The French Revolution Of 1848 Research Paper

The French Revolution Of 1848 Research Paper
When viewing significant landmarks in history often one looks at extravagant architectural marvels
where important events took place looking past the streets where history is written in blood. The
June Days of the French Revolution of 1848 tells such a history where lawlessness, rebellion, and
economic depression culminated in an uprising in Paris that divided the city between insurgents and
loyalists. Thus the streets were a key battleground in the June Days and French Revolution of 1848
dictating the conflict's outcome and serving a variety of interests. Their significance to the French
Revolution of 1848 is further evident in their systematic eradication under Louis Napoleon
Bonaparte and Georges–Eugène Haussmann. The roots of the June ... Show more content on
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The election of Louis Napoleon Bonaparte as president ended the French Revolution of 1848 and
signified a new direction for France. However, Napoleon eager not to forgot the lessons of June
Days commissioned a massive renovation campaign of Paris headed by Georges–Eugène
Haussmann. Haussmann expanded the streets and created boulevards as to arguably make the streets
much more difficult to barricade. Many of the small narrow streets and residential buildings of the
inner city as a result were destroyed to make way for Haussmann's wide boulevards. Thousands of
people were forced to relocate to the outer edges of the city. This is important because it ensured that
a revolt like the June Days would be much more difficult in the future if possible at all. Napoleon's
efforts to destroy the inner city neighborhoods and streets further legitimizes their significance in the
French Revolution of
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Gustave Caillebotte's Paris Street; Rainy Day Essay
Gustave Caillebotte's Paris Street; Rainy Day
The first thing that strikes me is the size of the work. About seven feet tall and nine feet wide, this
painting dominates its gallery and overwhelms the viewer. The couple in the foreground of the
painting is nearly life size, and with the man poised to take another step it seems he might climb
right over the frame and walk right into the gallery. The bold perspective thrusts the scene outward,
and with details such as the sharply receding roofline of the main building and the acute tilt of the
street, geometric and visual effects are created which push and pull the viewer and instill the
painting with action.
This work is more complex and detailed then one might first imagine, ... Show more content on
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He tilts his umbrella to the right so as to avoid collision with the couple who neither pay him
attention nor show any signs of tilting their umbrella in deference. A green (a color which stands
out) gas lamp separates these three from the rest of the painting, and also divides the canvas in half.
A little further back a lone man is crossing the street, looking down in a manner which suggests
inward thinking but also illustrates the reality of the wet and mucky road on which one must watch
their step. The rest of the figures receive less influence, but a few of them are certainly worth noting.
Directly to the left of the protagonist's head two women walk away from the viewer. Their
symmetry is visually enticing. Also, above the wagon wheel on the left side of the painting a man is
crossing the street. He piqued my attention because of the odd position of his body and feet – it
looks as if he is almost doing a jig. Lastly, one might note how the front couple's umbrella pole
occludes a woman's head in the background; she in turn holds an umbrella that obscures the head of
a workman with ladder behind her; a curious compositional detail to say the least.
The surface of the painting is characterized mostly by relatively broad painterly brushstrokes which
in that singularly impressionistic manner allow the "stuff" of paint to really show. Even though the
picture appears much more finished and

Cataphilia Essay
Origins [ edit | change the code ]
The practice emerges in the 1980s. In France , the Paris region is conducive to this activity ( metro ,
many construction sites , factories , hospitals and other abandoned buildings, roofs of buildings,
monuments , underground , etc.) and derives from the movement of cataphilia . The Australia , the
United States and the Anglo–Saxon countries in general also have important practitioners
communities.
Interests of urban explorers [ edit | change the code ]
Urban exploration is a set of practices whose motivations can be very different. Some will be
focused on the historical aspect, the old and the abandoned. For others, it will be the mastery of the
modern city and its backstage. Photography and video are ... Show more content on Helpwriting.net
...
are often advanced . 6 .
Cataphiles are essentially different from speleologists in that the passion of the cataphiles is rather
aimed at the visit of the underground places built by the hand of the man, and presenting as such a
historical attraction: what one calls, in scholarly terms the subterranologie , that is to say the study
of infrastructures of major cities . Some techniques of caving can sometimes be used to explore
difficult to access areas (wells without steps, vertical passages collapsed, galleries drowned ...).
Cataphilia is also different from subterranology, which is the study of artificial cavities and
underground infrastructures, cataphilia does not necessarily rest on the study of the places, but more
on the aspect visit and squatting (parties).
Cataphilia finally became the global name for cataphily in the strict sense and exploration of the
careers of the Paris region in the broad sense, particularly because of the gradual closure of certain
careers in Paris and the evolution of cataphile activity in quarries , mines , cellars, crypts ,
troglodytic work ... hence a link between cataphilia and urban exploration, two practices that overlap
to a greater or lesser extent.
The underground quarries in Paris (ie the three major networks of underground Parisian quarries
known as "XIII", "GRS"

