SlideShare a Scribd company logo
1 of 14
Script/Screenplay Music Video – Color Me
Student Handout
Script/Screenplay-Music Video
A/AS level IT 9626, A/AS level Media Studies 9607, IGCSE ICT 0417, O level Computer Science 2210 | Omer Gillani | 2017-18
Sample Script/Screenplay of a Music Video
Song: Blank Space
Singer: Taylor Swift
Link: https://youtu.be/e-ORhEE9VVg
"PROJECT NAME" MUSIC VIDEO SCRIPT Songlink
Song
time
AUDIO / LYRICS / NARRATION / MUSIC / FX VIDEO
0:00-
0:08
LYRICS: none
- Credits roll over black. A stately mansion flickers to the screen.
A luxury car pulls in.
NARRATION: Sounds of birds chirping before track kicks in. - Close-up on hot guy in a suit as he gets out.
MUSIC: Kicks in when we pop from black to first shot.
FX: Titles
0:08-
0:11
"Nice to meet you, where you been"
- Full shot of Taylor in sexy lingerie on a posh canopy bed.
She sings holding a fluffy white cat.
0:11-
0:16
"I could show you incredible things / Magic, madness, heaven, sin" - Medium close up of hot guy catching his breath, he enters.
- Cut to: extreme wide shot of the bed...now with white ponies beside it.
MUSIC: Music gets louder - Cut back to: medium shot behind hot guy approaching the door.
- Smash Cut: a pony's face.
- Extreme Wide Shot of Taylor atop massive stairs.
0:16-
0:26
"Saw you there and I thought / Oh my God, look at that face / - Medium shot of Taylor singing in the bed.
You look like my next mistake / - Close up of hot guy looking up. Taylor walks down the stairs in slow mo.
Love's a game, want to play?"
- Extreme Close-up of Taylor's face, then she extends her hand out to
him.
0:26-
0:35
"New money, suit and tie / I can read you like a magazine /
- Medium shot of hot guy, sitting a long, elaborate table. Taylor reaches
for champagne on the other side in a new dress, always lip-syncing with
the track.
Ain't it funny rumors fly" - Medium shots of them, as needed.
- Wide on the table and ornate room.
Script/Screenplay Music Video – Color Me
LYRICS
If I told you this was only gonna hurt
If I warned you that the fire's gonna burn
Would you walk in? Would you let me do it first?
Do it all in the name of love
Would you let me lead you even when you're blind?
In the darkness, in the middle of the night
In the silence, when there's no one by your side
Would you call in the name of love?
In the name of love, name of love
In the name of love, name of love
In the name
In the name, name
If I told you we could bathe in all the lights
Would you rise up, come and meet me in the sky?
Would you trust me when you're jumping from the heights?
Would you fall in the name of love?
When there's madness, when there's poison in your head
When the sadness leaves you broken in your bed
I will hold you in the depths of your despair
And it's all in the name of love
In the name of love, name of love
In the name of love, name of love
In the name of
I wanna testify
Scream in the holy light
You bring me back to life
And it's all in the name of love
I wanna testify
Scream in the holy light
You bring me back to life
And it's all in the name of love
In the name of love, name of love
In the name of love, name of love
In the name of love
In the name, name
In the name of
In the name, name
In the name of
In the name, name
In the name of
Love
Script/Screenplay Music Video – Color Me
Song time AUDIO / LYRICS / NARRATION / MUSIC / FX VIDEO
0:00-0:01 LYRICS: - LOCATION: Askari 2 Roof top
SHOT: -
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
LIGHT:-
OTHER EQUIPMENT:-
0:01-0:03 LYRICS: - LOCATION: Askari 2 Roof top
SHOT: close up
TRANSITION IN: fade in
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT: 3 point lighting
0:03-0:07 LYRICS:
“If I told you this was only gonna hurt
If”
LOCATION: Askari 2 Roof top
SHOT: close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point lighting
0:07-0:08 LYRICS:
“warned you”
LOCATION: Askari 2 Roof top
SHOT: Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point lighting
0:08-0:14 LYRICS:
“that the fire's gonna burn
Would you walk in? Would you let me do it first?”
LOCATION: Askari 2 Roof top
SHOT: Midshot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point lighting
0:14-0:17 LYRICS:
“Do it all in the name of love”
LOCATION: Askari 2 Roof top
SHOT: extreme long shot
TRANSITION IN: fade in
TRANSITION OUT: Notransition
Script/Screenplay Music Video – Color Me
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point lighting
0:17-0:18 LYRICS:
“Wouldyouletme”
LOCATION: Askari 2 Roof top
SHOT:-
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
LIGHT:-
0:18-0:20 LYRICS:
