Nicola discovers evidence that Duessa, the Arch-Shepherdess, has been slowly poisoning King Cecil and intends to overthrow him. Nicola gains Duessa's trust by offering her services, while also warning her that she is ultimately loyal to King Cecil. Redcrosse is devoted to both Duessa and his duty, unaware of her treachery. Nicola works to gather more proof to present to King Cecil before Duessa can solidify her plans against him.
A Squeaky Clean Renaissance: King Cecil and the Dragonprofessorbutters
Sister Una is asked to help annex the kingdom of Snordwich by dealing with a supernatural problem plaguing the land - an elemental spirit demon that has been tricking people into harmful bargains. The demon spreads its influence to Puritania by striking a deal with merchant Lucretia. When traditional experts like Robert Galenus refuse to help, Sister Una must find a way to send the demon back on her own using only her virtues of peace and love. She is eventually able to do so, saving both kingdoms, though she refuses to take credit for her courageous actions.
A Squeaky Clean Renaissance, Chapter 4: Do Not Meddle in the Affairs of Wizardsprofessorbutters
King Cecil has hired a new wizard, Busyrane Subtle, to help with matters in his kingdom. However, Busyrane's first task of getting rid of squirrels in Burdley goes badly, as he accidentally burns down the entire forest. He is able to restore the forest and squirrels through a spell, securing an alliance with Burdley. Meanwhile, King Cecil survives an assassination attempt and hires the would-be assassin, Nicola Michaletto, after she identifies the slow-acting poison used. Nicola advises Cecil to only eat food prepared by his own hands from now on for safety.
1) King Cecil has travelled back in time and declared himself King of the new land of Puritania to bring about cultural and moral improvement.
2) He struggles to establish his authority as king without proof of his noble lineage. He is advised to take on a "professional relative" to help his claim, but comes to distrust this man.
3) Through his strong leadership and virtue, King Cecil eventually gains the respect of his people. He travels incognito to spread cultural improvement more widely, leaving his trusted blacksmith Fortis Mulcibera in charge during his absence.
The Miller's Tale tells the story of Nicholas, a poor Oxford scholar who boards with a carpenter and his young wife. Nicholas seduces the carpenter's wife while her husband is away. Meanwhile, the parish clerk Absalom also tries to woo the wife but is rejected. Nicholas plans to trick the jealous carpenter into thinking he is sick so that Nicholas can spend time with his wife without suspicion. The tale sets up a humorous rivalry and deception between the characters.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. The novel touches on themes such as the role of women in Victorian culture, sexual conventions, immigration, colonialism, and post-colonialism. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.
The story continues with Dracomeer the Wizard and Springle the Knight getting ready to set out on an important adventure into the Icey Peaks with a mysterious sword.
The document is a collection of short stories meant to teach lessons about humility, service, and accepting one's place. It includes:
1) A story about a donkey that is mocked but chosen by the King to carry his son because it is gentle and well-trained.
2) A story about a sheep that wants different wool coats (gold, porcelain, honey, lettuce leaves) but learns it is better as a simple sheep after being harmed each time.
3) Information that the stories are from a series of books written through automatic writing to teach lessons to children ages 7 to 10.
A Squeaky Clean Renaissance: King Cecil and the Dragonprofessorbutters
Sister Una is asked to help annex the kingdom of Snordwich by dealing with a supernatural problem plaguing the land - an elemental spirit demon that has been tricking people into harmful bargains. The demon spreads its influence to Puritania by striking a deal with merchant Lucretia. When traditional experts like Robert Galenus refuse to help, Sister Una must find a way to send the demon back on her own using only her virtues of peace and love. She is eventually able to do so, saving both kingdoms, though she refuses to take credit for her courageous actions.
A Squeaky Clean Renaissance, Chapter 4: Do Not Meddle in the Affairs of Wizardsprofessorbutters
King Cecil has hired a new wizard, Busyrane Subtle, to help with matters in his kingdom. However, Busyrane's first task of getting rid of squirrels in Burdley goes badly, as he accidentally burns down the entire forest. He is able to restore the forest and squirrels through a spell, securing an alliance with Burdley. Meanwhile, King Cecil survives an assassination attempt and hires the would-be assassin, Nicola Michaletto, after she identifies the slow-acting poison used. Nicola advises Cecil to only eat food prepared by his own hands from now on for safety.
1) King Cecil has travelled back in time and declared himself King of the new land of Puritania to bring about cultural and moral improvement.
2) He struggles to establish his authority as king without proof of his noble lineage. He is advised to take on a "professional relative" to help his claim, but comes to distrust this man.
3) Through his strong leadership and virtue, King Cecil eventually gains the respect of his people. He travels incognito to spread cultural improvement more widely, leaving his trusted blacksmith Fortis Mulcibera in charge during his absence.
The Miller's Tale tells the story of Nicholas, a poor Oxford scholar who boards with a carpenter and his young wife. Nicholas seduces the carpenter's wife while her husband is away. Meanwhile, the parish clerk Absalom also tries to woo the wife but is rejected. Nicholas plans to trick the jealous carpenter into thinking he is sick so that Nicholas can spend time with his wife without suspicion. The tale sets up a humorous rivalry and deception between the characters.
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing.
Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. The novel touches on themes such as the role of women in Victorian culture, sexual conventions, immigration, colonialism, and post-colonialism. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretations.
The story continues with Dracomeer the Wizard and Springle the Knight getting ready to set out on an important adventure into the Icey Peaks with a mysterious sword.
The document is a collection of short stories meant to teach lessons about humility, service, and accepting one's place. It includes:
1) A story about a donkey that is mocked but chosen by the King to carry his son because it is gentle and well-trained.
2) A story about a sheep that wants different wool coats (gold, porcelain, honey, lettuce leaves) but learns it is better as a simple sheep after being harmed each time.
3) Information that the stories are from a series of books written through automatic writing to teach lessons to children ages 7 to 10.
The document describes the transformation of a pampered princess after her sheltered life is shattered by political turmoil and war. She is raped by soldiers and realizes the cruel nature of the world. Seeking revenge, she slaughters her attackers, rejecting the pacifism of her past and embracing a new identity as a warrior who survives through strength rather than peace.
This document tells the story of Artaban, a wise man from Persia who followed the star to find the newborn King. Though his companions found the King in Bethlehem and presented their gifts, Artaban was delayed in his journey and never caught up to them. He spent the next 33 years searching for the King, using his wealth to help the poor and sick along the way. On his final visit to Jerusalem, Artaban learns that Jesus of Nazareth is being crucified outside the city walls.
This chapter introduces the story and main character Jonathan Harker. It describes his journey from Munich to Bistritz, Transylvania where he is traveling to meet Count Dracula. Harker notes the cultural and linguistic differences as he travels through Eastern Europe. Upon arriving in Bistritz, Harker receives a letter of introduction from Count Dracula directing him to the Golden Krone Hotel. The hotel owner and his wife act strangely when asked about Dracula and the region.
This document summarizes the events that led Mr. John Scott Eccles to consult Sherlock Holmes about a strange experience. Eccles had accepted an invitation to stay at Wisteria Lodge, but upon waking found that his host and the entire household had vanished without a trace. Holmes and Inspector Gregson were already investigating the matter, as Eccles' host Garcia had been found murdered. They question Eccles about his story in an effort to learn more about Garcia and the events of the previous night.
This summary provides an overview of the first chapter of Dracula by Bram Stoker:
Jonathan Harker begins his journal describing his journey from London to Transylvania, where he will meet with Count Dracula to finalize a real estate deal. He notes the cultural differences as he travels further east. Upon arriving in Bistritz, he receives a letter from Count Dracula welcoming him and instructing him to take a coach the next day to the Borgo Pass, where Dracula's carriage will meet him. However, Jonathan's landlord and his wife act strangely when asked about Dracula and his castle, crossing themselves and refusing to talk about the Count. Before Jonathan leaves, the distressed landlady be
This document is an excerpt from Angelina Grimke's 1837 "Appeal to the Christian Women of the South" in which she argues that slavery is inconsistent with Christianity. She examines the Bible and finds that while some forms of servitude were permitted under Jewish law, the servitude of slaves in the American South does not align with the protected forms of servitude described in the Bible. She notes key differences in how slaves became slaves in the South versus how servants became servants under Jewish law.
- Owen writes a letter to his mother updating her on the well-being of himself and his twin brother Rhodri, who are both serving in King Richard's court.
- Rhodri has been knighted and has his eye on marrying a wealthy squire's daughter for her inheritance.
- Owen does not have any marriage prospects of his own yet and finds being a courtier more taxing than being a knight.
- Rhodri is tasked with escorting a Butterscotch princess to London for her betrothal to the crown prince, but they are ambushed by Butterscotch rebels along the way. Rhodri sacrifices himself so the others can escape to complete their mission.
-
A Squeaky Clean Renaissance, Chapter Three: All the World's a Stageprofessorbutters
This document provides a summary of events in the kingdom of Puritania. It describes how King Cecil has converted to the Jacoban Church led by Shepherdess Duessa, but her influence over him is waning. Tarleton Somerset's play featuring the first female actress is a success, winning a competition. Meanwhile, Sister Una of the rival Peteran Church struggles to gain followers until Sir Redcrosse agrees to help her. The theater and the Church remain suspicious of each other.