Caillebotte Paris Street A Rainy Day
There are numerous cliché statements regarding art, such as "A picture is worth a thousand words"
or "Beauty is in the eye of the beholder", certainly, this would apply when viewing two paintings
depicting a rainy day in the late 19th Century. The first painting titled Paris Street; A Rainy Day
(1877) is by Gustave Caillebotte and the second is by Childe Hassam titled A Rainy Day on Fifth
Avenue (1893). By first glance, both paintings have some obvious similarities, most notable being
people walking in the rain with horse drawn carriages in the background, but given the period the
paintings may have very different interpretations by the viewer. The two artists use very different
painting styles depicting their ideas of a rainy day. Caillebotte uses the ... Show more content on
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The streets are cobbled, the afternoon sky is cloud covered and shows a subtle gradation from rose–
gray near the horizon to a cool gray toward the top, and everyone is walking under umbrellas. Many
characters look as if they are out for a leisurely stroll, shopping, or just taking in the sights. Men
wear top hats and long tailed coats while the women wear full–length dresses, all symbolic of the
late 19th century. The artist used deep colors, making the painting appear darker; perhaps to evoke
the feeling of a rainy day or that it is sometime between late afternoon and early evening. It is
interesting to note that a fashionably dressed Parisian couple (a man and a woman) in the foreground
of the painting is walking toward the viewer. They are portrayed in sharper detail than others are,
while objects further away have fewer distinguishing features. This is especially noticeable when
viewing the buildings; immediately you notice the painting blurs the further away or deeper into the
picture it goes. Caillebotte provides a lot of depth and detail, allowing the viewer to enjoy all that is
occurring in the

Summary Of How Paris Became Paris: The Invention Of Modern...
"How Paris Became Paris: The Invention of Modern City"
Introduction
Joan Dejean wrote the book "How Paris Became Paris: The Invention of Modern City". In the book,
the author describes the century–long transformation of Paris from a medieval center to the modern
city, which is recognized today, elaborating how the Parisian urban model was actually invented in
the 17th century, when leaders tore down fortifications, and created public parks and constructed
streets and bridges. In the book, the author argues that Paris has been a modern city far longer that it
is usually thought of. In addition, the author builds her arguments for the 17th century origins of
modern Paris piece by piece and unravelling the stories on how the city's architectural ... Show more
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However, it was the first bridge with pavements which made it an immediate hit with the Parisians
who used the bridge as a meeting place, especially the semi–circular areas near the pavements which
were ideal for socializing. However, the bridge has two different bridge spans with one span of
seven arches joining the right bank and the other span of five arches connecting Île de la Cité with
the left bank. The bridge is universal in appeal, but the problem is that it has raised heated questions
concerning the use of public space. In addition, the site installations offers the viewer with different
visual experience, which transforms and transcends various expectations so that landmarks are
viewed as art objects instead of mere tourist destinations. Today, the bridge is still standing as Paris'
oldest bridge and takes the central part in Parisian culture for centuries. In addition, the signatures
and decorations on the bridge signify a symbol of unity to the people. The construction of the bridge
is continuous because over time each stone and arch has been replaced and preserved by many
generations. Today, the bridge is still used as a prime source of transportation and invites the people
to socialize and interact with it regularly as pedestrians, commuters, as site

Exploring The Life Of Eugene Atget
Exploring the Life of Eugene Atget
Biographical and autobiographical information on Atget in his lifetime is scarce to be found
however we do know a small amount. He was born into a working class family, in Libourne France
in the winter of 1857. Libourne lays near Bordeaux, an intrinsically prerevolutionary feeling city,
whose architecture and sights may have been an underlying attraction to his Old Paris
documentation. Orphaned at the young age of five years old, Atget came to be raised by his
grandparents until he was able to work and live on his own. He is speculated to have spent some
time at sea during the early 1870s, however inconclusive evidence may be, he may have worked as a
cabin boy. During this time he developed an inclination to act, and eventually gained entry to the
Conservatoire D'art Dramatique in Paris in 1879. Unfortunately his obligation to server time in the
military prevented him from finishing his studies at the conservatory. After briefly managing a
humorist magazine to no financial or positional avail, Atget pursued a career as an itinerant actor.
His acting escapades turned sour, unremarkable, and were short lived. He quit acting for good in
1887, but his passion for it was never lost, and between 1904 and 1913, Atget lectured about theater
at universities in and surrounding Paris. While searching for a new path to take his life down, Atget
contemplated over both photography and painting. In his endeavors to paint, he must have realized