lead you even when you're blind?
LOCATION: Askari 2, Dark background
SHOT: mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT: 3 point
0:20-0:25 LYRICS:
In the darkness, in the middle of the night
In the
LOCATION: Askari 2 Bright background
SHOT: camera zooms out while subject is being tracked via track shot.
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:35 mm
LIGHT: 3 point
0:25-0:29 LYRICS:
silence, when there's no one by your side
Would you call in the
LOCATION: Askari 2 Bright BG
SHOT: Midshot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
0:29-0:31 LYRICS:
in the name of love
LOCATION: 60, L Valencia, Terrace
SHOT: Midshot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Softbox from left, Reflector on right + Daylight
0:31-0:35 LYRICS:
In the name of love,name
LOCATION: Askari 2
SHOT: midshot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
Script/Screenplay Music Video – Color Me
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
0:35-0:39 LYRICS:
of love,inthe name of
LOCATION: Askari 2 Dark BG
SHOT: Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
0:39-0:42.5 LYRICS:
love, name of
LOCATION: Askari 2 Bright BG
SHOT: Close up shot blurred
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
0:42.5-
0:44.5
LYRICS:
Love
LOCATION: Askari 2 Dark bg
SHOT: Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS::50 mm f/1.8 1.6x crop
LIGHT: 3 point
0:44.5-0:45 LYRICS:
-
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT; key light
0:45-0:46 LYRICS:
In the name of
LOCATION: Askari 2 Dark bg
SHOT:Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
0:46-0:47 LYRICS:
Beat drop
LOCATION: 60, L Valencia, Terrace
SHOT: Mid shot blurred out
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
Script/Screenplay Music Video – Color Me
LENS::50 mm f/1.8 1.6x crop
LIGHT:Natural light with reflector
0:47-0:48 LYRICS:
Beat drop
LOCATION: Askari 2 Dark bg
SHOT:Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
0:49-0:50 LYRICS:
Beat drop
LOCATION: Askari 2, Bright BG
SHOT: Close up shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
0:50-0:53 LYRICS:
Beat drop
LOCATION: 60, L Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS::50 mm f/1.8 1.6x crop
LIGHT:Natural light with reflector
0:53-1;00 LYRICS:
Beat drop
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame with
accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 18 mm wide angle
LIGHT; key light
1:00-1;07 LYRICS:
If I told you we could bathe in all the lights
Would you rise up, come and meet me in the sky?
Would you
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame with
accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT: Key light
1:08-1:09 LYRICS:
Trust me whenyou’re jumping
LOCATION: Askari 2, bright BG
SHOT: Close up, dolly out
TRANSITION IN: Notransition
Script/Screenplay Music Video – Color Me
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
1:09-1:11 LYRICS:
From the heights,wouldyoufall inthe name
LOCATION: Askari 2, Dark BG
SHOT:Close up, dolly out
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:3 point
1:11-1:14 LYRICS:
Of love
LOCATION: Mise en scene 3
SHOT: long shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT: key light
1:14 -1:16 LYRICS:
Whenthere’smadness,whenthere’s
LOCATION: 60, L Valencia Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT: Natural light with reflector
1:16-1:18.5 LYRICS:
poisoninyourhead
LOCATION: Askari 2 Bright BG
SHOT: Close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Key light
1:18.5-1:20 LYRICS:
Whenthe sadnessleavesyoubrokeninyourbed
LOCATION: Askari 2, Bright BG
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: key light
1:21-1:22.5 LYRICS:
I will holdyou
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
Script/Screenplay Music Video – Color Me
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Natural light with reflector
1:22.5-1:28 LYRICS:
in the depths of your despair
And it's all in the name of love
In the name of
LOCATION: Mise en scene 3
SHOT: Dolly in, Long shot to mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT:key light
1:28-1:31 LYRICS:
Iove
LOCATION:
SHOT: midshot to close up, zoomed via lens, blurred out
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 - 55 mm
LIGHT:key light
1:31-1:34 LYRICS:
Name of love
LOCATION: Askari 2, Dark BG
SHOT: Dolly out
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT: Key light
1:34-1:36 LYRICS:
in the name of
LOCATION: Askari 2, Roof top
SHOT: Mid shot to close up zoomed via lens
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 18 - 55 mm
