Este documento descreve os processos envolvidos em projetos editoriais, incluindo a gestão do projeto, a metodologia, a criação e o fluxo de produção. Ele explica etapas como briefing, orçamento, cronograma, identidade visual, diagramação e impressão.
This document provides information on works by several Italian artists associated with the Arte Povera movement in the late 1960s. It includes brief descriptions of sculptures, installations, and paintings by Mario Merz, Michelangelo Pisoletto, Alighiero Boetti, Jannis Kounellis, Pino Pascali, and Luciano Fabro made from found objects, common materials, and references to science, technology and language. The works explore themes of systems, structures, and concepts of time, space and reality through the use of humble or "poor" materials.
O documento apresenta um sumário das unidades de estudo de um curso de História da Arte, abordando desde a arte pré-histórica até o surgimento dos principais "ismos" do século XIX. As três primeiras unidades de estudo resumem a arte produzida na Mesopotâmia, Egito e Creta, destacando a construção de zigurates, templos e palácios na Mesopotâmia, a influência da religião na arte egípcia como nas pirâmides e esculturas, e os objetos de arte produzidos em Creta com
O documento descreve a história da moda ao longo dos séculos, desde a Antiguidade até os dias atuais. Na Antiguidade, os homens andavam nus e as mulheres usavam vestidos simples. Durante a Idade Média, as roupas eram produzidas artesanalmente com cores naturais. A moda moderna trouxe vestidos elaborados para as mulheres e calças curtas para os homens. Nos anos 1920, as saias encurtaram e a maquiagem se popularizou.
A cor é um fenómeno óptico percebido através da luz e processado pelo cérebro. Para ser vista, a cor precisa de uma fonte luminosa e existe em duas sínteses: aditiva, onde a mistura de cores primárias gera luz, e subtrativa, onde a mistura de pigmentos gera menos luminosidade. Nas artes plásticas usa-se a síntese subtrativa com pigmentos.
O documento discute a história, composição, fabricação e utilizações do chocolate. Aborda os principais carboidratos encontrados no chocolate e descreve o processo de produção, incluindo a colheita, torrefação, moagem e conchagem das sementes de cacau. Também explica os procedimentos de controle de qualidade e embalagem, além de mitos e verdades sobre os benefícios do chocolate.
O documento discute o uso da simetria e assimetria no design gráfico de anúncios publicitários. A simetria ocorre quando os lados direito e esquerdo de uma forma são semelhantes, separados por um eixo simétrico. A assimetria é caracterizada pela ausência de semelhança entre os lados, sem equivalência. Vários exemplos de como a simetria e assimetria são usadas em arquitetura, geometria e projetos gráficos são apresentados.
Este documento descreve os processos envolvidos em projetos editoriais, incluindo a gestão do projeto, a metodologia, a criação e o fluxo de produção. Ele explica etapas como briefing, orçamento, cronograma, identidade visual, diagramação e impressão.
This document provides information on works by several Italian artists associated with the Arte Povera movement in the late 1960s. It includes brief descriptions of sculptures, installations, and paintings by Mario Merz, Michelangelo Pisoletto, Alighiero Boetti, Jannis Kounellis, Pino Pascali, and Luciano Fabro made from found objects, common materials, and references to science, technology and language. The works explore themes of systems, structures, and concepts of time, space and reality through the use of humble or "poor" materials.
O documento apresenta um sumário das unidades de estudo de um curso de História da Arte, abordando desde a arte pré-histórica até o surgimento dos principais "ismos" do século XIX. As três primeiras unidades de estudo resumem a arte produzida na Mesopotâmia, Egito e Creta, destacando a construção de zigurates, templos e palácios na Mesopotâmia, a influência da religião na arte egípcia como nas pirâmides e esculturas, e os objetos de arte produzidos em Creta com
O documento descreve a história da moda ao longo dos séculos, desde a Antiguidade até os dias atuais. Na Antiguidade, os homens andavam nus e as mulheres usavam vestidos simples. Durante a Idade Média, as roupas eram produzidas artesanalmente com cores naturais. A moda moderna trouxe vestidos elaborados para as mulheres e calças curtas para os homens. Nos anos 1920, as saias encurtaram e a maquiagem se popularizou.
A cor é um fenómeno óptico percebido através da luz e processado pelo cérebro. Para ser vista, a cor precisa de uma fonte luminosa e existe em duas sínteses: aditiva, onde a mistura de cores primárias gera luz, e subtrativa, onde a mistura de pigmentos gera menos luminosidade. Nas artes plásticas usa-se a síntese subtrativa com pigmentos.
O documento discute a história, composição, fabricação e utilizações do chocolate. Aborda os principais carboidratos encontrados no chocolate e descreve o processo de produção, incluindo a colheita, torrefação, moagem e conchagem das sementes de cacau. Também explica os procedimentos de controle de qualidade e embalagem, além de mitos e verdades sobre os benefícios do chocolate.
