladies" music video from 2008, which received over 80 million views on YouTube in three months and helped Nava receive awards for video of the year. Nava's videos are recognizable for their iconic choreography and use of camera techniques like close-ups to connect emotionally with audiences. He has also worked on advertisements for various companies.
Research into music directors
Anthony Mandler is an American music video and commercial director who has worked with major artists like Rihanna, Beyoncé, Taylor Swift, and Drake. He has directed over 16 of Rihanna's music videos. Though beginning as a music video director, Mandler now also directs commercials for brands such as Cadillac, Lexus, Chevy, Almay, and Nike. His style seamlessly translates between music videos and commercial work, with a focus on lighting and atmosphere.
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Music director final
Dave Meyers is one of the top music video directors currently working. He has directed over 100 videos for a wide range of artists from pop and R&B stars like Pink, Missy Elliott, and Britney Spears to rock bands like Slipknot. Meyers has a distinct visual style featuring bright colors, high production values, and a focus on narrative. He carefully plans his videos to connect the visuals to the song lyrics and keep the editing in time with the music. Meyers has developed long-standing relationships with many artists and is known for his collaborations with Pink, having directed 11 of her music videos.
Genre research pop_music
The document discusses the history and evolution of pop music from the 1920s to the present. It notes that pop music began being referred to in the 1920s and was used to describe popular music in Britain in the 1950s, incorporating rock and roll and new youth styles. Pop music was associated with artists like the Beatles and Rolling Stones in the early 1960s. The genre became more clearly defined and separated from rock in the late 1960s. Pop music is characterized as being commercially produced and appealing to wide audiences, in contrast to rock which aims for more authenticity. The document then provides examples of popular artists across different decades from the 1950s to 2000s.
Eminem feat rihanna love the way you lie
Eminem and Rihanna's "Love the Way You Lie" music video uses conventions from both film and music videos to tell a story about domestic violence. It features Eminem and Rihanna as well as film stars Megan Fox and Dominic Monaghan portraying characters in a relationship plagued by abuse. Through its narrative structure, characters, settings, and technical elements like lighting and camerawork, the video successfully applies various analysis theories while presenting a serious theme in an engaging way. Overall, the video combines conventions of both the music video and film genres to raise awareness of domestic abuse.
Research into a music director anthony mandler
Anthony Mandler is an American director who has worked extensively with Rihanna, directing 16 of her music videos from 2006 to 2012. He began his career as a photographer, shooting covers for magazines like GQ and ESPN, as well as photographing celebrities. Mandler has since expanded his work to directing music videos for other top artists including Beyoncé, Taylor Swift, and Drake. He is making his feature film directorial debut with the upcoming movie "Tokyo Vice" based on a true crime book.
Music video analysis 2
The music video tells the story of a bullied boy who finds inspiration to stand up for himself from the songs of Eminem and Lil Wayne. In the first 40 seconds, the boy is shown being bullied through short clips. Posters of Eminem and Lil Wayne in his bedroom show who will be singing. Their lyrics describe the fear and violence the boy endures but also convey the strength growing within him to confront his bullies. The video leaves the ending ambiguous, allowing the audience to imagine how the boy faces up to his bullies.
Jimmy Hardy - Music Director
Jimmy Hardy has great years of professional experience. He started his professional journey in the years 1982. he was the Director of Bands at LaSalle Jr. High at Tullos, Louisiana.
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Similar to Music director research
Music video directors
This document profiles several music video directors and provides examples of their work. It discusses Jonas Åkerlund, a Swedish director known for directing innovative videos that are like movie trailers, including for Madonna's "Ray of Light." It also mentions Chris Cunningham, a British artist who has primarily directed videos for electronic music. Spike Jonze is profiled as an American director known for his collaborations with musicians and movies like Being John Malkovich. Ben Winston is noted for his comedy sketches, and Ray Kay is a Norwegian director currently based in LA who has worked with stars like Cher, Britney Spears, and Justin Bieber.
