This script received an overall score of 84 out of 100. The technical elements were well executed, and the opening pages drew the reader in with compelling characters and an intriguing story trajectory. The concept and tone were considered very good, while the logic and conflict were average. The story works well but could benefit from more grounded plot details and clearer motivations for some characters. Suggestions include fleshing out the ending more and potentially simplifying the fight scenes. Overall it was deemed a script worth considering for further development.
This script received a high score of 94 out of 100. The overall layout and formatting were deemed fair but acceptable. The technical elements like scene headings and parentheticals received a good score. The opening pages drew the reader in with a compelling hook and memorable characters. The story had an original concept with exceptional tone, characters, setting, structure, pace, logic, conflict, and resolution. It provided an emotional response and kept a very good momentum and pace throughout. The only area that could be improved was making the dialogue more distinctive between characters. Overall, the script was strongly recommended.
This document defines and provides examples of various camera angles used in filmmaking, including bird's eye view, close up, long shot, high shot, mid shot, over the shoulder, tilt shot, and worm's eye view. Each angle is used to convey different meanings and emphasize certain elements in a scene. For example, a close up focuses on a character's emotions, a high shot makes a character appear weak, and a tilt shot conveys twisted or dark personalities. Examples from famous films are given to illustrate each camera angle technique.
The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
The document discusses conventions commonly used in movie trailers. It explains that action movie trailers often include title cards to showcase popular actors, while horror trailers focus on maintaining a fast pace and revealing limited information to generate intrigue. Some techniques covered include showing dramatic shots like canted angles to imply impending danger, using voiceovers to narrate the story, including sound bridges to discuss tasks or missions, and sometimes saving the title card until the very end to retain viewers' attention throughout.
This document analyzes 9 shots from the title sequence and opening scenes of the film Taxi Driver. It describes each shot, including noting that the first shot introduces the director Martin Scorsese, the second identifies the film studio Columbia, and the third establishes the film's title and stars, including Robert De Niro. Subsequent shots analyze a wet window effect establishing the American setting, a panning shot following a character into an office, and edited eye line matches showing conversations between characters.
This document analyzes the opening frames of a student psychological horror film. It discusses how each frame uses conventions of the horror genre, such as mysterious and eerie openings, isolating long shots of the protagonist, increasing close-ups to build tension, dim lighting and jump scares using editing. It also explains how the frames depict the protagonist's growing sense of unease and lack of control through the use of POV shots and blood imagery. The analysis shows how the opening scene sets up themes of mystery, isolation and an unknown threat to effectively engage the audience in the horror genre.
This document analyzes the opening sequence of the film Memento through 9 frames. It summarizes each frame to show how they establish the film noir genre and themes of memory, mystery, and violence. Frame 1 introduces the main character's memory loss through a point-of-view shot. Subsequent frames show clues about the plot through a faded polaroid, reversed shot, and the main character's bloody face. Later frames depict shadows, blood, violence and action scenes, reinforcing the dark and mysterious tone typical of film noir.
This script received a high score of 94 out of 100. The overall layout and formatting were deemed fair but acceptable. The technical elements like scene headings and parentheticals received a good score. The opening pages drew the reader in with a compelling hook and memorable characters. The story had an original concept with exceptional tone, characters, setting, structure, pace, logic, conflict, and resolution. It provided an emotional response and kept a very good momentum and pace throughout. The only area that could be improved was making the dialogue more distinctive between characters. Overall, the script was strongly recommended.
This document defines and provides examples of various camera angles used in filmmaking, including bird's eye view, close up, long shot, high shot, mid shot, over the shoulder, tilt shot, and worm's eye view. Each angle is used to convey different meanings and emphasize certain elements in a scene. For example, a close up focuses on a character's emotions, a high shot makes a character appear weak, and a tilt shot conveys twisted or dark personalities. Examples from famous films are given to illustrate each camera angle technique.
The document provides a frame-by-frame analysis of a film trailer created by the author. It examines 9 frames total. Frame 1 introduces the production company, New Line Cinema. Frame 2 displays text referring to the makers of The Texas Chainsaw Massacre. Frame 3 shows an establishing shot of the film's location. Subsequent frames analyze shots, angles, sound effects, and transitions used to build tension, mystery, and depict a murder scene. The final frame reveals the film's title - "The Walk" - in blood red letters to match the intensity of the trailer.