Seirei tsukai no blade dance volume 07 the strongest blade dancerJoFe3
This document provides background context for an upcoming story. It describes how a small rural town was destroyed by a rain of fire sent by the Fire Elemental Lord as punishment for neglecting offerings. A 15-year-old Fire Queen led prayers for three days to appease the lord. While the people were grateful, she felt she failed to protect them. Separately, a masked girl observes Team Inferno eliminating other teams in a Blade Dance competition through fire magic. She has a plan to prepare a sixth Queen for the awakening Demon King. However, the witch Sjora Kahn of Team Inferno is aware of the masked girl hiding things and questions if she is really the "Strongest Blade Dancer" as advertised.
The document provides information about the Oxford Progressive English Readers series. It summarizes that each book in the series follows strict guidelines for syllabus, wordlists, and structure. The texts are graded based on these guidelines from Grade 1 to Grade 5 in terms of word level. Text analysis software ensures readability is controlled at each level, with new words explained in context. Each book also contains exercises to test comprehension.
The document compares how gender roles limit freedom in Dancing at Lughnasa and The House of Bernarda Alba. It discusses how the women in both works are confined to domestic, household roles and have little freedom outside the home. Whenever women in the plays venture outside, it leads to temptation, sin, or punishment. The document also analyzes how both works convey severe double standards between how men and women express sexuality and pursue relationships.
The summaries are:
1. The passage introduces Pip, the narrator of Great Expectations, and describes how he came to be called Pip. It provides background on Pip's family and the marsh country where he lives.
2. The passage describes an altercation between Lennie and Curley in Of Mice and Men, where Lennie accidentally crushes Curley's hand in a fight.
3. The passage describes Frankenstein bringing his creature to life and then being overcome with horror and disgust at what he has created.
The narrator meets a man on a train who asks him to deliver a message to a man with a red beard sleeping in a train compartment at Marwar Junction. The first man wants to let his friend know he has "gone south for the week." At Marwar Junction, the narrator finds the red-bearded man and delivers the message as requested. The red-bearded man is displeased but acknowledges receiving the message. The narrator reflects on the dangers of the two men's plans to impersonate journalists and extort money from local states.
The document provides character summaries for many of the major characters from Geoffrey Chaucer's The Canterbury Tales. It describes the Knight as brave, experienced, and principled. It notes that the Wife of Bath has been married five times and sees marriage and sex as pleasures. It also summarizes the Pardoner as a fraudulent church official who uses fake relics.
This document summarizes the story of an elderly Palestinian refugee named Abu Falah. He recounts the suffering his family endured after being displaced from their village in 1948. His pregnant wife died shortly after giving birth to a daughter named Alia. Abu Falah was forced to give Alia to a neighbor for care as they fled the violence. For 17 years, Abu Falah lived in refugee camps, longing to be reunited with his daughter. After the political situation changed, he traveled to Egypt to find Alia, but she rejected him, believing he had abandoned her. With the help of authorities, Abu Falah's story is explained to Alia, who comes to understand his suffering and agrees to reconnect with her father.
The document advertises and summarizes the historical fiction novel "Silk Road" by Colin Falconer. It describes the plot as following a Templar Knight named Josseran Sarrazini who is escorting the Pope's emissary on a mission to save Christendom from the Mongol hordes. However, Josseran is not all that he appears to be. The summary promises secrets and a heart-wrenching love story as Josseran travels to the court of Khubilai Khan beyond Xanadu. Reviews praise the book for its rich prose and balancing of good and evil, love and hate, and sin and goodness.
This summary provides the essential information from the document in 3 sentences:
The story describes a semi-barbaric king who has a method of administering justice that involves accused persons choosing between two doors, one hiding a lady that would become their wife and the other hiding a hungry tiger. The king's daughter knows which door hides the tiger and which hides the lady, and subtly indicates to her lover facing trial which door to choose in order to save his life. The document leaves the reader to ponder whether the tiger or the lady emerged when the door was opened.
The document is an excerpt from the first chapter of Leo Tolstoy's novel "War and Peace" that takes place in 1805 St. Petersburg, Russia. It describes a gathering at the home of Anna Pavlovna Scherer where various Russian aristocrats discuss the political situation in Europe and the ongoing war between France and other European powers. A key discussion is between Prince Vasili Kuragin and Anna Pavlovna about appointments at the Austrian court and a possible marriage between Prince Vasili's son Anatole and Princess Mary Bolkonskaya.
The summary is:
1. The document describes a Wimba session with Mrs. Hill discussing the short story "The Emperor's Three Questions" by Leo Tolstoy.
2. In the story, a king asks a hermit how to know the right time for everything, the most important people, and the most important thing.
3. The hermit does not directly answer but illustrates the answers through the king's actions of helping an injured man. The hermit later explains that the present moment, the person you are with, and helping them are most important.
The American Minister Hiram B. Otis and his family move into the haunted Canterville Chase estate in England despite warnings that it is haunted. On their first night, Mrs. Umney the housekeeper tells them about the blood stain on the library floor that will not be removed, left from the murder of Lady Eleanore de Canterville centuries ago. Washington Otis tries to clean the stain but it reappears after a thunderstorm, much to their surprise. The stain continues reappearing each morning, convincing the family that the house truly is haunted.
A Squeaky Clean Renaissance, Chapter 2: A Mind Diseasedprofessorbutters
Sister Una seeks to spread a message of peace and kindness, including attempting to domesticate dangerous Dire Chinchillas. She befriends Subdeacon Ambrose of the Jacoban Church and convinces King Cecil to allow the Peteran Church to operate freely. Meanwhile, Shepherdess Duessa manipulates events behind the scenes to increase her own power and influence over the Jacoban Church and King Cecil.
The document describes the transformation of a pampered princess after her sheltered life is shattered by political turmoil and war. She is raped by soldiers and realizes the cruel nature of the world. Seeking revenge, she slaughters her attackers, rejecting the pacifism of her past and embracing a new identity as a warrior who survives through strength rather than peace.
This document tells the story of Artaban, a wise man from Persia who followed the star to find the newborn King. Though his companions found the King in Bethlehem and presented their gifts, Artaban was delayed in his journey and never caught up to them. He spent the next 33 years searching for the King, using his wealth to help the poor and sick along the way. On his final visit to Jerusalem, Artaban learns that Jesus of Nazareth is being crucified outside the city walls.
This chapter introduces the story and main character Jonathan Harker. It describes his journey from Munich to Bistritz, Transylvania where he is traveling to meet Count Dracula. Harker notes the cultural and linguistic differences as he travels through Eastern Europe. Upon arriving in Bistritz, Harker receives a letter of introduction from Count Dracula directing him to the Golden Krone Hotel. The hotel owner and his wife act strangely when asked about Dracula and the region.
This document summarizes the events that led Mr. John Scott Eccles to consult Sherlock Holmes about a strange experience. Eccles had accepted an invitation to stay at Wisteria Lodge, but upon waking found that his host and the entire household had vanished without a trace. Holmes and Inspector Gregson were already investigating the matter, as Eccles' host Garcia had been found murdered. They question Eccles about his story in an effort to learn more about Garcia and the events of the previous night.
This summary provides an overview of the first chapter of Dracula by Bram Stoker:
Jonathan Harker begins his journal describing his journey from London to Transylvania, where he will meet with Count Dracula to finalize a real estate deal. He notes the cultural differences as he travels further east. Upon arriving in Bistritz, he receives a letter from Count Dracula welcoming him and instructing him to take a coach the next day to the Borgo Pass, where Dracula's carriage will meet him. However, Jonathan's landlord and his wife act strangely when asked about Dracula and his castle, crossing themselves and refusing to talk about the Count. Before Jonathan leaves, the distressed landlady be
This document is an excerpt from Angelina Grimke's 1837 "Appeal to the Christian Women of the South" in which she argues that slavery is inconsistent with Christianity. She examines the Bible and finds that while some forms of servitude were permitted under Jewish law, the servitude of slaves in the American South does not align with the protected forms of servitude described in the Bible. She notes key differences in how slaves became slaves in the South versus how servants became servants under Jewish law.
- Owen writes a letter to his mother updating her on the well-being of himself and his twin brother Rhodri, who are both serving in King Richard's court.
- Rhodri has been knighted and has his eye on marrying a wealthy squire's daughter for her inheritance.
- Owen does not have any marriage prospects of his own yet and finds being a courtier more taxing than being a knight.
- Rhodri is tasked with escorting a Butterscotch princess to London for her betrothal to the crown prince, but they are ambushed by Butterscotch rebels along the way. Rhodri sacrifices himself so the others can escape to complete their mission.
-
A Squeaky Clean Renaissance, Chapter Three: All the World's a Stageprofessorbutters
This document provides a summary of events in the kingdom of Puritania. It describes how King Cecil has converted to the Jacoban Church led by Shepherdess Duessa, but her influence over him is waning. Tarleton Somerset's play featuring the first female actress is a success, winning a competition. Meanwhile, Sister Una of the rival Peteran Church struggles to gain followers until Sir Redcrosse agrees to help her. The theater and the Church remain suspicious of each other.
