11bс futurism
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The document discusses the origins and key figures of the Futurist movement in early 20th century Italy. It mentions F.T. Marinetti's 1909 Futurist Manifesto published in Le Figaro and his founding of Futurism. It also references early Futurist works like Boccioni's 1910 painting Futurist Evening and experiments in noise music by Russolo and Piatti. The movement took shape in events like Futurist evenings and seratas and was embodied in the Futurist restaurant "The Tavern of the Holy Palate" in 1931. Key artists involved included Marinetti, Boccioni, Depero and Dottori.
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Futurism
1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
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The rise of Hitler had a significant impact on theatre in Germany. After coming to power in 1933, Hitler systematically removed those who opposed him from positions of influence, including many theatre artists. Theatre shifted towards propaganda that promoted Nazi ideology. In response, some artists developed new forms of political theatre like epic theatre, which used non-traditional techniques to promote critical thinking in audiences and distance them from emotional engagement with characters. Notable figures who developed epic theatre to resist Nazi influence included Bertolt Brecht, Erwin Piscator, and Wolfgang Langhoff.
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Theatre in Nazi Germany was tightly controlled by the Nazi government and used as a propaganda tool. After Hitler rose to power in 1933, the Ministry of Propaganda took control of cultural institutions and censored any productions that did not promote Nazi ideology. Jewish actors and writers were forced into exile or retirement. While some theatre continued under Nazi control, productions had to be approved by censors and often contained pro-Nazi or nationalist themes. Theatre was also used as propaganda in occupied territories during World War 2 to promote Nazi ideology.
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Futurism
Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
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1. Filippo Tommaso Marinetti founded Futurism in Italy in 1909 as both a social and artistic movement that celebrated speed, technology, youth and violence in the modern industrial world.
2. Futurism glorified World War I as an "aesthetic spectacle" and admired the modern aspects of speed, machinery and urban life over all things in the past.
3. The movement spread internationally and influenced various art forms through manifestos, with Futurist paintings, sculptures and architecture embracing and depicting the dynamic new technological age through techniques like those exploring motion and movement.
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The rise of Hitler had a significant impact on theatre in Germany. After coming to power in 1933, Hitler systematically removed those who opposed him from positions of influence, including many theatre artists. Theatre shifted towards propaganda that promoted Nazi ideology. In response, some artists developed new forms of political theatre like epic theatre, which used non-traditional techniques to promote critical thinking in audiences and distance them from emotional engagement with characters. Notable figures who developed epic theatre to resist Nazi influence included Bertolt Brecht, Erwin Piscator, and Wolfgang Langhoff.
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Theatre in Nazi Germany was tightly controlled by the Nazi government and used as a propaganda tool. After Hitler rose to power in 1933, the Ministry of Propaganda took control of cultural institutions and censored any productions that did not promote Nazi ideology. Jewish actors and writers were forced into exile or retirement. While some theatre continued under Nazi control, productions had to be approved by censors and often contained pro-Nazi or nationalist themes. Theatre was also used as propaganda in occupied territories during World War 2 to promote Nazi ideology.
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German expressionism was an artistic movement in Germany between 1910-1930 that portrayed psychological states through distorted forms and unnatural colors. It began as a reaction to World War I and the isolation Germany felt, but gained international popularity after the war. Notable films like Fritz Lang's Metropolis used expressionist techniques like stark contrasts, shadows, and irregular shapes to depict inner emotions rather than realistic surfaces. This new style of filmmaking influenced genres like horror and film noir and continues to impact modern cinema through conventions adopted from early German expressionist works.
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Futurism was an early 20th century art movement that originated in Italy and emphasized concepts of the future like speed, technology, youth, and violence. The movement was founded in 1909 by the Italian writer Filippo Marinetti through his Futurist Manifesto published in Le Figaro newspaper. Futurists worked in many artistic mediums but admired technology and the modern world while loathing traditions of the past. Key figures introduced included Filippo Marinetti, Fortunato Depero, Enrico Prampolini, and Guillaume Apollinaire, a French poet who experimented with typography in his works.
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Futurism was an early 20th century art movement that originated in Italy. It celebrated modernity, youth, violence, speed, technology, and industrialization. Key Futurist artists included Umberto Boccioni, Giacomo Balla, and Gino Severini. They rejected traditional styles and embraced new technologies. Their paintings and sculptures tried to capture motion, speed, and the dynamism of the modern world. Futurism had a significant influence on early 20th century art and reflected the rapid changes of modern society at the time.
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Futurism was an early 20th century art movement centered in Italy that celebrated modernization and technology. The movement was launched in 1909 when an Italian poet published a manifesto in a French newspaper calling for a rejection of the past. Key Futurist artists included Umberto Boccioni, known for works like The City Rises that depicted dynamic modern subjects, and Carlo Carrà, whose painting Funeral of the Anarchist Galli captured a violent event in a fractured Cubist style. Though brief, lasting only until about 1916, Futurism had a lasting influence on later art movements that also portrayed modern subject matter through abstracted forms.
Futurism Research Paper
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Futurism Research Paper
Definition
Futurism is an artistic movement that centered in Italy and emphasized the dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life in general.
Before Futurism
The world had become a new place. In the summer of 1900, with the opening of the Universal Exposition, Paris found itself electrified, its nights almost transformed to day. The automobile dominated the city s streets by 1906. People were flying airplanes. Albert Einstein proposed a new theory of relativity and Niels Bohr a new model for the atom. Many people felt that there could be no tradition, at least not one worth imitating, in the face of so much change.