The document discusses conventions commonly used in movie trailers. It explains that action movie trailers often include title cards to showcase popular actors, while horror trailers focus on maintaining a fast pace and revealing limited information to generate intrigue. Some techniques covered include showing dramatic shots like canted angles to imply impending danger, using voiceovers to narrate the story, including sound bridges to discuss tasks or missions, and sometimes saving the title card until the very end to retain viewers' attention throughout.
This document analyzes 9 shots from the title sequence and opening scenes of the film Taxi Driver. It describes each shot, including noting that the first shot introduces the director Martin Scorsese, the second identifies the film studio Columbia, and the third establishes the film's title and stars, including Robert De Niro. Subsequent shots analyze a wet window effect establishing the American setting, a panning shot following a character into an office, and edited eye line matches showing conversations between characters.
This document analyzes the opening frames of a student psychological horror film. It discusses how each frame uses conventions of the horror genre, such as mysterious and eerie openings, isolating long shots of the protagonist, increasing close-ups to build tension, dim lighting and jump scares using editing. It also explains how the frames depict the protagonist's growing sense of unease and lack of control through the use of POV shots and blood imagery. The analysis shows how the opening scene sets up themes of mystery, isolation and an unknown threat to effectively engage the audience in the horror genre.
This document analyzes the opening sequence of the film Memento through 9 frames. It summarizes each frame to show how they establish the film noir genre and themes of memory, mystery, and violence. Frame 1 introduces the main character's memory loss through a point-of-view shot. Subsequent frames show clues about the plot through a faded polaroid, reversed shot, and the main character's bloody face. Later frames depict shadows, blood, violence and action scenes, reinforcing the dark and mysterious tone typical of film noir.
The document analyzes the opening sequence of the film "Don't Breathe" and discusses technical elements like lighting, costumes, setting, and camerawork. It then lists other films that relate to the opening sequence the author's group is creating, including "The Bling Ring" for the burglary portrayal, "Saw" for its psychological element, "Spring Breakers" for its distinct female characters, and "4321" for its use of split screens to show multiple perspectives simultaneously. The opening sequence of "Don't Breathe" uses high key lighting to represent the characters' initial success, while foreshadowing the darker events later in the film when they are trapped in darkness.
The document provides an analysis of the trailer for the James Bond film Skyfall across several elements:
- Text on screen includes the production logos, film title/logo, and release date/social media promotion.
- Sound design uses diegetic effects to immerse the audience and non-diegetic music to build tension.
- Camera work employs various shots and angles like midshots, closeups, and tracking shots to put the audience in the action.
- Editing cuts between clips quickly to pack in content but builds anticipation with slower early pacing.
- Mise-en-scene establishes the spy genre through Bond's suit, a femme fatale, lighting that suggests danger, guns as
The document discusses the end credits of three films - Sherlock Holmes, The Avengers Assemble, and an unnamed 1990s film. For Sherlock Holmes, the credits feature illustrations that look like coffee-stained paper or an old English diary with the actors' names. For The Avengers Assemble, icons representing each character slowly fly across the screen as the actor's name is displayed. By contrast, the 1990s film features simple black screen with white scrolling credits after shots of a grave and waving American flag.
The document introduces a slideshow template called EST that aims to improve upon the typical ACM brand template. It focuses on using fewer words, increased legibility, and aesthetically pleasing design. The template recommends using a 3 color scheme, the Proxima Nova font or alternatives, and includes commonly used slide types while excluding some with poor layouts. It can be obtained from the listed GitHub URL.
This document provides an analysis of a scene from the 2001 crime thriller film Training Day. The scene analyzed takes place during a raid on a drug dealer's house led by the corrupt cop Alonso and rookie officer Jake. The analysis focuses on four elements of media - camera work, editing, mise-en-scene, and sound. It discusses how close-up shots, angles, editing techniques like match cuts and shot reverse shots, setting details, and other elements build tension and reveal character dynamics during this pivotal intense scene.
The document analyzes visual elements in a movie poster for the film Inception. It notes that Leonardo DiCaprio is shot from a low angle to make him appear larger and more important. His suit and the skyscraper background suggest he plays a character in finance. Red text is used prominently to draw attention to the film title and magazine logo. The close-up focus on DiCaprio's face signifies his recognizable star power will sell the film without other visual details.
The document is a sample script page that follows standard script formatting conventions. It includes the scene location in all capital letters, character names also in capital letters with descriptions, action lines describing what the audience sees, indications of voice overs, key props in capital letters, and parentheticals providing delivery instructions for actors. Scripts are always written in Courier New font, size 12, on plain white A4 paper.