Music Video Director
Joseph Kahn is a Korean American music video and film director known for working with popular artists like Lady Gaga, Maroon 5, Taylor Swift, and Eminem. He spent his early childhood in South Korea and Italy before moving to Houston, Texas as a teenager. After graduating from NYU, he began directing low-budget music videos and formed his own production company in 1999. Since then, he has directed hundreds of popular music videos and helped launch the careers of many artists. His work is characterized by its bright, lively style that keeps viewers engaged.
Final Music Directors
Music video directors are responsible for overseeing the production of music videos. They storyboard the video, direct performers, and ensure the visuals synchronize with the song. Famous music video directors like Jonas Akerlund, Chris Applebaum, and Chris Cunningham have helped promote artists and sell music through creative, stylized videos. Other notable directors include Joseph Kahn, Jake Nava, Sophie Muller, and Ray Kay, who have worked with major pop and rock artists.
Music Directors
Melina Matsoukas is a music video director of Greek, Jewish, Jamaican, and Cuban descent who graduated from the American Film Institute and New York University. She got her start at Gorilla Flix and now directs at Prettybird. Her videos are described as having bright colors or black and white images with smooth lighting. Matsoukas believes high-quality equipment is not necessary for a good video, which should have a well-conceptualized story that elicits reaction. Regarding "I Decided" by Solange Knowles, Matsoukas said she developed Knowles' concept and put her own mark on it.
Auteur research
David Fincher is an American film director known for mainstream hits like The Curious Case of Benjamin Button and The Social Network. Some of his most notable directorial works include Fight Club, Se7en, and The Girl with the Dragon Tattoo. He started his career in the 1980s directing music videos before breaking into films in the 1990s. Fincher is known for his fluid camera movements, use of silhouettes for suspense, and changing color temperatures to distinguish scenes.
Spike Jonze is an American director, producer, screenwriter and actor known for his creative music videos. He was part of the magazine Dirt and directed videos for artists like Fatboy Slim, Daft Punk, and K
Darling_Assignment 1.pdf
The music video for Chris Brown's song "Iffy" will feature a futuristic robbery involving combat dancing and drag racing transforming cars. Chris Brown is well-suited for the role due to his dancing, singing, and creative vision. Director Joseph Kahn and choreographer Joshua Smith will attract the target hip-hop audience. Executive producer Matt Zion-Basile has experience working with major artists and differentiates the video by featuring the Autobots working as villains who burst into diamonds upon death.
Famous Music Directors
The document discusses four famous music video directors:
1) Jonas Akerlund, a Swedish director who has frequently collaborated with Madonna and directed videos for Pink and Lady Gaga.
2) Philip Andelman, an American director who has made videos for John Mayer and Colbie Caillat featuring performance shots.
3) Jonathan Dayton and Valerie Faris, a married American director team known for their critically acclaimed film "Little Miss Sunshine" and videos for bands like Oasis and Red Hot Chili Peppers.
4) David Fincher, an American director known for dark, stylish works who has made videos for Madonna, The Rolling Stones, and Michael Jackson.
Music Videos
Music videos have three main purposes: to market and advertise new songs and artists, allow audiences to recognize and remember songs, and portray an artist's vision for a song. Major record labels help promote and distribute music videos through various methods like advertising, celebrity endorsements, and incorporating songs into films. Famous music video directors like Jake Nava and Anthony Mandler work with top artists to craft memorable videos through techniques like close-ups, strong visuals matching lyrics, and narrative elements. Researching directors provides inspiration and knowledge of the music video industry.
Music Video Directors
This document provides case studies of several prominent music video directors, including Jonas Akerlund, Spike Jonze, Michael Bay, Chris Applebaum, and David Fincher. It describes their backgrounds and styles, and the major artists they have worked with, such as Madonna, U2, Christina Aguilera, Beastie Boys, and Britney Spears. Studying these directors provides insight into the music industry and the process of making a music video.
