AGM 2015 - 4/11 - BP 2016

•

0 likes•836 views

This document provides a business plan for Europeana in 2016. It outlines 4 main goals: 1) Create value for partners by improving the customer experience and focusing on networking, 2) Improve data quality by transforming how cultural heritage is made available and reaching higher quality standards, 3) Open the data by developing community services and championing interoperability, and 4) Strengthen the organization through long-term funding and organizational transformation. Objectives are defined for each goal around areas like ensuring a better user experience, large partnerships, changing how data is ingested, and achieving sustainability. The plan explores focusing on specific cultural domains like art, music, fashion and newspapers in 2016.

Government & Nonprofit

BP 2016
Business Plan 2016 (draft AGM)
Harry verwayen
Amsteradm / 3 November 2015

Title here
Subtitle here
Re-use
CC-BY-SA
Cinderella : [affiche] / [non identifié] ||
National Library of France || ||
1895, Public Domain

“CCIs have impacts that go far
beyond leisure, entertainment,
jobs or economic growth. They also
provide invaluable social cement;
they contribute to the feeling of
belonging to a society; in short,
they help forge a European
identity.”*
*Creating growth | Measuring cultural and creative markets in the EU
Social

*Creating growth | Measuring cultural and creative markets in the EU
‘The cultural & creative industries
account for 4.2% of GDP in Europe
(€535.9 billion and more than 7
million workers).* 3rd largest
employer after construction and
Food & Beverage’*
Economic

Goal 4: strengthen the
organisation
‘..innovation is now widely
recognised as encompassing more
than just technological and scientific
innovation. Soft innovation and
creative design processes are
increasingly relevant in this
context’*
*Entrepreneurial Dimension of the Cultural and Creative Industries, 2014
Network & Innovation

Title here
Subtitle here
Business Plan 2016
CC-BY-SA

OBJECTIVES: 2000 + NETWORK
MEMBERS & LONG TERM
SUSTAINABILITY FOR EUROPEANA
Netherlands, CC BY-SA
Circus Museum
Anonymous
Cirque de Moscou

Setting business priorities
Title here
Subtitle here
Business Plan 2016
CC-BY-SA

Goal 1: Create value for partners
Objective 1 – Ensure a better customer experience
Objective 2 – Network-centric thought
Goal 2: Improve data quality
Objective 3 – Transform the way we make Europe’s cultural heritage available
Objective 4 – Reach for higher quality data
Goal 3: Open the data
Objective 5 – Develop community-based services
Objective 6 – Champion interoperability
Goal 4: Strengthen the organisation
Objective 7 – Achieve long-term funding
Objective 8 – Transform the organisation from good to great
Title here
Subtitle here
Business Plan 2016
CC-BY-SA
.eu/files/Europeana_Professional/Europeana_Network/draft-busine

United Kingdom, CC BY
The Wellcome Library
Luigi Garzi
The birth of Adonis and
the transformation of Myrrha
FOR END USERS
Objective 1 - Ensure a better customer experience

Objectives: explore 4 thematic
areas (art, music, fashion,
newspapers) in 2016 and 1 big
campaign (Art 280)
United Kingdom, CC BY
The Wellcome Library
Luigi Garzi
The birth of Adonis and
the transformation of Myrrha

Norway, CC BY-SA
1921, Oslo Museum
Ernest Rude
Ernest Marini - dancer in a costume
FOR RE-USERS
Objective 1 - Ensure a better customer experience

Objective: 4-6 large partnerships
(Itunes U, Etsy, …) and incubate 2-4
high potential innovators
France, Public Domain
1932, National Library of France
Agence de presse Mondial Photo-Presse.
Tournoi royal de motos à Londres :
changement d'une roue de side-car en marche

FOR DATA PARTNERS
OBJECTIVE 3: CHANGE THE LANDSCAPE
Netherlands, Public Domain
1644, Rijksmuseum
Adriaen van Utrecht
Banquet Still Life

Netherlands, Public Domain
c. 1800 - c. 1810, Rijksmuseum
Katsushika Hokusai
Kagamitogi
Objective: modularly improve
ingestion tools, develop cloud
services, explore alternatives
(indexing) and increase data quality

Europeana is a website and API that provides access to over 26 million digital objects from museums, libraries, archives and collections across Europe. It is operated by the Europeana Foundation along with contributions from cultural heritage organizations. The documents discusses Europeana projects like Europeana Creative that enable reuse of content. It aims to aggregate cultural works, facilitate the cultural heritage sector, and distribute content to users. Initiatives to better engage users include virtual exhibitions, professional sites, and crowdsourcing campaigns. The presentation encourages partnerships and an open lab network to further these engagement goals.

Europeana Aggregators' Fair day 1

Europeana

Europeana Cloud as part of the Europeana Ecosystem

Europeana

Europeana Cloud is a 3-year project that aims to create a cloud-based infrastructure for storing and sharing cultural heritage data and content from over 2,200 content providers. It seeks to offer economies of scale and access to knowledge and solutions around sustainability, licensing, and governance. The meeting aims to help participants understand the full project, form a cohesive unit with a common purpose, and start deciding how to build Europeana Cloud to fulfill its objectives of making cultural heritage openly accessible in a digital way.