O documento discute o uso da simetria e assimetria no design gráfico de anúncios publicitários. A simetria ocorre quando os lados direito e esquerdo de uma forma são semelhantes, separados por um eixo simétrico. A assimetria é caracterizada pela ausência de semelhança entre os lados, sem equivalência. Vários exemplos de como a simetria e assimetria são usadas em arquitetura, geometria e projetos gráficos são apresentados.
Este documento descreve os papéis principais da equipa técnica de uma produção cinematográfica, incluindo o realizador, produtor, diretor de fotografia, técnico de som e gaffer. Explica as responsabilidades de cada membro no planeamento, filmagem e edição de um filme.
What's a design framework? What goes in the making of an iconic design? Learn the nuances behind the most popular designs in this interesting and detailed presentation.
We discuss the Land Art & Earthworks movement, examining artists who wanted to bring art out of the gallery system and, in doing so, influenced a new generation of artists and their practices.
This document discusses color theory and lighting in photography. It defines key lighting terms like white balance, golden hour, and diffuser. It explains the color tints of different light sources like daylight, household lamps, and street lights. It describes the Purkinje effect where eye perception of color changes from day to night. Finally, it discusses how different colors like red, blue, yellow, purple, green, and orange can impact moods and emotions in photographs.
O documento descreve a arte bizantina, incluindo sua arquitetura com cúpulas enormes e igrejas como Santa Sofia, seu uso de mosaicos para decoração e ensino bíblico, e seus ícones pintados com imagens sagradas que eram vistas como tendo poderes.
O documento discute o minimalismo como estilo de vida e filosofia, abordando sua origem nas artes do século 20, influência no design e como se tornou popular. Também analisa como o minimalismo se reflete na moda, significando comprar apenas o essencial e ter poucas peças atemporais que sigam o estilo pessoal.
1) A marca 7UP teve origem nos Estados Unidos em 1929 e chegou a Portugal em 1973. Em 1992, a mascote Fido Dido aumentou significativamente as vendas.
2) A marca é associada à cor verde e às bolhas, e à mascote Fido Dido, que é adorado pelos mais jovens. Transmite frescura.
3) Dirige-se a jovens entre 18-30 anos e pretende no futuro regressar a mascote Fido Dido, elemento característico da marca.
Grupos sociais são conjuntos de pessoas ligadas por relações duradouras e objetivos comuns. Existem grupos primários com relações íntimas e grupos secundários com relações formais. As pessoas pertencem a grupos de pertença e podem aspirar a grupos de referência, adotando seus valores.
O documento discute os princípios do equilíbrio e ritmo no design. Explica que o equilíbrio é alcançado pela distribuição simétrica de formas em relação a um eixo central e define vários tipos de equilíbrio, incluindo equilíbrio axial simétrico e assimétrico. Também define ritmo como uma sequência espacial ou temporal de motivos que se repetem em proporção determinada.
O documento discute os três pilares fundamentais da interatividade: 1) Participação e intervenção do público no processo de comunicação; 2) Bidirecionalidade e hibridação entre emissor e receptor; 3) Permutabilidade e potencialidade proporcionadas pela liberdade de navegação.
Texturas são o aspecto externo das superfícies que informam visualmente sobre o material. Podem reforçar o aspecto sensorial, identidade ou história de um elemento, dar contraste ou servir como padrão visual em composições. Texturas são definidas por linhas, curvas, luz, sombra e cores, e podem ser naturais ou artificiais, visuais ou táteis.
O documento discute os conceitos de desenho, ilustração, tipos de ilustração e suas aplicações. Explica que desenho é a matéria-prima da ilustração, mas possui existência própria, ao contrário da ilustração que depende de um conceito. Também diferencia personagem e mascote, e apresenta exemplos de ilustração editorial e publicitária.
O documento descreve o surgimento e características do movimento surrealista, influenciado pelas ideias de Freud sobre o inconsciente. O surrealismo surgiu na França na década de 1920 buscando libertar a mente da lógica e dar vazão aos sonhos. Artistas como Dalí, Miró e Ernst são exemplos deste movimento que também influenciou a literatura, teatro e cinema. O surrealismo teve influência no modernismo brasileiro, observado em obras de Tarsila do Amaral e outros artistas.
1) O documento descreve o movimento artístico Neoplasticismo e sua evolução a partir de 1917, liderado por Piet Mondrian.
2) Também apresenta a Bauhaus, escola de artes criada em 1919 na Alemanha com o objetivo de democratizar a arte.
3) Detalha os principais artistas e obras produzidas em cada fase dessas escolas, que influenciaram o design moderno.
Uma ilustração é uma imagem pictórica que acompanha, explica ou acrescenta informação a um texto. Ilustrações são comuns em livros, jornais e revistas, e podem ser usadas para fins educacionais, publicitários ou de entretenimento como histórias em quadrinhos. As ilustrações evoluíram junto com as técnicas de impressão e reprodução, desde a iluminura medieval até os métodos digitais modernos.
Este documento fornece um resumo sobre:
1) O currículo do professor que ministrará o curso de Produção Gráfica, incluindo sua formação acadêmica e experiência profissional.
2) Uma breve introdução sobre os conceitos e importância da produção gráfica.