The overhead camera shot provides an establishing view of the entire scene from above, allowing the viewer to see broad positioning and motions of multiple characters and objects at once without confusion. It introduces the city setting of the film and the lighthearted, joking nature of the protagonist as he swings through the city fighting villains. The opening focuses on the main character, establishing him as the protagonist through his bright red suit and the camera's positioning behind him, making the viewer feel like they are gliding alongside him. It sets up the genre of the film as a heroic action story by showing the main character saving others during a conflict in the opening sequence.
Our target audience is young adults aged 16-21. We aimed to attract them with an end of the world apocalypse storyline similar to films like I Am Legend and 28 Days Later that this age group enjoys. The plain title design is memorable like I Am Legend. Shots of a tent inside a hall create mystery and intrigue audiences to question why. Camera work starts slow to make audiences unsure, then increases movement to lead them somewhere. Visually interesting shots like a door handle build suspense about what lies beyond without music to give a thrilling effect and attract our target audience.
This scene from the film Training Day depicts a raid on a drug dealer's house by corrupt cop Alonso and narcotics officer Jake. It focuses on the camera work, editing, mise-en-scene, and sound used to build tension. Close-ups are used to show the characters' panic and vulnerability. The camera angles emphasize the shifting power dynamic between Jake and Alonso. Fast cuts during dialogue and match cuts during the action help increase the panic and suspense. Details like Alonso's black clothing versus the drug dealer's dull outfit further develop the characters.
This document proposes a t-shirt design based on the video game Castle Crashers. The design will feature the "Pink Knight" character using its rainbow attack, with another character at the end of the rainbow. Small pink characters will appear in the background. The dimensions will be 2400x3200 pixels in PNG format. The target audience is people aged 12-25 who have played Castle Crashers, appealing to both genders with the use of pink. A schedule is included to research existing designs, create mood boards, develop a proposal, and finalize the digital flat plan design by the deadline of May 15th, 2013.
1) The car crash scene uses fast editing with shots only lasting a few seconds to make the crash seem dramatic and realistic as poles fly through the front window killing Sarah's husband and daughter.
2) Conversation scenes after the crash use slow editing with cuts between speakers to contrast with the fast-paced crash and make the conversation more understandable.
3) Computer generated effects are used to create the poles flying through the window during the crash and blood running from the car to indicate a character's death. The editing pace switches between calm/normal and fast to enhance the dramatic CGI elements.
The document analyzes the opening sequence of a thriller film. It uses 9 screenshots to show how the sequence establishes mystery and tension. It begins with a character entering a dark room and shows their legs to create intrigue. Throughout the sequence, the character is shown in dark lighting and their face is hidden to maintain their mysterious identity. As the sequence continues it shows the character traveling to a busy area of London and walking menacingly towards a large building, with suspenseful music building tension. The sequence challenges conventions by not revealing the villain's face but keeps audiences engaged through mystery and threat of impending conflict.
The document analyzes the camerawork, mise en scene, lighting, sound, editing, and character representation in a movie trailer. The camerawork is smooth and uses various shots to keep the main character the focus. The costumes and props imply the movie will be secretive and shady. The low key lighting makes the trailer dark and gloomy, possibly reflecting the main character's mood. The sound uses minimal dialogue as ominous one-liners and dramatic music to build suspense. The editing relies on cuts and fades with character dialogue as narration. The main character is presented as less in control than usual, while antagonists seem intimidating through silhouetting and dialogue.
The document provides information about film opening sequences, including key terms and definitions. It discusses what an opening sequence is, its purposes, and some recent trends. Different genres tend to approach openings differently, such as introducing characters or setting the story. The document also provides examples of openings from films like Scream 4 and evolution of openings over time. It suggests resources like Art of the Title for analyzing title sequences and provides templates for students to fill out to analyze openings.
The trailer is for the supernatural horror film Final Destination 5. It is 2 minutes and 5 seconds long, directed by Steven Quale and distributed by Warner Bros. Pictures. The trailer uses dialogue, credits/intertitles, camera shots, special effects and music to build tension and suspense around the film's narrative of a group trying to escape death through premonitions. It targets audiences aged 15 and older with its scary scenes and intensity meant to draw viewers to the next installment in the Final Destination franchise.