LIGHT: Key light
1:36- 1:38 LYRICS:
love
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame with
accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT: Key light
1:38-1:40 LYRICS:
name of love
LOCATION: Valencia, Terrace
SHOT: Mid
TRANSITION IN: Notransition
Script/Screenplay Music Video – Color Me
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:Softbox from left, Reflector on right + Daylight
1:40-1:43 LYRICS:
love
LOCATION: -
SHOT: Rapid montage of shots and clips
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
LIGHT:-
1:43-1:44 LYRICS:
beatdrop
LOCATION: Valencia, terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT:Softbox from left, Reflector on right + Daylight
1:45-1:47 LYRICS:
Beat drop
LOCATION: Askari 2, Bright BG
SHOT: Mid close up
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
1:47-1:48 LYRICS:
Beat drop
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT:Softbox from left, Reflector on right + Daylight
Script/Screenplay Music Video – Color Me
1:49-1:52 LYRICS:
Beat drop
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame with
accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT: Key light
1:53-1:56 LYRICS:
Beat drop
LOCATION: Askari 2, Bright BG
SHOT: Close up to mid shot back to close up via lens
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Key light
1:56-1:57 LYRICS:
Beat drop
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Daylight + Reflector
1:57-1:59 LYRICS:
I wanna
LOCATION: Mise en scene 3
SHOT: long shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT:key light
1:59-2:01 LYRICS:
Testify
LOCATION: Askari 2, Dark BG
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
Script/Screenplay Music Video – Color Me
2:02-2:04 LYRICS:
Screamin the holylight
SHOT: Mid shot to close up zoomed via lens
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 18 - 55 mm
LIGHT: Key light
2:05-2:07 LYRICS:
You bringme back to
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Daylight + Reflector
2:07-2:08 LYRICS:
Life
LOCATION: Mise en scene 3
SHOT: Long shot, subject changes position in the same frame with
accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:18 mm wide angle
LIGHT: Key light
2:08-2:09 LYRICS:
and it’sall
LOCATION: Askari 2, Bright BG
SHOT: mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
2:09-2:12 LYRICS:
In the name of love
LOCATION: Askari 2, Bright BG
SHOT: mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
2:12-2:26 LYRICS: LOCATION: Mise en scene 3
Script/Screenplay Music Video – Color Me
I wanna testify
Scream in the holy light
You bring me back to life
And it's all in the name of love
SHOT: Dolly out long shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 18 mm wide angle
LIGHT:3 point
2:27-2:28 LYRICS:
name of love
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS: 50 mm f/1.8 1.6x crop
LIGHT: Reflector + Natural Light
2;28-2:29 LYRICS:
love
LOCATION: Askari 2, Bright BG
SHOT: mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
2:30-2:33 LYRICS:
Love,inthe name of
LOCATION: Valencia, Terrace
SHOT: Mid shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Daylight + Reflector
2:33-2:34 LYRICS:
Love
LOCATION: Askari 2, Bright BG
SHOT: Track shot
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
Script/Screenplay Music Video – Color Me
2:34-2:39 LYRICS:
name of love
LOCATION: Askari 2, Dark BG
SHOT: Midshot to close up, dolly in
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: 3 point
2:39-2:40 LYRICS:
music
LOCATION: -
SHOT: rapid montage with accordance to beat
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
LIGHT:-
2:40-2:41 LYRICS:
Beat drop
LOCATION: -
SHOT: Synchronised hair flips from different shots
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
LIGHT:-
2:41-2:46 LYRICS:
Beat drop
LOCATION: Valencia, Terrace
SHOT: Mid shots and close ups of subject with powder colour thrown
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Reflector + daylight
2:46-2:55 LYRICS:
Beat Drop
LOCATION: -
SHOT: A combination of different mid shots showing all the mise en
scenes and emphasising on the subject’s expressions
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:-
Script/Screenplay Music Video – Color Me
LIGHT:-
2:55-3:02 LYRICS:
Beat drop
LOCATION: Valencia, Terrace
SHOT: Dolly out
TRANSITION IN: Notransition
TRANSITION OUT: Notransition
LENS:50 mm f/1.8 1.6x crop
LIGHT: Reflector + Daylight
3:02-3:08 LYRICS:
beatdrop
LOCATION: Mise en scene 3
SHOT: dolly out
TRANSITION IN: Notransition
TRANSITION OUT: dipto black
LENS: 18 mm wide angle
LIGHT: key light