Europeana essentials June 2013

Europeana

Europeana is a digital platform that provides access to over 27 million digitized items from European cultural heritage institutions like museums, libraries, and archives. It aims to make cultural works openly accessible online. Content is aggregated from over 2,200 contributing institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available under a CC0 public domain waiver, allowing open reuse.

Europeana Essentials (updated June 2014)

Europeana

Europeana is a digital platform that provides access to over 30 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions through 150 aggregators and includes books, photographs, paintings, newspapers, and more. Europeana's metadata is available for anyone to reuse under a CC0 public domain waiver.

Culture Untapped: inspirational content & fresh ideas for your games

Milena Popova

Games are often brain- and resource-intensive projects. Why not save precious time and exploit untapped, powerful sources of inspiration and material? Discover Europeana, a digital platform for culture giving access to over 43 million records of great thematic and media variety, coming from 3300 heritage organizations and available in 31 languages. This presentation shows how this huge database can help game creation process with fresh ideas and “building blocks” of diverse and high-quality digital content. Game developers will look at inspiring content picks, learn more about technical tools and services to access and use the digital material and see some real-life examples of creative re-use of cultural content in educational and tourism games.

Europeana Network Association AGM 2016 - 8 November - Speaker: Markus Krötzsch

Europeana

Wikidata is Wikipedia's sister database project, which is a large multilingual knowledge base that anyone can edit. It contains over 24 million data entities and 150,000 contributors. Data is stored per entity as property-value assignments, and can have annotations and references. Wikidata serves as a cultural heritage information hub, containing data on over 700,000 entities with heritage status. It has strong connections to Wikipedias, cultural heritage databases, and external data sources. New users are encouraged to connect their data to Wikidata by joining ongoing integration projects, donating data, and finding ways to exploit Wikidata content and infrastructure.

Rijksstudio Museumnext 2013

Peter Gorgels

The document discusses the new digital strategy and website of the Rijksmuseum in Amsterdam. Key points: 1) The Rijksmuseum launched a new website and Rijksstudio initiative on April 13, 2013 to make its collection of 125,000 digitized artworks accessible online. 2) Rijksstudio allows users to zoom in on high resolution images, save, share and get creative with artworks. Over 71,000 Rijksstudios have been created and 110,000 personal sets made so far. 3) The new website was designed like an app, prioritizing large images over text. It has been highly successful, increasing visitors by 100% and time spent on

This document summarizes a meeting of the Europeana Aggregator Forum that took place in Rome from 21-23 October 2015. It discusses the Europeana Publishing Framework, which has four tiers of participation from search engine to distribution platform. A content strategy is presented that focuses on acquiring and prioritizing quality metadata and content. The aggregation landscape and roles of different organizations are also addressed, with a goal of shared infrastructure and expertise hubs between the Europeana Foundation and national aggregators.

Europeana Network Association Members Council Meeting 2019, The Hague by Emil...

Europeana

This document provides an action plan for the Europeana Communicators group for the first quarter of 2019. It outlines several activities and ways for members to get involved, including: contributing to a community calendar, participating in Europeana Women's Season on International Women's Day, adding themselves to an interactive map of members, creating "how-to" videos on communication tools, using recommended hashtags on social media, participating in "solve-it" sessions on communications issues, and monitoring the success of outreach efforts through surveys and engagement metrics. The overall aims of the group are to promote digital cultural heritage and support each other's professional development in communications.

Europeana Essentials - Latest

Europeana

Europeana is a digital platform that provides access to over 31.5 million digitized items from European cultural heritage institutions. It aims to make cultural works openly accessible online. Content is aggregated from over 2,300 institutions and includes books, photographs, paintings, newspapers, and more. Europeana's goal is to engage people with cultural heritage through its website and by facilitating reuse of its data through APIs and hackathons.

3/11 ignite talk 5. david pond , muzeums, “an architect, a priest and 2 child...

Europeana

Europeana Strategic plan 2011-2015

Europeana

Europeana has established itself as a trusted source of digitized European cultural heritage content by aggregating material from over 1500 memory institutions. This strategic plan outlines Europeana's goal to further expand and improve its collection by increasing the diversity of content, extending its network of content providers and aggregators, and enhancing the quality of metadata over the next five years.

Museums and Europeana

Museums Computer Group

Europeana Aggregators' Fair day 2

Europeana

This document provides an agenda and summaries for Day 2 of the AggregatorsFair2021 event. It outlines the day's schedule including sessions on capacity building, panels on aggregation topics, and parallel sessions. The parallel sessions will cover structures of national aggregators, a self-assessment tool for digital transformation, discussions on diversity and inclusivity in collections, and MINT for aggregators. It also provides summaries and speaker details for some of the parallel sessions including the latest insights from the German Digital Library, the inDICEs self-assessment tool, and starting discussions on diversity in collections.