Music Video Directors
This document provides case studies of several prominent music video directors, including Jonas Akerlund, Spike Jonze, Michael Bay, Chris Applebaum, and David Fincher. It describes their backgrounds and styles. It notes that understanding the directors behind music videos is important for research into how music videos are made and the music industry overall. The document concludes that gaining an in-depth knowledge of music video production through further research is crucial before making a music video.
Research into Music Video Directors
This document profiles several famous music video directors:
1) Jonas Akerlund, a Swedish director known for collaborating with Madonna on videos like "Ray of Light" and "American Life" as well as Pink's "Sober" and Lady Gaga's "Paparazzi".
2) Jonathan Dayton and Valerie Faris, an American married directing team known for videos with bands like Oasis, Red Hot Chili Peppers, and REM as well as the film "Little Miss Sunshine".
3) David Fincher, an American filmmaker known for dark, stylish works including Madonna videos "Express Yourself" and "Vogue" as well as videos
Research into directors
This document profiles three famous music video directors: Chris Cunningham, David Fincher, and Spike Jonze. It provides biographical details and highlights of their careers directing music videos and films. Chris Cunningham is known for directing videos for Aphex Twin and Bjork that won several awards. David Fincher has won Grammys and MTV awards for directing Rolling Stones and Justin Timberlake videos. Spike Jonze began directing in the 1990s and is known for collaborating with artists like Beastie Boys, Kanye West, and Daft Punk on acclaimed and award-winning music videos.
Music video directors
This document provides information on three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing unique music videos for artists like Weezer, Lady Gaga, and Kanye West. He won several MTV awards for his video for "Sabotage" by the Beastie Boys. Mark Romanek originally wrote screenplays but focused on music videos, directing acclaimed videos for Madonna, Coldplay, and David Bowie. His "Scream" video for Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyonce, Rihanna, and Leona Lewis and
Research in to directors
David Fincher is an American film director born in 1962 known for award-winning films such as Gone Girl, The Girl with the Dragon Tattoo, and The Social Network. He began his career directing music videos for artists like Madonna and Aerosmith. Mark Romanek is an American filmmaker known for directing critically acclaimed music videos such as "Hurt" by Johnny Cash and "Scream" by Michael and Janet Jackson, earning him three Grammys. Jake Nava is an award-winning British music video and commercial director known for collaborating with artists like Beyoncé, Adele, and Kanye West on influential music videos.
Music Directors
Ray Kay is a Norwegian film director and music video producer known for working with major artists like Lady Gaga and Beyoncé. His videos often use green screen techniques to transport viewers to fantastical worlds.
Philip Andelman is an American music video director who often represents female artists like Kelly Rowland and Beyoncé in a sexual manner through camera angles and close-ups of body parts.
David Fincher is a renowned American filmmaker who applies his dark, stylish style to music videos for legends like Michael Jackson and The Rolling Stones. He treats music videos like short films.
Music video directors
This document discusses three music video directors: Spike Jonze, Mark Romanek, and Melina Matsoukas. Spike Jonze is renowned for directing videos for artists like Weezer, Lady Gaga, and Kanye West. His video for "Sabotage" by the Beastie Boys won several MTV awards. Mark Romanek transitioned from screenwriting to directing and has worked with Madonna, Coldplay, and David Bowie. His video for "Scream" by Michael Jackson cost $7 million to make. Melina Matsoukas directs alternative pop videos for Beyoncé, Rihanna, and Leona Lewis. Her most famous video is Bey
Director research
Michel Gondry is a French film director known for his distinctive visual style and manipulation of reality and dreams. He got his start making music videos for bands like Oui Oui and went on to direct videos for famous artists like Bjork, Daft Punk, and The White Stripes. Gondry prefers his music videos focus on the meaning of the song's lyrics rather than the artist. He is also known for incorporating playful, childlike elements and cartoon sketches into his works. An example of this is Kanye West's "Heard 'Em Say" video.