More Related Content

What's hot

Trailer analysis
Trailer analysisTrailer analysis
Trailer analysisJosh Martey
 
JKL - Music videos references
JKL - Music videos referencesJKL - Music videos references
JKL - Music videos referencesJushna11
 
N-Dubz - I Need You
N-Dubz - I Need YouN-Dubz - I Need You
N-Dubz - I Need YouJem1992
 
Our Thriller Music
Our Thriller MusicOur Thriller Music
Our Thriller MusicLaura Neale
 
Laguage analysis
Laguage analysisLaguage analysis
Laguage analysisannher12
 
Conventions of gangster films
Conventions of gangster filmsConventions of gangster films
Conventions of gangster filmsAshleyAS
 
MPCassette: "Retrosensory" Commercial
MPCassette: "Retrosensory" CommercialMPCassette: "Retrosensory" Commercial
MPCassette: "Retrosensory" Commercialvlteamnyc
 
Shooting script
Shooting script Shooting script
Shooting script georgiastaf
 
The sixth sense analysis
The sixth sense analysisThe sixth sense analysis
The sixth sense analysisscott5150
 
Selected movie film opening analysis
Selected movie film opening analysisSelected movie film opening analysis
Selected movie film opening analysisDougie2614
 
Face Off Film Opening Analysis
Face Off Film Opening AnalysisFace Off Film Opening Analysis
Face Off Film Opening Analysisgeorginabarker
 

What's hot (20)

Trailer analysis
Trailer analysisTrailer analysis
Trailer analysis
 
JKL - Music videos references
JKL - Music videos referencesJKL - Music videos references
JKL - Music videos references
 
Hurricane
HurricaneHurricane
Hurricane
 
39 steps
39 steps39 steps
39 steps
 
Music Video Script
Music Video ScriptMusic Video Script
Music Video Script
 
N-Dubz - I Need You
N-Dubz - I Need YouN-Dubz - I Need You
N-Dubz - I Need You
 
Final Pitch
Final PitchFinal Pitch
Final Pitch
 
Ana slumdog
Ana slumdogAna slumdog
Ana slumdog
 
Our Thriller Music
Our Thriller MusicOur Thriller Music
Our Thriller Music
 
Laguage analysis
Laguage analysisLaguage analysis
Laguage analysis
 
Micro analysis
Micro analysisMicro analysis
Micro analysis
 
Conventions of gangster films
Conventions of gangster filmsConventions of gangster films
Conventions of gangster films
 
Laurie
LaurieLaurie
Laurie
 
Music Video Concept Paper
Music Video Concept PaperMusic Video Concept Paper
Music Video Concept Paper
 
Treatment 1 Naomi
Treatment 1 NaomiTreatment 1 Naomi
Treatment 1 Naomi
 
MPCassette: "Retrosensory" Commercial
MPCassette: "Retrosensory" CommercialMPCassette: "Retrosensory" Commercial
MPCassette: "Retrosensory" Commercial
 
Shooting script
Shooting script Shooting script
Shooting script
 
The sixth sense analysis
The sixth sense analysisThe sixth sense analysis
The sixth sense analysis
 
Selected movie film opening analysis
Selected movie film opening analysisSelected movie film opening analysis
Selected movie film opening analysis
 
Face Off Film Opening Analysis
Face Off Film Opening AnalysisFace Off Film Opening Analysis
Face Off Film Opening Analysis
 

Similar to Screenplay final (1)

Six thriller openings
Six thriller openingsSix thriller openings
Six thriller openingsTia5133
 
Chloe Kyriacou 2nd Draft of Louise Maher Script
Chloe Kyriacou 2nd Draft of Louise Maher ScriptChloe Kyriacou 2nd Draft of Louise Maher Script
Chloe Kyriacou 2nd Draft of Louise Maher ScriptCkyriacou
 
Music video script_template
Music video script_templateMusic video script_template
Music video script_templateBethMelia
 
Louise maher music_video_first_draft_script_new-1
Louise maher music_video_first_draft_script_new-1Louise maher music_video_first_draft_script_new-1
Louise maher music_video_first_draft_script_new-1LouiseMaher18
 
Music video treatment
Music video treatmentMusic video treatment
Music video treatmentsparkly
 
Music script draft 2
Music script draft 2Music script draft 2
Music script draft 2LouiseMaher18
 
Storyboard 1
Storyboard 1Storyboard 1
Storyboard 1Shhannon
 
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 06013 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601Thomas Griffiths
 
Louise maher titanium 1st draft script
Louise maher titanium 1st draft scriptLouise maher titanium 1st draft script
Louise maher titanium 1st draft scriptCkyriacou
 
Dj tjaey – look like you remix
Dj tjaey – look like you remixDj tjaey – look like you remix
Dj tjaey – look like you remixsy_caixeiro
 