Europeana web conference portuguese presidency of the council of the eu - jun...

Europeana

The document provides information about a two-day digital conference on capacity building in the cultural heritage sector. Day 1 includes opening remarks, a debate on defining capacity building, and a workshop. Day 2 includes case studies on various capacity building programs and a second workshop. The document outlines the schedule, participation guidelines, and programming for both days of the conference.

Why join Europeana?

Europeana

Europeana Network Association AGM 2017 - 6 December - Highlights 2017

Europeana

The document outlines the highlights and priorities of the Europeana Network Association (ENA) for 2017 and 2018. It discusses ENA's joint aspiration to transform the world with culture by making Europe's cultural heritage accessible online. It describes ENA's approach of collaborative work between cultural and technology experts. Key priorities for 2018 include supporting the European Year of Cultural Heritage, running campaigns on migration history and cultural heritage, and the EuropeanaTech conference. The document calls on members to help build communities around cultural topics.

Europeana 2019 - Connect Communities - 27-28 November 2019 - Auditorium

Europeana

Slides 2 - 39:Europeana Network Association General Assembly by Marco de Niet, Georgia Angelaki, Erwin Verbruggen, Fred Truyen and Sara Di Giorgio Slide 40: Keynote Frédéric Kaplan Slide 41: State Secretary Angela Ferreira Slide 42: Wrap up day one by Marco de Niet Slide 45: Welcome by Marco de Niet Slide 46: Welcome by Maria Ines Cordeiro Slide 47: Europeana Strategy 2020+ by Rehana Schwinninger-Ladak Slides 48 - 142: Developments at Europeana by Harry Verwayen Slides 143 - 147: Welcome & Introduction to the conference programme by Marco de Niet Slides 149 - 191: The Europeana Innovation Agenda highlights by Ina Blümel, Johan Oomen, Sara Di Giorgio, Lorna Hughes, Pedro Santos and Andy Neale Slides 193 - 194: Introduction of the afternoon programme by Fred Truyen Slides 195 - 231: We transform the world with culture by Harry Verwayen, Elisabeth Niggemann, Rehana Schwinninger-Ladak, Katherine Heid and Merete Sanderhoff Slides 232 - : The Europeana Innovation Agenda highlights by Gregory Markus, Chris Dijkshoorn, Maarten Dammers and Harald Sack Slide 285: Pitch your project (See pitch your project presentation slides) Slides 286 - 290: Unsung Heroes by Marco de Niet Slides 291 - 292: Wrap up and closure of day two by Sara Di Giorgio

Europeana Network Association Members Council Meeting, Copenhagen by Uldis Za...

Europeana

The Europeana Foundation aims to transform the world with culture by building on Europe's rich cultural heritage and making it easier for people to access digital content for various purposes. It works with the Europeana Network Association, comprised of diverse organizations across Europe, to realize a common digital platform for cultural and scientific heritage. The Foundation's Governing Board is responsible for strategy and priorities while staff provide technical expertise and maintain the Europeana platform in line with open standards. The goal is to increase access to and reuse of cultural heritage collections through engagement campaigns, apps, and partnerships worldwide.

French Presidency - 1 march 2022

Europeana

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

1. The document discusses common practices among national aggregators that provide access to cultural heritage objects. It covers areas like mission, domains, communication services, staffing, data, and technical infrastructure. 2. Key activities of national aggregators include giving free and high quality access to cultural heritage objects through a single point of access, as well as promoting their country's cultural resources and setting quality standards. 3. The document provides details on common approaches to areas like modules development, hardware infrastructure, metadata mapping and processing, and cooperation with Europeana. It also discusses future trends and makes recommendations around developing a national strategy and framework.

Europeana Network Association AGM 2017 - 6 December - Europeana 1914-18 Wikim...

Europeana

The document summarizes the results of the Europeana 1914-1918 Wikimedia Challenge. It announces that Wikimedia Romania won the overall competition for its impressive portfolio of activities related to World War 1 cultural heritage, including uploading over 800 articles and 1200 images to Wikipedia and Wikimedia Commons from Europeana and other partners. It provides details on Wikimedia Romania's project activities like running Wikisource transcriptions and contributing materials across multiple platforms. Wikimedia Austria and Wikimedia Norway won awards for innovation and quality, while Wikimedia UK won an award for diversity.

Promoting Austrian Cultural and Scientific Heritage via EUROPEANA

EuropeanaConnect

Europeana Network Association Members Council Meeting 2019, The Hague by Marc...

Europeana

The document summarizes discussions from a Members Council meeting that took place in The Hague from March 5-6, 2019. Key topics discussed included: 1. Updates on Europeana Foundation activities and the vision/strategy for the Europeana Network Association for the next 2 years. 2. Feedback from the previous Members Council on their experiences and advice for the new council. 3. An evaluation of the Europeana Network Association, including strengths, weaknesses, opportunities, and threats. 4. Plans for the Europeana Network Association to contribute to the development of Europeana's 2021-2025 strategy.

Europeana creative sound archives and social networks @ British and Irish S...