Spike Jonze is an American director, producer, and screenwriter known for his work in music videos, film, and television
Music Directors
The document discusses several music video directors including Ray Kay, Philip Andelman, David Fincher, and Michael Bay. It provides biographical details and analyzes some of their directorial styles. Ray Kay is known for his extensive use of green screens. Philip Andelman often represents women in a sexual nature through camera angles and shots. David Fincher's videos have the style of short films and use dark, stylish moods. Michael Bay portrays women as sex objects in some of his videos and uses a wide range of shots influenced by his filmmaking career.
Music Directors
The document discusses several music video directors including Ray Kay, Philip Andelman, David Fincher, and Michael Bay. It provides biographical details and analyzes some of their directorial styles. Ray Kay is known for his extensive use of green screens. Philip Andelman often represents women in a sexual nature through camera angles and shots. David Fincher's videos have the style of short films and use dark, stylish moods. Michael Bay portrays women as sex objects in some of his videos and uses a wide range of shots influenced by his filmmaking career.
Director case study
Spike Jonez is a renowned screenwriter and director known for his innovative music videos for artists like Fatboy Slim, Weezer, and Kanye West. His music videos typically feature the artist performing outside and focus solely on promoting the artist's brand and music. Jonze's breakthrough came with the Beastie Boys' "Sabotage" video, which won several MTV Video Music Awards and cemented his reputation for creativity. Since then, Jonez has won numerous awards for his music video direction and screenwriting, establishing himself as a leader in both industries.
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Kodak
Kodak is exploring entering the Android device market to capitalize on technology and consumer trends. It will leverage its reputation for quality and innovation from inventing the digital camera. Kodak's proposition will be "The Life Enhancer" - devices that improve life through technology. Its objectives are to increase the brand value by focusing on how technology can benefit users, and expand into the digital market. Competitors like Canon and Fujifilm are adapting to trends like higher-end cameras and mirrorless options.
Swot analysis
Kodak faces weaknesses such as a small market share and poor strategic decisions in the past to resist digital change. However, it also has strengths such as a history of innovation and brand recognition. The document identifies opportunities for Kodak to leverage its brand through new technologies, products, and adapting to consumer needs, as well as threats from high-competition and declining parts of the printing industry.
Evaluation of music video comments
Audience feedback from surveys and social media was very beneficial for improving the music video production. The filmmaker conducted a survey that showed the target audience responded positively to the video. Feedback from the artist also confirmed the video successfully captured his personality and promoted his work. To increase awareness, the filmmaker posted the survey link and video on Facebook, which the artist also shared. This social sharing helped spread the video and gain recognition.
Analysis of modestep sunlight
The document discusses and analyzes the music video for the song "Sunlight" by the band Modestep. It notes that the video contradicts expectations by depicting stereotypical youth activities being performed by elderly people instead. It also discusses how the video establishes relationships between the narrative and lyrics as well as the audience through the use of shots that create voyeurism. The video represents the band's humor and image while contradicting expectations of what youth typically do.
Analysis of nero guilt
This document discusses and analyzes the music video for the song "Guilt" by Nero. It notes that the video tells a narrative that complements the song's title and lyrics, depicting a stripper attempting to seduce businessmen. Special effects are used towards the end to depict "the special show." The video aims to shock viewers in order to attract more views and shares on social media. It complies with Joe Gow's genre of "special effects extravaganza" and uses aspects of narrative and voyeurism discussed by other scholars.
Analysis of emalkay
The document discusses the music video "Emalkay - Fabrication". It begins with a man walking into a building to establish the setting. Dark colors and strobe lights are used to focus on the character and elements of the narrative. The video tells a story through visuals that sync with the song lyrics. It is classified as a "non-performance piece" by Joe Gow's genres of music video since it does not contain a performance of the song but instead uses narrative. Viewer comments on YouTube have been generally positive, with some using metaphorical language to describe enjoying the video. The target audience seems to be young fans of genres like dubstep and drum and bass based on the vocabulary used and content referenced.
Analysis of survey results
The survey results showed that the majority of respondents were male aged 18-19, matching the target demographic. Most classified the music genre as hip hop. Over 80% felt the video clearly represented the artist and had appropriate editing, camera work, and clothing. While some settings were unclear, most agreed it linked to the artist. Overall the responses were positive, though slightly more 'average' than 'good' ratings were given, suggesting room for improvement in planning and following plans more closely.