Paris : The City Of Food
Paris: The City of Food The country of France is an old one. Spanning into the early years of
mankind. Part of the continent of Europe, located in the northeast of the globe. France is home to the
history of food, wars, lifestyles, and many other things. In this old country stands the capital it calls
its own: Paris; A popular tourist destination and the home of great cuisines and restaurants. Paris
could be defined in its three characteristics: the history, the Eiffel tower, and its food scene. Many
strive to understand the city of Paris and its inner workings. Myself included as I wish to understand
the area of a place I strive to visit one day. And what best way to understand anything, then to start
at its beginning. The story of Paris starts before the beginning of man's recorded time. Dating back
to somewhere between 250 and 200 B.C. members of the Parisii tribe founded a village on an island
by the river that would become Ile de Cite. (the center where Paris Developed). The villagers ran the
village as sort of a fishing centric area. The area was not given an actual title until close to around 52
B.C. being called "Lutetia." Then soon after being conquered by Julius Caesar and the roman
empire. The land existed as a regional center for Rome to be used at their disposal. This continued
for centuries even through the early middle ages. Next, in the year 987, Hugh Capet, the Count of
Paris at the time, ascended to power as the new King of France. Using his

VELIB, PARIS Essay
1. Introduction
Nowadays, transportation in urban area is highly complex as it involved various modes of
transportation, locations of the origins and destination and also the population of that particular
urban area. The focus of urban transport has been more on passengers as many major cities were
viewed as locations of utmost human interactions. Mostly, they move from one place to other place
for the purpose of commuting, commercial transactions, leisure or for cultural activities. Beside,
urban passenger transport system is one of the medium helping to have better quality of life for
every living community. It provides personal mobility and freedom for people to walk, use para–
transit vehicle or use other non motorized transport ... Show more content on Helpwriting.net ...
Naturally, as with every innovation, it will take to adapt and I have to emphasis that the rules must
be respected where necessary to ensure the safety of everyone, especially the most vuinerable
among us, pedestrians and cyclist!"
Bertrand Delanoe, Mayor of Paris.
(Quoted shortly after the inauguration of the Vélib system, July 2007.)
According to his inauguration, the Vélib system appoints the need of both personalized and mobility
and low carbon solutions for urban transport passenger system. The main modal for this system is to
provide low environments that reduce the impact of mobility service for large cities and urban
centers. For this application, Vélib use Cyclocity as the basic ideas to be user friendly as possible.
The main components of the system are the bike, the stations where they are attached and the
software that can track the bikes journey and the rental time of each journey made. One of the
common rationales cited by bike programs is that they provide an effective substitute for at least
some of the large numbers of short distance trips made by cars in urban areas, often with only one
person in the car. Such trips make poor use of scarce public resources, and of course carry with them
a heavy environmental burden.
If many passengers tend to use private vehicle, this objective cannot be achieved. However Paris has
been established as one of the country that

A Tale Of Two Cities Analysis
Charles Dickens is widely regarded as one of the most influential writers of the 19th century, and A
Tale Of Two Cities is widely regarded as one of his best novels. Unlike other novels by Dickens, A
Tale Of Two Cities relies upon an engrossing plot and vivid descriptions to develop characters,
rather than dialogue and character interactions. The result is a compelling story of sacrifice and
resurrection that has made A Tale Of Two Cities (hereafter abbreviated ATOTC) a staple in literature
classes all around the world. To achieve the level of writing that elevates ATOTC, Dickens utilizes
beautiful imagery to describe the setting, The French Revolution, and a great deal of metaphors and
symbolism throughout in order to realize the novel's central theme of resurrection and rebirth. While
the character development in ATOTC is generally regarded to be inferior to other Dickens novels,
the description of setting is arguably his best. The story takes place in both London and Paris during
the years 1775–1793, but centers around the French Revolution, and the violence that accompanied
it. Dickens uses vivid imagery throughout the novel to set the scene and to illustrate the brutal nature
of the rebellion. In the very first chapter, Dickens writes, "France, less favoured on the whole as to
matters spiritual than her sister of the shield and trident, rolled with exceeding smoothness down
hill, making paper money and spending it. Under the guidance of her Christian pastors, she

Why Do You Visit To A Visit In Paris Essay
If you haven't been to Paris yet, Why! Why the delay! Paris has everything you could ever ask for in
a peaceful and romantic city, and better yet, there are a lot of amazing places to go and make your
visit even more enjoyable in Paris.
This article contains exactly what you need to get you to Paris as soon as possible.
Tourism in Paris.
Paris is the capital of France with an overall area of 105.4 square kilometers filled with beauty
everywhere you look.
With over 2.15 million people live there, there is still a place for a lot of tourists from all over the
world to come and enjoy the beauty of Paris starting with its food, music, and art to its amazing
remarkable historical sites.
Paris is the land of art, so, what is a better place ... Show more content on Helpwriting.net ...
They were built in the 17th century but have transformed into their current form in the 19th–century
architect J.F. Chalgrin.
The park is laid in the French style and has a lot of chairs for visitors to use.
The main feature of the park is fountain surrounded by two elegant terraces.
A lot of Parisians visit the park for relaxing, especially students who come to study there.
Another main feature of the park is the Fontaine de Médicis.
Sacré–Coeur and Quartier Montmartre
The Basilique Sacré–Coeur has a special halo. Its alabaster facade blends Romanesque and
Byzantine styles making it look like a wedding cake from afar.
The church was created as a symbol of faith and hope after the Franco–Prussian War, so it has a lot
of emotion and spirit in its sanctuary.
The sanctuary is lit with many candles which makes it even more warm and magical.
Some visitors spend time on the terrace sinking in the lovely views of Paris, some other climb the
tower for an even higher view.
Panthéon
King Louis XV ordered the architect Jacques–Germain Soufflot in 1756 to build a new church on
the site of the destroyed abbey of Sainte–Geneviève, and the church was completed in