This document contains storyboards and details for a video being created in Adobe Premiere Pro. It describes shots of characters coming into frame with hats and pictures falling in the background. Text with the characters' names will slide in from the sides. Pictures of two friends will appear without a background. Words saying "Best Friends" will move across screen as the pictures move in the back. The text "BUT" will push the picture and text out of the way. Drawn houses will fall into frame before text appears and gets bigger. Finally, the logo will appear and get bigger before reducing in size to fade into the video program. Transitions like band wipe and paint splatter will be used to reveal shots and change backgrounds
The document provides analysis of shots and scenes from the film "Paradox". It describes the opening title sequence which establishes the story takes place in a trapped, gloomy environment. It then analyzes shots introducing the protagonist which start as a close-up and crane out to provide context and clues about his situation. Subsequent shots use low angles and shallow focus to build tension, suspense and mystery around interactions between characters in the film.
The opening credits sequence uses various camera techniques and sounds to set the scene and build suspense without revealing the genre. Long shots zooming over city buildings establish the urban setting but leave the location ambiguous. Tilting shots between buildings imply a sense of entrapment. A low-angle shot of a building with title emphasizes its importance. The soundtrack starts calm but increases tension with added ticking, implying danger. Wind and thunder sounds during the production company credits hint at a horror or thriller genre. Titles appear in bold capital letters in front of different buildings to indicate the setting. The centered film title suggests the story is about a trapped persona. However, the conventions do not clearly reveal this is a thriller until the subtle
The document describes the process of creating a horror movie poster. The creator searched for bloody backgrounds online for inspiration. They chose an image with cracked walls and pouring blood. They then blurred an image of Freddy holding a hammer to obscure his identity while keeping the weapon visible. Text was added including the title "MOLLY" and credits with a staircase effect. Production companies were listed below and "COMING SOON" was added at the bottom in a dark maroon font.
This document discusses valuation and provides an overview of valuation approaches, methods, and considerations. It defines valuation as the skillful application of techniques to determine the economic value of a business/asset. The key approaches covered are asset, income, and market approaches. Specific methods discussed include discounted cash flow, capitalization of earnings, and market multiples. The document also provides two case studies on brand valuation and acquisition valuation.
Giá 10k/ lần download -Liên hệ: www.facebook.com/garmentspace Chỉ với 10k THẺ CÀO VIETTEL bạn có ngay 5 lượt download tài liệu bất kỳ do Garment Space upload, hoặc với 100k THẺ CÀO VIETTEL bạn được truy cập kho tài liệu chuyên ngành vô cùng phong phú Liên hệ: www.facebook.com/garmentspace
The document analyzes the opening sequence of the film "Don't Breathe" and discusses technical elements like lighting, costumes, setting, and camerawork. It then lists other films that relate to the opening sequence the author's group is creating, including "The Bling Ring" for the burglary portrayal, "Saw" for its psychological element, "Spring Breakers" for its distinct female characters, and "4321" for its use of split screens to show multiple perspectives simultaneously. The opening sequence of "Don't Breathe" uses high key lighting to represent the characters' initial success, while foreshadowing the darker events later in the film when they are trapped in darkness.
The document provides an analysis of the trailer for the James Bond film Skyfall across several elements:
- Text on screen includes the production logos, film title/logo, and release date/social media promotion.
- Sound design uses diegetic effects to immerse the audience and non-diegetic music to build tension.
- Camera work employs various shots and angles like midshots, closeups, and tracking shots to put the audience in the action.
- Editing cuts between clips quickly to pack in content but builds anticipation with slower early pacing.
- Mise-en-scene establishes the spy genre through Bond's suit, a femme fatale, lighting that suggests danger, guns as
The document discusses the end credits of three films - Sherlock Holmes, The Avengers Assemble, and an unnamed 1990s film. For Sherlock Holmes, the credits feature illustrations that look like coffee-stained paper or an old English diary with the actors' names. For The Avengers Assemble, icons representing each character slowly fly across the screen as the actor's name is displayed. By contrast, the 1990s film features simple black screen with white scrolling credits after shots of a grave and waving American flag.
The document introduces a slideshow template called EST that aims to improve upon the typical ACM brand template. It focuses on using fewer words, increased legibility, and aesthetically pleasing design. The template recommends using a 3 color scheme, the Proxima Nova font or alternatives, and includes commonly used slide types while excluding some with poor layouts. It can be obtained from the listed GitHub URL.