Lizzy Komen

Open Images: Culture is lively, when it is reused!

maartenbrinkerink

The Netherlands Institute for Sound and Vision (NISV) manages over 70% of Dutch audiovisual heritage in its collection, including over a million hours of television, radio, music and film from 1898 to present. NISV aims to make as much of its collection publicly available online as possible under various open licenses, while obtaining permissions for material with third party rights. Its Open Images platform shares over 150 hours each of video and audio openly online, which has been reused over 160 million times on Wikipedia and elsewhere, though this represents only 0.03% of NISV's total collection.

Europeana4education

LangOER

Europeana is a digital platform providing access to over 53 million digitized cultural heritage items from across Europe. It aims to make these resources available for educational purposes through partnerships with organizations in the formal and informal education sectors. These distribution partners help integrate Europeana's content into their own systems and environments to strengthen the relationship between education and culture. Europeana also facilitates greater promotion and reuse of cultural heritage through policy work and by highlighting open initiatives that utilize its collection. A variety of resources are available on Europeana, including items that can be freely reused, collections in different languages, and tools to search for openly licensed content.

Mining the Jewels of the DPLA

Georgia Libraries Conference (formerly Ga COMO).

This document summarizes a presentation about the Digital Public Library of America (DPLA) and how it can be used for educational purposes. It discusses what the DPLA is, why primary sources should be used to support classroom instruction, and how educators can access and incorporate primary sources from the DPLA into their lessons. The presentation also outlines upcoming initiatives from the DPLA to further support educators, such as releasing collections of primary source sets on topics like US history and culture and developing tools to build customized primary source sets.

Europeana v1.0 Overview and ambitions

Europeana

This document summarizes the objectives and work packages of the Europeana v1.0 Work Group meeting on April 2-3, 2009. The objectives were to maintain stakeholder engagement, create an operational Europeana service, disseminate the service to users, and establish sustainable funding. The work was divided into 6 work packages related to developing partnerships, business, functionality, building the Europeana platform, dissemination, and management. Key milestones included releasing the first version by year 1 and obtaining 10 million digitized content items by 2010 through various contributors and aggregators.

What's hot

europeana agm 2015, 4/11, bp 2015 to 2016 -new publication framework aggregat...

Europeana

Europeana Network Association Members Council Meeting 2019, The Hague by Emil...

Europeana

Europeana Essentials - Latest

Europeana

3/11 ignite talk 5. david pond , muzeums, “an architect, a priest and 2 child...

Europeana

Europeana Strategic plan 2011-2015

Europeana

Museums and Europeana

Museums Computer Group

Europeana Aggregators' Fair day 2

Europeana

Europeana web conference portuguese presidency of the council of the eu - jun...

Europeana

Why join Europeana?

Europeana

Europeana Network Association AGM 2017 - 6 December - Highlights 2017

Europeana

Europeana 2019 - Connect Communities - 27-28 November 2019 - Auditorium

Europeana

Europeana Network Association Members Council Meeting, Copenhagen by Uldis Za...

Europeana

French Presidency - 1 march 2022

Europeana

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

Europeana Network Association AGM 2017 - 6 December - Europeana 1914-18 Wikim...

Europeana

Promoting Austrian Cultural and Scientific Heritage via EUROPEANA

EuropeanaConnect

Europeana Network Association Members Council Meeting 2019, The Hague by Marc...

Europeana

Europeana creative sound archives and social networks @ British and Irish S...

Lizzy Komen

Open Images: Culture is lively, when it is reused!

maartenbrinkerink

Europeana4education

LangOER

What's hot (20)

europeana agm 2015, 4/11, bp 2015 to 2016 -new publication framework aggregat...

Europeana Network Association Members Council Meeting 2019, The Hague by Emil...

Europeana Essentials - Latest

3/11 ignite talk 5. david pond , muzeums, “an architect, a priest and 2 child...

Europeana Strategic plan 2011-2015

Museums and Europeana

Europeana Aggregators' Fair day 2

Europeana web conference portuguese presidency of the council of the eu - jun...

Why join Europeana?

Europeana Network Association AGM 2017 - 6 December - Highlights 2017

Europeana 2019 - Connect Communities - 27-28 November 2019 - Auditorium

Europeana Network Association Members Council Meeting, Copenhagen by Uldis Za...

French Presidency - 1 march 2022

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana Network Association AGM 2017 - 6 December - Europeana 1914-18 Wikim...

Promoting Austrian Cultural and Scientific Heritage via EUROPEANA

Europeana Network Association Members Council Meeting 2019, The Hague by Marc...

Europeana creative sound archives and social networks @ British and Irish S...

Open Images: Culture is lively, when it is reused!

Europeana4education

Viewers also liked

Mining the Jewels of the DPLA

Georgia Libraries Conference (formerly Ga COMO).

