Music: An Appreciation, Brief 7 th  Edition by Roger Kamien  Part VI The 20th Century & Beyond Jazz & Rock 2011 © McGraw-Hill Higher Education
Ch. 19 - Jazz Roots of Jazz Blend elements of several cultures West African  emphasis on improvisation, percussion & call-and-response techniques American brass band influence on instrumentation European harmonic & structural practice Blues & ragtime were immediate sources
Ragtime Dance hall and saloon music Piano music with left hand, “oom-pah” part Usually in duple meter at moderate march tempo Right hand part highly syncopated Left hand keeps steady beat
Blues Vocal and instrumental form 12 measure (bar) musical structure 1  2  3  4  5  6  7  8  9  10  11  12 I 3 part vocal structure:  a a’ b Statement/repeat of statement/counterstatement IV I V I
Listening Lost Your Head Blues  (1926) Performed by Bessie Smith (Smith known as “Empress of the Blues”) Vocal Music Guide: p. 358 Basic Set, CD 9:30 Brief Set, CD 5:51 Note:  Strophic   12 bar blues form   3 part (a a’ b) vocal structure   Trumpet answers vocalist Call and response
Tone Color Elements of Jazz Usually performed by  combo  of 3-8 players Created & performed simultaneously Improvisation Similar to Baroque basso continuo Main solo instruments trumpet, trombone, saxophone, clarinet, vibraphone, piano Most commonly 32-bar structure:  A A B A format Backbone is rhythm section “ Bends,” “smears,” “shakes,” “scoops,” “falls” Usually in theme and variations form Each performance is different
Rhythm, Melody, and Harmony Syncopation & rhythmic swing are features Chord progressions similar to tonal system Syncopation often occurs when performer accents note between the regular rhythmic accents Rhythmic accent on beats 2 and 4 Melodies flexible in pitch As jazz evolved, harmony grew more complex “ Swing” result of uneven 8 th  notes (triplet feel) 3 rd , 5 th , & 7 th  scale steps often lowered (flatted) Called “blue” notes, these pitches come from vocal blues
Jazz Styles: New Orleans Style Also called  Dixieland Front line  of horns supported by rhythm section New Orleans was center of jazz 1900-1917 Characteristics Songs frequently based on march or church melody, ragtime piece, pop song, or blues Improvised arrangements Many notable performers Multiple instruments improvising simultaneously Scat singing Theme and variation form predominates Most famous was trumpeter Louis Armstrong
Listening Hotter Than That  (1927) by Louis Armstrong and His Hot Five Based on tune by Lillian Hardin Armstrong, his wife and pianist Listening Outline: p. 364 Basic Set, CD 9:32  Brief Set, CD 5:52 Note:  Interplay of front line instruments   Call and response   Scat singing
Jazz Styles: Swing Popular 1935-45 ( Swing era ) Written music Large bands (usually 15-20 players) Primarily for dancing The popular music of the time The music of WWII Saxophones, trumpets, trombones, rhythm section Melody usually performed by groups of instruments rather than by soloists Other instruments accompany w/ background  riffs Theme and variations form common Usually included improvisation by soloists (singly)
Bebop Style Jazz Styles: Bebop 1940s and early 1950s Meant for listening—not dancing Combo was preferred ensemble Role of each instrument changed from earlier jazz Theme and variations form still dominant Melodies derived from pop songs or 12-bar blues Initial melody by soloist or 2 soloists in unison Melodic phrases varied in length Chords built w/ 6 or 7 notes, not earlier 4 or 5 Many notable performers including Trumpet Dizzy Gillespie, piano Thelonious Monk Most famous/influential alto sax Charlie Parker
Cool Jazz Jazz Styles 1950’s More calm and relaxed than Bebop Relied more upon arrangements 1960’s Free Jazz Similar to Chance Music Solos sections of indeterminate length Improvisation by multiple players at once In late 1960’s, rock became potent influence Jazz Rock (Fusion) Style combined improvisation w/ rock rhythms Combined acoustic & electric instruments
Ch. 21 - Rock Developed in mid-1950s Common features: Also drew influences from  country & western First called  rock & roll , later shortened to  rock Grew mainly from  rhythm & blues Incorporated new technologies as they came available Vocal Hard driving beat Featured electric guitar Made use of heavily amplified sound
Early performers included: Rock Styles 1960s: Chuck Berry Diana Ross & the Supremes, Stevie Wonder, … More English groups followed:  The British Invasion Rolling Stones, The Who, … Rock also began to absorb influences from  folk 1964: US tour by the Beatles, an English group Bill Haley and His Comets James Brown, Ray Charles, Aretha Franklin Motown  blended R&B w/ mainstream white music Rock by black performers called  soul Little Richard The Platters Rock Around the Clock  Elvis (King of Rock & Roll) Many genres:  folk rock, jazz rock, acid rock, … Social issues: Environment ( Blowin’ in the Wind),  Vietnam Beatles most influential group in rock history 1 st  rock musical:  Hair 1 st  rock opera:  Tommy