Assignment 1: Music Video
Assignment 1: Music VideoAssignment 1: Music Video
Assignment 1: Music VideoTWBSAACE
 
3 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 06013 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 0601Thomas Griffiths
 
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
3 Music Video Analyses by Thomas Griffiths - 0601 FINALThomas Griffiths
 

Similar to Screenplay final (1) (20)

Music videoscript
Music videoscriptMusic videoscript
Music videoscript
 
Music videoscript
Music videoscriptMusic videoscript
Music videoscript
 
Six thriller openings
Six thriller openingsSix thriller openings
Six thriller openings
 
Similar texts new
Similar texts newSimilar texts new
Similar texts new
 
Pitch 2
Pitch 2Pitch 2
Pitch 2
 
Similar texts
Similar textsSimilar texts
Similar texts
 
Chloe Kyriacou 2nd Draft of Louise Maher Script
Chloe Kyriacou 2nd Draft of Louise Maher ScriptChloe Kyriacou 2nd Draft of Louise Maher Script
Chloe Kyriacou 2nd Draft of Louise Maher Script
 
Music video script_template
Music video script_templateMusic video script_template
Music video script_template
 
Louise maher music_video_first_draft_script_new-1
Louise maher music_video_first_draft_script_new-1Louise maher music_video_first_draft_script_new-1
Louise maher music_video_first_draft_script_new-1
 
Music video treatment
Music video treatmentMusic video treatment
Music video treatment
 
Music script draft 2
Music script draft 2Music script draft 2
Music script draft 2
 
Storyboard 1
Storyboard 1Storyboard 1
Storyboard 1
 
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 06013 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
 
Louise maher titanium 1st draft script
Louise maher titanium 1st draft scriptLouise maher titanium 1st draft script
Louise maher titanium 1st draft script
 
Dj tjaey – look like you remix
Dj tjaey – look like you remixDj tjaey – look like you remix
Dj tjaey – look like you remix
 
Assignment 1: Music Video
Assignment 1: Music VideoAssignment 1: Music Video
Assignment 1: Music Video
 
3 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 06013 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 0601
 
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
3 Music Video Analyses by Thomas Griffiths - 0601 FINAL
 
Story board
Story boardStory board
Story board
 
Music Video Analysis
Music Video AnalysisMusic Video Analysis
Music Video Analysis
 

Recently uploaded

Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.pptRamjanShidvankar
 
Third Battle of Panipat detailed notes.pptx
Third Battle of Panipat detailed notes.pptxThird Battle of Panipat detailed notes.pptx
Third Battle of Panipat detailed notes.pptxAmita Gupta
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Association for Project Management
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseAnaAcapella
 
ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701bronxfugly43
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfciinovamais
 
Unit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxUnit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxVishalSingh1417
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxnegromaestrong
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdfQucHHunhnh
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxheathfieldcps1
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17Celine George
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17Celine George
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsMebane Rash
 
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...ZurliaSoop
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhikauryashika82
 
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptxMaritesTamaniVerdade
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxAreebaZafar22
 
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxSKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxAmanpreet Kaur
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxVishalSingh1417
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...Nguyen Thanh Tu Collection
 

Recently uploaded (20)

Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
Third Battle of Panipat detailed notes.pptx
Third Battle of Panipat detailed notes.pptxThird Battle of Panipat detailed notes.pptx
Third Battle of Panipat detailed notes.pptx
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
 
ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701ComPTIA Overview | Comptia Security+ Book SY0-701
ComPTIA Overview | Comptia Security+ Book SY0-701
 
Activity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdfActivity 01 - Artificial Culture (1).pdf
Activity 01 - Artificial Culture (1).pdf
 
Unit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptxUnit-IV; Professional Sales Representative (PSR).pptx
Unit-IV; Professional Sales Representative (PSR).pptx
 
Seal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptxSeal of Good Local Governance (SGLG) 2024Final.pptx
Seal of Good Local Governance (SGLG) 2024Final.pptx
 
1029-Danh muc Sach Giao Khoa khoi 6.pdf
1029-Danh muc Sach Giao Khoa khoi  6.pdf1029-Danh muc Sach Giao Khoa khoi  6.pdf
1029-Danh muc Sach Giao Khoa khoi 6.pdf
 
The basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptxThe basics of sentences session 3pptx.pptx
The basics of sentences session 3pptx.pptx
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
On National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan FellowsOn National Teacher Day, meet the 2024-25 Kenan Fellows
On National Teacher Day, meet the 2024-25 Kenan Fellows
 
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
Jual Obat Aborsi Hongkong ( Asli No.1 ) 085657271886 Obat Penggugur Kandungan...
 