Paris Street, Rainy Day By Gustave Caillebotte
Paris Street, Rainy Day, by Gustave Caillebotte, is an oil painting created in 1877. It is Gustave's
most famous work. The purpose behind this painting is to show a different, and more truthful, side
of the quickly modernizing streets of Paris. Most artists depicted Paris as lively and joyous during
its modernization, with bright colors, parades, and lively people. Caillebotte, however, wanted to
give his painting a sense of realism, showing the way Paris actually was most of the time. The
Painting's purpose is to portray the melancholy and disinterest the people had with their new
surroundings. It shows the uniformity of the people, the streets, and the buildings. It seems as if in a
single moment, everything in the photo would have changed. The visual elements ... Show more
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It uses pale blues, greens, yellows, and grays to emphasize mood and perspective. The lack of bright
color sets the mood to be isolated, disinterested, and unenthusiastic. Furthermore, the color aids the
perspective by fading into grey and blue as objects get further into the distance. Next, the artist uses
lines to draw attention to different parts of the painting. The horizontal lines of the buildings and the
streets draw the viewer's attention to the couple in the front. Their faces are turned to something in
the distance, showing their disinterest to the shops next to them. The vertical line of the street lamp
behind the couple separates them from the background of the painting. The vertical lines from the
bottom center of the piece, gently curving along the curb, draws the attention to the back of the
painting. Perspective was used the heaviest in the painting. The perspective is one point linear
perspective. He enforces perspective by cutting the street lamp off with the couple. The way the
couple is cut off at the knees and the man to the right of the painting is cut off, makes this painting
appear photographic in nature. The focus of the painting appears to be more bulged than the things

The Scare Of Lack Of Security
"Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love
can do that" –Martin Luther King Jr. As the July attacks in Nice, France start to dissolve from the
headlines the effects still weigh heavily on Paris, and the other countries around the world. They
will forever be remembered and France will continue to pay for the attacks economically. The Nice
attacks effect's France economically due to the scare of lack of security which causes decrease of
tourism. On July 14th, 2016, Bastille Day in France scores of people were celebrating all day and
then were concluding the day to watch fireworks. Thousands of people were lined out along the
promenade, a very long road and one of the main roads in ... Show more content on Helpwriting.net
...
A few travelers that were present on Bastille day said that there were "no police or security measures
in place to protect them especially all along the beach." (Laure Teresi, Washington Post) Although
countless people have complained of the lack of security officials are responding that they "have
reached the maximum we could reach in terms of security measures... security now is now more a
qualitative problem then a quantitative problem." (Bolstering, Washington post) The threat of
security is not only everyone safety but also the decrease of people traveling to other countries
because of the threat of their lives. The most visited country in the world, France, has been through
many terrorist attacks with its most recent being in Nice. It is becoming speculated that France will
start to see more decrease in tourism, which could lead to major economic failure. Tourism is one of
the biggest incomes in France, they make over 200 million a year through tourists. "With tourism
accounting for 78% of the eurozone's No. 2 economy last week's truck attack on the French Riviera
deals a new blow to an industry that had yet to recover fully from the bloody assaults in Paris in
January and November last year, which were also claimed by Islamic State" (Reuters) Tourism in
France was down 20% before the attacks in Nice and now it is speculated that it will come down
another 10–20%. The visitors in France

Our Journey through the City of Paris at Night
Paris is a beautiful city during the day, but at night, it changes. The first thing that is seen are all the
lights from the shops, buildings and streetlights. These lights brighten up Paris and give it a different
but just as beautiful perspective at night. The Eiffel Tower, one of the top attractions in Paris that
tourists come to see can be described as an iron, lace work of art, and the most recognized structure
in the world, and at night with the glow of its lights, it stands out like a guiding lighthouse. We could
see this beautiful tower wherever we stood day or night. My choir group was invited to sing in some
of the cathedrals in Paris. One night after we had a concert and had dinner, our tour guide gave us an
option of either staying on the bus or getting off and taking a tour down the Seine River to see the
Eiffel Tower at night. If we should choose this option, we needed to find a different way back to the
hotel as the bus driver was not going to come back for us. My family and a few others chose to take
the tour down the river. On the boat, we could see different buildings, museums and the Eiffel
Tower. On the tour, we also passed under the famous bridges in Paris. Two of the buildings I
remember viewing were the Louvre, and Norte Dame. From the boat, I could also see the Louvre
pyramid which sits in the courtyard of the Louvre Palace. The Louvre Pyramid is a large glass and
metal pyramid, surrounded by three smaller pyramids. The