3) Um resumo histórico dos principais desenvolvimentos tecnológicos da impressão, desde Gutenberg até os dias atuais.
O documento descreve a arte na pré-história, desde o Paleolítico Inferior até o Neolítico, incluindo exemplos de pinturas rupestres, esculturas, cerâmica, arquitetura, música e dança. No Brasil, existem sítios arqueológicos com pinturas e gravuras rupestres datadas de até 13.000 a.C. na Serra da Capivara no Piauí e de 11.000 anos na Paraíba.
Auteur theory suggests that a director uses filmmaking as a medium for personal artistic expression, with their style and themes progressing across their body of work. Alfred Hitchcock is a prime example, with his films featuring suspenseful plots, witty dialogue, and cameo appearances. Hitchcock revolutionized the thriller genre through his innovative shot selection and editing techniques, like the famous 70-shot shower scene in Psycho over less than a minute.
Surrealism began in the 1920s as an artistic movement that aimed to represent unconscious thoughts and dreams through techniques like automatic drawing and frottage. The movement was inspired by Freudian psychoanalysis and sought to challenge rational thought. Early artists like Max Ernst and Joan Miro used automatic techniques to illustrate the subconscious, while later artists like Salvador Dali, Rene Magritte, and Yves Tanguy created meticulously realistic images of hallucinatory scenes. Feminist critics argue that Surrealism adopted male attitudes towards women and portrayed them in stereotypical ways.
This document provides information about a lesson on adjectives, including:
1. The objectives of identifying types of adjectives, constructing sentences using adjectives, and participating in class recitation.
2. Details about different types of adjectives like articles, proper adjectives, and predicate adjectives.
3. Information on the degrees of comparison for adjectives including positive, comparative, and superlative forms.
4. Exercises for students to practice using adjectives in sentences and a quiz to identify adjectives and their forms of comparison.
Este documento descreve os papéis principais da equipa técnica de uma produção cinematográfica, incluindo o realizador, produtor, diretor de fotografia, técnico de som e gaffer. Explica as responsabilidades de cada membro no planeamento, filmagem e edição de um filme.
What's a design framework? What goes in the making of an iconic design? Learn the nuances behind the most popular designs in this interesting and detailed presentation.
We discuss the Land Art & Earthworks movement, examining artists who wanted to bring art out of the gallery system and, in doing so, influenced a new generation of artists and their practices.
This document discusses color theory and lighting in photography. It defines key lighting terms like white balance, golden hour, and diffuser. It explains the color tints of different light sources like daylight, household lamps, and street lights. It describes the Purkinje effect where eye perception of color changes from day to night. Finally, it discusses how different colors like red, blue, yellow, purple, green, and orange can impact moods and emotions in photographs.
O documento descreve a arte bizantina, incluindo sua arquitetura com cúpulas enormes e igrejas como Santa Sofia, seu uso de mosaicos para decoração e ensino bíblico, e seus ícones pintados com imagens sagradas que eram vistas como tendo poderes.
O documento discute o minimalismo como estilo de vida e filosofia, abordando sua origem nas artes do século 20, influência no design e como se tornou popular. Também analisa como o minimalismo se reflete na moda, significando comprar apenas o essencial e ter poucas peças atemporais que sigam o estilo pessoal.
1) A marca 7UP teve origem nos Estados Unidos em 1929 e chegou a Portugal em 1973. Em 1992, a mascote Fido Dido aumentou significativamente as vendas.
2) A marca é associada à cor verde e às bolhas, e à mascote Fido Dido, que é adorado pelos mais jovens. Transmite frescura.
3) Dirige-se a jovens entre 18-30 anos e pretende no futuro regressar a mascote Fido Dido, elemento característico da marca.
Grupos sociais são conjuntos de pessoas ligadas por relações duradouras e objetivos comuns. Existem grupos primários com relações íntimas e grupos secundários com relações formais. As pessoas pertencem a grupos de pertença e podem aspirar a grupos de referência, adotando seus valores.
O documento discute os princípios do equilíbrio e ritmo no design. Explica que o equilíbrio é alcançado pela distribuição simétrica de formas em relação a um eixo central e define vários tipos de equilíbrio, incluindo equilíbrio axial simétrico e assimétrico. Também define ritmo como uma sequência espacial ou temporal de motivos que se repetem em proporção determinada.
O documento discute os três pilares fundamentais da interatividade: 1) Participação e intervenção do público no processo de comunicação; 2) Bidirecionalidade e hibridação entre emissor e receptor; 3) Permutabilidade e potencialidade proporcionadas pela liberdade de navegação.
Texturas são o aspecto externo das superfícies que informam visualmente sobre o material. Podem reforçar o aspecto sensorial, identidade ou história de um elemento, dar contraste ou servir como padrão visual em composições. Texturas são definidas por linhas, curvas, luz, sombra e cores, e podem ser naturais ou artificiais, visuais ou táteis.
O documento discute os conceitos de desenho, ilustração, tipos de ilustração e suas aplicações. Explica que desenho é a matéria-prima da ilustração, mas possui existência própria, ao contrário da ilustração que depende de um conceito. Também diferencia personagem e mascote, e apresenta exemplos de ilustração editorial e publicitária.