Futurism Began
The new movement in modern art, Futurism was first announced on Feb. 20, 1909, when the Paris newspaper Le Figaro published a manifesto by the Italian poet Filippo Tommaso Marinetti. The name Futurism reflected his emphasis on discarding what he conceived to be the static and irrelevant art of the past and celebrating change, originality, and innovation in culture and society. Marinetti s manifesto glorified the new technology of the automobile and the beauty of its speed, power, and movement. He exalted violence and conflict and called for the sweeping repudiation of traditional cultural, social, and...show more content...Here, Boccioni illustrates the construction of a modern city. The chaos and movement in the piece resemble a war scene as indeed war was presented in the Futurist Manifesto as the only means toward cultural progress. The large horse races into the foreground while several workers struggle to gain control, indicating tension between human and animal.
Marinetti Futurism Essay
Futurism was an early 20th century avant-garde art movement founded in Italy in 1909 by Filippo Tommaso Marinetti. The movement celebrated
modernity, technology, youth, violence and the new by rejecting the past and traditions. Marinetti published the Futurist Manifesto in 1909 which
glorified speed, machinery and technology over historical culture and the past. Futurism had a significant influence on visual arts, poetry and the
development of modern design.
Troy Chapla
Futurism was an early 20th century avant-garde movement founded by the Italian poet Filippo Tommaso Marinetti in 1909. Marinetti coined the term "Futurism" and promoted the aesthetics of speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Key Futurist artists included Giacomo Balla, Umberto Boccioni, Luigi Russolo, and Gino Severini, whose works often depicted dynamic and fast moving subjects like bicycles, cars, and athletes in abstracted forms that suggested motion.
Futurism Essay
The document discusses the Futurist art movement and its relationship to Fascism in Italy. It explores how Futurism glorified aggression, violence, and the modern industrial world through works like Boccioni's Unique Forms of Continuity in Space. While Futurism was not directly responsible for Fascism, the movement normalized ideas of destruction and unrest that allowed Fascist political ideology to grow in Italy through manifestos and provocative art shows. Key Futurist works reflected the glorification of speed, technology, and disruption that paralleled values promoted by the emerging Fascist movement in early 20th century Italy.
Modernism
This document provides an overview of modernism in art from the late 19th century onwards. It discusses the key movements of impressionism, post-impressionism, fauvism, cubism, futurism, dada and surrealism. For each movement, it provides examples of representative artworks, and asks questions about the works to highlight aspects like their rejection of realism and exploration of new techniques in favor of subjective expression and psychological exploration. The document also discusses some of the technological and social changes that catalyzed artistic experimentation during this period.
Futurism
The document summarizes the origins and key principles of Futurism, an early-20th century art movement. It began in 1909 when the poet Filippo Marinetti published the Futurist Manifesto in a French newspaper declaring that Futurism would glorify war, patriotism, and destroy museums and libraries. The movement celebrated speed, technology, youth, violence and modernity while rejecting traditionalism. Futurist artworks depicted motion, dynamism and the machine age. The movement had a significant influence on early 20th century art and ideas of modernity and progress.
The futurist manifesto
The document outlines the Futurist Manifesto published in 1909 by Filippo Tommaso Marinetti, which celebrated modernity, technology, youth and rejected traditionalism. It initiated the Futurist movement in art, which praised speed, machinery, violence and industry. The manifesto expressed admiration for vehicles like cars and their association with speed and danger. It called for rejecting the past and tradition in favor of embracing the new modern world.
4.5 piero manzoni
Lucio Fontana was a leading Italian artist in the postwar period. He founded the movement of Spatialism and began making paintings with slashes and cuts to create spatial effects that challenged traditional painting. Piero Manzoni was another influential Italian artist based in Milan who created monochrome paintings called "Achromes" made of canvas and gesso. His later works took more conceptual directions, including sealed rolls of paper called "Lines" and signing people's bodies to turn them into "Living Sculptures." Manzoni's most radical work was "Merda d'artista" in which he canned and priced his own excrement according to its weight in gold.
Neo realismo
In the aftermath of WWII, the Neorealismo film movement in Italy aimed to portray social and economic realities in a raw, unvarnished style. Directors like Roberto Rossellini, Vittorio de Sica, and Luchino Visconti filmed on location using non-professional actors and simple visual techniques. Their films provided a stark contrast to the glamorous productions of the previous Fascist era. Neorealismo works sought to involve viewers directly in the difficulties facing many postwar Italians and shed light on issues like poverty, urbanization, and the human condition. The movement reflected a desire to rediscover filmmaking and capture reality authentically through the camera's eye.
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Futurism power point presentation , art and aesthetics
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11bс futurism
- 3. F. T. Marinetti, The Foundation and Manifesto of Futurism, 1909 F. T. Marinetti, Futurist Manifesto, Milan, International Review “Poesia”, 1909.
- 4. “Le Figaro”, 20 February 1909 with the Manifesto of the Foundation of Futurism
- 6. Boccioni, Futurist Evening, 1910
- 7. Russolo and Piatti and the Futurist noise making machine.
- 9. In 1931, the manifesto was made (sculpted) flesh in the form of the one and only Futurist restaurant: The Tavern of the Holy Palate in Turin.
- 10. Marinetti claimed in the later Cookbook that this picture was a montage spread by the foes of Futurism to discredit him, the 1930’s equivalent of “That’s not me!!!1!1 My enemies Photoshopped my head on that naked, prone body slathered in Crisco and axle grease.”
- 11. Costumes by Fortunato Depero for his ballet 'Machine of 3000' (1924) Courtesy the Depero Museum, Roveret
- 12. Gerado Dottori A Futurist Serata in Perugia 1914 Courtesy Archivi Dottori, Perugia Ink on Paper