Paris Street: Rainy Day By Gustave Caillebotte
"Paris Street; Rainy Day" is an oil painting by Gustave Caillebotte. It does use thin lines to create
shapes such as buildings, people, and umbrellas. Additionally, it has light coming from the sky but
very subtly, for it is cloudy and raining. Because it is raining Gustave gave the men and women
walking through the streets of paris an umbrella casting shadows on their face. There is also a
shadow seen in the reflection of the water on the streets. The artwork shows lighter values with a
pretty low contrast. The painting does use color, mostly cool tones like greens, blues, and yellows
nearly making it monochromatic. There is the texture of the tiles that makeup the street; therefore,
adding visual texture to the painting. There is a sense

Analysis Of The Streets Of Paris And London Essay
Gagan Brar
Mrs. Birch
ENG3UI– 02
23 December 2016
"Haunting the Streets of Paris and London"
A Tale of Two Cities by Charles Dickens
"A classic is a book that has never finished saying what is has to say" once said by Italo Calvino,
expresses that although numerous years could pass after a classic was written, a classic shall never
stop connecting to its readers. A Tale of Two Cities by Charles Dickens is one such classic. The
historical drama is set in 1775, at the start of the American Revolution, where Lucie Manette is
reunited with her father Dr. Manette of Beauvais, after learning that he spent 18 years in a French
prison instead of being dead like she assumed he was. As the years past, the Manette family grows
to include Charles Darnay, Sydney Carton, and the ramifications of the French Revolution. Despite
being first published in 1859, A Tale of Two Cities by Charles Dickens still remains relevant to the
readers of today. What creates relevancy in the novel are the powerful symbols which stand for the
harsh nature of society and desire, inspiring themes such as the necessity of sacrifice, and universal
applicable characters who reveal the subconscious routines found in humans.
The symbolism of the harsh nature of society and desire found in the novel establishes the creation
of relevancy in the novel. The character of Monseigneur the Marquis is the timeless symbol of a
cruel society. Marquis is an authority figure in France in 1780, and is responsible for the

Tale Of Two Cities: Saint Antoine
Saint Antoine is a legitimate character in Tale of Two Cities. First, Dickens' writing clearly
personifies the city. Secondly, Saint Antoine is treated as a character through the pronouns which
refers to it. To begin with, Saint Antoine is personified in the text, which is shown in this sentence:
"The loudly echoing footsteps of Saint Antoine escort through Paris streets in mid–July" (33). There
are many other examples of this in the text, and while sometimes things are personified to give them
an illusion of life, Saint Antoine is alive. It is a collective term for the people which live in the city.
It is a character with the ideas of the mob, rather than a person, and so it takes on a life of its own. In
total, Saint Antoine is written

Skecthing Gustave Calliebotte’s Paris Street; Rainy Day...
Skecthing Gustave Calliebotte's Paris Street; Rainy Day
I can smell the rain on my jacket as my fingers numbly make their way across the pad, trying their
best to capture an instant in time on a piece of yellow, college–ruled, notebook paper, despite my
now apparent lack of artistic ability. As I am watching the scene unfold, I hardly notice the people
walking around me, gazing at the same thing I am, before they move on. Cuddling under an
umbrella, a man and his wife are casually strolling through the light fog. Their attention is caught by
something off to their right, so he does not notice when his top hat is almost bumped to one side by
the umbrella as another pedestrian tries to pass on the narrow sidewalk. Further off in the ... Show
more content on Helpwriting.net ...
The buildings are just far enough away and draped in a delicate fog that their details remain slightly
imperceptible. But in retrospect, this entire painting lacks any distinct quality, yet possesses a
magical ability to draw one into the scene and envelope them in the mystery and serenity of that
Parisian evening.
I am certain that while I was sketching the work, I became an obstacle for many of the other patrons
of the Art Institute, which is one of the reasons I sat down. But from this vantage point I had the
opportunity to marvel at the grand scope of this composition. Gustave Calliebotte's Paris Street;
Rainy Day has the peculiar ability to exist in duality. Standing close to the canvas, I could feel
myself pulled into the scene that took place over 120 years ago. I could feel the dampness in my hair
and smell the rain on my clothes, although I must attribute at least part of that to the rainy Chicago
weather I encountered before entering the museum. From a closer perspective, the life–size
characters effectively contribute to the realism of the piece. The immense size of the painting itself
helps to incorporate the viewer into the scene. Being close, it feels as though this Parisian
intersection could wrap around you, and standing there I would not be terribly surprised if I turned
around to see nothing but the rest of the street, continuing through the brick–laden