Youth subcultures
This document discusses youth subcultures and provides examples such as punks, chavs, emos, ravers, and goths. It explains that youth subcultures offer members an identity outside of social institutions and may show hostility towards dominant culture. The study of subcultures includes symbols in clothing, music, and their interpretations. Socioeconomic class, gender, and other factors can also be important in relation to youth subcultures. The document then provides details about the music artist Victor Karani and how he fits into the hip-hop youth subculture through his style, background, and music focusing on conscious rap.
Analysis of modestep sunlight
The music video for Modestep's "Sunlight" features both a studio performance and narrative sections that contradict stereotypes about the daily activities of elderly people, such as drinking and taking drugs. Not all of Modestep's music videos include full narratives, only their highest-rated tracks that are predicted to get enough views and sales to justify the budget. The video contradicts what audiences might expect based on the lyrics alone by depicting elderly people engaging in stereotypically youthful activities, representing the band's identity in a humorous way.
Analysis of emalkay
The document discusses the music video "Emalkay 'Fabrication'" and how it tells a narrative story through visuals that sync with the song's lyrics. It begins with a man entering a building using dark colors and strobe lights. The video fits the category of "anti-performance pieces" that do not show the actual performance. YouTube allows comments on videos, but some comments are subjective rather than objective. Some comments reference drugs in association with Emalkay's music, which could hurt his image, but other comments strongly promote his music. The sidebar on YouTube links to other videos by Emalkay and similar artists to direct viewers to more of the same genre of music.
Analysis of Nero-Guilt
This document provides an analysis of the music video for the song "Guilt" by Nero. It summarizes the narrative of the music video, which depicts a stripper attempting to seduce businessmen at a strip club. Key moments in the video visually relate to the song's lyrics. The video uses special effects during the dancer's "special show." It complies with Joe Gow's genre of the "special effects extravaganza." The video has been intentionally portrayed as explicit to shock viewers and encourage sharing online.
Music magazine evaluation
The document is a student's evaluation of their music magazine called 'Noir'. It discusses how the magazine challenges conventions by combining music, film, and art. Photos and writing are used to represent the featured artist, Jack Potkins, as creative and influential. Audience feedback was positive about the clear house style and representation of the target audience.
Music magazine evaluation
The document is an evaluation of a music magazine called "Noir" created by the author. It discusses how the magazine uses, develops, and challenges conventions of real music magazines. It includes typical magazine features like reviews, interviews, and photos within the limited scope of the project. The target audience is described as those interested in music, film, and art. Photos of the band member Jack are used to represent his personality and appeal to readers. The magazine would likely be distributed by a publisher targeting both male and female readers with diverse interests, such as Bauer Media or by publishing it online through websites like Issuu.
Examples of photoshop work 2
The document discusses the author's experiments using Photoshop to modify photographs of their friend Jack. They have focused on adjusting curves to modify saturation and color, and have found a distortion effect they want to try. The author intends to continue experimenting with different Photoshop effects like black and white styling to find the most suitable design for a magazine cover image.
Early name ideas
The document discusses early ideas for naming a music magazine. It considers titles like "goodlife" and "noir" to match the non-mainstream genre. Research on existing music magazine titles shows they often consist of a single word like "Q" or "NME". The proposed title of "noir" relates to both music and the magazine's style through concepts of feelings, emotion, and image. Pre-production ideas led the author to decide "noir" would be a suitable title as it meets requirements and complements the handwritten font and house style of the magazine.
Jpeg jack
The document discusses the author's experiments using Adobe Photoshop CS3 to edit photographs of their friend Jack, who will serve as a model for their music magazine. The author tried unusual editing styles programmed in Photoshop, such as applying black and white effects with color tints, to appeal to their target audience and the magazine's non-mainstream style. These Photoshop experiments provided experience that will help with editing photos for their coursework project.