Europeana v1.0 Overview and ambitions

Europeana

Museums temples of delight

museumhack

Museums Can Change - Will They?

museumhack

Trove Updates - Kilo Edition

OpenStack Foundation

- Juno release of OpenStack Trove added support for Neutron networks, asynchronous MySQL replication, MongoDB clustering, and new datastores like PostgreSQL and Couchbase. - In Kilo, Trove specifications were moved to Gerrit for improved tracking and reviews. Initial implementations of CouchDB and Vertica were added, along with improvements to replication and clustering. - Kilo also focused on paying off technical debt, simplifying operations, and building out the community.

What’s New with DPLA?

WiLS

DPLA's Archival Description Working Group Update

Gretchen Gueguen

The working group will develop recommendations for incorporating collection-level context and descriptions into the Digital Public Library of America (DPLA). This will include exploring solutions to support both item-level and aggregate descriptions of digital objects. The group will examine how collection information could be useful in search results, limiting searches by collection, and enhancing item descriptions. They will develop user scenarios, analyze metadata and UI needs, and produce a white paper with recommendations on data models and tools to integrate collection context into the DPLA.

Europeana Strategy Workshop Distribute & Engage

Europeana

We want to make digital cultural heritage available to users wherever they are and to cultivate new ways for users to get involved with their cultural heritage. To do this, Europeana is shifting from portal-thinking to platform-thinking, but what does this really mean in practice? Should we focus on building and marketing the best possible APIs and encouraging others to use them? Or should we still try to play a role in reaching end-users directly? What are the metrics for success in these scenarios? Read more about this workshop in the blog: http://pro.europeana.eu/pro-blog/-/blogs/1960651

Viewers also liked (8)

Mining the Jewels of the DPLA

Europeana v1.0 Overview and ambitions

Museums temples of delight

Museums Can Change - Will They?

Trove Updates - Kilo Edition

What’s New with DPLA?

DPLA's Archival Description Working Group Update

Europeana Strategy Workshop Distribute & Engage

Similar to AGM 2015 - 4/11 - BP 2016

Greenpaper creative industries

pesec

The document discusses the potential of cultural and creative industries in Europe. It notes that these industries represent an innovative and growing sector that contributes billions to the EU GDP. However, Europe has yet to fully develop a strategic approach to leverage its cultural assets into a powerful creative economy. The Green Paper aims to explore how the EU can create the right conditions for these industries to innovate, drive economic and social change, and unlock their potential for growth and jobs.

GREEN PAPER

Rogério Santos

The document discusses the potential of cultural and creative industries (CCIs) in Europe. It notes that CCIs represent an innovative and growing economic sector that contributes billions to the EU GDP. However, CCIs face challenges from digital shifts, globalization, and piracy that threaten traditional business models. The document calls for strategic action to help CCIs adapt, innovate, access funding, and develop new skills in order to better unlock their economic and social potential for Europe.

Europeana 2019 - Connect Communities

Europeana

Slides 2 - 35: Introduction to Impact Workshop by Dafydd Tudur, Maja Drabczyk, Julia Fallon and Simon Tanner Slides 36 - 68: Music to my ears: Making rights understandable by Juozas Markauskas and Jurga Gradauskaite Slides 70 - 92: Achieving inclusivity & diversity in the Europeana Network by Killian Downing, Larissa Borck and Tola Dabiri Slides 94 - 123: Communicating the value of digital culture to stakeholders by Susan Hazan, Eleanor Kenny and Katherine Heid

TCI 2014 World class cluster born on reindustrialization of Olivetti settlement

TCI Network

This document summarizes the development of a world-class cosmetics cluster in Crema, Italy that was born from the reindustrialization of the historic Olivetti settlement. Key steps included mapping local industry specializations, analyzing the cosmetics value chain with local companies, prioritizing initiatives like improving visibility and training, and establishing a cluster organization called Polo Cosmesi with over 150 member firms that benefits from joint initiatives, services, and internationalization support. The success of the cluster is attributed to strong leadership, a willingness to evolve, active involvement from public and private partners, and a focus on building trust between members.

CreativeeconomyUk Picnic08

LucyHooberman

The document discusses the creative economy in the UK, outlining the vision and strategy as well as unique aspects. It notes that the creative industries contribute £60 billion annually and employ over 2 million people. The BBC and Channel 4 are highlighted as playing important roles in stimulating the creative economy through funding, talent development, and demand generation. The EU dimension is also briefly discussed in terms of intellectual property registration and the Lisbon Process.