Seirei tsukai no blade dance volume 07 the strongest blade dancerJoFe3
This document provides background context for an upcoming story. It describes how a small rural town was destroyed by a rain of fire sent by the Fire Elemental Lord as punishment for neglecting offerings. A 15-year-old Fire Queen led prayers for three days to appease the lord. While the people were grateful, she felt she failed to protect them. Separately, a masked girl observes Team Inferno eliminating other teams in a Blade Dance competition through fire magic. She has a plan to prepare a sixth Queen for the awakening Demon King. However, the witch Sjora Kahn of Team Inferno is aware of the masked girl hiding things and questions if she is really the "Strongest Blade Dancer" as advertised.
The document provides information about the Oxford Progressive English Readers series. It summarizes that each book in the series follows strict guidelines for syllabus, wordlists, and structure. The texts are graded based on these guidelines from Grade 1 to Grade 5 in terms of word level. Text analysis software ensures readability is controlled at each level, with new words explained in context. Each book also contains exercises to test comprehension.
The document compares how gender roles limit freedom in Dancing at Lughnasa and The House of Bernarda Alba. It discusses how the women in both works are confined to domestic, household roles and have little freedom outside the home. Whenever women in the plays venture outside, it leads to temptation, sin, or punishment. The document also analyzes how both works convey severe double standards between how men and women express sexuality and pursue relationships.
The summaries are:
1. The passage introduces Pip, the narrator of Great Expectations, and describes how he came to be called Pip. It provides background on Pip's family and the marsh country where he lives.
2. The passage describes an altercation between Lennie and Curley in Of Mice and Men, where Lennie accidentally crushes Curley's hand in a fight.
3. The passage describes Frankenstein bringing his creature to life and then being overcome with horror and disgust at what he has created.
The narrator meets a man on a train who asks him to deliver a message to a man with a red beard sleeping in a train compartment at Marwar Junction. The first man wants to let his friend know he has "gone south for the week." At Marwar Junction, the narrator finds the red-bearded man and delivers the message as requested. The red-bearded man is displeased but acknowledges receiving the message. The narrator reflects on the dangers of the two men's plans to impersonate journalists and extort money from local states.
The document provides character summaries for many of the major characters from Geoffrey Chaucer's The Canterbury Tales. It describes the Knight as brave, experienced, and principled. It notes that the Wife of Bath has been married five times and sees marriage and sex as pleasures. It also summarizes the Pardoner as a fraudulent church official who uses fake relics.
This document summarizes the story of an elderly Palestinian refugee named Abu Falah. He recounts the suffering his family endured after being displaced from their village in 1948. His pregnant wife died shortly after giving birth to a daughter named Alia. Abu Falah was forced to give Alia to a neighbor for care as they fled the violence. For 17 years, Abu Falah lived in refugee camps, longing to be reunited with his daughter. After the political situation changed, he traveled to Egypt to find Alia, but she rejected him, believing he had abandoned her. With the help of authorities, Abu Falah's story is explained to Alia, who comes to understand his suffering and agrees to reconnect with her father.
The document advertises and summarizes the historical fiction novel "Silk Road" by Colin Falconer. It describes the plot as following a Templar Knight named Josseran Sarrazini who is escorting the Pope's emissary on a mission to save Christendom from the Mongol hordes. However, Josseran is not all that he appears to be. The summary promises secrets and a heart-wrenching love story as Josseran travels to the court of Khubilai Khan beyond Xanadu. Reviews praise the book for its rich prose and balancing of good and evil, love and hate, and sin and goodness.
This summary provides the essential information from the document in 3 sentences:
The story describes a semi-barbaric king who has a method of administering justice that involves accused persons choosing between two doors, one hiding a lady that would become their wife and the other hiding a hungry tiger. The king's daughter knows which door hides the tiger and which hides the lady, and subtly indicates to her lover facing trial which door to choose in order to save his life. The document leaves the reader to ponder whether the tiger or the lady emerged when the door was opened.
The document is an excerpt from the first chapter of Leo Tolstoy's novel "War and Peace" that takes place in 1805 St. Petersburg, Russia. It describes a gathering at the home of Anna Pavlovna Scherer where various Russian aristocrats discuss the political situation in Europe and the ongoing war between France and other European powers. A key discussion is between Prince Vasili Kuragin and Anna Pavlovna about appointments at the Austrian court and a possible marriage between Prince Vasili's son Anatole and Princess Mary Bolkonskaya.
The summary is:
1. The document describes a Wimba session with Mrs. Hill discussing the short story "The Emperor's Three Questions" by Leo Tolstoy.
2. In the story, a king asks a hermit how to know the right time for everything, the most important people, and the most important thing.
3. The hermit does not directly answer but illustrates the answers through the king's actions of helping an injured man. The hermit later explains that the present moment, the person you are with, and helping them are most important.
The American Minister Hiram B. Otis and his family move into the haunted Canterville Chase estate in England despite warnings that it is haunted. On their first night, Mrs. Umney the housekeeper tells them about the blood stain on the library floor that will not be removed, left from the murder of Lady Eleanore de Canterville centuries ago. Washington Otis tries to clean the stain but it reappears after a thunderstorm, much to their surprise. The stain continues reappearing each morning, convincing the family that the house truly is haunted.
A Squeaky Clean Renaissance, Chapter 2: A Mind Diseasedprofessorbutters
Sister Una seeks to spread a message of peace and kindness, including attempting to domesticate dangerous Dire Chinchillas. She befriends Subdeacon Ambrose of the Jacoban Church and convinces King Cecil to allow the Peteran Church to operate freely. Meanwhile, Shepherdess Duessa manipulates events behind the scenes to increase her own power and influence over the Jacoban Church and King Cecil.
The young King Eric has just assumed the throne after the death of his father, King Thomas. He is unhappy to learn that he has a betrothed, Princess Abigail of Avalon, who is scheduled to arrive that day. When she arrives, the head housekeeper Hannah tries to prepare Abigail to meet the reluctant King, but must admit that Eric is not eager for the marriage arranged by his late father.
Abraham "Bram" Stoker was born in 1847 in Dublin, Ireland under British rule. He attended Trinity College Dublin and had an early interest in theater. Stoker went on to become the personal assistant of famous stage actor Henry Irving. As Irving's assistant, Stoker was introduced to high society but was better known at the time for his work with Irving. Stoker would later write his famous Gothic horror novel Dracula in 1897, drawing on interests in theater, Eastern European folklore, and technological advances of the time.
The document provides backstory on the royal family of King Eric and Queen Abigail. It introduces their sons Prince Thomas and Prince Henry. It then describes Don Lorenzo returning from Italy with his new wife Contessa Francesca, who is pregnant. The Queen helps introduce Contessa Francesca to society by inviting her to a garden party. The party is a success and helps the Contessa feel welcomed.
This document is the first chapter of the book "The Gnome King of Oz" by Ruth Plumly Thompson. It introduces the kingdom of Patch, where the people are called Quilties. The Queen of Patch, Cross Patch VI, has gone to pieces due to old age. As is the custom in Patch, her remains will be swept up and stored away to reconstitute in 10 years. Two ministers, Prime Piecer and Chief Scrapper, must use the magical Golden Spool of Succession to find a new ruler. The spool leads them on a wild chase out of Patch and toward the Emerald City, where they arrive by means of a magic footpath belonging to the Wizard of Oz.
The American Minister Hiram Otis purchases Canterville Chase despite warnings that it is haunted. Lord Canterville tells Otis stories of ghost sightings by his family. Otis does not believe in ghosts and says if there was a ghost in Europe, Americans would have put it in a museum. The Otis family moves into Canterville Chase. Upon arrival, the housekeeper Mrs. Umney warns them of troubles to come from the ghost. Washington Otis tries to clean a blood stain from the murder of Lady Eleanore but causes a lightning storm. Mrs. Umney again warns of ghost troubles.
Mrs. Bixby pawns her new, expensive mink coat at a pawnbroker shop in New York City after receiving it as a parting gift from her lover, the Colonel. She needs money for the weekend but cannot explain to her husband where she got the coat. She convinces the pawnbroker to lend her money without recording her name, address, or a description of the coat. This allows Mrs. Bixby to potentially retrieve the coat after the weekend without her husband discovering its origin.
Fifteen painted cards from a vampire tarotNaman Kumar
The document contains excerpts from 15 cards of a vampire tarot deck. Each card provides a brief story or description. The Fool card introduces a young man who seeks immortality by meeting a vampire in a graveyard. The voice that speaks to him says "This is not life." Other cards include The Magician, which references a man claiming to be 1000 years old, The Priestess featuring a self-proclaimed vampire queen on a talk show, and The Lovers describing a couple found dead together in a coffin with the man more decayed than the woman. The final card, The World, has a vampire telling the listener that vampires are essentially just like humans but colder and deader.
This document is an introduction to the short story collection "The Adventures of Sherlock Holmes" by Sir Arthur Conan Doyle. It provides background on Sherlock Holmes and his relationship with Dr. Watson. It then describes an encounter where Dr. Watson visits Holmes at his apartment in Baker Street and witnesses Holmes working on a new case, having received an unusual note requesting his help that evening.
