A2 exam combinations and alliances
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The document provides guidance and tasks for a half term assignment on combinations and alliances in photography. It includes suggested gallery visits, sample photographers and artworks, and prompts for three initial observational ideas combining objects in different formats. Suggested themes include celebrity, politics, fame, and conflict. Sample photographers mentioned include Sam Taylor-Wood, Laura Letinsky, Edward Steichen, Bill Brandt, Rene Magritte, Nan Goldin, Henri Cartier-Bresson, Francesca Woodman, Tracey Moffatt, Lee Friedlander, Chuck Close, Andy Warhol, Alfred Eisenstaedt, Robert Doisneau, John Everett Millais, Steve McQueen, Steven Pippin,
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The document outlines seven modes of documentary filmmaking: poetic, expository, participatory, observational, reflective, and performative. It provides examples for each mode to illustrate characteristics. Poetic documentaries rely on juxtaposition to create mood, while expository documentaries aim to inform through narration. Participatory documentaries emphasize interaction between filmmaker and subject. Observational documentaries observe subjects without interfering. Reflective documentaries focus on the filmmaking process. Performative documentaries emphasize the filmmaker's involvement in exploring a topic.
Proofread My Essay College Application Letter Examples
The document provides instructions for requesting writing assistance on the HelpWriting.net website. It outlines a 5-step process: 1) Create an account with a password and email. 2) Complete an order form with instructions, sources, and deadline. 3) Review bids from writers and select one. 4) Review the completed paper and authorize payment. 5) Request revisions to ensure satisfaction, with a refund offered for plagiarized work.
Montage
This document provides an overview of montage in filmmaking. It defines montage as the process of selecting and editing separate film segments to form a continuous whole. It discusses different styles of montage used in American, Soviet, French, and German film. Sergei Eisenstein is discussed as a pioneer in narrative filmmaking and the use of montage to evoke emotions. His methods of montage including metric, rhythmic, tonal, overtonal, and intellectual montage are explained. Eisenstein's views on the features of film and his dialectic approach to film form through visual and audio-visual counterpoints are also summarized. His famous film Battleship Potemkin is discussed as an example that tested his mont
Case study
Michel Gondry is a French film director, screenwriter and producer born in 1963 known for his creative visual style. Some of his most famous films include Eternal Sunshine of the Spotless Mind, for which he won an Oscar, and The Science of Sleep. He is also renowned for his music video collaborations with artists such as The Chemical Brothers, Bjork and The White Stripes. Gondry's films and videos have a postmodern theme and utilize surreal techniques like props and looping effects.
Digital Music Video
This document provides information about an event showcasing digital and kinetic animation works. It includes a list of animated works that will be shown, such as "6 Weeks in June" by Stuart Hilton and "Magnetic Movie" by Semiconductor. Details are given about speakers who will discuss related topics like the demoscene, visual music, and expanded cinema. The document also mentions plans to discuss copyright issues and the potential for future events.
Ice Cube
Ice Cube has transitioned from hardcore gangsta rapper to leading man in family films. However, the essay argues that Cube's film characters are still coded as gangstas, showing he has not shaken this association. The writer discusses writing an essay on Cube's changing star persona that will be published in an online film journal.
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Pictorialism, Photo-Secession, and Straight Photography were three major photographic movements between 1870-1930. Pictorialism aimed to express feelings and engage the senses through manipulated images focused on beauty rather than facts. The Photo-Secession movement was founded by Alfred Stieglitz in 1902 and sought to elevate photography to an art form while respecting its mechanical origins. Straight Photography emphasized photography's technical capabilities to sharply depict scenes in focus and detail without manipulation. Major figures included Edward Weston, Ansel Adams, and Imogen Cunningham who were part of the f/64 group that further developed Straight Photography.
Aliens SoW 2022.pptx .pptx
Year 7 SoW examining the work of Yinka Shonibare and the idea of what it is to be an alien. Students work towards creating an alien from found materials.
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This document provides instructions for researching and presenting a social issue using a mind map format. Students are to choose a social issue assigned by their teacher, create a mind map that diagrams the key individuals involved and arguments for different perspectives on the issue. The mind map should include images and text to thoroughly convey researched information on the definition of the issue, its causes and affected groups, supporting facts and statistics, and existing systems to address it, as well as how others can help. An outstanding submission will have in-depth, well-supported research presented in a dynamic visual format using color, drawings, pictures and personal insights.
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Early Photography
The early history of photography began with artists in the Renaissance seeking to capture realistic representations of nature which led to the development of tools like the camera obscura. In the 18th century, scientists discovered ways to capture shadows using light-sensitive chemicals, laying the foundations for photography. The first permanent photograph was created by Joseph Niépce in 1826, while Louis Daguerre later invented the daguerreotype process in 1839, producing sharp metal plate images. Around the same time, William Henry Fox Talbot invented the calotype process using paper negatives, allowing images to be reproduced. Early photographers focused on portraiture and landscapes but their subjects expanded over time.
Past, Present & Future SoW
This document outlines an art project that explores past, present, and future techniques through a journey theme. It involves taking a sketchbook on a journey around the school, making observational drawings. Students will also complete mono-prints, take photos on their journey home, and draw from those photos. The project then introduces artists like Matisse, Hartill, Heckel, and Rauschenberg and their techniques like cut paper collages, embossing, linocuts, and collage. Students will experiment with these techniques, creating their own cut paper journey, relief prints, single and multicolor linocuts, and collages with lino prints. They will combine their best works in a final grid piece.
