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As 11 fixed draft 6 part 7
1. Kaya
Titles S
The ring
During the opening of the ring, we
were inspired by the white colour of
the font making it look quite ghostly.
Also the way the text is not in line
made it seem more childlike, which
we thought would link to our childish
doll sentiments,
2. Kaya
Credits S
Devil - 2010
We were inspired by the credits in Devil because of the way the credits come on
screen then fade away after. We thought it suited our opening sequence in the
sense that it’s calm, just like the beginning of ours and now too attention grabbing,
so that our character is still the main focus.
7. Kaya & Sanel
Titles/Credits S
Here are some of our idea’s of what we would like to use in our title
Maids Maids
Secrets secrets
We like this font because it looks like
We like this as its very conventional
writing written in the 1800’s which is
in ghost films and there's very
when the ghost maids were living.
minimal choice on IMovie so we
Also we feel as though it suits our
though this would be a good choice
opening sequence. However, its not
in font.
very conventional to ghost films from
It’s not too bold and goes well with
the research shown and IMovie
our opening sequence
doesn't have must variety anyway
8. Kaya & Sanel
Titles/Credits S
IDEAS FOR COLOUR OF FONT
Maids secrets Maids secrets
For the credits we cant to use the same font
For the credits we cant to use the same font as our title called ’batang’. A colour we might
as our title called ’batang’. A colour we might use is black as its simple, dark, and
use is grey, because it looks mysterious mysterious. We feel it suits our opening
however we didn’t like it cause it looked to sequence but it doesn't distract too much
dull and weren’t very eye-catching. attention
Maids secrets Maids secrets
For the credits we cant to use the same font as For the credits we cant to use the same font
our title called ’batang’. A colour we might use as our title called ’batang’. A colour we might
is red, we feel it really suits our opening use is white. It’s the same colour as our title
sequence as it shows something bad happens would be as it goes with our opening
like violence. The red would stand out during sequence of a spirit looking or wearing white
our opening sequence so that could be a and so we think this looks well for our
problem opening sequence.
9. Kaya
Inspirational L
Non-diegetic sound
The sound used in insidious opening sequence has greatly
inspired me to use it through our opening sequence. It
creates a big climax with tensions as well as making it
uncomfortable and scary for the audience. It is a very high
pitched violin sound which gets extremely fast when the
tensions get to its highest points to a sudden stop or thud
perfect to fit with our opening sequence
10. Kaya
Music/Sounds T
Diegetic Sound
Gasps & breathing
Non-Diegetic Sound
FREESOUND.ORG
& FREEPLAYMUSIC.COM
From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we
would like to download the tracks called
• Behind the looking glass
• Thriller
• One foolish night owl
• cryptomnesia
11. BBFC And Rating
What is BBFC- The British Board of Film
Classification.
What is BBFC used for- responsible for what was
shown in cinemas and from early on established
the decisions of the BBFC.
Are film will be rated an 15 because it not in the
interest of an younger audience.
12. BBFC And Rating
• It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four
years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence,
threat or horror.
• children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are
advised to consider whether the content may upset younger or more sensitive children.
• Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is
suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or
contain material which many parents will find unsuitable for them.
• No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
• Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or
watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used.
Scenes of strong real sex may be permitted if right by the context.