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in DelhiRussian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
Russian Escort Service in Delhi 11k Hotel Foreigner Russian Call Girls in Delhi
 
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptx
 
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptxSKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
SKILL OF INTRODUCING THE LESSON MICRO SKILLS.pptx
 
Unit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptxUnit-V; Pricing (Pharma Marketing Management).pptx
Unit-V; Pricing (Pharma Marketing Management).pptx
 
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
TỔNG ÔN TẬP THI VÀO LỚP 10 MÔN TIẾNG ANH NĂM HỌC 2023 - 2024 CÓ ĐÁP ÁN (NGỮ Â...
 

Screenplay final (1)

  • 1. Script/Screenplay Music Video – Color Me Student Handout Script/Screenplay-Music Video A/AS level IT 9626, A/AS level Media Studies 9607, IGCSE ICT 0417, O level Computer Science 2210 | Omer Gillani | 2017-18 Sample Script/Screenplay of a Music Video Song: Blank Space Singer: Taylor Swift Link: https://youtu.be/e-ORhEE9VVg "PROJECT NAME" MUSIC VIDEO SCRIPT Songlink Song time AUDIO / LYRICS / NARRATION / MUSIC / FX VIDEO 0:00- 0:08 LYRICS: none - Credits roll over black. A stately mansion flickers to the screen. A luxury car pulls in. NARRATION: Sounds of birds chirping before track kicks in. - Close-up on hot guy in a suit as he gets out. MUSIC: Kicks in when we pop from black to first shot. FX: Titles 0:08- 0:11 "Nice to meet you, where you been" - Full shot of Taylor in sexy lingerie on a posh canopy bed. She sings holding a fluffy white cat. 0:11- 0:16 "I could show you incredible things / Magic, madness, heaven, sin" - Medium close up of hot guy catching his breath, he enters. - Cut to: extreme wide shot of the bed...now with white ponies beside it. MUSIC: Music gets louder - Cut back to: medium shot behind hot guy approaching the door. - Smash Cut: a pony's face. - Extreme Wide Shot of Taylor atop massive stairs. 0:16- 0:26 "Saw you there and I thought / Oh my God, look at that face / - Medium shot of Taylor singing in the bed. You look like my next mistake / - Close up of hot guy looking up. Taylor walks down the stairs in slow mo. Love's a game, want to play?" - Extreme Close-up of Taylor's face, then she extends her hand out to him. 0:26- 0:35 "New money, suit and tie / I can read you like a magazine / - Medium shot of hot guy, sitting a long, elaborate table. Taylor reaches for champagne on the other side in a new dress, always lip-syncing with the track. Ain't it funny rumors fly" - Medium shots of them, as needed. - Wide on the table and ornate room.
  • 2. Script/Screenplay Music Video – Color Me LYRICS If I told you this was only gonna hurt If I warned you that the fire's gonna burn Would you walk in? Would you let me do it first? Do it all in the name of love Would you let me lead you even when you're blind? In the darkness, in the middle of the night In the silence, when there's no one by your side Would you call in the name of love? In the name of love, name of love In the name of love, name of love In the name In the name, name If I told you we could bathe in all the lights Would you rise up, come and meet me in the sky? Would you trust me when you're jumping from the heights? Would you fall in the name of love? When there's madness, when there's poison in your head When the sadness leaves you broken in your bed I will hold you in the depths of your despair And it's all in the name of love In the name of love, name of love In the name of love, name of love In the name of I wanna testify Scream in the holy light You bring me back to life And it's all in the name of love I wanna testify Scream in the holy light You bring me back to life And it's all in the name of love In the name of love, name of love In the name of love, name of love In the name of love In the name, name In the name of In the name, name In the name of In the name, name In the name of Love
  • 3. Script/Screenplay Music Video – Color Me Song time AUDIO / LYRICS / NARRATION / MUSIC / FX VIDEO 0:00-0:01 LYRICS: - LOCATION: Askari 2 Roof top SHOT: - TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:- LIGHT:- OTHER EQUIPMENT:- 0:01-0:03 LYRICS: - LOCATION: Askari 2 Roof top SHOT: close up TRANSITION IN: fade in TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT: 3 point lighting 0:03-0:07 LYRICS: “If I told you this was only gonna hurt If” LOCATION: Askari 2 Roof top SHOT: close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point lighting 0:07-0:08 LYRICS: “warned you” LOCATION: Askari 2 Roof top SHOT: Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point lighting 0:08-0:14 LYRICS: “that the fire's gonna burn Would you walk in? Would you let me do it first?” LOCATION: Askari 2 Roof top SHOT: Midshot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point lighting 0:14-0:17 LYRICS: “Do it all in the name of love” LOCATION: Askari 2 Roof top SHOT: extreme long shot TRANSITION IN: fade in TRANSITION OUT: Notransition