What are we talking about when we talk about European Union funding for culture

Juan Pedregosa

Europeana Fashion @EVA/Minerva 2013

Marco Rendina

Fashion is an important part of the European Cultural Heritage, and it is increasingly recognised for its important research value to other academic disciplines, including arts, culture, sociology and communication. Since the beginning of the XX century some of the most important public and private cultural institutions and museums of applied arts in Europe have begun collecting and preserving garments, accessories, catalogues, fashion magazines and other documents and materials related to fashion. This has resulted in a growing number of impressive and unique collections that Europeana Fashion will bring together online. Despite the growing importance of fashion heritage, there is a lack of freely accessible fashion content and contextual information on-line. That’s why the Europeana Fashion project has started a collaboration with the local Wikimedia Chapters around Europe -and not only- with the aim to bring new fashion related knowledge and content to Wikipedia, the World free encyclopaedia. Since March 2013, the Europeana Fashion partners are organising a series of events in collaboration with Wikimedia, called edit-a-thons, in which volunteers from the Wikipedia support organisation and a crowd of students, bloggers, researchers, curators and fashionistas come together to edit and contribute new fashion related information to Wikipedia, using content made available by Europeana Fashion. In his presentation, Marco Rendina will tell more about this collaboration and how it has started an online relationship that could expand our understanding of the fashion heritage and the online available knowledge of the fashion domain at large. For more information on the project, please visit: http://www.europeanafashion.eu

INFORME DE LA OMC (OPEN METHOD OF COORDINATION)

Conexiones improbables

Coronavirus (COVID-19) and cultural and creative sectors: impact, policy resp...

OECD CFE

This document announces a webinar on the impact of the coronavirus pandemic on cultural and creative sectors, policy responses, and opportunities for recovery. It provides an overview of short-term challenges for small and medium enterprises and cultural organizations, including loss of income and limited access to funding. It also discusses longer-term opportunities for digitalization and new forms of cultural production and distribution. The webinar aims to discuss expected impacts, innovative solutions, and needed policy support actions.

Birmingham - URBACT Project Creative SpIN Lead Partner

URBACT

The document discusses Birmingham's participation in the Creative SpIN (Spillovers of Innovation) project. Creative SpIN aims to connect cultural and creative industries with other sectors to provide innovation and economic growth. Birmingham will focus on testing spillovers between creative industries and the health sector. The objective is to develop cross-sector collaborations and a multidisciplinary skills approach. Birmingham will work with its Creative SpIN partners and a local support group to identify practical methods for collaboration in the Ladywood district, with the goals of improving health, employment, and personal responsibility. Birmingham will host a Creative SpIN partners summit in 2015 to highlight evidence of cross-sector spillovers.

SIC Launch Event: The state of the union

Social Innovation Exchange

This document discusses social innovation research funded by the EU Framework Programme for Research and Innovation (Horizon 2020). It focuses on research conducted under Societal Challenge 6 on inclusive, innovative and reflective societies. This includes several past and current research projects exploring topics like social entrepreneurship, social services innovation, and poverty reduction. The 2017 work program for Challenge 6 is outlined, with four main calls and 29 total topics addressing issues like education, inequalities, cultural participation, and migration. Brief descriptions are provided for several of the 2017 topics.

Temple Bar Talks: P. Kern

TBCT

Digital Libraries and Europe

Nicholas Poole

Collections Trust is a UK organization that helps cultural heritage institutions manage their collections digitally. It has created platforms like Culture Grid that aggregate over 1.7 million images from museums and libraries. The EU has invested in digitizing European cultural heritage through initiatives like i2010 and Europeana, an online portal providing access to cultural works. Collections Trust coordinates UK involvement in Europeana and represents the UK in discussions around accelerating the rate of digitization.

Strategy 2015-2020 transcript - Europeana Network AGM - Harry Verwayen - 2 De...

Europeana

Harry Verwayen, Business Director of Europeana, outlines a draft strategy for 2015-2020. The strategy aims to shift Europeana from a portal to a platform by focusing 80% of efforts on developing tools and services like APIs to enable others to build on Europeana's data. Other key objectives are to improve data quality, increase re-usable content by promoting open policies, support materials in the public domain, and improve discoverability across languages. The strategy is meant to add value for partners by opening access to content while respecting rights and attribution. Verwayen believes this agenda aligns with the Network's values and ambitions.

Creative industries: EU Policy: McGill Globalization Forum

Lidia Varbanova

Think_Creative_24pp_WITH DIAG_LR_EM_FINAL_PACK

Mathew Faulkner

The document discusses trends in the creative industry in Europe. It notes that the creative industry contributes 4.2% of Europe's GDP and is the third largest employer. Visual arts, advertising, and TV are the largest sectors. The creative industry is resilient and growing, especially in major cities that have become creative hubs. Digital technology is a major trend disrupting and enabling new opportunities in the creative industry, like customization and personalization of products. Print service providers can tap into the growth of the creative industry through providing customized printed materials and packaging.

Cultural and Creative Sector : something to stand for!

SviluppoBasilicata

This document discusses the importance of supporting the cultural and creative sector. It notes that fundamental changes in the economy and institutions require new approaches to supporting local cultural development. Specifically, the rise of large digital companies threatens local cultural industries, but these companies neglect niche markets that local initiatives could fill. Additionally, cultural power is shifting from national to local authorities, who are now major funders of creativity. The document argues that an inter-regional approach integrating local communities is needed for European cultural policy going forward.