O documento descreve o surgimento e características do movimento surrealista, influenciado pelas ideias de Freud sobre o inconsciente. O surrealismo surgiu na França na década de 1920 buscando libertar a mente da lógica e dar vazão aos sonhos. Artistas como Dalí, Miró e Ernst são exemplos deste movimento que também influenciou a literatura, teatro e cinema. O surrealismo teve influência no modernismo brasileiro, observado em obras de Tarsila do Amaral e outros artistas.
1) O documento descreve o movimento artístico Neoplasticismo e sua evolução a partir de 1917, liderado por Piet Mondrian.
2) Também apresenta a Bauhaus, escola de artes criada em 1919 na Alemanha com o objetivo de democratizar a arte.
3) Detalha os principais artistas e obras produzidas em cada fase dessas escolas, que influenciaram o design moderno.
Uma ilustração é uma imagem pictórica que acompanha, explica ou acrescenta informação a um texto. Ilustrações são comuns em livros, jornais e revistas, e podem ser usadas para fins educacionais, publicitários ou de entretenimento como histórias em quadrinhos. As ilustrações evoluíram junto com as técnicas de impressão e reprodução, desde a iluminura medieval até os métodos digitais modernos.
Este documento fornece um resumo sobre:
1) O currículo do professor que ministrará o curso de Produção Gráfica, incluindo sua formação acadêmica e experiência profissional.
2) Uma breve introdução sobre os conceitos e importância da produção gráfica.
3) Um resumo histórico dos principais desenvolvimentos tecnológicos da impressão, desde Gutenberg até os dias atuais.
O documento descreve a arte na pré-história, desde o Paleolítico Inferior até o Neolítico, incluindo exemplos de pinturas rupestres, esculturas, cerâmica, arquitetura, música e dança. No Brasil, existem sítios arqueológicos com pinturas e gravuras rupestres datadas de até 13.000 a.C. na Serra da Capivara no Piauí e de 11.000 anos na Paraíba.
Auteur theory suggests that a director uses filmmaking as a medium for personal artistic expression, with their style and themes progressing across their body of work. Alfred Hitchcock is a prime example, with his films featuring suspenseful plots, witty dialogue, and cameo appearances. Hitchcock revolutionized the thriller genre through his innovative shot selection and editing techniques, like the famous 70-shot shower scene in Psycho over less than a minute.
Surrealism began in the 1920s as an artistic movement that aimed to represent unconscious thoughts and dreams through techniques like automatic drawing and frottage. The movement was inspired by Freudian psychoanalysis and sought to challenge rational thought. Early artists like Max Ernst and Joan Miro used automatic techniques to illustrate the subconscious, while later artists like Salvador Dali, Rene Magritte, and Yves Tanguy created meticulously realistic images of hallucinatory scenes. Feminist critics argue that Surrealism adopted male attitudes towards women and portrayed them in stereotypical ways.
This document provides information about a lesson on adjectives, including:
1. The objectives of identifying types of adjectives, constructing sentences using adjectives, and participating in class recitation.
2. Details about different types of adjectives like articles, proper adjectives, and predicate adjectives.
3. Information on the degrees of comparison for adjectives including positive, comparative, and superlative forms.
4. Exercises for students to practice using adjectives in sentences and a quiz to identify adjectives and their forms of comparison.
Este documento describe las posiciones que debe adoptar un paciente para explorar las principales inserciones tendinosas del hombro que son susceptibles de tratamiento tipo Cyriax. También describe las principales lesiones tendinosas y de partes blandas que afectan al hombro, como tendinitis del supraespinoso, infraespinoso y subescapular. El enfoque fisioterapéutico incluye el tratamiento del dolor, la recuperación de la movilidad articular y la prevención de complicaciones.
The document discusses several theorists who contributed to representation theory. Ferdinand de Saussure developed the theory of semiotics and how language constructs meaning through signifiers and signifieds. Laura Mulvey analyzed Hollywood cinema and introduced the concept of the "male gaze," which suggests that female characters are represented as passive objects for the male viewer. Richard Dyer argued that stereotypes reinforce differences between groups by portraying representations as natural. Jean Baudrillard believed that representations through stereotypes reflect what does not exist, creating a hyperreal sense of celebrity personas.
Groupthink is a process where group cohesion and desire for conformity can result in irrational and dysfunctional decision making. It occurs when the group values harmony and agreement over critical thinking. Members self-censor ideas that go against the group, appoint mind-guards to protect the group's perceived consensus, and conform their opinions to what they believe the majority view to be rather than considering alternatives. Effective decision making relies on independent critical thinking by individuals.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
This document summarizes a report about understanding the relationship between climate risk and superannuation (retirement) funds. It discusses how climate change poses risks to investments and the global economy. Superannuation funds collectively total over $30 trillion globally and have significant influence over companies as shareholders. However, most funds are underexposed to low-carbon solutions and overexposed to high-carbon assets vulnerable to climate policies. The report aims to educate citizen investors about engaging with their funds to ensure climate risks are properly managed.