Quotations the playmaker 2015 اللغة الانجليزية للصف الثالث الثانوي واسئلة القصةخالد عبد الباسط
Quotations the playmaker 2015 اللغة الانجليزية للصف الثالث الثانوي واسئلة القصة
Quotations the playmaker 2015 اللغة الانجليزية للصف الثالث الثانوي واسئلة القصة
Sir thomas more, history of king richard iii, 1518jordanlachance
King Richard III had his two young nephews, the rightful heirs to the throne, murdered in the Tower of London. He sent Sir James Tyrell to carry out the deed. Tyrell had two men smother the princes in their beds by holding down featherbeds and pillows over their mouths. After they were dead, the bodies were buried under the stairwell by the murderers. Tyrell later confessed to the murders when being examined for treason against the new King Henry VII. The document laments the cruel deaths of the two innocent princes at the hands of their ambitious and unnatural uncle Richard III.
This document provides a lengthy discussion and analysis of the concept of "hysterica passio" or the physical sensations associated with overwhelming emotion, as described in Shakespeare's King Lear. It begins by summarizing the relevant scene from King Lear where Lear struggles to control his rising emotions. It then provides numerous literary examples from fiction and biography where characters experience choking, tightness in the throat, difficulty speaking, or other physical reactions when overcome with emotion. The document analyzes these examples and their reflection of the very human experience of strong feelings manifesting physically that Shakespeare captured in King Lear.
Similar to A Squeaky Clean Renaissance: Aspera ad Astra (13)
The Squeaky Clean Legacy, Chapter 15.5: What Comes Out of the Fire, Part Twoprofessorbutters
The document provides an update on various Sim families in Pleasantview. It describes the Romans moving into a house decorated in Atomic style. It then discusses relationships between various Sims, including Vespasian Caesar dating Alex Goth, and introductions of new Sims created by other authors to join the legacy families. Drama ensues at a party at the Roman house with fights breaking out. Other sections update on the activities of knights and sorority members at Sim State University.
This chapter summarizes the conclusion of the Cassius Marius Bachelor Challenge. Only De and Orikes remained in the competition, but Cassius had clearly fallen for De and was trying to reform for her. Though Orikes gracefully exited, Cassius and De began playing a romantic game together, leaving Cassius conflicted about getting engaged given his history. The chapter teases that readers will have to find out how this dilemma is resolved in the finale.
Marina provides an update on her experience in a Bachelor Challenge competition with Cassius Marius. She and the other eliminated contestants, Candi and Ephemeral Toast, have been moved to a new villa. Cassius continues flirting with the remaining contestants, De and Orikes, but De believes she can change Cassius for the better and win the competition.
Cassius Marius, of the Ten Caesars Legacy, continues to suffer in a house full of attractive simselves, many of whom have already left. His Squeaky Clean mother, Professor Butters, trusts he is learning his lesson.
The Cassius Marius Bachelor Challenge, Day Threeprofessorbutters
Cassius Marius is participating in a Bachelor Challenge hosted by the author. He must complete activities like chess matches and hot tub time with five female sims vying for his attention. Cassius dislikes most of the tasks and tries to cheat during games. De seems to be in the lead with the highest chemistry and affection with Cassius. Plumbing issues plague the house, slowing progress of the challenge. By the halfway point, Candi has been eliminated due to her low scores and chemistry with Cassius. The author considers inviting Cassius' parents to join and complicate the dynamics further.
Also known as the "Cassius, This Is Your Mother, Why Haven't You Called?" Bachelor Challenge. Cassius Marius, Professor Butters' Romance Sim son from Ten Caesars, is forced into the Hot Tubs Of Misery.
Also known as the "Cassius, This Is Your Mother. Why Haven't You Called?" Bachelor Challenge. Professor Butters attempts to school her wayward Romance son, Cassius Marius, in a Squeaky Clean Bachelor Challenge.
The Squeaky Clean Legacy, Chapter 8.1: Too Much Romanceprofessorbutters
Mortimer Goodytwoshoes, an unhappy Knowledge Sim, confesses his love for the narrator, Professor Butters. Professor Butters rejects Mortimer's advances and instead encourages him to reopen his robotics shop with his wife Edith. Mortimer agrees and builds successful sentry bots. Delightful, a lesbian Romance Sim, continues dating various women, causing conflicts with her ex-boyfriend Aaroc. Aurora graduates from college but remains self-centered. Professor Butters receives her first Servo, Jeeves, who will help manage her household.
The Squeaky Clean Legacy, Chapter 7.2: Love Vs. Dutyprofessorbutters
The summary is:
Giselle is torn between her duty to her family legacy and her love for Quintus. Meanwhile, Aurora is in a relationship with Spencer, which could jeopardize her family's strict rules against romantic relationships. The chapter also introduces Min, one of the potential heirs to the Marian legacy, who likes pranks but may not be responsible enough to inherit.
The Squeaky Clean Legacy, Chapter 7.1: Romance, Rebels, Romansprofessorbutters
This chapter introduces the characters of the Squeaky Clean Legacy, including the potential heirresses Aurora and Giselle. It provides backstory on previous generations, noting the strict rules of the legacy that the heir must be female and produce two daughters. It also updates on family members such as the spare Delightful, who is unhappy that she was married to a man. The chapter catches the reader up on the legacy's history and establishes the characters and drama heading into the new generation.
The Squeaky Clean Legacy, Chapter 6.4: Princess and Peasantprofessorbutters
This document provides an overview of the Goodytwoshoes family legacy, focusing on the potential heiresses Aurora and Giselle. It describes their personalities, with Aurora being more mischievous and prone to cheating while Giselle seems more emotionally vulnerable. It also discusses other family members and their ambitions, like Aurora's desire to become a celebrity chef. Drama ensues as different family members compete for control over the legacy, including clashes between Sunny and her cousin Flavius over how to run the town.
The Squeaky Clean Legacy, Chapter 6.3: The Golden Age, Part Threeprofessorbutters
Publius, the heir of the Goodytwoshoes legacy, nearly dies after his aspiration meter plunges while using an energizer. This causes him to reflect on his mortality and the future of his family and marriage to Sunny. Meanwhile, Flavius worries about dangers facing his own family in his original legacy, Ten Caesars. Political intrigue is also occurring as Sunny runs for mayor against Flavius, who feels he has supported the family. Supernatural entities and characters from other legacies make appearances, adding drama and humor.
The Squeaky Clean Legacy, Chapter 6.x: Rich at the Publius Expenseprofessorbutters
Publius Scipio Goodytwoshoes, ancient Roman patrician, shares business tricks and tips for Pleasantview times. It's a long, long way from Ostia and a hard slog to Five Top Businesses.
The Squeaky Clean Legacy, Chapter 15.4: Penelope's Choiceprofessorbutters
Penelope has chosen to marry Dinadan Locks as the spouse for Generation Eight. However, she is shy about telling the other suitors Brody and Spider. Brody realizes he sees Penelope as a niece, while Spider admits to Jack that he does not love Penelope and wishes he could but cannot force it. Penelope's choice of Dinadan as her spouse is confirmed.
The Squeaky Clean Legacy, Chapter 17.2: Triple Threatprofessorbutters
Penelope Goodytwoshoes is trying to decide between three suitors: Brody Legacina, Spider Jerusalem Vetinari, and Dinadan Locks. However, she is warned that Spider's father Cypress Vetinari may target her family. Meanwhile other family members like Carmilla and Victoria are enjoying vacation at the beach house. Penelope has individual conversations with each of her suitors to learn more about them, during which Brody reveals he also cheats at chess like Penelope.
The Squeaky Clean Legacy, Chapter 17.5: What Comes Out of the Fire, Part IIprofessorbutters
Elaine proposes marriage to Ian after overcoming her fears and insecurities. Ian happily accepts, saying he adores Elaine and wants to learn everything about her for the rest of their lives together. Elsewhere, Molly threatens a cow with violence after it interrupts her. The chapter features guest appearances from simselves of various legacy authors to help populate the Roman household.
The Squeaky Clean Legacy, Chapter 15.3: Death on a Crackerprofessorbutters
Jack Goodytwoshoes and his family confront Cypress Vetinari about his murderous activities. They offer him a choice between a swift death or lifelong imprisonment under constant watch by Goodytwoshoes ghosts. Cypress refuses these options and tries to manipulate Dinadan into helping him escape. Jack remains firm that Cypress will stay imprisoned. Later, the Grim Reaper arrives to collect Cypress, having been scheduled for pickup.
The Squeaky Clean Legacy, Chapter 6.1: The Golden Age, Part Oneprofessorbutters
Sunny Goodytwoshoes has graduated from college and married Publius Numantius Scipio. However, Publius is still upset that Sunny's drama professor cheated on him. Meanwhile, Flavius has built an ostentatious Roman villa next to the Goodytwoshoes' traditional pink house, threatening to clash the two cultures. Sunny hopes to start a family with Publius but must help him get over his lingering doubts first.