  • 4. Script/Screenplay Music Video – Color Me LENS:50 mm f/1.8 1.6x crop LIGHT:3 point lighting 0:17-0:18 LYRICS: “Wouldyouletme” LOCATION: Askari 2 Roof top SHOT:- TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:- LIGHT:- 0:18-0:20 LYRICS: lead you even when you're blind? LOCATION: Askari 2, Dark background SHOT: mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT: 3 point 0:20-0:25 LYRICS: In the darkness, in the middle of the night In the LOCATION: Askari 2 Bright background SHOT: camera zooms out while subject is being tracked via track shot. TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:35 mm LIGHT: 3 point 0:25-0:29 LYRICS: silence, when there's no one by your side Would you call in the LOCATION: Askari 2 Bright BG SHOT: Midshot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 0:29-0:31 LYRICS: in the name of love LOCATION: 60, L Valencia, Terrace SHOT: Midshot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Softbox from left, Reflector on right + Daylight 0:31-0:35 LYRICS: In the name of love,name LOCATION: Askari 2 SHOT: midshot TRANSITION IN: Notransition TRANSITION OUT: Notransition
  • 5. Script/Screenplay Music Video – Color Me LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 0:35-0:39 LYRICS: of love,inthe name of LOCATION: Askari 2 Dark BG SHOT: Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 0:39-0:42.5 LYRICS: love, name of LOCATION: Askari 2 Bright BG SHOT: Close up shot blurred TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 0:42.5- 0:44.5 LYRICS: Love LOCATION: Askari 2 Dark bg SHOT: Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS::50 mm f/1.8 1.6x crop LIGHT: 3 point 0:44.5-0:45 LYRICS: - LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT; key light 0:45-0:46 LYRICS: In the name of LOCATION: Askari 2 Dark bg SHOT:Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 0:46-0:47 LYRICS: Beat drop LOCATION: 60, L Valencia, Terrace SHOT: Mid shot blurred out TRANSITION IN: Notransition TRANSITION OUT: Notransition
  • 6. Script/Screenplay Music Video – Color Me LENS::50 mm f/1.8 1.6x crop LIGHT:Natural light with reflector 0:47-0:48 LYRICS: Beat drop LOCATION: Askari 2 Dark bg SHOT:Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 0:49-0:50 LYRICS: Beat drop LOCATION: Askari 2, Bright BG SHOT: Close up shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 0:50-0:53 LYRICS: Beat drop LOCATION: 60, L Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS::50 mm f/1.8 1.6x crop LIGHT:Natural light with reflector 0:53-1;00 LYRICS: Beat drop LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 18 mm wide angle LIGHT; key light 1:00-1;07 LYRICS: If I told you we could bathe in all the lights Would you rise up, come and meet me in the sky? Would you LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT: Key light 1:08-1:09 LYRICS: Trust me whenyou’re jumping LOCATION: Askari 2, bright BG SHOT: Close up, dolly out TRANSITION IN: Notransition
  • 7. Script/Screenplay Music Video – Color Me TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 1:09-1:11 LYRICS: From the heights,wouldyoufall inthe name LOCATION: Askari 2, Dark BG SHOT:Close up, dolly out TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:3 point 1:11-1:14 LYRICS: Of love LOCATION: Mise en scene 3 SHOT: long shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT: key light 1:14 -1:16 LYRICS: Whenthere’smadness,whenthere’s LOCATION: 60, L Valencia Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT: Natural light with reflector 1:16-1:18.5 LYRICS: poisoninyourhead LOCATION: Askari 2 Bright BG SHOT: Close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Key light 1:18.5-1:20 LYRICS: Whenthe sadnessleavesyoubrokeninyourbed LOCATION: Askari 2, Bright BG SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: key light 1:21-1:22.5 LYRICS: I will holdyou LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition
  • 8. Script/Screenplay Music Video – Color Me TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Natural light with reflector 1:22.5-1:28 LYRICS: in the depths of your despair And it's all in the name of love In the name of LOCATION: Mise en scene 3 SHOT: Dolly in, Long shot to mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT:key light 1:28-1:31 LYRICS: Iove LOCATION: SHOT: midshot to close up, zoomed via lens, blurred out TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 - 55 mm LIGHT:key light 1:31-1:34 LYRICS: Name of love LOCATION: Askari 2, Dark BG SHOT: Dolly out TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT: Key light 1:34-1:36 LYRICS: in the name of LOCATION: Askari 2, Roof top SHOT: Mid shot to close up zoomed via lens TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 18 - 55 mm LIGHT: Key light 1:36- 1:38 LYRICS: love LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT: Key light 1:38-1:40 LYRICS: name of love LOCATION: Valencia, Terrace SHOT: Mid TRANSITION IN: Notransition