1970s: Development of Rock Continuation of many 60’s styles Country rock : blend of country music and rock Reggae  from the West Indies Funk  with electrification & jazz-like rhythms Punk   (new wave )—a primitive form of rock & roll Classical rock —rock arrangements of earlier serious music Jazz rock  reached wider group than ever before Chicago; Weather Report; Blood, Sweat, & Tears  Many veterans continued, many new artists arrived: Revival of early rock & roll Rise of a dance style called  disco Linda Ronstadt, Billy Joel, Donna Summer, … Other genres of rock arose:
1980s: Development of Rock British new wave bands became popular Increased use of electronic technology Heavy metal-- sexually explicit lyrics & costumes Police; Culture Club, Eurhythmics Known as the  second British invasion Synthesizers and computers (early sequencers) Metallica; Iron Maiden; Motley Crue; Guns ‘n’ Roses Rap —developed among young urban blacks Began as rhythmic talking accompanied by disk jockey Often depicts anger and frustration Part of  hip-hop  culture
The 80s and into the 90s: Development of Rock Grunge  or  alternative  rock was embraced Grinding guitar sounds & angry lyrics Reaction to the polished sound of mainstream rock bands Direct stylistic influence from 1970’s punk rock Nirvana; Pearl Jam; Soundgarden; Alice in Chains Smashing Pumpkins; Nine Inch Nails; Belly; Hole Heavy metal & rap continue in popularity in 80s-90s Heavy metal continued to reach a mostly white audience Rap adopted devices from other types of music Rap began to attract broader audience African music began to influence mainstream music Paul Simon:  Graceland  (1986) used an African vocal group
Guitar-based, small core performance group Elements of Rock 2 guitars, bass guitar, drum set, keyboards Frequent vocal effects (shout, scream,  falsetto ) Rhythm Almost always in 4/4 meter Simple subdivision of beats Usually a singer/instrumentalist Occasionally other instruments (horns, strings, etc.) Late 70’s & 80’s: more rhythmically complex 1 & 2 & 3 & 4 &, 1 & 2 & 3 & 4 &, … Result of polyrhythmic influences of African music   Tone Color
Two commonly utilized forms: Elements of Rock 12-bar blues form Form, Melody, and Harmony Short, repeated melodic patterns Usually 3 or 4 (or less) chords 32-bar A A B A form Usually built on modes, not major/minor Harmonically simple Often uses chord progressions that were rare in earlier popular music

20th centuryjazzrock

  • 1.
    Music: An Appreciation,Brief 7 th Edition by Roger Kamien Part VI The 20th Century & Beyond Jazz & Rock 2011 © McGraw-Hill Higher Education
  • 2.
    Ch. 19 -Jazz Roots of Jazz Blend elements of several cultures West African emphasis on improvisation, percussion & call-and-response techniques American brass band influence on instrumentation European harmonic & structural practice Blues & ragtime were immediate sources
  • 3.
    Ragtime Dance halland saloon music Piano music with left hand, “oom-pah” part Usually in duple meter at moderate march tempo Right hand part highly syncopated Left hand keeps steady beat
  • 4.
    Blues Vocal andinstrumental form 12 measure (bar) musical structure 1 2 3 4 5 6 7 8 9 10 11 12 I 3 part vocal structure: a a’ b Statement/repeat of statement/counterstatement IV I V I
  • 5.
    Listening Lost YourHead Blues (1926) Performed by Bessie Smith (Smith known as “Empress of the Blues”) Vocal Music Guide: p. 358 Basic Set, CD 9:30 Brief Set, CD 5:51 Note: Strophic 12 bar blues form 3 part (a a’ b) vocal structure Trumpet answers vocalist Call and response
  • 6.
    Tone Color Elementsof Jazz Usually performed by combo of 3-8 players Created & performed simultaneously Improvisation Similar to Baroque basso continuo Main solo instruments trumpet, trombone, saxophone, clarinet, vibraphone, piano Most commonly 32-bar structure: A A B A format Backbone is rhythm section “ Bends,” “smears,” “shakes,” “scoops,” “falls” Usually in theme and variations form Each performance is different
  • 7.
    Rhythm, Melody, andHarmony Syncopation & rhythmic swing are features Chord progressions similar to tonal system Syncopation often occurs when performer accents note between the regular rhythmic accents Rhythmic accent on beats 2 and 4 Melodies flexible in pitch As jazz evolved, harmony grew more complex “ Swing” result of uneven 8 th notes (triplet feel) 3 rd , 5 th , & 7 th scale steps often lowered (flatted) Called “blue” notes, these pitches come from vocal blues
  • 8.
    Jazz Styles: NewOrleans Style Also called Dixieland Front line of horns supported by rhythm section New Orleans was center of jazz 1900-1917 Characteristics Songs frequently based on march or church melody, ragtime piece, pop song, or blues Improvised arrangements Many notable performers Multiple instruments improvising simultaneously Scat singing Theme and variation form predominates Most famous was trumpeter Louis Armstrong
  • 9.