The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Tom Cruise Daughter: An Insight into the Life of Suri Cruisegreendigital
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
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Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesisgreendigital
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
Unlocking the Secrets of IPTV App Development_ A Comprehensive Guide.pdfWHMCS Smarters
With IPTV apps, you can access and stream live TV, on-demand movies, series, and other content you like online. Viewers have more flexibility and customization of content to watch. To develop the best IPTV app that functions, you must combine creative problem-solving skills and technical knowledge. This post will look into the details of IPTV app development, so keep reading to learn more.
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The Midnight Sculptor.pdf writer by Ali alsiadali345alghlay
The city of Ravens burg was known for its gothic architecture, fog-covered streets, and an eerie silence that seemed to hang over the town like a shroud.
2. Incipit Liber Quintus
The chronicles of Puritania do record that after a period of great turmoil, a mysterious
Prince, one Cecil, of the House of Goodytwoshoes, had arrived and begun to set all to right.
And behold, he must have been the rightful Prince, as he had clearly taken advice of The
Prince.
A prudent man must always follow in the footsteps of great men and imitate those who
have been outstanding.
~~Machiavelli
And soon, as Puritania grew in knowledge and in culture, and waxed great in virtue,
tidiness, and table manners, all forgot that King Cecil had not always been king, and that
there may have been those who by birthright might have been King of Puritania. But King
Cecil did not forget.
Yet he had become King by right of conquest, wit, and Lady Fortune, which surely
constitutes a better claim, for a country is ruled by what is in the brain and not by what is in
the blood. King Cecil could point to a descent from a line of Roman Emperors, he said, and
he was likewise driven by dreams of Empire.
3. “I would annex the planets, if I could.”
And yet it seemed possible that his efforts would come to an early end. The assassin
Nicola Michaletto had admitted to King Cecil that she had been hired to kill him,
and while he had promptly countered this threat by hiring her himself, she had also
informed him that he was a dying man; that he was being slowly poisoned by a
person or persons unknown. His grandson Maximilian had warned him of
potential dangers before he had gone back in time:
4. “You will be killed, you know.”
“I do not think so.”
5. It would be a terrible irony if Maximilian proved to be correct. King Cecil had
taken precautions: he no longer ate or drank anything that had passed through
any hands but his own. He was still far from well, however, and until the poison
was properly analyzed, there was no hope of concocting a cure or of identifying
the poisoner.
6. For both, he relied on Signora Michaletto, for just as a thief is best to catch
thieves, an assassin is best to track assassins.
7. “Messire, as I have told you, la cantarella is a time poison. We do not know how
lethal the dose nor how soon it will strike.”
“I have consulted my volumes and I shall set about the analysis immediately.”
8. “Excellent. There is one other matter in which We require your service. Some
peasants gathering firewood have reported that We seem to have a Sleeping Prince In
The Briar Wood problem.”
“A sleeping prince?”
9. “One. Several. Does it really matter how many? Mysterious princes sleeping in the
wood without a permit are a nuisance.”
11. Unferth, the court jester, refused to taste-test the cantarella, so Nicola was left
to more studious means.
12. Pausing only to feed Ermintrude the Pit Beast, the Kingdom’s pride and joy and
chief tourist attraction--
13. --she began to break down the poison until she could replicate it perfectly.
14. “Mmmm. It IS cantarella, with a peculiar Yacothian undertone. Diamine, but it is
clever. I have no need of it at present, but what a pity to let it be forgotten! I will
keep it, purely for theoretical purposes, as King Cecil does not employ poison. I
am almost entirely sure who must have made it, but I must prove it beyond
doubt.”
“But now I must ask the cooperation of one who by his very profession is entirely
opposed to mine.”
15. Unferth had fallen victim to Master Robert the Physician, yet another student of
the human body.
“You were talking to Signora Nicola? Perhaps some poison got in by mistake.
Here, let me make you vomit.”
“What IS it with you people?”
16. It took Nicola some time and effort to persuade Master Robert to
believe her.
17. “You had better be very, very sure before you lay suspicion in that direction.
His Majesty will not be pleased. You will need solid evidence.”
“Believe me, I have thought of this. It is my profession, not yours, and
none of your concern.”
18. “I have brought a sample of the cantarella. You will need it to concoct an
antidote and a cure: I have other business.”
19. Master Robert and his assistant Democritus set about a laborious process of
distillation, concoction, calcination, and transmutation, until the physician
pronounced himself satisfied.
20. “There is an antidote—better, a cure--for cantarella! And one that does not
require leeches! I know His Majesty will be pleased.”
21. “May I see His Majesty?”
“Orl right.”
“That’s it? No passwords? No search? No questions about my identity? Security
here is disturbingly lax.”
“But I knows you, Master Robert, it’s hard to forget a man who’s had his arm
up your—”
“All right, all right, just tell him I’m here.”
22. “Is his Majesty at dinner?” asked Master Robert, and then realized it was a tactless
question.
Avery, the King’s chief servant, sniffed.
“If you can call it that. He eats nothing but gruel boiled by himself, if you please,
not a spot of spice nor sugar in it.”
Robert was torn between the gratification of a physician whose advice had been
followed and the horror of a good cook.
23. “Must you examine Us in public?”
“If you mean in front of a witness, Your Majesty, I’m sure you can see the
wisdom of that yourself. I’m willing to bet my life on my ability to save yours,
so please allow me to do it.”
24. It was clear immediately that Master Robert’s antidote had restored the balance of
the humors, whatever that was, and King Cecil thanked him.
“May We also suggest that it is difficult to put Our entire confidence in a
physician who has black flies swarming about his head?”
25. Master Robert and Signora Nicola then each went about their separate
businesses.
“Commander Redcrosse, if you can’t figure out what is ailing you or how to
fix it, I can’t help you. Physic will do you no good.”
26. “Sister Una, what would you do about a sleeping prince?”
“Tuck him up with some milk and a cuddly Dire Chinchilla.”
27. “No, no—one who is already asleep. How does one wake him? Is it right to do?”
“With Peace and Love? If you wake him too early, he might be cross, but if he has
overslept, it would be a kindness, and it would not matter that he was a little cross with
you.”
“No! Is it wiser to poke him with something sharp while he is asleep, or should one
poke him with something sharp later?”
“Oh, no, Sister. Do not poke him, or he truly will be cross. Perhaps a bit of cold
water?”
28. Instead, Signora Nicola spoke to Temperance, the barmaid at the Valiant
Titmouse.
“Per L’Osservatore, I knew it was a mistake to ask Sister Una anything that might
make sense. You watch people drink all day, you must know many things. The
best way—what would it be?”
____
By the Watcher.
29. “I say, wear a stupid hat. That’s the best way—put on a very stupid hat and try to kiss him,
and if he doesn’t say anything about your hat he’s a keeper.”
So Nicola took the barmaid’s advice, not knowing any other way, and still unsure
of what to do next.
30. And so Prince Rupert the Charming strode out of the wood where he had slept for
lo these many years, and behold, Nicola was still very suspicious but also quite
impressed.
“Where are my people? Where is my castle? Lead me to my throne room,” he
demanded, sparkling at her.
31. “What a very silly hat. I do not like your party hat.”
“I do not care, Master Robert. I wish you to examine Prince Rupert the Charming.
He has been asleep for many hundreds of years.”
33. “And if he wants to stay that way, he shouldn’t go boasting to King Cecil about how
he’s the rightful heir to the throne.”
34. But lo, Prince Rupert the Charming had the survival instincts of a lemming.
“I’m the rightful heir to the throne, you know.”
“Are you really? How interesting. We shall begin to pack immediately. Perhaps
we can have a little game before We go. Shall we say double or nothing?”
36. “Dear, dear, Prince Rupert. It seems Lady Fortune prefers wit and ambition
over blood. You may continue to live in Puritania, if you like, on Our terms.”
“And if you come by another kingdom, do please bear in mind that you now
owe Us that as well.”
37. Prince Rupert the Charming was furious at Nicola. “You woke me, and for what? That I might
return to a kingdom with no honor, ruled by a bandit?”
Nicola was equally furious.“You cannot go to sleep for hundreds of years and expect to find
everything where you left it! His Majesty has taken a piddling, worthless duchy and turned it to
a thriving empire, a place men of talent like himself flock to make their fortunes. And you
would rule it! A boy with a pretty face!”
“Commoner! Thief! Hired killer!”
“Yes, I am quite proud of what I have achieved: what have you done but sleep?”
39. “Your Majesty, I would ask your permission to marry.”
The King was surprised—and not very pleased.
40. “Indeed. We were unaware that Jacoban priests were permitted to marry,” he
said, a slight chill creeping into his voice. “Who is it you would marry?”
42. Duessa was wise enough not to say anything such as “but Sire, we are very much in
love.” She knew the King well enough to know that he would not be impressed.
“It is a wise match, Sire. Religious and military strength combined. You do see that
it is good strategy, don’t you?”
43. The King nodded. “Yes, We suppose it is,” he said. “Very well. You have Our consent.”
Duessa did not rise immediately. “Thank you, your Majesty, you are gracious indeed.
My marriage to Commander Redcrosse will make Puritania a great theocracy.”
The King frowned. “A theocracy where the Church overrules the Monarch? We do not
know that We would be in favor of that.”
“No, no, your Majesty. A kingdom where the Church and the State are one united
force. My marriage to the commander of your armies would make this possible.”