This document proposes renovating and innovating testing approaches. It suggests renovating risk-based testing by collating current variants, using a context-driven mix of principles, considering value as well as risk, and integrating risk into a Value Flow Scorecard framework. It suggests innovating testing by considering evolution in nature as a model, how "memes" evolve ideas in a field, and allowing emergence between excess order and chaos. The document advocates an approach called Value-Inspired Testing to manage risks and value throughout the software development lifecycle.
Avikalp Mishra is seeking experience working with people in need through an organization committed to social causes. He has a Master's degree in Disaster Management and a Bachelor's degree in Agricultural Science. His technical skills include proficiency in Microsoft Office, communication, and conducting surveys. He has internship experience assessing drought conditions, post-disaster needs, and industrial disaster preparedness. His dissertation examined vector-borne diseases in flood-prone border areas of India and Nepal.
The document provides biographical information about Sudha Murthy, noting that she was born in 1950 in Karnataka, India, earned engineering degrees from BVB College of Engineering and IISC Bangalore, and has authored several books. It also lists some of the major awards Sudha Murthy has received, including the Padma Shri award from the Government of India in 2006.
El documento habla sobre la maduración de las reacciones de enderezamiento y equilibrio en bebés a través del uso de superficies móviles y estimulación del cuerpo. Describe diferentes posiciones como decúbito ventral, dorsal y lateral, así como ejercicios en cuatro puntos, bipedestación y caminar sobre líneas, para desarrollar el equilibrio mientras el cuerpo o la superficie se mueven.
Nepal is home to Mount Everest and three historic Durbar Squares in Kathmandu, Patan, and Bhaktapur. Some other notable places include Changu Narayan Temple, Swayambhunath Stupa, and Pashupatinath Temple. The national animal is the cow and flower is the rhododendron. The national dish is Daal Bhaat. The current president is Ram Baran Yadav and past prime ministers include Parmanand Jha and Baburam Bhattarai. The national currency is the rupee which comes in coins. Nepal stands for Never-ending peace and love.
JUEGO PARA INTERTRIBUS.
MODO DE USO, SE UTILIZA REPRODUCIENDOLE EN LA PARED. LUEGO SE LLAMAN A DOS REPRESENTANTES. UNO DE CADA BANDO. CADA PARTICIPANTE RESPONDE A LA PREGUNTA WHAT TIME IS IT?. EL GRUPO QUE LO HACE MEJOR, GANA EL JUEGO.
The document provides guidance on summarizing and analyzing the narrative features, themes, and representations of gender in the horror films The Descent and Creep. It discusses common horror film conventions like isolation, entrapment, and monsters representing societal fears. For The Descent, it suggests the Crawlers represent a terrorist threat, reflecting anxieties about the Gulf War. Creep reflects harsh urban realities and the disconnectedness of its characters. Both films use lighting and settings effectively to unnerve audiences, while The Descent subverts expectations through its unconventional ending.
This document discusses the depiction of madness in three films: Psycho (1960), eXistenZ (1999), and The Cell (2000). It explores how each film portrays mental illness through their use of dreams, reality, and technology as narrative devices. Specifically, it analyzes how the films reflect the social anxieties of their time periods regarding modernization and new technologies. By inviting audiences to analyze characters through these devices, the films provide an outlet to work through contemporary societal fears in a way that can feel therapeutic.
1. Horror films attempt to scare audiences through the use of techniques like atmospheric music, lighting, editing, and camera techniques. However, what truly creates fear is tapping into the real cultural fears of the target audience.
2. Different eras have different cultural fears, so horror films must change their monsters and threats over time to remain relevant. Early 20th century horrors featured external monsters like vampires that threatened communities from the outside, while modern horrors also depict internal monsters and threats from within communities.
3. By analyzing the type of monster in a horror film, one can gain insights into the specific cultural fears of the time period. Horror monsters have transitioned from purely external threats to include man-made
1. Horror films attempt to scare audiences through the use of conventions and techniques, but what truly creates fear is tapping into the real cultural anxieties and fears of the time period.
2. Different eras have produced different types of monsters that reflect the major fears of that society. For example, early 20th century horrors featured more external monsters like vampires that threatened communities from the outside, while modern films depict more internal monsters that arise from within, like Norman Bates in Psycho.
3. A key way horrors have remained engaging over time is by updating these monster representations and storylines to align with evolving societal fears, while still maintaining some familiar genre traits. This allows the films to scare audiences by
The document discusses genres in film. It defines genre as a "type" or "kind" of film that provides audiences information about what to expect in terms of iconography and conventions. Genres can be rigid, adhering closely to conventions for mainstream appeal, or flexible, with more artistic freedom for niche, independent films. The document also discusses how genres have evolved over time, with subgenres, hybrids, and mixing of conventions allowing more creative expression within established frameworks. Quentin Tarantino's films are used as an example of mixing genres conventions in unique ways that challenge expectations and require active audience interpretation.