Analysis Of The Book ' French Photography 1800-1960 '
The Barnes Foundation's newest exhibition, French Photography 1800–1960, is a collection of
photographs that encapsulates life in France during the 19th and 20th centuries. The exhibit features
photographs by artists including Ilse Bing, Brassai, and Henri Cartier Bresson. Entering into the
exhibit is like taking a trip through time; depending on if you turn left or right at the entrance to the
exhibit, you can travel forward through time from the early to the mid 1900s or you can travel
backwards. The exhibit is organized by eight different periods and the attitudes that were most
prevalent during them. The categories are: Paris and Environs, Street Life, Commerce, Labor,
Leisure, Reportage, Celebrity, and Art for Art's Sake. The exhibit is an enlightening trip through
time, highlighting the glamorable life in France in the 19th and 20th centuries, bringing to life
artistic movements, culminating in the final intersection of cubism and photography, Brassai's piece
Transmutation: Girl Dreaming being perhaps the brightest star in the collection. Unlike other
exhibits in the Barnes, French Photography is unique in its medium. Photographs are fresh and
different from the Barnes' usual paintings. It is also different in the Barnes' treatment of the pieces.
Main installments at the Barnes are hung on the walls as if they were in someone's living room but a
black line drawn through every room prevents any viewer from getting to close to the works of art.
However, the photographs

Descriptive Essay About Paris
Paris is like no other place on earth, its beauty is indescribable, the amount of famous structures is
astounding, and is attraction draws many tourists there every year. My experience touring Paris will
always be on of my favorite memories. Everywhere I looked, it was as if I was in a dream. There
was so much elegance in such simple structures it seemed unrealistic. Wherever I went, it seemed as
if the magnificence only grew with each passing step.
It all started with the most exhilarating train ride ever. It was about four hours long, and we were
going so fast that the world around me seemed non–existent. The trees were whizzing by so quick
that I could hardly see what color they were. The food that was served melted in my mouth making
me want more with every bite. Although I never wanted the train to stop, nothing could ever
compare to what was awaiting my family and I when we stepped off the train. The aroma of the
different types of food from a variety of places coming together to make my mouth water. Seeing
the bustling streets of Paris filled with people as amazed as we were trying to take in the scenery
that was so vast, it seemed like years before we could visit it all. I was so excited to see what
awaited us in the days to come.
Our first stop was the Eiffel Tower, standing next to such an amazing piece of art was a privilege as
well as intimidating. The Eiffel Tower is 1,063 feet tall making everything else around it seem
insignificant. My family and I waited in

The Communication Strategies That Involving Actors Adopted...
For this final case application I will be analysing the communication strategies that involving actors
adopted during the 2015 Paris terrorists attacks. The event was one of Europe's most deadly attacks
leaving more than 100 dead and more than 350 injured. Unfortunately however, this was not the first
attack on Paris that same year, in January 2015, terrorists attacked the Charlie Hebdo magazine
headquarters killing twelve people. The November attacks thus, occurred in a city that was already
shaken by terrorists attacks. On the night of November 13th, the attacks occurred in different points
of Paris including the Stade de France (where President Hollande was), the Bataclan Theatre (where
a concert was given) and many streets throughout the city. All of the attacks occurred in less than an
hour and were perpetrated by a terrorist cell who had pledged allegiance to ISIS. ISIS claimed it had
committed these attacks as a response of French military engagement with the terrorist organisation
in Syria. However, the days after the attacks were carried out are essential in order to take a grasp on
understanding the crisis communication. After the attack President François Hollande gave a
ground–breaking speech. He created a clear us–vs.–them mentality amongst the French people that
would help unite not only Parisians but all French citizens. After the attacks, Hollande immediately
took action by strengthening security in Paris and declared a nation–wide état d'urgence: public