  • 9. Script/Screenplay Music Video – Color Me TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:Softbox from left, Reflector on right + Daylight 1:40-1:43 LYRICS: love LOCATION: - SHOT: Rapid montage of shots and clips TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:- LIGHT:- 1:43-1:44 LYRICS: beatdrop LOCATION: Valencia, terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT:Softbox from left, Reflector on right + Daylight 1:45-1:47 LYRICS: Beat drop LOCATION: Askari 2, Bright BG SHOT: Mid close up TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 1:47-1:48 LYRICS: Beat drop LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT:Softbox from left, Reflector on right + Daylight
  • 10. Script/Screenplay Music Video – Color Me 1:49-1:52 LYRICS: Beat drop LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT: Key light 1:53-1:56 LYRICS: Beat drop LOCATION: Askari 2, Bright BG SHOT: Close up to mid shot back to close up via lens TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Key light 1:56-1:57 LYRICS: Beat drop LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Daylight + Reflector 1:57-1:59 LYRICS: I wanna LOCATION: Mise en scene 3 SHOT: long shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT:key light 1:59-2:01 LYRICS: Testify LOCATION: Askari 2, Dark BG SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point
  • 11. Script/Screenplay Music Video – Color Me 2:02-2:04 LYRICS: Screamin the holylight SHOT: Mid shot to close up zoomed via lens TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 18 - 55 mm LIGHT: Key light 2:05-2:07 LYRICS: You bringme back to LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Daylight + Reflector 2:07-2:08 LYRICS: Life LOCATION: Mise en scene 3 SHOT: Long shot, subject changes position in the same frame with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:18 mm wide angle LIGHT: Key light 2:08-2:09 LYRICS: and it’sall LOCATION: Askari 2, Bright BG SHOT: mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 2:09-2:12 LYRICS: In the name of love LOCATION: Askari 2, Bright BG SHOT: mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 2:12-2:26 LYRICS: LOCATION: Mise en scene 3
  • 12. Script/Screenplay Music Video – Color Me I wanna testify Scream in the holy light You bring me back to life And it's all in the name of love SHOT: Dolly out long shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 18 mm wide angle LIGHT:3 point 2:27-2:28 LYRICS: name of love LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS: 50 mm f/1.8 1.6x crop LIGHT: Reflector + Natural Light 2;28-2:29 LYRICS: love LOCATION: Askari 2, Bright BG SHOT: mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 2:30-2:33 LYRICS: Love,inthe name of LOCATION: Valencia, Terrace SHOT: Mid shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Daylight + Reflector 2:33-2:34 LYRICS: Love LOCATION: Askari 2, Bright BG SHOT: Track shot TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point
  • 13. Script/Screenplay Music Video – Color Me 2:34-2:39 LYRICS: name of love LOCATION: Askari 2, Dark BG SHOT: Midshot to close up, dolly in TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: 3 point 2:39-2:40 LYRICS: music LOCATION: - SHOT: rapid montage with accordance to beat TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:- LIGHT:- 2:40-2:41 LYRICS: Beat drop LOCATION: - SHOT: Synchronised hair flips from different shots TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:- LIGHT:- 2:41-2:46 LYRICS: Beat drop LOCATION: Valencia, Terrace SHOT: Mid shots and close ups of subject with powder colour thrown TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Reflector + daylight 2:46-2:55 LYRICS: Beat Drop LOCATION: - SHOT: A combination of different mid shots showing all the mise en scenes and emphasising on the subject’s expressions TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:-
  • 14. Script/Screenplay Music Video – Color Me LIGHT:- 2:55-3:02 LYRICS: Beat drop LOCATION: Valencia, Terrace SHOT: Dolly out TRANSITION IN: Notransition TRANSITION OUT: Notransition LENS:50 mm f/1.8 1.6x crop LIGHT: Reflector + Daylight 3:02-3:08 LYRICS: beatdrop LOCATION: Mise en scene 3 SHOT: dolly out TRANSITION IN: Notransition TRANSITION OUT: dipto black LENS: 18 mm wide angle LIGHT: key light