This document discusses five media theoretical ideas: genre theory, audience theory (cultivation theory), mediation and stereotyping, Todorov's narrative theory, and semiotics. It provides definitions and examples of each theory. Genre theory examines how texts are categorized into genres and subgenres. Cultivation theory proposes that television shapes viewers' perceptions of reality. Mediation theory explores how media constructs alternate realities through selection, organization and focus. Todorov's theory analyzes common narrative patterns in stories. Semiotics studies signs and their meanings in communication and media.
This document discusses various theoretical approaches to analyzing films, including style and genre, auteur theory, and literary, realist, and Marxist theories. It provides examples of how Francis Ford Coppola's film Apocalypse Now could be analyzed through these different lenses. The document also covers categories of film style like realism, classicism and formalism. It discusses techniques of mise-en-scène including shot types, camera angles, lighting styles, color, and character placement. Film theory provides intellectual frameworks for exploring movies from social, political, and aesthetic perspectives.
This slideshow is being used by Film Studies 3030 at the University of Lethbridge, Calgary campus. The slide information is largely derived as commentary for the Giannetti and Leach textbook, Understanding Movies, and Richard Barsam's Looking at Movies.
This document discusses horror films and genre conventions. It explains that horror films are meant to frighten audiences and invoke our deepest fears through the use of monsters. It discusses key elements of the horror genre including visual style, narrative structures, character archetypes like the "final girl", and the cultural context and societal fears that monsters represent. The document also examines the pleasures that audiences derive from the genre, such as emotional thrills, visceral reactions, and solving intellectual puzzles involved in the plots.
Stanley Kubrick was an American director known for his versatile work across many genres. Some of his most famous films include The Shining, 2001: A Space Odyssey, and A Clockwork Orange. As a director, Kubrick was innovative with his use of camera techniques and paid close attention to realistic details. A Clockwork Orange was adapted from the novel and depicts a dystopian future where the main character undergoes controversial psychological conditioning treatment. The film addresses themes of morality and free will through its portrayal of violence and rehabilitation.
This slideshow is being used by Film Studies 3030 at the University of Lethbridge, Calgary campus. The slide information is largely derived as commentary for the Giannetti and Leach textbook, Understanding Movies, and Richard Barsam's Looking at Movies.
The 1999 Chinese film Shower depicts the conflict one man faces between his modern lifestyle in Shenzhen and his traditional father's way of life in Beijing. The opening scene of a man being showered by a machine symbolizes the fast-paced, automated nature of modern life where time is money. The main character Da Ming left home to get rich in Shenzhen but struggles between maintaining this modern life and fulfilling his familial duties in his father's more traditional world.
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An Analysis of Mise-en-scène in Avant-garde Surrealist Film "Black moon"
1. AN ANALYSIS OF MISE EN SCÈNE
IN AVANT-GARDE SURREALIST FILM:
“ B L A C K M O O N ”
B y :
K I N K I N S U S A N S I
2 0 1 0 0 6 0 1 3 5
E N G L I S H D E P A R T M E N T
F A C U L T Y O F L E T T E R S
P A M U L A N G U N I V E R S I T Y
T A N G E R A N G S E L A T A N - B A N T E N
2 0 1 4
2. CHAPTER I INTRODUCTION
2
1.1 Background of the Study
Introduction to film, Mise en scène , Avant-garde,
Surrealist film, and Black Moon.
A successful film depends on a good story as well as
the representation of the visual.
Each genre has its own customs and characteristics in
fashioning the visual.
3. 1.2 Scope and Limi tat ion of the Study
3
The scope and limitation of this study is limited to
analyze the aspects of mise en scène in avant-garde
surrealist in film “Black Moon”.
4. 1.3 Statements of the Problems
4
1. What roles are played in the film “Black Moon”?
2. How are the mise en scène elements in the avant-garde
surrealist film “Black Moon”?
3. What are the characteristics of surrealism that film
“Black Moon” have?
5. 1.4 The Goals of the Study
5
1. To describe the roles that are played in the film
“Black Moon”.
2. To know how are the mise en scène elements in the
avant-garde surrealist film “Black Moon”.
3. To find out the characteristics of surrealism that the
film “Black Moon” have.
6. 1.5 Funct ions of the Study
6
1. To writer, through this analysis can apply her
knowledge from her study.
2. To introduce mise en scène technique, avant-garde
and surrealist film to readers because these
topics are seldom discussed.
3. The functions of this study basically can improve
the writer’s knowledge and the readers.
7. 1.6 Systemat ical Presentat ion
7
The first chapter is Introduction which consists of
Background of the study, Statements of the Problems,
Scope and Limitation, Goals of the Study, Functions of
the Study, and Systematical presentation.
The second chapter consists of Related Studies, Review
of Literature, and Theoretical Framework.
The third chapter is Research Methodology which
consists of Approach of the Study, Data Source,
Collecting Data and Method of Data Analysis.