Paris Dreams By Charles Rearick: Summary
In Charles Rearick's book, Paris Dreams, Paris Memories, he describes the various ways in which
Paris is "represented" through various images he identifies as the City of Light, Old Paris, the
Capital of Pleasures, and Paname. Rearick further writes how and why these images of Paris came
of importance and how they shaped the geographical layout of the city we know today. All of these
images together have likewise produced the city of Paris while also providing the framework of
Parisian events and experiences. Paris as the City of Light, or the "modern" Paris, emerged in the
mid 19th century as the demolition of "Old Paris" by Prefect Haussmann paved the way for the
urban renewal program set out by the Emperor Napoleon III. New streets, sewers, and parks, and
new town halls, hospitals, and schools were all created at this time. Not all were admired though. In
fact, some Parisians grew angry that the historic core of Paris was lost in these bold projects. Lights
throughout Paris evolved over the 19th century as well. Candle–lit lanterns that once lit the city
became oil–burning lamps. It wasn't until the year 1900 that Paris was illuminated by electric
lighting, and formally became known as "Ville Lumière." Main monumental spaces such as the
Palais de l'Électricité, the Eiffel Tower, and even the new central wide boulevards were illuminated
with these lights. Paris displayed the pleasures of the city to visitors who came to experience it,
however, it also divided Parisians on the basis that the city's traditions and memories were
destroyed. Despite being called the most cosmopolitan city in the world by Baedeker, its history left
out the dark side of it all. Paris was desolated of its historic memories and its traditional morals.
However, renovations did bring sunlight and air into the historically beloved unhealthy, cramped
streets. Ultimately, this image of Paris is all about its visually appealing aesthetics and does not
mention what a true Parisian, in the center–periphery or banlieues, for example, would vision. "Old
Paris" was viewed as a collection of picturesque memories, cherished dwellings, close
neighborhoods, and lively streets. The people inhabiting "Old Paris" included those in the banlieues

Summary Of Paris Street: Rainy Day By Gustave Caillebotte
"Paris Street; Rainy Day" is an oil on canvas painting by Gustave Caillebotte in 1877. The painting
is illustrated in Place de Dublin, Paris as it depicts the everyday people of modern day 19th century
Paris. In the foreground to the right a middle class man and woman are seen juxtaposed together
under an umbrella, possibly husband and wife, holding arm in arm. The man is seen with a
mustache, holding the umbrella, while wearing a black top hat, frock coat, black bow tie, and a
white button down shirt. The woman is seen with diamond earrings, wearing a hat with a veil, a
brown dress, and fur lined coat. In the far background, slightly right to the man is another man seen
holding an easel or ladder and to the right of the woman a maid can be seen about to step outside
with an umbrella. In the foreground to the left is a cobblestone road is filled with rainwater in
between the cracks can be found, other people are apparent as well holding umbrellas, two carriages,
and various street lamps. ... Show more content on Helpwriting.net ...
Amazingly, he was able to recreate a camera's lens blur as the foreground is slightly unfocused,
while the middle ground is the sharpest, and the background fades into the distance becoming more
and more blurred. The painting is very much linear as the green lamppost in the center divides the
piece vertically; while a horizontal line can be found where the central most building meets the
ground which can be traced to the couple in the foreground eyes. The vertical and horizontal lines
divide the painting in fourths, balancing it equally. Furthermore, linear perspective is largely used as
two vanishing points could be seen as you look down and along the road and central building,
creating a two–point

A Summary Of La Ville Lumiere
La Ville Lumiere
The dark specter of the cool night spread across the sky, while the alluring orange color of the sunset
disappeared as nonchalantly as it came. A mixed medley of harmonious sounds streamed through
the night from the violins. Music echoed from every street corner, awakening life, springing off the
Eiffel Tower to Notre Dame and floating through the Arc de Triomphe. Soon, the people, scattered
like trees in a desolate country, grew into a huge crowd like a lush green woodland. Noises of people
shrilling, teenagers laughing and adults murmuring transpired from the crowd. The lads held their
demoiselles' hands lost in their world of immortal love. Eventually, everyone slipped into their
dancing shoes. The aromas rose from the hot sizzling gourmet cuisine and cigarette smoke to
quickly permeate the air. The streets shone with dazzling lights as bright as daytime, as the
astounding Eiffel Tower took form in its enticing and glowing festive lights of amber, standing in its
own elegance, like a gem on Champ de Mars. 'La Ville Lumiere...' here it is; Paris, the splendid
metropolis, the home of the lovers and the city that speaks the language of love.
Paris is the capital metropolis of France and an absolute destination that strikes everyone's minds
when they talk about France. There is no one who could tread the streets of Paris and not feel
incredibly alive. The visit there is worth it, for what one experiences can't be conveyed through
words! There is a player on

A Paris Street, Rainy Day
April showers bring May flowers or, in Caillebotte's case, the Impressionist piece A Paris Street,
Rainy Day (1877). Downcast faces stare into the puddles while umbrellas shield figures from not the
rain, but each other. Caillebotte's painting captures French author Baudelaire's concept of the
ephemeral modernity with his subjects, their minute interactions, and a complex composition style
that moves the viewer's eyes and heart. Impressionists and Baudelaire had similar views on what
they wanted the modern painter to achieve. "By 'modernity' I mean the ephemeral, the fugitive, the
contingent, the half of art whose other half is the eternal and the immutable."(Baudelaire FYP
Handbook 67) writes Baudelaire as he whims on the artist's goal–– ... Show more content on
Helpwriting.net ...
Looming larger than life, Caillebotte has employed a slight fish–eye perspective to increase the
grandeur of the apartments. Their strong, solid lines impend over the dwarfed passer–by's figures;
they appear small, like Paris got 'cleaner' but more consuming. Contrary to the ephemeral aspect of
modernity for Baudelaire, scaffolding on one of the buildings suggests that more 'improvements' are
to take place, that there will be a continual change, and, therefore, a persisting tone. The structure of
the apartments and their perspective displays both modern and ancient

