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A Quick Guide to Poetry

     Structure & Form
Parts of Poems


•Lines – groups of words arranged together in a
poem (not necessarily sentences)

•Stanzas – lines of poetry separated into groups

•Form – the appearance of the poem on the page
Types of Stanzas


Couplet = a two line stanza
Triplet (Tercet) = a three line stanza
Quatrain        = a four line stanza
Quintet     = a five line stanza
Sestet (Sextet) = a six line stanza
Septet      = a seven line stanza
Octave      = an eight line stanza
How Many?

The Holy Longing
by Johann Wolfgang von Goethe


Tell a wise person, or else keep silent,
because the mass man will mock it right away.
I praise what is truly alive,
what longs to be burned to death.
In the calm water of the love-nights,
where you were begotten, where you have begotten,
a strange feeling comes over you,
when you see the silent candle burning.
Now you are no longer caught in the obsession with darkness,
and a desire for higher love-making sweeps you upward.
Distance does not make you falter.
Now, arriving in magic, flying,
and finally, insane for the light,
you are the butterfly and you are gone.
And so long as you haven't experienced this: to die and so to grow,
Types of Rhyme

•End Rhyme: rhyme that occurs at the end of a line of poetry

–“Listen my children and you shall hear
–Of the midnight ride of Paul Revere.”

•Internal Rhyme: rhyme that occurs within a line of poetry

“Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore--
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.”
Types of Rhyme

•True rhyme: The immediately recognizable norm: true/blue, mountain/fountain.

•Slant rhyme: Rhymes that are close but not exact: lap/shape, glorious/nefarious.

•Eye rhyme: This refers to rhymes based on similarity of spelling rather than
sound. Often these are highly conventional, and reflect historical changes in
pronunciation: love/move/prove, why/envy.

•Identical rhyme: A word rhymes with itself, as in Emily Dickinson's "Because I
Could not Stop for Death":

    We paused before a house that seemed
    A Swelling of the Ground--
    The Roof was scarcely visible--
    The Cornice--in the Ground.
Rhyme Scheme

Pattern of end rhyme in a poem, marked by letters

Fireflies glitter in random flicks,
Darting about, seeming to stray.
Lighting the night with starry wicks,
Flying off at the light of day.
Rhyme scheme:__________

Roses are red,
Violets are blue,
Sugar is sweet,
And so are you.
Rhyme scheme: __________
What My Lips Have Kissed, And Where And Why
-- Edna St. Vincent Millay

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply;
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands a lonely tree,
Nor knows what birds have vanished one by one,
Yet know its boughs more silent than before:
I cannot say what loves have come and gone;
I only know that summer sang in me
A little while, that in me sings no more.
Meter (Rhythm)


• Syllables – the number of beats in a word
   –   Car (one syllable)
   –   Auto (two syllables)
   –   Automobile (four syllables)

• When there is more than one syllable being said, some are stressed and some are
  unstressed.

• When poets write in meter, they count out the number of stressed (strong) syllables
  and unstressed (weak) syllables for each line.

• Meter occurs when the stressed and unstressed syllables of the words in a poem are
  arranged in a repeating pattern.

• A measurable, patterned unit (a set) of poetic rhythm is called a “foot.”
Basic Foot Rhythms


•Name: Iambic
Pattern: unstressed, stressed (U/)
 U /      U     /      U     / U / U         /
But soft, what light through yonder window breaks?
–Name: Trochaic
Pattern: stressed, unstressed (/ U)
 / U / U / U / U
Double, double toil and trouble
–Name: Anapestic
Pattern: unstressed, unstressed, stressed (U U /)
 U    U     / UU /          U U /
And the sound of a voice that is still
–Name: Dactylic
Pattern: stressed, unstressed, unstressed (/ U U)
   / U U / UU
Take her up tenderly
Line Length

     •One foot: Monometer                    Five feet: Pentameter
                                             Six feet: Hexameter
     •Two feet: Dimeter
                                             Seven feet: Heptameter
     •Three feet: Trimeter                   Eight feet: Octameter

 U
     •FourUfeet: Tetrameter
       /     /     U  /   U            /     U   /
But soft, what light   through yon der win dow breaks?
    1      2           3          4       5
5 feet = Pentameter
Therefore, this line is Iambic Pentameter


    U     U    /       UU /       U U /
And the sound of a voice that is still
          1              2          3
3 feet = Trimeter
Therefore, this line is Anapestic Trimeter