    Listening Hotter ThanThat (1927) by Louis Armstrong and His Hot Five Based on tune by Lillian Hardin Armstrong, his wife and pianist Listening Outline: p. 364 Basic Set, CD 9:32 Brief Set, CD 5:52 Note: Interplay of front line instruments Call and response Scat singing
  • 10.
    Jazz Styles: SwingPopular 1935-45 ( Swing era ) Written music Large bands (usually 15-20 players) Primarily for dancing The popular music of the time The music of WWII Saxophones, trumpets, trombones, rhythm section Melody usually performed by groups of instruments rather than by soloists Other instruments accompany w/ background riffs Theme and variations form common Usually included improvisation by soloists (singly)
  • 11.
    Bebop Style JazzStyles: Bebop 1940s and early 1950s Meant for listening—not dancing Combo was preferred ensemble Role of each instrument changed from earlier jazz Theme and variations form still dominant Melodies derived from pop songs or 12-bar blues Initial melody by soloist or 2 soloists in unison Melodic phrases varied in length Chords built w/ 6 or 7 notes, not earlier 4 or 5 Many notable performers including Trumpet Dizzy Gillespie, piano Thelonious Monk Most famous/influential alto sax Charlie Parker
  • 12.
    Cool Jazz JazzStyles 1950’s More calm and relaxed than Bebop Relied more upon arrangements 1960’s Free Jazz Similar to Chance Music Solos sections of indeterminate length Improvisation by multiple players at once In late 1960’s, rock became potent influence Jazz Rock (Fusion) Style combined improvisation w/ rock rhythms Combined acoustic & electric instruments
  • 13.
    Ch. 21 -Rock Developed in mid-1950s Common features: Also drew influences from country & western First called rock & roll , later shortened to rock Grew mainly from rhythm & blues Incorporated new technologies as they came available Vocal Hard driving beat Featured electric guitar Made use of heavily amplified sound
  • 14.
    Early performers included:Rock Styles 1960s: Chuck Berry Diana Ross & the Supremes, Stevie Wonder, … More English groups followed: The British Invasion Rolling Stones, The Who, … Rock also began to absorb influences from folk 1964: US tour by the Beatles, an English group Bill Haley and His Comets James Brown, Ray Charles, Aretha Franklin Motown blended R&B w/ mainstream white music Rock by black performers called soul Little Richard The Platters Rock Around the Clock Elvis (King of Rock & Roll) Many genres: folk rock, jazz rock, acid rock, … Social issues: Environment ( Blowin’ in the Wind), Vietnam Beatles most influential group in rock history 1 st rock musical: Hair 1 st rock opera: Tommy
  • 15.
    1970s: Development ofRock Continuation of many 60’s styles Country rock : blend of country music and rock Reggae from the West Indies Funk with electrification & jazz-like rhythms Punk (new wave )—a primitive form of rock & roll Classical rock —rock arrangements of earlier serious music Jazz rock reached wider group than ever before Chicago; Weather Report; Blood, Sweat, & Tears Many veterans continued, many new artists arrived: Revival of early rock & roll Rise of a dance style called disco Linda Ronstadt, Billy Joel, Donna Summer, … Other genres of rock arose:
  • 16.
    1980s: Development ofRock British new wave bands became popular Increased use of electronic technology Heavy metal-- sexually explicit lyrics & costumes Police; Culture Club, Eurhythmics Known as the second British invasion Synthesizers and computers (early sequencers) Metallica; Iron Maiden; Motley Crue; Guns ‘n’ Roses Rap —developed among young urban blacks Began as rhythmic talking accompanied by disk jockey Often depicts anger and frustration Part of hip-hop culture
  • 17.
    The 80s andinto the 90s: Development of Rock Grunge or alternative rock was embraced Grinding guitar sounds & angry lyrics Reaction to the polished sound of mainstream rock bands Direct stylistic influence from 1970’s punk rock Nirvana; Pearl Jam; Soundgarden; Alice in Chains Smashing Pumpkins; Nine Inch Nails; Belly; Hole Heavy metal & rap continue in popularity in 80s-90s Heavy metal continued to reach a mostly white audience Rap adopted devices from other types of music Rap began to attract broader audience African music began to influence mainstream music Paul Simon: Graceland (1986) used an African vocal group
  • 18.
    Guitar-based, small coreperformance group Elements of Rock 2 guitars, bass guitar, drum set, keyboards Frequent vocal effects (shout, scream, falsetto ) Rhythm Almost always in 4/4 meter Simple subdivision of beats Usually a singer/instrumentalist Occasionally other instruments (horns, strings, etc.) Late 70’s & 80’s: more rhythmically complex 1 & 2 & 3 & 4 &, 1 & 2 & 3 & 4 &, … Result of polyrhythmic influences of African music Tone Color
  • 19.
    Two commonly utilizedforms: Elements of Rock 12-bar blues form Form, Melody, and Harmony Short, repeated melodic patterns Usually 3 or 4 (or less) chords 32-bar A A B A form Usually built on modes, not major/minor Harmonically simple Often uses chord progressions that were rare in earlier popular music