History of Photography, The Early Years
Photography began in the early 19th century when scientists discovered ways to capture images through chemical reactions on light-sensitive surfaces. The first permanent photograph was made in 1826 by Joseph Nicéphore Niépce in France, using a primitive camera to expose bitumen coated plates to light. By the late 1830s and 1840s, improvements in photographic processes and equipment allowed photography to become available for widespread experimentation and use.
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Year 12 abstraction 2
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Students in the Art department should be respectful of other students' artwork by not touching it, as damaged work could affect grades. They should also be respectful of materials by using fragile items carefully and following safety instructions when using sharp equipment. The sink area must also be kept dry and clean to prevent slips or water damage to artwork. Students are expected to bring a sketchbook to class to apply their best efforts and take risks in exploring different ways of working.
Year 12 abstraction 1
The document discusses non-objective art and abstraction through a series of disjointed phrases and instructions. It touches on key artists like Paul Klee, techniques like line drawing, and exercises focused on sensory awareness and drawing one's mouth from inner perception. The overall content explores abstraction and experimental approaches to seeing, thinking, and representing visual experiences through drawing.
A level first lesson 2019
Fortismere welcomes the recipient to their school. They provide two art tasks for the summer holiday involving creating drawings with different mediums on various surfaces based on themes, as well as visiting specified art exhibitions. Expectations for art lessons include being punctual, prepared, engaged, and cleaning up. Outside of lessons, independent art engagement is encouraged through gallery visits and keeping up with the art world. Resources for wider art reading and theory are recommended, including books, magazines, and apps. The first project this term is on abstraction, exploring techniques and receiving feedback. The second project focuses on diversity and developing a personal response over several weeks.
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A2 exam combinations and alliances
- 1. Combinations and Alliances Half term tasks Visual Collage Read the whole exam paper. Brainstorm the words- use a thesaurus and dictionary to do this thoroughly. Present a collection of images related to your initial research either in your photodiary or in a new tab for unit 4 on your weebly. These should include relevant, known photographers. Gallery Visit Visit: The Sunday Times Magazine 50th Anniversary Exhibition at the Saatchi Gallery. 31 January - 19 February 2012 (The exhibition is closed 11-14 Feb) http://www.thesundaytimes.co.uk/sto/public/magazine/article858993.ece Document your visit and discuss the work of at least three different photographers. Consider how themes link to the exam title- celebrity, politics, fame, conflict. While at the Saatchi also check out the current exhibition, particularly Hello World! Or: How I Learned to Stop Listening and Love the Noise by Christopher Baker. Practical Work Using your brainstorm and gallery visit as inspiration, record three starting points within your first set of observations. Your initial ideas must be in a format that can be presented to the whole group during your first lesson after half term.
- 2. Still life: combination of objects Sam Taylor Wood: ‘A Little Death’, 2002 Sam Taylor Wood: ‘Still Life’, 2001 http://www.youtube.com/watch?v=SIl9rO9sURE&feature=related http://www.youtube.com/watch?v=MIzXWGcb3u0&feature=related Laura Letinsky
- 3. Modernism In their Cubist paintings Braque and Picasso began to bring different views of the object together on the picture surface. This inspired the ‘joiners’ created by David Hockney. Edward Steichen Bill Brandt Rene Magritte Depicting everyday objects within abstract compositions was a concern of Dadaists, the F64 group and Surrealists. These combinations of objects challenge how we view these objects and allow us to appreciate the formal qualities.
- 4. Fischli and Weiss http://www.youtube.com/watch?v=fzQvLFSMlSg&feature=related Honda advert http://www.youtube.com/watch?v=_ve4M4UsJQo&feature=related Pin-pong tricks http://www.youtube.com/watch?v=GL0ov9O8L0s&feature=fvw
- 5. An alliance with the camera: the process of recording and documenting the everyday. Henri Cartier Bresson Nan Goldin
- 6. ‘She takes a photo every day: 4.5 years’ ‘Noah takes a photo of every day for 6 years’ http://www.youtube.com/watch?v=1llHXUfEdrI&feature=endscreen&NR=1 http://www.youtube.com/watch?v=6B26asyGKDo
- 7. Documentation of personal experiences. Tracey Emin Francesca Woodman Tracey Moffatt Creature Comforts Gillian Wearing ‘2 into 1’ http://www.youtube.com/watch?v=Ob-OVUoJ1RM&feature=related http://www.youtube.com/watch?v=h7y5uvyhHgc
- 8. Me, myself and I… Lee Friedlander Chuck Close Mariell Amelie Andy Warhol
- 9. Reunions Alfred Eisenstaedt Robert Doisneau Unknown John Everett Millais Unknown Norman Rockwell
- 10. Combinations of Movement Steve McQueen Thanks to the fortuitous positioning of a window, McQueen survives Buster Keaton’s famous gag sequence in Steamboat Bill Jnr. (1928) where the side of a house collapses on top of the hapless Keaton again and again. Each time his survival is filmed from a different angle. But whereas Keaton ran through a windstorm in Steamboat, in Deadpan McQueen doesn’t move. Different views of the moment of impact are repeated and reversed to create a sequence where the final Moment is suspended. http://www.in.com/videos/watchvideo-steve-mcqueen-deadpan-1997-5703453.html A response to Buster Keaton’s falling house stunt: http://www.youtube.com/watch?v=zsyRhRR5Iu4 Steven Pippin Kevin Batangan Harold Edgerton
- 11. Explosive Action Harold Edgerton Chemical reaction
- 13. Propaganda John Heartfield Daily Mirror Paul Peter Piech Peter Kennard
- 14. Alliance of image and text Victor Burgin Daniele Buetti Neville Brody Barbara Krugar