Amiri Baraka is an influential African American writer and poet born in 1934 as Leroi Jones. He changed his name to Amiri Baraka to reflect his political changes. His early play Dutchman established his reputation and explored themes of race in America. Baraka went on to write revolutionary plays and poems promoting black empowerment as a founder of the Black Arts Movement in the 1960s. He continues to write and teach, influencing generations with his provocative and politically charged work.
This is the FIRST part of an assignment connected to the Youtube Channel (BlackWomynRhetProject) that asks students to connect black women writers during BAM to Spoken Word Artists today.
This is the FIRST part of an assignment connected to the Youtube Channel (BlackWomynRhetProject) that asks students to connect black women writers during BAM to Spoken Word Artists today.
Rosa Louise McCauley Parks was an African American civil rights activist, whom the United States Congress called "the first lady of civil rights" and "the mother of the freedom movement"
This Presentation highlights the leadership qualities of her.
Rosa Louise McCauley Parks was an African American civil rights activist, whom the United States Congress called "the first lady of civil rights" and "the mother of the freedom movement"
This Presentation highlights the leadership qualities of her.
Ed Bullins (born July 2, 1935 in Philadelphia, Pennsylvania) is an African-American playwright.One of the best known playwrights to come from the Black Arts Movement.
He was also the Minister of Culture for the Black Panthers (a revolutionary black nationalist and socialist organization from 1966 until 1982).He has won numerous awards, including the New York Drama Critics' Circle Award and several Obie Awards
Invisible Man is a novel written by Ralph Ellison, and the only one that he published during his lifetime (his other novels were published posthumously).
“Color Struck”: Racial Mimicry as the Root Jeremy Borgia
Zora Neale Hurston, born in 1891, has emerged as an iconic author in the fields of African-American and feminist literature; most famous for her novel Their Eyes Were Watching God, Hurston wrote a number of novels, plays, and short stories. Writing from the 1920s to the 1950s, Hurston’s work is predominantly positioned in the era of the Harlem Renaissance, which ended around the time of the Great Depression. She was an influential voice during this time period, working and arguing both with and alongside the likes of W.E.B. Du Bois and Alain Locke, each of whom had a disparate view of the role of art and literature in the movement for black American equality. Locke rejected “propaganda and ‘racial rhetoric’ for the most part as
obstacles to literary excellence and universal acceptance” (Classon 8), while Du Bois proclaimed, “I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda’’ (Du Bois 22). Hurston, however, was
suspicious of her contemporaries’ rhetoric, recognizing the superficial division between these two views. Both men endeavored to artificially bolster the black race by “proving” their merit to white America through literature—propagandistic or not; Hurston, however, was troubled by the notion that black society was being defined against “whiteness” in culture and literature. Indeed, her works demonstrate a criticism of these black leaders: that in their quest for equality, equality was confused with mimicking whiteness. In other words, the movement for equality became lost in the quest for sameness.
The Harlem Renaissance was the name given to the cultura.docxcherry686017
The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem between the end of World War I and the middle of the 1930s. During this period Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars. Many had come from the South, fleeing its oppressive caste system in order to find a place where they could freely express their talents. Among those artists whose works achieved recognition were Langston Hughes and Claude McKay, Countee Cullen and Arna Bontemps, Zora Neale Hurston and Jean Toomer, Walter White and James Weldon Johnson. W.E.B. Du Bois encouraged talented artists to leave the South. Du Bois, then the editor of THE CRISIS magazine, the journal of the NAACP, was at the height of his fame and influence in the black community. THE CRISIS published the poems, stories, and visual works of many artists of the period. The Renaissance was more than a literary movement: It involved racial pride, fueled in part by the militancy of the "New Negro" demanding civil and political rights. The Renaissance incorporated jazz and the blues, attracting whites to Harlem speakeasies, where interracial couples danced. But the Renaissance had little impact on breaking down the rigid barriers of Jim Crow that separated the races. While it may have contributed to a certain relaxation of racial attitudes among young whites, perhaps its greatest impact was to reinforce race pride among blacks.
-- Richard Wormser
http://www.pbs.org/wnet/jimcrow/stories_events_harlem.html
Hughes's Life and Career
Photo by Carl Van Vechten
Arnold Rampersad
Born in 1902 in Joplin, Missouri, Langston Hughes grew up mainly in Lawrence, Kansas, but also lived in Illinois, Ohio, and Mexico.
By the time Hughes enrolled at Columbia University in New York, he had already launched his literary career with his poem "The Negro Speaks of Rivers" in the Crisis, edited by W E. B. Du Bois. He had also committed himself both to writing and to writing mainly about African Americans.
Hughes's sense of dedication was instilled in him most of all by his maternal grandmother, Mary Langston, whose first husband had died at Harpers Ferry as a member of John Brown's band, and whose second husband (Hughes's grandfather) had also been a militant abolitionist. Another important family figure was John Mercer Langston, a brother of Hughes's grandfather who was one of the best-known black Americans of the nineteenth century. At the same time, Hughes struggled with a sense of desolation fostered by parental neglect. He himself recalled being driven early by his loneliness 'to books, and the wonderful world in books.’