Mixmag double page spread analysis, pages 1 and 2
The double-page spread features an image of Annie Mac and promotes her music. The text uses descriptive language appealing to the target audience of young music fans. It provides an overview of Mac's career touring the UK and supporting new dance acts. The layout includes typical magazine elements like columns, a drop cap, and a two-column text layout. The bold colorful fonts and design draw in readers interested in Mac and the music scene.
Photography which has inspired me
The document discusses creating a collage of influential images for the front cover of a music magazine. It mentions a preference for black and white Polaroid photos and editing photos by adjusting saturation and color contrast. The goal is for the images to express the personality of models to readers, which will guide photographing for the magazine.
Mixmag contents page 2 analysis
The document summarizes and analyzes the contents page of the music magazine Mixmag. It describes the main image used and how it relates to a theme of youth culture. It then discusses various design elements of the contents page like the skyline displaying the magazine name and date, a single column layout, and subheadings categorizing articles. Finally, it notes other features such as a small front cover image and advertisements used to attract readers.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
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Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Leonardo DiCaprio House: A Journey Through His Extravagant Real Estate Portfolio
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
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Music director research
- 1. Music Video Director Research
- 2. Joseph Kahn Joseph Kahn is an American music video, advertising and feature film director, who is known especially for being awarded multiple Music Video Production awards. These achievements consist of winning several MTV Video Music Awards, in 2002 he won his first Grammy for Eminem's "Without Me" video which also won the MTV VMA's Best Video of the Year, as well as Best Direction. He started directing in 1999 where he started his own production company, Supermega, which is listed under HSI productions. Kahn has also directed commercials for Acura, Bacardi, BMW, , Vodafone, Budweiser, PlayStation, and other well recognised brands. Despite both filmography and videography careers being highly successful, Joseph Kahn has also succeeded in the commercial industry. In 2011, he launched an Old Navy music video style campaign which attracted over a million YouTube hits in the first week. Joseph Kahn also has his own website which heavily promotes himself as a music video, advertising and feature film director. The website includes his biography, music videos, TV spots, films and recent news regarding Joseph Kahn and his career. After researching Joseph Kahn, I have become increasingly aware of his many achievements and how he has made his mark within the media culture/society. I really like the multi-specialised director due to his commitment and passion towards music and film. Kevin Thomas of the Los Angles Times stated: "The irony is that for pure cinematic artistry it arguably outdistances some of the more prestigious current offerings. It is a very knowing venture, marking the feature debut of music video veteran Joseph Kahn."
- 3. The music video, advertising and feature film director has worked with many diverse music artists, such as: Dr.Dre, Gwen Stefani, Destiny’s Child, George Michael, Blink 182, Christina Aguilera, Chemical Brothers, Black Eyed Peas, Lady Gaga and Moby. All of these artists each have reached their peak within a certain era, reflecting the fact that Joseph Kahn has successfully promoted their star persona, also he has continued to promote himself as a multi-media director. What I really admire about Joseph Kahn’s work Is that he enables each music artist to seem individual from the others. For example, the music video he created for Lady Gaga in ‘Love Game’ has attracted 81,543,256 hits partly because of its quirky narrative. Personally I think that Lady Gaga is known to have ‘out of the ordinary’ generated music videos to match her star persona; all of her music videos so far have displayed a creative and unusual style , reflecting Joseph Kahn having the ability to maintain Lady Gaga’s reputation.
- 4. “Gravel Pit” by Wu-Tang Clan, is my favourite music video in which Joseph Kahn has created and directed. The first time I saw the video back in 2000, I was immediately attracted to the narrative and editing. I like the setting of the video, 2000 BC, due to the fact most music videos are set within the present tense. Joseph Kahn has maintained high quality in editing and performance throughout the music video. Although he directs many diverse music genres, “Gravel Pit” is a perfect example of how he has managed to represent the hip-hop band entirely. The idea for the narrative of the music video is individual, as well as influential.
- 5. Joseph Kahn Official Website: http://www.josephkahn.com/index.xml?short=1