8. CHAPTER I I
RELATED STUDIES , REVIEW OF LITERATURE, AND
THEORITICAL FRAMEWORK
8
Nurfaridatun (2012) entitled
“The Psychology Analysis Criticism of the Main
character of Law Abiding Citizen Film”
AlexanderWaters (2011) entitled
“Discerning a Surrealist Cinema”
Joi D. Chadwick (2011) entitled
“Surrealism Is Not Dead: A Look at Surrealism in
Contemporary Mass Communication Via Analysis of
Modern Popular Films”
9. 2.2 Review of Li terature
9
2 . 2 . 1 Fi lm
The definition of film
The differences among the term film, movie, and cinema
2.2.2 Mise en scène
Mise en scène [miːz ɑːn ˈsen] refers to the visual designs of a film that work
together to build the story.
The aspects of mise en scène including setting, props, costume, makeup,
light, color, the staging: movement and performance
Mise en scène is beneficial to captivate the spectators.
10. 2.2.3 Avant -garde Fi lm
10
The word is taken from French means a creative group in the innovation
and application of new concepts and techniques especially in art. Its birth
was inspired by contemporary art. The first currents happened in France,
Germany and Russia.
Avant-garde film has an absurd visual and a form that straying from
establish structure.
Avant-garde film rebelled monopoly of film corporations that controlled
film production, distribution, and exhibition.
Two major factors that triggered the avant-garde’s birth: economics (the
condition of production) and aesthetics
11. 2.3 Theoret ical Framework
11
2 . 3 . 1 The or y of ac t ing
“The essential requisite for a performer in the movies is what Antonioni
called expressiveness. That is, he or she must look interesting” (Giannetti,
2002:250)
“The nuances of the dialogue must be conveyed through vocal
expressiveness” (2002: 247-248).
Close-up shot will focus on facial expression to reveal the
character’s true feeling.
12. Mise en scène and Surrealism
12
Theory of Mise en scène
“What possibilities for selection and control does mise-en-scene offer the
filmmaker? We can mark out four general areas: setting, costumes and makeup,
lighting, and staging.” (Bordwell and Thompson, 2008:115)
Theory of Surrealism
The whole theory of surrealism in this study is taken from Richardson (2006)
“It evokes an undefined relation, a meeting point between the opposites of light
and dark, presence and absence, actuality and imagination which suggests the
actualization of the supreme point which Andre Breton identified as the aim of
surrealism.” (p. 1)
13. CHAPTER III
RESEARCH METHODOLOGY
13
3.1 Approach of the Study
Qualitative as an approach based on Denzin and Lincoln (2003)
3.2 Data Source
Primary data source: the film “Black Moon”
Secondary data source: books and internet
3.3 Collecting Data
3.4 Method of Data Analysis
The data are analyzed through descriptive analysis technique
Identifies the characters in the film “Black Moon”
Analyzes the mise en scène to find the characteristics of avant-garde surrealist
film from the film “Black Moon”.
14. CHAPTER IV
FINDINGS AND ANALYSIS
14
“Black Moon” is filmed in 1974 which connected to mythology, psychology and
politics.
Inspired by “Alice in Wonderland” updates into modern time.
4.1 The Roles
To find surrealistic features in roles
No. Roles Surrealistic Feature
1. Young Lily Imagining of gender war and unicorn, speak to unicorn
2. Old Lady Bedridden, speak in gibberish and lucid languages, speak to rat,
telepathic communication
3. Sister Lily Communicating telepathically especially through eyes
4. Brother Lily Communicating telepathically especially through touch
5. Unicorn
(supporting role)
Personified like a human, wise, smart, annoying, poetical
15. 4.2 Mise en scène of Avant-garde Surrealist Film
15
To find surrealistic features in mise en scène
No. Aspect Surrealistic Feature
1. Setting A mysterious conflicting countryside
Piglet in the kitchen
2. Props Juxtapositions of a peaceful countryside and unusual props such as
tank, gun, gas mask
So many alarm clocks in an ordinary room
a big size glass
3. Costume Countryside women in army uniform
4. Makeup Shiny makeup to create dramatic face
5. Color Earth and feminine colors
6. Lighting Dark and natural light source
7. Staging: Movement And
Performance
Poetically speaking, telepathic communication, eating raw meat, talking
with animals,
chasing unicorn
a girl dandled an old lady
16. Setting and Props
16
COUNTRYSIDE
Where men and women kill each
other
THE HOUSE: KITCHEN
describes the characteristic of femininity.
The unusual from this kitchen is a piglet
and a big size of glass
17. Costume, Makeup and Colors
17
Feminine style of the rebellious ‘70’s era
The combination of white, pink, and
scarlet is perfect to leave a feminine
impression emphasized her inclination to
femininity
Shiny makeup to create vicious and
mean face
The use of makeup here is to give the
effect of dramatic and to create tension.
18. Lighting and
Staging: Movement and Performance
18
Lighting
Dark and natural light
The motivating light sources come from the window, the hearth and table
lamp.
Staging: Movement and Performance
Various facial expressions and gestures create from
this scene like irritating, offended, angry and
curious.