This document provides an analysis of a scene from the 2001 crime thriller film Training Day. The scene analyzed takes place during a raid on a drug dealer's house led by the corrupt cop Alonso and rookie officer Jake. The analysis focuses on four elements of media - camera work, editing, mise-en-scene, and sound. It discusses how close-up shots, angles, editing techniques like match cuts and shot reverse shots, setting details, and other elements build tension and reveal character dynamics during this pivotal intense scene.
The document analyzes visual elements in a movie poster for the film Inception. It notes that Leonardo DiCaprio is shot from a low angle to make him appear larger and more important. His suit and the skyscraper background suggest he plays a character in finance. Red text is used prominently to draw attention to the film title and magazine logo. The close-up focus on DiCaprio's face signifies his recognizable star power will sell the film without other visual details.
The document is a sample script page that follows standard script formatting conventions. It includes the scene location in all capital letters, character names also in capital letters with descriptions, action lines describing what the audience sees, indications of voice overs, key props in capital letters, and parentheticals providing delivery instructions for actors. Scripts are always written in Courier New font, size 12, on plain white A4 paper.
The overhead camera shot provides an establishing view of the entire scene from above, allowing the viewer to see broad positioning and motions of multiple characters and objects at once without confusion. It introduces the city setting of the film and the lighthearted, joking nature of the protagonist as he swings through the city fighting villains. The opening focuses on the main character, establishing him as the protagonist through his bright red suit and the camera's positioning behind him, making the viewer feel like they are gliding alongside him. It sets up the genre of the film as a heroic action story by showing the main character saving others during a conflict in the opening sequence.
Our target audience is young adults aged 16-21. We aimed to attract them with an end of the world apocalypse storyline similar to films like I Am Legend and 28 Days Later that this age group enjoys. The plain title design is memorable like I Am Legend. Shots of a tent inside a hall create mystery and intrigue audiences to question why. Camera work starts slow to make audiences unsure, then increases movement to lead them somewhere. Visually interesting shots like a door handle build suspense about what lies beyond without music to give a thrilling effect and attract our target audience.
This scene from the film Training Day depicts a raid on a drug dealer's house by corrupt cop Alonso and narcotics officer Jake. It focuses on the camera work, editing, mise-en-scene, and sound used to build tension. Close-ups are used to show the characters' panic and vulnerability. The camera angles emphasize the shifting power dynamic between Jake and Alonso. Fast cuts during dialogue and match cuts during the action help increase the panic and suspense. Details like Alonso's black clothing versus the drug dealer's dull outfit further develop the characters.
This document proposes a t-shirt design based on the video game Castle Crashers. The design will feature the "Pink Knight" character using its rainbow attack, with another character at the end of the rainbow. Small pink characters will appear in the background. The dimensions will be 2400x3200 pixels in PNG format. The target audience is people aged 12-25 who have played Castle Crashers, appealing to both genders with the use of pink. A schedule is included to research existing designs, create mood boards, develop a proposal, and finalize the digital flat plan design by the deadline of May 15th, 2013.
1) The car crash scene uses fast editing with shots only lasting a few seconds to make the crash seem dramatic and realistic as poles fly through the front window killing Sarah's husband and daughter.
2) Conversation scenes after the crash use slow editing with cuts between speakers to contrast with the fast-paced crash and make the conversation more understandable.
3) Computer generated effects are used to create the poles flying through the window during the crash and blood running from the car to indicate a character's death. The editing pace switches between calm/normal and fast to enhance the dramatic CGI elements.
The document analyzes the opening sequence of a thriller film. It uses 9 screenshots to show how the sequence establishes mystery and tension. It begins with a character entering a dark room and shows their legs to create intrigue. Throughout the sequence, the character is shown in dark lighting and their face is hidden to maintain their mysterious identity. As the sequence continues it shows the character traveling to a busy area of London and walking menacingly towards a large building, with suspenseful music building tension. The sequence challenges conventions by not revealing the villain's face but keeps audiences engaged through mystery and threat of impending conflict.
The document analyzes the camerawork, mise en scene, lighting, sound, editing, and character representation in a movie trailer. The camerawork is smooth and uses various shots to keep the main character the focus. The costumes and props imply the movie will be secretive and shady. The low key lighting makes the trailer dark and gloomy, possibly reflecting the main character's mood. The sound uses minimal dialogue as ominous one-liners and dramatic music to build suspense. The editing relies on cuts and fades with character dialogue as narration. The main character is presented as less in control than usual, while antagonists seem intimidating through silhouetting and dialogue.