44. “Although not as powerful,” she continued, “as another match which would have
been much more acceptable to me in every way. One in which the Church and the
State would form a true and passionate union.”
The King narrowed his eyes. “We do not care to hear the words ‘passion’ and
‘Church’ in such close juxtaposition. If this is all your business, then We ask your
blessing and your pardon, for We have much to do, and assure the Proxy of Our
unwavering faith.”
45. The Yacothian High Priestess came upon Duessa as she was gazing avidly as the
map of the entire known world.
46. “Arch-Shepherdess, the Proxy has heard no report from you in many months.
He reminds you that you owe him your full allegiance in matters spiritual: that
the Chair of Jacobus must be as important to you as is the Throne of
Puritania. You have shown him no respect. He is most displeased.”
47. Duessa turned away, her lip curling.
“The Proxy? I no longer answer to the Proxy.”
48. Signora Nicola had been listening carefully. She was positive that here was her poisoner,
but she still needed hard evidence that the King would accept.
The best way to do this was to stay as close to Duessa as she could, and that would mean
seeming to approve of her plan and even pretending to assist her. This too held a risk, as
anyone offering to help murder a King must know too much, and therefore would be the
first to be killed. Nicola would have done that herself. So she must get in Duessa’s
confidence another way.
49. “Arch-Shepherdess, I wish to congratulate you on your upcoming marriage.”
Duessa looked suspicious. “Who told you?”
Nicola shrugged. “The marriage of two such important persons? All the Kingdom knows
of it—and rejoices,” she added. “I merely wish to put my services at your disposal in
anything you wish.”
Duessa nodded. “Perhaps you may. My wish is only for the good of the Kingdom, and for
my marriage, of course. But I do not like to ask for help from anyone unless I can rely on
that person absolutely.”
50. “Rely on you absolutely.” Thinking it over, Nicola thought she knew what it meant.
She went to find Redcrosse, who had been asking Bubbles if Ermintrude had been
giving off more venom lately, and if so, if he might he have some for use in the
Armory.
51. “Commander, I congratulate you on your upcoming marriage.”
“Thank you.”
“And on your loyalty and devotion to duty! I am surprised that you interest yourself
in Pit Beast venom. I had thought that only Bubbles and I cared for such things.”
“I thought it might be helpful, if we were ever to go to war again.”
“I have not heard King Cecil speak of a war.”
52. “That’s my profession, isn’t it? I’m always training Christopher and the others.
War is our profession, though not always an easy one. Poor Christopher knows
this. He would rather have lost his own leg than Friotheswede.”
Nicola waited for him to say more.
“I admit,” Redcrosse said slowly, “that I do not like the idea of envenomed
blades. It does not seem honorable, but I used a fire sword once. Sometimes it is
necessary.”
53. Nicola looked surprised. “A fire sword! I do not remember hearing of such a thing.”
“It was before you arrived in Puritania,” said Redcrosse. “His Majesty said we must
involve ourselves in the election of a new Proxy. I hoped it would not come to an open
fight. It did. I was glad to have Duessa’s fire sword then. The venom on the blades was
her idea, too. She cares only for the safety of the Kingdom, and for my safety.”
54. Nicola was silent again. Redcrosse answered her unspoken question.
“She loves me,” he said. “I never knew my parents. Love is not so common
that I can easily let it go.”
“You are very loyal,” acknowledged Nicola. “The King himself says so, and he
does not give a compliment lightly.”
“I try to be,” Redcrosse said simply, repeating, “She loves me, and she knows
that she may rely on me absolutely.”
55. As Nicola had said, barmaids learn nearly everything, sooner or later, and she had
given the lady assassin a tip about something more important than a hat. She went to
ask a crucial question of one of the King’s Guards.
“Harald, the Arch-Shepherdess has told me that you have been a great help to her.”
Harald’s face was expressionless, but Nicola was good at reading an expressionless face.
“There’s no need to be careful around me, Harald. I’ve sworn to help her in all she
asks. She swears she can trust you with her honor.”
“She does,” Harald said, then bit his tongue, but the damage had been done.
56. “I mean,” he said hastily, “she’s only asked me to make sure certain shipments from
Yacothia get through, and to keep myself prepared for a day when she may ask for my
strength and loyalty.
“I have promised her to stay close to King Cecil,” Nicola said.
“Well, that’s good,” Harald said naively, “because I’ve sworn loyalty to King Cecil myself.”
“And to Knight Commander Redcrosse,” Nicola pointed out.
Harald winced. “She explained about that. She said that it was a political marriage and
that everyone knew that, including the King. I know it’s true and that it won’t matter.
She can rely on me absolutely.”
57. Nicola returned to the Cathedral to speak to Duessa.
“There are so many who are very loyal to you.”
“There are,” Duessa agreed.
“I, however, can be bought. King Cecil himself bought my allegiance. That is something for
you to think on. I tell you this in confidence.”
Nicola began to tell of her own experiences, all the more convincing because she did not
have to make anything up. She spoke of disguises, of sudden daggers, and about the various
kinds of poison she had used. She saw a glint in Duessa’s eye as she spoke about slow
poisons, those that can be reversed when the poisoner found it convenient.
58. Meanwhile, Subdeacon Ambrose had a frantic consultation with
Acolyte Jerome.
“We can’t let her do this, Jerome.”
“How can we stop her? And aren’t we supposed to be loyal to
her?”
59. Ambrose thought about that for a moment. “Well . . . I don’t
think she’s loyal to the Proxy anymore, and she’s definitely not
loyal to the King, so maybe it’s our duty.”
“I’m afraid of her.”
“So am I, “ Ambrose admitted.
62. The Cathedral was one of the largest indoor spaces in the
Kingdom, and as such, it was usually full of people: some of them
praying, many of them starting romances, singing, doing business,
or simply socializing.
64. Ambrose’s heart broke for his friend. Was it partly his fault because he hadn’t
said anything? But then, Una had never said anything either, so perhaps he was
wrong. And wasn’t he supposed to be loyal to the Jacobans, not to the Peterans?
Was it really any of his business?
65. And then he turned and saw the expression on Una’s face.
70. Ambrose pulled Redcrosse aside, hissing under his breath, “Are you blind? What in the
name of the Watcher made you marry a woman who doesn’t love you and turn your back
on one who does? You are the stupidest man in Puritania.”
Redcrosse lifted his hand. “Thank your stars you are a man of the cloth, or I would not
allow you to live after disparaging my lady’s honor.”
“You idiot!” said Ambrose, “she has no honor! And now you are stuck with her for life.
You can’t even go to the Jacoban priest for a divorce, because she IS the Jacoban priest.
You’re doomed—unless you haven’t already consummated the marriage.”
Redcrosse’s face was like stone.
“I give up on you,” muttered Ambrose.
71. When he returned to the Cathedral, Redcrosse was surprised to see King Cecil there.
“We regret that we are not able to visit the Cathedral as often as We would wish. We
rather admire the architecture and We still wish to know how it is that the Arch-
Shepherdess arranges for choir music at all times of the day and night.”
72. “We did feel, however, that it would be mannerly to call and congratulate you on
your marriage, to present you with a gift, and to inquire if all was well.”
73. Redcrosse could not begin to tell the King all the ways in which it wasn’t well,
and he would not have even if he could. He simply thanked him.
74. Duessa then hurried over.
“I am afraid that your Majesty is not well enough to be here.”
The King thought quickly. “Not at all.”
“Then your health has improved?”
It would not do to admit to any form of weakness, and it would be unwise to let
anyone know that he had suspected poison, nor that the poison had ceased to work.
“We were not aware,” said the King firmly, “that We were ever ill.”
75. Ambrose watched events unfold.
“I am sure you are making light of it, your Majesty,” Duessa said. “Are you
positive I can do nothing for you? I am certain that you would improve if I were
to pray for you and send for the wine the Proxy sent me,”
76. “No,” the King repeated. “We have given up wine and many other foods as a spiritual
discipline. We are sure you must comprehend. All is well.”
“And yet your Majesty has no heir,” she said sympathetically. “I hope that is not—”
“--a topic for discussion,” the King cut in sharply. “We are, We repeat for the third
time, in excellent health.”
77. Duessa pulled the King towards her. “How can you know? I must tell you, Sire,”
she went on quickly, “that I have grieved to see your illness, and your Majesty
cannot know of my hopes—that I married in despair—”
The King froze. Misreading this as interest, Duessa proceed to whisper precisely
what she had hoped.
78. He pulled back and said in icy tones, “We shall never repeat what you have said to
Us. We had assumed—naively, it seems—that your religious professions were more
than a façade. We should never have thought that you would presume at all, let
alone in a Cathedral, shortly after your marriage, with your husband a few paces
away.”
79. “Redcrosse isn’t my husband,” she said. “The marriage wasn’t consummated,
and I am still free to marry, your Majesty. It can all be set right.”
80. The King drew in a sharp breath through his nostrils. “Madam,” he said, “there is no possible way in
which this can be set right.”
“Oh, but there is,” she explained. “It is no lie that I would have preferred to marry your Majesty—and
you cannot blame me for so wishing,” she cut in quickly. “Thoughts are free, and there is no law
against marriage. I am happy to see that your Majesty passes the most stringent of moral tests. It is
almost worth your poor opinion of me. As your priest, I am humbled by your virtue.”