Leaving Columbia in 1922, Hughes spent the next three years in a succession of menial jobs. But he also traveled abroad. He worked on a freighter down the west coast of Africa and lived for several months in Paris before returning to the United States late in 1924. By this time, he was w ...
Contexts for poet Frank X Walker's TURN ME LOOSE: THE UNGHOSTING OF MEDGAR EVERSMary Vermillion
These slides provide context for poet Frank X Walker's 2013 poetry collection about the assassination of Civil Rights leader Medgar Evers. The collection features poems in the voices of Evers' widow, Myrlie Evers; Evers' brother, Charles Evers; Evers' assassin, Byron de la Beckwith; and Beckwith's two wives. Topics covered in the slides include persona poems, segregation, Jim Crow, "Strange Fruit," "Dixie," slavery, the KKK, lynching, Emmett Till. The slides were created by members of Mount Mercy University's composition class, EN114 Writing and Social Issues.
Homily: The Solemnity of the Most Holy Trinity Sunday 2024.docxJames Knipper
Countless volumes have been written trying to explain the mystery of three persons in one true God, leaving us to resort to metaphors such as the three-leaf clover to try to comprehend the Divinity. Many of us grew up with the quintessential pyramidal Trinity structure of God at the top and Son and Spirit in opposite corners. But what if we looked at this ‘mystery’ from a different perspective? What if we shifted our language of God as a being towards the concept of God as love? What if we focused more on the relationship within the Trinity versus the persons of the Trinity? What if stopped looking at God as a noun…and instead considered God as a verb? Check it out…
In Jude 17-23 Jude shifts from piling up examples of false teachers from the Old Testament to a series of practical exhortations that flow from apostolic instruction. He preserves for us what may well have been part of the apostolic catechism for the first generation of Christ-followers. In these instructions Jude exhorts the believer to deal with 3 different groups of people: scoffers who are "devoid of the Spirit", believers who have come under the influence of scoffers and believers who are so entrenched in false teaching that they need rescue and pose some real spiritual risk for the rescuer. In all of this Jude emphasizes Jesus' call to rescue straying sheep, leaving the 99 safely behind and pursuing the 1.
The PBHP DYC ~ Reflections on The Dhamma (English).pptxOH TEIK BIN
A PowerPoint Presentation based on the Dhamma Reflections for the PBHP DYC for the years 1993 – 2012. To motivate and inspire DYC members to keep on practicing the Dhamma and to do the meritorious deed of Dhammaduta work.
The texts are in English.
For the Video with audio narration, comments and texts in English, please check out the Link:
https://www.youtube.com/watch?v=zF2g_43NEa0
The Chakra System in our body - A Portal to Interdimensional Consciousness.pptxBharat Technology
each chakra is studied in greater detail, several steps have been included to
strengthen your personal intention to open each chakra more fully. These are designed
to draw forth the highest benefit for your spiritual growth.
Lesson 9 - Resisting Temptation Along the Way.pptxCelso Napoleon
Lesson 9 - Resisting Temptation Along the Way
SBs – Sunday Bible School
Adult Bible Lessons 2nd quarter 2024 CPAD
MAGAZINE: THE CAREER THAT IS PROPOSED TO US: The Path of Salvation, Holiness and Perseverance to Reach Heaven
Commentator: Pastor Osiel Gomes
Presentation: Missionary Celso Napoleon
Renewed in Grace
What Should be the Christian View of Anime?Joe Muraguri
We will learn what Anime is and see what a Christian should consider before watching anime movies? We will also learn a little bit of Shintoism religion and hentai (the craze of internet pornography today).
The Good News, newsletter for June 2024 is hereNoHo FUMC
Our monthly newsletter is available to read online. We hope you will join us each Sunday in person for our worship service. Make sure to subscribe and follow us on YouTube and social media.
The Book of Joshua is the sixth book in the Hebrew Bible and the Old Testament, and is the first book of the Deuteronomistic history, the story of Israel from the conquest of Canaan to the Babylonian exile.
6. Dutchman is a one act play that was first presented at the Cherry Lane Theater in New York City in March of 1964 (written in ‘63). It’s about a black male and a white female and was cited as the interracial Adam and Eve (which I’m not quite sure about) by some websites. The play starts out with twenty year old Clay riding on the subway. Lula makes a somewhat seductive entrance and starts talking with Clay. She is very seductive and makes him feel comfortable until she begins to insult and embarrass him on the train. He smacks her around a little and when he decides to get off the train she stabs him twice, killing him. The rest of the people on the train ignore it and quickly exit. On comes another young black man and Lula begins her next act. Dutchman
7. -The poem An Agony. As Now was written in 1964 Native American from the inside looking out He has been made to hate himself due to the majority of white society Similar to “Man in the Iron Mask” -A Poem for Willie Best also written in 1964 Written about an African American actor known as Sleep’n’eat -Will They Cry When You’re Gone, You Bet Poetry
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10. Who pay the CIA, Who knew the bomb was gonna blow Who know why the terrorists Learned to fly in Florida, San Diego Who know why Five Israelis was filming the explosion Who knew the World Trade Center was gonna get bombed Who told 4000 Israeli workers at the Twin Towers To stay home that day “ Somebody Blew up America”
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