The document provides information about film opening sequences, including key terms and definitions. It discusses what an opening sequence is, its purposes, and some recent trends. Different genres tend to approach openings differently, such as introducing characters or setting the story. The document also provides examples of openings from films like Scream 4 and evolution of openings over time. It suggests resources like Art of the Title for analyzing title sequences and provides templates for students to fill out to analyze openings.
The trailer is for the supernatural horror film Final Destination 5. It is 2 minutes and 5 seconds long, directed by Steven Quale and distributed by Warner Bros. Pictures. The trailer uses dialogue, credits/intertitles, camera shots, special effects and music to build tension and suspense around the film's narrative of a group trying to escape death through premonitions. It targets audiences aged 15 and older with its scary scenes and intensity meant to draw viewers to the next installment in the Final Destination franchise.
This document contains storyboards and details for a video being created in Adobe Premiere Pro. It describes shots of characters coming into frame with hats and pictures falling in the background. Text with the characters' names will slide in from the sides. Pictures of two friends will appear without a background. Words saying "Best Friends" will move across screen as the pictures move in the back. The text "BUT" will push the picture and text out of the way. Drawn houses will fall into frame before text appears and gets bigger. Finally, the logo will appear and get bigger before reducing in size to fade into the video program. Transitions like band wipe and paint splatter will be used to reveal shots and change backgrounds
The document provides analysis of shots and scenes from the film "Paradox". It describes the opening title sequence which establishes the story takes place in a trapped, gloomy environment. It then analyzes shots introducing the protagonist which start as a close-up and crane out to provide context and clues about his situation. Subsequent shots use low angles and shallow focus to build tension, suspense and mystery around interactions between characters in the film.
The opening credits sequence uses various camera techniques and sounds to set the scene and build suspense without revealing the genre. Long shots zooming over city buildings establish the urban setting but leave the location ambiguous. Tilting shots between buildings imply a sense of entrapment. A low-angle shot of a building with title emphasizes its importance. The soundtrack starts calm but increases tension with added ticking, implying danger. Wind and thunder sounds during the production company credits hint at a horror or thriller genre. Titles appear in bold capital letters in front of different buildings to indicate the setting. The centered film title suggests the story is about a trapped persona. However, the conventions do not clearly reveal this is a thriller until the subtle
The document describes the process of creating a horror movie poster. The creator searched for bloody backgrounds online for inspiration. They chose an image with cracked walls and pouring blood. They then blurred an image of Freddy holding a hammer to obscure his identity while keeping the weapon visible. Text was added including the title "MOLLY" and credits with a staircase effect. Production companies were listed below and "COMING SOON" was added at the bottom in a dark maroon font.
This document discusses valuation and provides an overview of valuation approaches, methods, and considerations. It defines valuation as the skillful application of techniques to determine the economic value of a business/asset. The key approaches covered are asset, income, and market approaches. Specific methods discussed include discounted cash flow, capitalization of earnings, and market multiples. The document also provides two case studies on brand valuation and acquisition valuation.
Giá 10k/ lần download -Liên hệ: www.facebook.com/garmentspace Chỉ với 10k THẺ CÀO VIETTEL bạn có ngay 5 lượt download tài liệu bất kỳ do Garment Space upload, hoặc với 100k THẺ CÀO VIETTEL bạn được truy cập kho tài liệu chuyên ngành vô cùng phong phú Liên hệ: www.facebook.com/garmentspace
This document provides a profile of photojournalist Tim Hetherington, including details about his photographic style, career path, and impact. It summarizes his work covering wars in Afghanistan and Libya using black and white and color images that conveyed powerful emotions. Hetherington's dedication to immersing himself with subjects for long periods of time raised ethical issues but also increased his credibility. He had a successful career until passing away in 2011 at age 40 while covering the Libyan civil war.
Steve McCurry is a renowned photographer with over 30 years of experience taking photos for magazines, books, and exhibitions around the world. Born in Pennsylvania, he studied film and worked for a local newspaper before pursuing freelance photography. One of his first international trips was to India, where he traveled lightly and explored the country with his camera. His most famous work is the 1985 National Geographic cover photo "Afghan Girl" showing a young refugee woman, which he successfully tracked down and rephotographed years later.