Scene: A conversation with unicorn,
offensive remarks
19. 4.3 The Characteristics of Avant-garde Surrealist film
19
Style: Formalism or anti-realism and anti-narrative
Inner world experience and imagination
Structureless: No hero, no introduction to characters’ background no plot
development
Dialogue: Little dialogue, poetically speaking, unrelated topics
Imagery:
Auditory: gun fires, tenor singing, alarm clocks, talking unicorn and rat,
crying flowers, woman’s scream
Visual: gender war, unicorn, talking rat
20. 20
Symbols:
Alarm clock
bird’s wing
Personification: Unicorn, rat, flowers
Images:
Shocking images: Massacre, human and animal Slaughter, hit a badger, Eat raw
meat
Unrealistic images: black fat unicorn, gender war men vs women, talking
animals and crying flowers
surrealist painting
Duration: 01:36:21/not a full length of film
21. CHAPTER V
5.1 Conclusions
21
The roles in this film are also unique, eccentric,and rebel the
traditional rules.
The mise en scène of avant-garde surrealist film is made to convey
inner world or personal vision such as dream, imagination,
spirituality, desire, psychological condition, poetic vision and
political view of the filmmakers.
After analyzing the mise en scène in “Black moon”, the
characteristics of avant-garde surrealist film are found such as dark,
depict of dream or imagination, desire, political statement,
psychological issue, poetic vision with structure of anti-narrative, less
dialogue, embellished by imagery and symbols also painting.
22. 5.2 Suggestions
22
Firstly understand the genre because sometimes people think that fantasy
film can be included into this genre.
Take a look carefully at the mise en scène can help us to find the
characteristics of avant-garde surrealist film.
Pay attention to the surreal things or events that we never find in
everyday situation because it might be a symbol that has a meaning and
send a message
Since surrealist film is connected to psychology, understand the
characters’ feeling
Since this type of film is sensible to the political climate, so try to find
out what is going on in the world that relate to the film.
23. BIBLIOGRAPHY
23
Books
Abrams, Nathan, Ian Bell, and Jan Udris. Studying Film. London: Arnold, 2001.
Balazs, Bela, Edith Bone (translator). Theory of the Film: Character and Growth of a New Art. London: Dennis Dobson Ltd, 1952.
Barnett, Daniel. Movement as Meaning in Experimental Film. Amsterdam: Rodopi, 2008.
Bohn,Willard. The Rise of Surrealism. New York: State University of New York Press, 2002.
Bordwell, David, and Kristin Thompson. Film Art an Introduction (eighth edition). New York: McGraw-Hill Companies Inc., 2008.
Breton, Andre, Richard Seaver, Helen R. Lane (translator). Manifestoes of Surrealism. Michigan: Ann Arbor Paperbacks, 1969.
Dick, Bernard F. Anatomy of Film (third edition). New York: St. Martin’s Press, 2005.
Dixon,Wheeler Winston, and Gwendolyn Audrey Foster. A Short History of Film. New Jersey: Rutgers University Press, 2008.
Giannetti, Louis. Understanding Movies (ninth edition). New Jersey: Prentice Hall, 2002.
Hauser, Arnold. The Social History of Art Vol. IV. New York : Routledge, 1999.
Kracauer, Siegfried. Theory of Film: The Redemption of Physical Reality. New York: Oxford University Press, 1960.
Richardson, Michael. Surrealism and Cinema. New York: Berg, 2006.
Ritchie, Jane, and Jane Lewis, ed. Qualitative Research practice: A Guide for Social Science Students and Researchers. London: Sage
Publications Ltd., 2003.
Ross, Michael Elsohn. Salvador Dali and the Surrealists. Chicago: Chicago Review Press, 2003.
Vaneigem, Raoul, Donald Nicholson-Smith (translator). A Cavalier History of Surrealism. Edinburgh: AK Press, 1999.
Vogel, Amos. Film as a Subversive Art. New York: D. A. P, 2005.
24. 24
Internet Resources
The Black Moon (Lilith). Retrieved on March 15th, 2014 at 09.11 p.m. From:
http://www.cornerstone-astrology.com/articles/black_moon_lilith.htm
Black Moon (1975) Film Festival: Malle's 'Black Moon'. Retrieved on March 8th, 2014 at 08.46 p.m. From:
http://www.nytimes.com/movie/review?res=9D00E4D81039E63BBC4850DFBF66838E669EDE&
Interview with Louis Malle (1976). Retrieved on April 12th, 2014 at 09:22 p.m. From:
http://www.rogerebert.com/interviews/interview-with-louis-malle-1976
Andre Breton. Retrieved on April 18th, 2014 at 11: 46 a.m. From:
http://www.surrealists.co.uk/breton.php
Salvador Dali. Retrieved on April 18th, 2014 at 12:13 p.m. Form:
http://www.surrealists.co.uk/dali.php
The Surrealist Manifesto. Retrieved on April 18th, 2014 at 12: 22 p.m. From:
http://www.surrealists.co.uk/surrealist_manifesto.php
Black Moon (1975). Retrieved on March 8th, 2014 at 09:06 p.m. From:
http://www.tcm.com/this-month/article/180498|0/Black-Moon.html
25. APPENDIX
25
ANDRÉ BRETON (FRENCH, 1896–1966)
The Founder of Surrealism
SALVADOR DALI (SPAIN, 1904 – 1989)
The Most Famous Painter and Figure in Surrealism