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iDocs & social change
 why are interactive documentaries so good
           in the digital space???



            Siobhan O’Flynn, PhD
        CFC Media Lab, NarrativeNow
                October 27, 2011
                   @Sioflynn
        Innovation Days DigifestTO 2011
Form
Content
Agency
#1 Content becomes playful
  design for exploratory experience
Errol Morris 2008
#2 Design for the affordances of the medium
  Design a unique, immersive interface
Arte, Gaza/Sderot 2009
#3 Less is more
 Less should be beautiful, extraordinary
NFB’s Waterlife, 2009
#4 People are your medium
Ridley Scott, 2010
NY Times 2010
A Moment in Time
#5 Content creators are influencers
Arte, Prison Valley 2010
#6 Content creators are curators
NFB Highrise 2010-2011
#7 iDocs extend our everyday experience
    online
#8 iDocs extend response into action
in-doc social networking
     social activism
Thank you

    Siobhan O’Flynn, PhD
CFC Media Lab, NarrativeNow
        October 27, 2011
           @Sioflynn
Innovation Days DigifestTO 2011

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iDocs & social change 10 26 2011 digifest edit

Editor's Notes

  1. \n
  2. \n
  3. \n
  4. Errol Morris’ 2008 - the home page to this website loads with a series of polaroids, many familiar from the media coverage and as you roll over photos will pull to the foreground of the screen. The menu is beautifully designed reworking Aristotle’s three key elements, plot, character, setting & you can click on any image also\n
  5. \n
  6. \n
  7. \n
  8. \n
  9. \n
  10. Let’s remember that both of these sites are for a global audience, as are the Parallel Lines short films, \n
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  12. And mostly recently on July 7 Ridley Scott’s Life in a Day was announced, described as a global experiment to create the world's largest user-generated feature film. 20 of the selected filmmakers will be invited to join Scott at Cannes - shooting is this Saturday. \n
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