6. hapzi ali, et al., 2016, mercu buana univversity,iosr jbbHapzi Ali
Prof. Dr. Hapzi Ali, CMA
Universitas Mercu Buana (Mercu Buana University), Jakarta Indonesia
Bidang Ilmu: Marketing & Business Management, Research Method, MIS, Good Corporate Governance
www.mercubuana.ac.id.
email: hapzi.ali@gmail.com, hapzi.ali@mercubuana.ac.id
9. hapzi ali, et al., 2016, mercu buana univversity, iosr jrbmHapzi Ali
This document summarizes a study on the management of zakat (charity) funds by the National Zakat Agency (BAZNAS) in Jambi Province, Indonesia to support education. The study assessed the legal basis, zakat collection procedures, distribution techniques, and monitoring efforts. It found that zakat funds allocated to education by BAZNAS in Jambi City and other regions increased after 2010 and were distributed to students, teachers, and school facilities. The researchers concluded that BAZNAS efforts effectively and efficiently supported education through zakat funds in accordance with Islamic law and national legislation.
This document provides an overview of the WIEN2k software package for calculating crystal properties using the augmented plane wave plus local orbital (APW+lo) method. It summarizes the history and development of APW-based methods, describes the program structure and usage of WIEN2k, and highlights some applications including calculations of phase transitions, crystal structures, total energies, forces and structural relaxations. The document also discusses international collaborations and the use of WIEN2k as a benchmark for electronic structure calculations.
Audience research feedback during productionprytaleksandra
This document discusses how the creator gathered audience feedback during various stages of production to help shape their product. They used group chats to get quick feedback and opinions from friends on different views. For a magazine advert layout, they sought feedback on an initial mockup from one friend, who suggested superimposing an image to align the mid shot. The creator experimented with different color filters, masks, and opacity levels when superimposing, but found the yellow foggy effect was ineffective, so ended up with another version without it.
The document is a quiz about women's rights and achievements. It contains 7 multiple choice questions about international documents related to gender equality, women's representation in politics and decision making, barriers to women's participation, and statistics about violence against women. The questions cover topics such as the first international document to recognize gender equality, when and where the OSCE Action Plan for Gender Equality was adopted, the top barriers preventing women from entering politics, countries with the highest rates of women in parliament, the low percentages of women as chief mediators and signatories in peace negotiations, and the statistic that 1 in 3 women experience physical or sexual violence.
Interpreting genomic variation and phylogenetic trees to understand disease t...Jennifer Gardy
The document discusses using genomic sequencing data and phylogenetic trees to understand disease transmission. It provides an example of using whole genome sequencing to determine that multiple tuberculosis isolates showing identical molecular typing patterns were the result of laboratory contamination rather than transmission. The importance of high quality sequencing data and appropriate bioinformatics analysis is emphasized. Methods for manually inferring transmission by examining mutation patterns in isolates in the context of epidemiological data are described. Mathematical approaches that use phylogenetic trees to probabilistically infer transmission are also discussed.
The document is a quiz about famous women from around the world. It contains 20 multiple choice questions with answers about prominent female figures such as Shakuntala Devi, Malala Yousafzai, Sheryl Sandberg, Naina Lal Kidwai, Helen Keller, Arunima Sinha, and Nadia Comaneci. The questions cover a wide range of topics including literature, business, activism, sports, and history.
Este documento discute como as relações de afetividade entre professores e alunos afetam o processo de ensino e aprendizagem. Ele apresenta uma pesquisa realizada em uma escola municipal em Santarém-PA observando como a afetividade é abordada nas práticas pedagógicas do 1o ano do ensino fundamental. Os resultados mostram que relações afetivas entre professores e alunos fazem com que os alunos se sintam seguros e aprendam com mais facilidade, despertando interesse e motivação pela aprendizagem.
Introduction au français : des sons et des lettresPORTE Nathalie
Les bases du français pour les débutants: alphabet, accents, autres signes (tréma, c cédille), les lettres muettes, accent tonique, combinaison de lettres, orthographe.
Vidéo et ressources utiles ici : nathaliefle.com/prononciation-lettres-francais/
3. -"Silence" to indicate a lull in conversation, in essence, is a waste of a line. If people don't speak,
they still do other things. Instead, use that line to describe facial expression, body language, or
some environmental action. Something is always happening on screen.
-Page 94 O.S. should be V.O.
OPENING PAGES – 25% of score
YES = 5 points Somewhat = 3 points no = 0 points
The first 10% of a script is prime real estate.