The King agreed. After all, a Jacoban priest could not be guilty of such infamy. Reassured, Duessa
turned back to her duties in the Cathedral.
81. When she was busy and could not see, the King quietly spoke to the subdeacon.
“We can scarcely believe that your religious superior is so bad, Ambrose.”
“She’s worse,” Ambrose said candidly. “Much, much worse. In fact, by comparison,
I think this isn’t all that terrible. She actually likes to hurt people.”
“You ought to have informed Us.”
82. Ambrose stammered. “Ought I? Am I a Jacoban first and a Puritanian second? I
wasn’t born here. I came here from Yacothia with the Arch-Shepherdess. I didn’t even
know until a few days ago that she had broken with the Proxy as well. So who am I
supposed to be faithful to first, your Majesty? Yourself, or the Church?—and if it’s the
Church, is it the Proxy’s Church or Duessa’s? It’s been hard to know.”
83. This was a hard question to answer, and the King knew he would
have to give it some serious thought.
85. King Cecil quickly confirmed that Duessa had broken with the Proxy,
exactly as Ambrose had said. She had no loyalty to the Church, and
despite her inferences, he knew she had no loyalty to himself. Once he
had understood the full extent of her ambition, the rest was not
difficult to deduce.
86. With that, Nicola came and knelt before the King.
“Messire, shall I tell you the name of the person who has been conspiring to take
your life and seize the kingdom, or are you already wise enough to know?”
“No,” King Cecil said slowly. “It is clear to Us, and We ought to have understood
it long ago.”
87. “Why did you know,” King Cecil thought, “while I did not?”
“Your Majesty is cunning and subtle,” said Nicola, “but you do not think like a killer, and I
do.”
The King thought that by now, he ought to be able to think like a killer, but the only killer he
had known before had not been subtle at all. Perhaps he was still a stranger to the Middle Ages
after all, or perhaps it was simply that “neither Man nor Angel can discern hypocrisy, the only
evil that walks invisible, except to God alone.” Still, his own subtlety had failed him. If there
had been any other reason, it did not occur to him or to Signora Nicola.
Milton, Paradise Lost, 3: 681-84
88. “Ah, Redcrosse, who scarcely deserve the title of Knight, you are come to tell Us
that you now know your part in the plot against Our Person.”
89. “That you have at last learned of the depth of Duessa’s infamy. That her plan
was to suborn Us, and rule through Us. That she employed indecent wiles, and
then attempted through the slow use of poison to weaken Us until We agreed.
That her plan, if she could not achieve this, was to allow the poison to kill Us and
to set you up as a puppet in Our place.”
90. “That she counted on your loyalty, your great physical strength, and let it said,
your utter stupidity to carry out this plan. That you would never suspect. That
she did not expect that you would be told, and that you would be duly
horrified.
92. “No, my liege. I am come to tell you that I deserve to die. I have been blind and
have endangered your life and that of the whole realm by my foolishness.”
“Please. Let me be stripped of my knighthood. Let my crimes be read in the public
square, that all may know of my shame. Let me be put to death as you think most fit,
and at the very last, I shall confess my guilt and praise your justice.”
93. “Leave it to Us to mete out justice. That is Ours alone.”
94. “In the future, We think you would be wise to think of marriage
for purposes other than self-gratification.”
95. The question remained: how to confront the Jacoban priestess when she still
retained influence and power?
96. Fortunately, an opportunity presented itself when the Gastroburghian
ambassador came to the King, lamenting that owing to a loss of venue, their
annual feast was ruined.
97. This seemed a trivial matter, until the ambassador explained that food was
Gastrobury’s only export—and that the Gastroburghian government had
authorized him to offer its country as a part of the Puritanian empire.
98. King Cecil then commanded a great feast to be held in Gastrobury’s honor,
inviting the kings of all of Puritania’s tributaries, and also the leading
citizens of Puritania, including the Jacoban Arch-Shepherdess.
99. Quietly, the King drew a measure of wine—of the vintage the Shepherdess had
been sending him as a gift.
100. “Lady Shepherdess, We must consult with you on a matter of justice and mercy.
What punishment would you mete out to a traitor and a murderer?”
101. “Death. Immediate death, and by the most extreme means possible.”
“We thought you would judge as much.”
102. “And no doubt you will not mind that your soup was tempered with the wine
you have been pressing on Us for months.”
The Shepherdess reeled back in horror.
103. “Your Majesty—if you will excuse me—I must retire to meditate—”
“To meditate on where you have left the antidote? You have confessed in front of a
mass of witnesses, delivered your own verdict, and proclaimed your own penalty.”
104. “And We deliver your sentence, which is Death.”
“You need not concern yourself, madam, about the harmless wine We placed in
your soup. You are condemned to public justice, and not to lingering private
agony.”
105. “A mercy you would not have granted to Us.”
If it proves necessary to execute someone, this is to be done only
when there is proper justification and manifest reasons for it.
~~Machiavelli
106. Early the next morning, the erring Arch-Shepherdess was led to the Pit of
Judgment, there to be executed in front of an enthusiastic crowd, who had almost
given up on seeing a real execution.
107. “Step lively now. Ermintrude’ll be gettin’ hungry, it bein’ egg-
layin’ season an’ all.”
112. “I have survived the Beast’s judgment and yours, Your Majesty. I believe I am
free to go—and trust that I shall fulminate against your intolerable cruelty
from every pulpit in the Empire.”
113. “Master Bubbles. Your tenure as Executioner began long before the current reign, We
believe. Is the Arch-Shepherdess then free to go? Do you recollect such a custom?”
114. “Can’t say I do, yer Majesty. Back in the old King’s time, used to be me job to
run out the plank and stamp on they fingers. Good times, they was—not that
these are bad times, o’ course.”
115. “Then in justice, there is no reprieve for you, madam. To the Pit with you.”
“You shall be cursed, by the Watcher!”
“By the Watcher? We think not. We are greatly favored by the Watcher,
and she disapproves of your toxicological shenanigans.”
That is true.
121. We have not had to throw anyone to the Pit Beast in quite a long time. At least
that is unlikely to happen again.
122. “We almost wonder if it might be worth it to be Proxy ourselves and thus cut out the middleman.
Something like a monopoly. It would certainly represent a successful functioning of the
marketplace of the market.”
123. “Ah, well. An interesting historical note, no doubt.”
124. At the Valiant Titmouse, Tarleton Somerset and the lovely Fiona were
performing his new play, Astrogoth the Terrifying and the Fair Maid of Puritania,
in which the barbaric conqueror was himself conquered by love and repeated
steely knees to the groin.
126. “That was magnificent! Absolutely magnificent! Tomorrow, we’ll have to
discuss what you’ll play next. Maybe it’s time for a comedy. I can write you as
a bold young woman who runs off to the woods and disguises herself as a---”
“I’m sorry, Tarleton, but that was my last performance.”
“ . . .what?”
127. “It was my last performance. I’m never acting again. Don’t ask me to explain. I
just don’t want to anymore.”
Stunned, Tarleton staggered off to see if he had some ale that was any good.
128. Temperance pulled Fiona aside.
“You don’t want to anymore? That can’t be true. You love acting.”
“I do. I just don’t like being an actress.
“Oh. I see.”
“I’m tired of the women sniffing at me and the men coming around with money and the sermons about
how wicked I am.”
“And who made those sermons? Duessa, that’s who, and she came to no good end. Sister Una never says any
such thing. You can’t mind what people say. It’s a noble craft, girl. Hold your head high.”
But Fiona was not convinced.
129. For his part, Tarleton could scarcely grasp what was happening. So many of his plays
had been written specifically around Fiona. He had grown used to her. The audience
expected to see her. What would they do when his plays went back to being what
they had been before, performed only by him and maybe a boy in an unconvincing
wig and a padded bosom? They would throw fruit, that’s what they would do. Then
they would stop coming at all.
As was his wont, Tarleton panicked completely.
130. This is why he did not realize at first that King Cecil had made an unexpected
appearance at the Titmouse, and why he responded so distractedly.
“Yes, Your Majesty? I’m a bit busy at the moment, because Culture has taken a
sudden downturn in Puritania and there is no more theatre, so you won’t be getting
your Renaissance after all. If you don’t mind, I will be stabbing myself in the heart
with some rustic gardening tool.”
131. “Come, come. Are you not a bard? We had hoped for more ingenuity on your part.
We have every intention of bringing in the Renaissance on schedule: We will not
have it delayed on your account.”
“Ah, well, no doubt you shall think of something.”
Later that evening, Tarleton did think of something.
132. Tarleton considered his next step carefully. On one hand, his Majesty was
undoubtedly irritated about the treachery of the Jacoban priestess and seemed
to be in a Pitting mood. On the other hand, he had declared his complete
commitment to Culture when he came to the throne. . .
133. His timing could not have been worse, as his Majesty was taking a
risk on eating his first non-gruel meal in months.
134. “Your Majesty, theatre is forever dead in Puritania if drastic action is not
taken.”
“We see. Precisely what sort of drastic action did you have in mind?”
Tarleton told him.
