This document contains information about several Russian artists and their works, including Ilya Repin's 1904 painting "Fish in the Setting Sun" located at the Russian Museum, St. Petersburg, Mikhail Larionov's 1909-1910 painting "Dancing Soldiers" and his 1912 painting "Venus in Primitivist manner." It also mentions Larionov's works "Soldat au repos" from 1911 and "Дамский парикмахер."
Glen Sims has over 20 years of experience in manufacturing including 15 years of supervisory experience and 6 years in human resources management. He has held roles such as employee relations manager, human resources manager, and maintenance scheduler/facilitator at various manufacturing companies. Sims has a strong skill set in areas such as recruiting, employee development, labor relations, and safety compliance.
This document contains information about various artworks created by Russian artists A. Rodchenko and V. Stepanova in the early 20th century. It includes titles, dates, materials, and dimensions for paintings, spatial constructions, fabric designs, and photographs from exhibitions of their work and that of their artistic circle from 1918 to 1924. The works span non-objective and geometric abstraction, with themes of pure colors, lines, and spatial compositions.
The document discusses the origins and key figures of the Futurist movement in early 20th century Italy. It mentions F.T. Marinetti's 1909 Futurist Manifesto published in Le Figaro and his founding of Futurism. It also references early Futurist works like Boccioni's 1910 painting Futurist Evening and experiments in noise music by Russolo and Piatti. The movement took shape in events like Futurist evenings and seratas and was embodied in the Futurist restaurant "The Tavern of the Holy Palate" in 1931. Key artists involved included Marinetti, Boccioni, Depero and Dottori.
Lecture 1 contemporary art - an introductionDrew Pettifer
This document is the schedule and notes from a lecture on contemporary art given at the Shepparton Art Museum in 2015. It introduces some key concepts about contemporary art, including that it emerged around 1970, represents a shift from modernist practices through its emphasis on pluralism and diversity, and values ideas over materials. Some techniques discussed are appropriation, performance, and engaging with social issues. The lecture provides examples of contemporary artists like Tracey Moffatt, Barbara Kruger, and Maurizio Cattelan to illustrate these concepts.
This document contains information about several Russian artists and their works, including Ilya Repin's 1904 painting "Fish in the Setting Sun" located at the Russian Museum, St. Petersburg, Mikhail Larionov's 1909-1910 painting "Dancing Soldiers" and his 1912 painting "Venus in Primitivist manner." It also mentions Larionov's works "Soldat au repos" from 1911 and "Дамский парикмахер."
Glen Sims has over 20 years of experience in manufacturing including 15 years of supervisory experience and 6 years in human resources management. He has held roles such as employee relations manager, human resources manager, and maintenance scheduler/facilitator at various manufacturing companies. Sims has a strong skill set in areas such as recruiting, employee development, labor relations, and safety compliance.
This document contains information about various artworks created by Russian artists A. Rodchenko and V. Stepanova in the early 20th century. It includes titles, dates, materials, and dimensions for paintings, spatial constructions, fabric designs, and photographs from exhibitions of their work and that of their artistic circle from 1918 to 1924. The works span non-objective and geometric abstraction, with themes of pure colors, lines, and spatial compositions.
The document discusses the origins and key figures of the Futurist movement in early 20th century Italy. It mentions F.T. Marinetti's 1909 Futurist Manifesto published in Le Figaro and his founding of Futurism. It also references early Futurist works like Boccioni's 1910 painting Futurist Evening and experiments in noise music by Russolo and Piatti. The movement took shape in events like Futurist evenings and seratas and was embodied in the Futurist restaurant "The Tavern of the Holy Palate" in 1931. Key artists involved included Marinetti, Boccioni, Depero and Dottori.
Lecture 1 contemporary art - an introductionDrew Pettifer
This document is the schedule and notes from a lecture on contemporary art given at the Shepparton Art Museum in 2015. It introduces some key concepts about contemporary art, including that it emerged around 1970, represents a shift from modernist practices through its emphasis on pluralism and diversity, and values ideas over materials. Some techniques discussed are appropriation, performance, and engaging with social issues. The lecture provides examples of contemporary artists like Tracey Moffatt, Barbara Kruger, and Maurizio Cattelan to illustrate these concepts.
This document discusses minimalist art and conceptual art from the 1960s-1970s. It features works by American artists such as Donald Judd, Sol LeWitt, Carl Andre, Richard Serra, Walter De Maria, Christo, and Joseph Kosuth. Minimalist art focuses on simple geometric forms and aims to reduce art to its most essential elements. Conceptual art emphasizes ideas over physical objects, using words and language in their works. Joseph Kosuth is cited saying that art has become philosophy made concrete. The works in the document illustrate the rejection of traditional artistic techniques in favor of minimal and conceptual forms of expression.
4. Paul Signac: “El palacio papal de Aviñón”
(The Papal Palace Avignon), 1.900
5. 19th century Fang sculpture
"Маски не были обычными скульптурами. В них таилась магия. Негры
оказались заступниками, они защищали от всего — от неизвестных духов,
магии. И я понял. Я тоже против всех. Один в этом чудовищном музее
среди краснокожих кукол и пыльных манекенов. В этот момент родились
'Авиньонские девушки'... Они не поиск новой формы, нет, это первое
6. Pablo Picasso. Young Girl with a
Goat. 1906. Oil on canvas. Barnes
Foundation, Lincoln University,
Merion, PA, USA.
13. Pablo Picasso. Sketch for The Demoiselles d'Avignon. 1907.
Watercolor on paper. Museum of Art, Philadelphia, PA, US
14. «Если бы Ставрогин писал картины,
то должно было бы получаться
нечто в роде Пикассо»
С. Булгакова. «Труп красоты: По
поводу картин Пикассо» (1914),
15.
16. "Это все равно что пить
бензин, чтобы харкать
огнем" Жорж Брак.
17. Кубизм ничем не отличается от прочих школ
живописи. Он всегда держался границ и
пределов живописи; рисунок, композицию, цвет
кубизм понимает в том же смысле и применяет
таким же образом.
22. Picasso in his studio at La
Californie in front of the
Demoiselles d'Avignon tapestry
23. «Тяжесть, скованность и твёрдость геометрических фигур
Пикассо лишь кажущаяся… Они распадутся от малейшего
прикосновения…Это — демонические гримасы скованных
духов природы… Кризис живописи как бы ведёт к выходу
из физической, материальной плоти в иной, высший план»
. Бердяев Н.А. Кризис искусства (Публичная лекция (1917)