Catherine Magnant: Culture, creativity and innovation in the new Commission

ECIAonline

Ccic module 5 - part 2 eu funding for creatives

caniceconsulting

This document provides information about EU funding opportunities for creative entrepreneurs and organizations through the Creative Europe program. It describes the various sub-programs and funding streams available, including Creative Europe Networks, European cooperation projects, European Platforms, and MEDIA support. Eligible activities, applicant requirements, maximum funding amounts and deadlines are outlined for each sub-program. Contact information is provided for Creative Europe Desks that can help connect applicants to opportunities.

ECIA_report_Create-Innovate-Grow-1

Mary McAuliffe

The document proposes a new policy agenda to maximize the innovative contributions of Europe's creative industries. It recommends 10 policy actions to stimulate innovation and growth through cross-sectoral collaboration, build better business support and access to finance in regional ecosystems, and measure and raise awareness of the value of the cultural and creative industries. The recommendations are based on work by the European Creative Industries Alliance Policy Learning Platform to understand challenges facing creative SMEs and provide benchmark policy cases and suggestions.

Similar to AGM 2015 - 4/11 - BP 2016 (20)

Greenpaper creative industries

GREEN PAPER

Europeana 2019 - Connect Communities

TCI 2014 World class cluster born on reindustrialization of Olivetti settlement

CreativeeconomyUk Picnic08

What are we talking about when we talk about European Union funding for culture

Europeana Fashion @EVA/Minerva 2013

INFORME DE LA OMC (OPEN METHOD OF COORDINATION)

Coronavirus (COVID-19) and cultural and creative sectors: impact, policy resp...

Birmingham - URBACT Project Creative SpIN Lead Partner

SIC Launch Event: The state of the union

Temple Bar Talks: P. Kern

Digital Libraries and Europe

Strategy 2015-2020 transcript - Europeana Network AGM - Harry Verwayen - 2 De...

Creative industries: EU Policy: McGill Globalization Forum

Think_Creative_24pp_WITH DIAG_LR_EM_FINAL_PACK

Cultural and Creative Sector : something to stand for!

Catherine Magnant: Culture, creativity and innovation in the new Commission

Ccic module 5 - part 2 eu funding for creatives

ECIA_report_Create-Innovate-Grow-1

More from Europeana

Europeana Climate Action Community meetup 29_03_2022.pdf

Europeana

Europeana 2019 - Connect Communities - 29 November 2019 - Auditorium

Europeana

Slides 2 - 6: Introduction to the programme by Georgia Angelaki Slides 7 - 9: Keynote Michael Edson Slides 10 - 40: Europeana Aggregators Forum by Marco Rendina Slides 42 - 75: Promoting Cultural Heritage with digital invasion by Altheo Valentini-Egina and Marianna Marcucci Slides 77 - 97: Opportunities for digital cultural heritage and the public domain, under the EU Copyright Rules by Paul Keller, Steven Stegers, Jurga Gradauskaite, Antje Schmidt, Sebastiaan ter Burg and Harry Verwayen Slides 98 - 101: Climate Call for Action: Outcomes by Barbara Fischer Slides 102 - 114: Wrap up and closure by Marco de Niet

Europeana 2019 - Connect Communities - Pitch your project

Europeana

Slides 3 - 10: The GIFT Box: Helping museums make richer digital experiences for their visitors by Anders Sundnes Lovlie Slides 11 - 18: Between people and things - Transfer of knowledge at SHMH by Elisabeth Böhm Slides 19 - 30: Automated recognition of historical image content by Tino Mager Slides 31 - 51: 50s in Europe: Kaleidoscope by Sofie Taes Slides 52 - 63: CrowdHeritage: Crowdsourcing Platform for Enriching Europeana Metadata by Vassilis Tzouvaras Slides 64 - 73: One by One: developing digital literacy in museums by Anra Kennedy Slides 74 - 85: HeritageMaps.ie - Ireland's One-Stop Heritage Portal by Patrick Reid Slides 86 - 90: Open GLAM now! - Sharing knowledge openly online by Larissa Borck Slides 91 - 103: Endangered Archives Programme the world's most diverse online archive by Tristan Roddis Slides 104 - 109: We transform the world with culture - Our impact on climate change by Barbara Fischer, Killian Downing and Peter Soemers

Europeana 2019 - Connect Communities

Europeana

Slide 2 - 66: Shaping innovatin in education with cultural heritage by Fred Truyen, Steven Stegers, Evita Tasiopoulou and Marco Neves Slides 67 - 152: Multilingual access and machine translation by Andy Neale, Antoine Isaac, Pavel Kats, Alex Raginsky and Sergiu Gordea Slides 155 - 164: How to implement the FAIR principles in digital culture by Sara Di Giorgio, Saskia Scheltjens and Makx Dekkers, Seamus Ross, Franco Niccolucci and Erzsébet Tóth-Czifra Slide 166: EuropeanaTech Unconference by Clemens Neudecker

Europeana meeting under Finland’s Presidency of the Council of the EU - Day 2...