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A Quick Guide to Poetry

  • 1. A Quick Guide to Poetry Structure & Form
  • 2. Parts of Poems •Lines – groups of words arranged together in a poem (not necessarily sentences) •Stanzas – lines of poetry separated into groups •Form – the appearance of the poem on the page
  • 3. Types of Stanzas Couplet = a two line stanza Triplet (Tercet) = a three line stanza Quatrain = a four line stanza Quintet = a five line stanza Sestet (Sextet) = a six line stanza Septet = a seven line stanza Octave = an eight line stanza
  • 4. How Many? The Holy Longing by Johann Wolfgang von Goethe Tell a wise person, or else keep silent, because the mass man will mock it right away. I praise what is truly alive, what longs to be burned to death. In the calm water of the love-nights, where you were begotten, where you have begotten, a strange feeling comes over you, when you see the silent candle burning. Now you are no longer caught in the obsession with darkness, and a desire for higher love-making sweeps you upward. Distance does not make you falter. Now, arriving in magic, flying, and finally, insane for the light, you are the butterfly and you are gone. And so long as you haven't experienced this: to die and so to grow,
  • 5. Types of Rhyme •End Rhyme: rhyme that occurs at the end of a line of poetry –“Listen my children and you shall hear –Of the midnight ride of Paul Revere.” •Internal Rhyme: rhyme that occurs within a line of poetry “Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore-- While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door.”
  • 6. Types of Rhyme •True rhyme: The immediately recognizable norm: true/blue, mountain/fountain. •Slant rhyme: Rhymes that are close but not exact: lap/shape, glorious/nefarious. •Eye rhyme: This refers to rhymes based on similarity of spelling rather than sound. Often these are highly conventional, and reflect historical changes in pronunciation: love/move/prove, why/envy. •Identical rhyme: A word rhymes with itself, as in Emily Dickinson's "Because I Could not Stop for Death": We paused before a house that seemed A Swelling of the Ground-- The Roof was scarcely visible-- The Cornice--in the Ground.
  • 7. Rhyme Scheme Pattern of end rhyme in a poem, marked by letters Fireflies glitter in random flicks, Darting about, seeming to stray. Lighting the night with starry wicks, Flying off at the light of day. Rhyme scheme:__________ Roses are red, Violets are blue, Sugar is sweet, And so are you. Rhyme scheme: __________
  • 8. What My Lips Have Kissed, And Where And Why -- Edna St. Vincent Millay What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain Under my head till morning; but the rain Is full of ghosts tonight, that tap and sigh Upon the glass and listen for reply; And in my heart there stirs a quiet pain For unremembered lads that not again Will turn to me at midnight with a cry. Thus in the winter stands a lonely tree, Nor knows what birds have vanished one by one, Yet know its boughs more silent than before: I cannot say what loves have come and gone; I only know that summer sang in me A little while, that in me sings no more.
  • 9. Meter (Rhythm) • Syllables – the number of beats in a word – Car (one syllable) – Auto (two syllables) – Automobile (four syllables) • When there is more than one syllable being said, some are stressed and some are unstressed. • When poets write in meter, they count out the number of stressed (strong) syllables and unstressed (weak) syllables for each line. • Meter occurs when the stressed and unstressed syllables of the words in a poem are arranged in a repeating pattern. • A measurable, patterned unit (a set) of poetic rhythm is called a “foot.”
  • 10. Basic Foot Rhythms •Name: Iambic Pattern: unstressed, stressed (U/) U / U / U / U / U / But soft, what light through yonder window breaks? –Name: Trochaic Pattern: stressed, unstressed (/ U) / U / U / U / U Double, double toil and trouble –Name: Anapestic Pattern: unstressed, unstressed, stressed (U U /) U U / UU / U U / And the sound of a voice that is still –Name: Dactylic Pattern: stressed, unstressed, unstressed (/ U U) / U U / UU Take her up tenderly
  • 11. Line Length •One foot: Monometer Five feet: Pentameter Six feet: Hexameter •Two feet: Dimeter Seven feet: Heptameter •Three feet: Trimeter Eight feet: Octameter U •FourUfeet: Tetrameter / / U / U / U / But soft, what light through yon der win dow breaks? 1 2 3 4 5 5 feet = Pentameter Therefore, this line is Iambic Pentameter U U / UU / U U / And the sound of a voice that is still 1 2 3 3 feet = Trimeter Therefore, this line is Anapestic Trimeter