TEKS
 In charge of an individual production. Is 
responsible for all personnel working on the 
production and for coordinating technical and 
non-technical production elements.
 In charge of directing talent and technical 
operations. Is ultimately responsible for 
transforming a script into effective video and 
audio messages.
 Being the Director's right-hand person, 
taking responsibility for a number of 
important practicalities so that the Director is 
free to concentrate on the creative process 
 Breaking down the script into a shot-by-shot 
storyboard
 Working with the Director to determine the 
shoot order, and how long each scene will 
take to film 
 Drawing up the shooting schedule (a 
timetable for the filming) and making sure it’s 
kept to
 Also known as Director of Photography 
 A cinematographer or director of 
photography (sometimes shortened 
to DP or DOP) is the chief over the camera 
and lighting crews working on a film, 
television production or other live action 
piece and is responsible for achieving artistic 
and technical decisions related to the image.
 In charge of creative design aspects of show 
(set design, costumes, location, and/or 
graphics).
 Designs and sometimes even constructs 
costumes for television or film. 
 Reports to the Art Director.
 A gaffer in the motion picture industry and 
on a television crew is the head electrician, 
responsible for the execution (and sometimes 
the design) of the lighting plan for a 
production.
 The Key Grip is the head grip, in charge of the 
labor and non-electrical equipment used to 
support and modify the lighting.
 A line producer is a person that functions as 
the key manager during the daily operations 
of a feature film, television film or 
the episode of a TV program.
 A line producer works on one film at a 
time.They are accountable for human 
resources and all kinds of problems possibly 
occurring during the making.
 The location manager is a member of the film 
crew responsible for the finding and securing 
locations to be used, obtaining all needed fire, 
police and other governmental permits, and 
coordinating the logistics involved for the 
production to successfully complete its 
necessary work.
 They are also the face of the production to the 
community and responsible for addressing the 
issues that may arise due to the production's 
impact on the community.
 Does the makeup for all talent.

2. production careers day 4

  • 1.
  • 2.
     In chargeof an individual production. Is responsible for all personnel working on the production and for coordinating technical and non-technical production elements.
  • 3.
     In chargeof directing talent and technical operations. Is ultimately responsible for transforming a script into effective video and audio messages.
  • 4.
     Being theDirector's right-hand person, taking responsibility for a number of important practicalities so that the Director is free to concentrate on the creative process  Breaking down the script into a shot-by-shot storyboard
  • 5.
     Working withthe Director to determine the shoot order, and how long each scene will take to film  Drawing up the shooting schedule (a timetable for the filming) and making sure it’s kept to
  • 6.
     Also knownas Director of Photography  A cinematographer or director of photography (sometimes shortened to DP or DOP) is the chief over the camera and lighting crews working on a film, television production or other live action piece and is responsible for achieving artistic and technical decisions related to the image.
  • 7.
     In chargeof creative design aspects of show (set design, costumes, location, and/or graphics).
  • 8.
     Designs andsometimes even constructs costumes for television or film.  Reports to the Art Director.
  • 9.
     A gafferin the motion picture industry and on a television crew is the head electrician, responsible for the execution (and sometimes the design) of the lighting plan for a production.
  • 10.
     The KeyGrip is the head grip, in charge of the labor and non-electrical equipment used to support and modify the lighting.
  • 11.
     A lineproducer is a person that functions as the key manager during the daily operations of a feature film, television film or the episode of a TV program.
  • 12.
     A lineproducer works on one film at a time.They are accountable for human resources and all kinds of problems possibly occurring during the making.
  • 13.
     The locationmanager is a member of the film crew responsible for the finding and securing locations to be used, obtaining all needed fire, police and other governmental permits, and coordinating the logistics involved for the production to successfully complete its necessary work.
  • 14.
     They arealso the face of the production to the community and responsible for addressing the issues that may arise due to the production's impact on the community.
  • 15.
     Does themakeup for all talent.