Europeana

Here are a few approaches to address the context demand challenge for machine translation of cultural heritage content: - Leverage knowledge graphs and ontologies to disambiguate terms based on conceptual relationships - Train domain-specific models on large cultural heritage corpora to capture nuances of language use in different contexts - Perform multi-task learning to optimize models for both translation accuracy and conceptual mapping between languages - Allow users to provide feedback to iteratively improve disambiguation of ambiguous terms over time - Develop specialized interfaces that surface contextual clues from objects to help machine translation The goal is to mimic how humans understand intended meaning based on surrounding context clues. Combining linguistic and conceptual techniques can help machines do the same.

Europeana meeting under Finland’s Presidency of the Council of the EU - Day 1...

Europeana

This document discusses multilingualism in digital cultural heritage. It begins by outlining some of the challenges of multilingual access, including mismatches between user queries and content languages, heterogeneity in queries, and issues with translating metadata. It then discusses some options for bridging the language gap, such as translating queries, content, and metadata; enriching metadata; and adapting systems to better support multilingual exploration. While progress has been made, areas that still need work include improving machine translation for small languages and specialized domains, evaluating solutions, and developing multilingual entity graphs to aid exploration.

The Europeana meeting under the Romanian Presidency, “Exposing Online the Eur...

Europeana

The document discusses the Culturalia.ro platform, a digital library and national shared catalog in Romania that functions similarly to Europeana. It notes that the platform allows both institutions and the general public to contribute content, but that some data requires access controls due to varying levels of competence and permissions. The access controls establish a hierarchy of authorities and reading/writing permission levels from 0-9 to manage who can view or edit which resources. Intellectual responsibility is also important, as the platform allows public comments on statements while maintaining provenance of ingested legacy and imported metadata.

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

This document discusses several topics related to AI and digital culture including metadata enrichment, machine learning, deep neural networks, supervised learning, datasets, crowd and machine intelligence, and semantic enrichment. Metadata can be enriched through manual and automatic processes including machine learning. Machine learning algorithms use sample training data to make predictions while deep neural networks and supervised learning use labeled input-output datasets. Large annotated datasets are needed to train machine learning models and crowdsourcing can be used to obtain this data. Crowd and machine intelligence can cooperate by using crowdsourced labels to train models and models to validate labels. Semantic enrichment involves mapping metadata to controlled vocabularies using tools like those developed by EKT to normalize values.

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

The Finnish National Gallery has adopted an open access policy to share digital images of its collections online through its own website and Europeana. It began by sharing archival materials in 2012 under Creative Commons licenses. In 2018, it launched sharing over 12,000 high-resolution images from its art collections with a CC0 license on both its website and Europeana. This was the result of collaboration between the Gallery and Europeana to improve access to the collections online. The open access policy aims to make the collections, which belong to the Finnish people, more accessible to wider audiences and to support education, research, and creative reuse. It has been positively received as responding to audience needs and expectations.

The Europeana meeting under the Romanian Presidency, Exposing Online the Euro...

Europeana

Europeana Network Association Members Council Meeting 2019, The Hague by Juli...

Europeana

The document discusses the copyright community established in 2018 by the Digital Europe Aggregator (DEA) to build an engaged community on copyright issues. It provides background on the community's growth from 159 members in 2018 to 750 members in 2019. It also outlines the steering group composition and discusses ideas for increasing participation and membership, such as identifying common pain points, developing workshops on the EU copyright directive, and better utilizing communication channels.

Europeana Network Association Members Council Meeting 2019, The Hague by Gina...

Europeana

The document discusses plans for the Europeana Annual Event in 2019. It aims to create more awareness for Europeana and its network, engage representatives as well as others interested in knowledge sharing, and save people's time. The event will highlight Europeana communities and include plenary sessions, parallel sessions, and pre-meetings. It is recommended to organize the event in early November in one of the top represented countries, promote both within and outside the network, ensure diversity in the program, and offer different ticket prices. Next steps include setting up a program committee and finding a venue that can accommodate at least 300 people.

Europeana Network Association Members Council Meeting 2019, The Hague by Alba...

Europeana

This document summarizes information about the Europeana Research Community, including that it has 1,268 members, 54% of members are interested in research, and it shares best practices, organizes events and webinars, and builds joint projects. It also lists the community's channels and connections to Europeana collections, APIs, R&D projects, and partnerships and expertise. Finally, it mentions a Research Task Force that makes recommendations to enhance scholarly awareness and re-use of digital cultural heritage.

Europeana Network Association Members Council Meeting 2019, The Hague by Harr...

Europeana

Europeana Network Association Members Council Meeting 2019, The Hague by Isab...

Europeana

This document describes the Europeana Education community, which aims to strengthen the connection between cultural heritage and education. The community has over 2,300 members, with teachers making up 65% of the profile. Its goals are to understand educators' needs regarding digital cultural heritage, improve discoverability of education content on Europeana, and mainstream use of digital culture in education. The community communicates through various channels and plans activities in 2019 like identifying new members, showcasing case studies, and advocating for improved cultural data for education.

Europeana Network Association AGM 2018 - 5 December, Vienna - Europeana 10 ye...

Europeana

Europeana Network Association AGM 2018 - 5 December, Vienna - Rethinking Comm...

Europeana

More from Europeana (20)