* TECHNICAL PROSE:
*Devoid of Typos
*Mastery of English Language
*Clear Writing
X YES
Somewhat
no
* PAGE 1:
*Draws Reader In
*Clear Genre
*Hook
X YES
Somewhat
no
* CHARACTER(S):
*Compelling (interesting, relatable)
*Clear Protagonist (hero, anti-hero, ensemble, etc.)
X YES
Somewhat
no
* DIALOGUE:
*Distinctive
*Subtextual
X YES
Somewhat
no
* STORY TRAJECTORY:
*Strong World Building
*Memorable Inciting Incident
*Entices to Keep Reading
X YES
Somewhat
no
4. Opening Comments (if any):
-
STORY – 60% of score
* Judge's Logline:
After a clerical error in Heaven causes a woman's untimely death, she must fight her way through
a demon-filled hellscape in order to return to her body.
EXCEPTIONAL = 6 points VERY GOOD = 5 points Average = 4 points below average = 3 points
poor = 2 points
* CONCEPT:
*Original
*Compelling
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
* TONE:
*Genre Appropriate
*Consistent Overall
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
* CHARACTER:
*Actor Bait
*Clear Goals
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
* DIALOGUE:
*Subtext
*Interesting
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
5. * SETTING:
*Cinematic (screen worthy)
*Unique
*Vivid
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
* STORY:
*Structure
*Pace
*Theme
EXCEPTIONAL
X VERY GOOD
Average
below average
poor
* LOGIC:
*Plot
*Scene Flow
*Momentum
EXCEPTIONAL
VERY GOOD
X Average
below average
poor
* CONFLICT:
*Tension
*Reversals
*Rising Stakes
EXCEPTIONAL
VERY GOOD
X Average
below average
poor
* RESOLUTION:
*Satisfying
EXCEPTIONAL
VERY GOOD
X Average
below average
poor
6. * APPEAL:
*Emotional Response
EXCEPTIONAL
VERY GOOD
X Average
below average
poor
FINAL SCORE
84
* OVERALL GRADE:
pass (69 or lower)
X Consider (70–89)
RECOMMEND (90–100)
STORY COMMENTS
* What works:
The characters are certainly entertaining to follow. One would imagine they'd be just as much fun
to play. (Amirtes might be a fan favorite. "Break things! You feel better!")
The setting (Hell) is interesting with its ever-present threat of torturous, violent death coupled
with the quotidian of saloons, public parks with playgrounds, and libraries (The Gates of Hell have
a box office complete with Attendant!). It's got elements of Beetlejuice and "Saints Row IV: Gat
Out of Hell" in that Hell is both mundane and insane simultaneously. It doesn't have to make
sense. Why is there a library in Hell? Who cares! You just acquired a self-aware holographic map
with an insatiable sexual appetite who always steers you toward trouble. Dig it.
* What needs work:
While the chaos is endlessly fascinating, it is still important that the story is occasionally grounded
plot-wise. An audience can forgive the logistics of the existence of a giant hammer-wielding troll,
but why would Katy still have a 15 year old funeral flyer for a girl she hardly knew in high school
sitting out on her night stand? And if Vanessa died as a teen, why is she in her 30s in Hell?
It's also hinted that Katy loses memories of her life a little bit when she doesn't recognize her
wedding ring. But really it's only Juan she forgets in the moment. Her mission remains that she
must escape Hell, so the memory loss doesn't seem to be that much of an issue. If it were, then
the risk of her failing the mission would be greater [Side note: the photos fade a la Back to the
Future in order to convey she forgets those people. Why would she forget Juan, her husband,
before her students?]. It feels like a lose end or a thread that wasn't really carried through.
Silva, though he is the quippiest of quippers, is sometimes hard to understand. He is a
lawyer/thief. A trickster. A Bruce Campbell character. He's got plenty of qualities, yet his
motivation is somewhat unclear. Does he want out of Hell, too? Or money? Both? His dying words
were something to that effect. It seems like he's been there for a long time. And while an
audience might mourn his "death" at the end, it's a little odd that Katy would cry over him -
unless- by that point she has forgotten what she is fighting for and has become immersed in this
hell warrior lifestyle.
Suggestions or Observations:
7. Suggestions or Observations:
-The ending reads like a big chunk of plot was left out of this script and saved for a sequel or
prequel. Which makes the main plot of this script seem like arbitrary events that merely serve as
a catalyst for the real battle. The effect of this could go either way. Studios love sequels. An
audience might get confused.
-The fight scenes might be a bit over choreographed.
* Comments embedded in script PDF?
X no
yes
* Annotated PDF
-