135. “Because if Your Majesty condescended to appear in a play, there couldn’t
be anything wrong with theatre, could there? Actors wouldn’t be beggars
and thieves. Actresses wouldn’t be –”
136. “Do not finish that phrase.”
“I hate it myself, your Majesty. But if you don’t make theatre respectable, no
respectable woman will have anything to do with it. Without actresses, theatre
is dead.”
137. “Ladies and gentlemen all, we present for your entertainment and
edification Annex the Stars., or The Rival Claimants.”
138. PROLOGUE
Dear understanders all, our scene’s begot
In Greece or Persia—but it matters not;
It matters only that you know it’s clear
That such a broil could never happen here.
Two princes on this lowly stage you see,
The noble Palomon and Arcite,
Who claim the kingly title for their own
And bitterly do battle for the throne.
139. ACT I:
Palamon:
My cousin, you do know we both contend
Which of us has the true claim to the crown.
Let’s skip the lengthy speech on royal lines
And say the lineage favors on my side.
What do you say to this? Will you not yield,
Or will you plunge the land in civil war?
140. ACT II
Palamon: ‘Tis wisely spoken. You have the greater right.
But which of us can make the kingdom great?
Which one of us by virtuous example
Can lead the people into cleanly manners
And bring our customs into foreign lands?
Which one of us, by peace or means of wars
Can gain the world? Which can annex the stars?
141. ACT III:
Palamon: Thou speak’st with wisdom and with modesty,
The greater right again! It makes me mad.
If thou by blood and virtue, mild looks
And patience still insist upon the crown,
I claim the title through our mother Church!
I am the true and Holy Faith’s Defender,
And thou naught but a vile and low pretender!
The audience all bought some more beer. Now it was getting good.
142. Palamon: Judge all you now the truth of what I say.
Have you not seen this wretch, this vile thing
(I honor him not with the name of “man”)
Abuse the honor of the holy Church?
There was some wild applause, and some of the crowd yelled things like “Nah. She were
a right cotquean!” “Hurray, Ermintrude!” though one man said sadly, “now THAT were
a show.”
143. ACT IV:
Palamon: Wilt thou with patience now bear the charge?
Have you no defense but the right of wit,
Of virtue, fortune, and the people’s love?
Of honor through the Empire and the world?
And wilt not answer me in angry kind?
If words cannot provoke thee, wilt thou then
Not raise thy hand to slapping of thy face?
Now there was a gut-churning silence. Had the player gone too far? Would they have another execution
to look forward to?
144. ACT V:
Palamon:
Your right o’erwhelms me. I am vile, bad,
A lowly and an impudent pretender,
Who challenges the true and rightful King.
I kiss your noble hand and beg your grace,
And though you are too good to order it
I will now go myself and seek the Pit.
145. One man in the tavern shouted, “The Pit! Hurrah!”
“Shut up, Almeric. It’s only a play.”
King Cecil had his teeth tightly clenched. “Lady Fortune and my own wit—”
Tarleton keeled over and died, then bounced up, brushing off the dust.
146. EPILOGUE
“One king’s a beggar, one remains a king,
The theatre’s a mad and giddy thing,
One thing is clear: if our noble King doth deign
To honor players for a single day
By being one of us, is not our play
And players all made noble by his grace?
Can you disdain us to his royal face?
In honoring us, you all do honor him.
If we have pleased you by our thespian arts
We ask of you your hands now and your hearts.”
147. “Psst, Your Majesty. At this point, it’s traditional for us shamelessly to grovel for applause.”
“Thank you. Thank you. You’ve been a beautiful crowd.”
Time would tell if his ploy had worked, but Tarleton fervently hoped this would honor
actors for a time and persuade Fiona to try the stage again, if only once or twice. He was
certain that once she was back, the theatre would claim her as its own. She wouldn’t be
able to leave it any more than he could.
148. After the performance was over and the tavern had nearly cleared, King Cecil asked
Tarleton, with a question that was not really a question at all, “You do capitalize on a
certain physical resemblance, do you not?”
“I . . .er. . .”
“Are you a relation of some kind? A Goodytwoshoes?”
“No! No, your Majesty! That’s impossible! You came from some mysterious land
beyond the sea. My father was a cobbler from Anyder. It’s pure coincidence.”
149. And even if I were, Tarleton thought, I would never want to say so. I am no prince; I
cannot lead armies; I am afraid of the dark and of my own shadow. I have no courage at
all, except on the stage. That is a big enough empire for me.
He also knew there would be no point in telling King Cecil this. He would never
understand a man who did not secretly want to rule the world.
150. Leave the business of ruling the world to those who like it and are good at it.
Ultimately, Puritania was unquestionably Cecil’s. It had reached the apex of
knowledge and culture; it was, as Tarleton had suggested in Annex the Stars, tidy
and mannerly beyond belief; and virtually every kingdom on the map had joined
the Puritanian Empire.
151. Even Prince Rupert the Charming was beginning to understand that the
Kingdom was Cecil’s.
“The Kingdom works. He raises an eyebrow and somehow it happens! I
can’t get the same results no matter how much I sparkle.”
152. “You do not still think he is a bandit ruling over a kingdom with no
honor? You do not call me thief and hired killer?”
153. Prince Rupert admitted sadly, “No. I still think he is a usurping thief and
that the kingdom has no honor. I know you are a hired killer and that you
have no shame about it. But I also know that my time is over, if it ever
existed. This is no world for a fairy-tale prince. Nicola, I don’t even know
what is going on half the time. If I go on like this, I’m going to get myself
killed. You have to help me.”
154. Nicola thought about it. “Hmm,” she said. “Perhaps I shall. I have
never had a pet. Only when I am not about my business, capiche?”
155. “No, the Peteran Church is not the State religion by default! We personally
remain a Jacoban, and We will not be dictated to by ecclesiastical
functionaries! Is this Sister Una’s responsibility?”
156. “No, your Majesty, she wouldn’t do something like that. I am Bonaventure. I’m
actually her superior, although we Peterans don’t really have those. I just wanted to
know.”
“We see. Then know that it is Our intention to continue to allow both Churches to
compete in the marketplace of the market. Should there be any further seditious
attempts by either Church, We shall be forced to take Steps.”
157. Signora Nicola explained to Brother Bonaventure that Messire really did mean
this, and that by “Steps,” he was indicating an interest in combining the
Churches and becoming their Head. He understood that it had been done
before.
158. She thought it wiser not to add that the King usually dismissed
this idea when it occurred to him, as it did from time to time.
159. “We believe we have more power without it. We are, on the whole, rather
pleased with Puritania’s achievements. There is little left to do, other than
building up trade routes and taking Our culture to the few spots to which it has
not gone. There are so few opportunities for personal renown.”
“Messire, your reign is almost legendary.”
“Ah, that ‘almost.’ “
“I cannot see what you could do, other than slaying a dragon.”
162. Wherein ye shall read of most marvelous things:
Of horrors unutterable;
Of literary endeavor;
Of a marriage, and of a long-awaited child;
Of a mighty battle with a Dragon;
--and many another such wonderful events, if ye will but please to read.
163. Quests completed:
Legend of the Talking Frog
Wedding
Gastrofest or Bust
Constellation Confrontation
Dangerous Minds
165. Renaissance Fun Facts
! Wouldn’t it be nice if we had the antidote for cantarella? Unfortunately, since we
don’t know what cantarella was, we can’t possibly know the antidote. However, if it
was arsenic or arsenic-based, you’ll be happy to know that modern physicians can be
a great help to you, which is nice, because arsenic can be found in a lot of things,
including fruit juice.
! Duessa was lucky. Being thrown to a Pit Beast is positively merciful compared to
what really would have happened to someone accused of treason and plotting the
death of the monarch.
! What Tarleton says about actresses is true. Once women began to perform on stage,
they quickly became essential for box-office success.
! Tarleton is much too optimistic about royalty performing in plays being a help. It
didn’t always work, but it did pay to have friends in high places.
! Plays about usurpers often did not go down very well, but plays involving regicide
(the murder of a king) were much worse.
! “Cotquean” is really vulgar, but since no one uses it anymore, I thought it couldn’t
do any harm.
! Just try to find a Shakespearean comedy that doesn’t end with shameless groveling
for applause.
166. Credits
Opening picture
Flammarion engraving: artist unknown.
“Briar Wood,” The Legend of Briar Rose, Edward Burne-Jones.
Technical effects (bishi-sparkles), Dr. Supreme Nerd
Aspera ad astra literally means “reach for the stars.” “I would annex the planets if I could” is an
actual quote from Cecil Rhodes. Passages quoted from Go Dog Go, P.D. Eastman; Paradise Lost,
John Milton; The Prince, Machiavelli. Palamon and Arcite appear in both Geoffrey Chaucer’s “The
Knight’s Tale” in the Canterbury Tales and William Shakespeare’s The Two Noble Kinsmen. There’s
also a slight reference to All’s Well That Ends Well, one of my favorites. Names mostly from
Edmund Spenser’s The Faerie Queene; Unferth the Fool is named after the villain in Beowulf.
Inspiration lifted from nearly every Medieval and Renaissance text that isn’t nailed down.
Printer’s mark, Sacrobosco.