The Mission Of The Rocket Mission
The Rocket Mission The year was 2515. I walked into a nearby old antec shop where they sold mini
Empire State Buildings, Pyramids, and Eiffel Towers. I went in there to collect a mini Eiffel Tower
that the shop brought in, it had been a tradition that one person in my family would buy an Eiffel
tower each year as a remembrance of my family 's story of the Tower, and this year was my year.
After I had walked into the shop and was greeted by a funky scent. It smelled like a mixture of dirty
old man and dust. It didn 't take me long before I figured out what the smell was, a small, wrinkly,
old man walked up to me, greeting me with what looked like a bowl filled with dusty candy that
must of been there for 20 years. Trying to be polite I took a candy and shoved it into my pocket
knowing that I would never eat it anyway. The old man must of recognized me because before I had
said anything, he slowly hobled to the back of the shop and came back with something in the basket
on his walker. "You must be a member of the Ferguson family," the old man had said in a raspy
quiet voice. In reply I said, "Yes I am, how did you know?"
"You have the facial features of the others that have came in here."
"Wow you have a good memory for an old man."
"Who said being old causes memory loss."
In amazement I asked, "What 's in your basket?" Not evening replying to the question he handed
me, a mini, one foot tall, metal Eiffel Tower that had a thick layer of dust on it, I picked it up and
wiped

Paris : A City Full Of Riches
Undoubtedly one of the most beautiful cities in the world, Paris is a city for the senses. Not only has
it captured the imaginations of romantics the world over, it is a city of art and culture. Tourists flock
to this city on the Seine to partake of a life rich in all the things Paris represents. Whether sitting in a
cafe or floating down the Seine, Paris is an adventure that few can forget.
There are so many things to see and do while visiting Paris, yet these top ten items surely reflect the
best of what is surely a city full of riches.
One – Arc de Triomphe
Located on the most famous street in Paris, the Champs–Elysees, the Arc de Triomphe was built by
Napoleon in 1806 in honor of his victories in war. The largest arch in the world, the Arc de
Triomphe has been the location of solemn occasions, both of French state funerals and, most
notably, when the Germans took Paris in World War II. Yet, like Napoleon, it was also the spot
where victories reign, and the French marched victoriously beneath the arch after having been
liberated at the end of World War II. This is also the site for France's Tomb of the Unknown Soldier.
Two – Basilica du Sacre–Coeur
Built as a tribute to the Franco–Prussian War of 1870, the cathedral was constructed between 1987–
1914 from a design by Paul Abadie. Its luminous white façade, huge dome of more than 200 feet,
and Byzantine style make it an unusual church, even for Paris. So elaborate is its gingerbread façade
that it looks like it belongs

Haussmann's Paris Essay
In the middle of Napoleon III's reign, the transformation of Paris began. He commissioned Baron
Georges–Eugene Haussmann to renovate the city between 1852 and 1870. Baron Haussmann
received a lot of criticism for his redesign of Paris and it unfortunately led to his downfall in 1870.
However should one see Haussmann as the saviour or destroyer of Paris?
Georges–Eugene Haussmann was born in Paris on the 27th of March 1809. He studied Law at the
College Henri IV located in the Latin Quarter on the Left Bank. In 1831 he entered the French civil
service and became Prefect of the Seine on the 29th of June 1853. He was hand chosen to carry out
the social plans of Napoleon III, who wished to improve Paris after a trip to London inspired him. ...
Show more content on Helpwriting.net ...
There was also an amount of safety added to the city with the creation of these boulevards. Police
could defend against angry mobs easier on a straight road, rather than narrow, winding alleyways.
These boulevards also helped prevent the spread of disease, which Napoleon was adamant about
achieving. Along all these new roads, were rows of trees. These were planted to maintain the
symmetrical aesthetic that Haussmann loved. The aesthetic improvements of Paris would have been
recognized on an international scale, which in turn would improve France's standing within the
global community, attracting trade from all over. The introduction of new train stations (Gare du
Nord and Gare du Lyon) in the city centre aided this and also provided easy access to Haussmann's
newly created boulevards. This linked the rest of France with the capital, and allowed Parisians to
easily take day trips into the countryside. This would also increase the level of commerce practiced
in the city, improving the economy.
Not only did Haussmann create new buildings, he unified the city by making them all appear the
same. There was a certain style that all of Haussmann's buildings had to posses. Haussmann created
many new apartment buildings, to provide living space for the ever–growing population. The
facades were built using large blocks of stone, and were five stories high, just like every new
building of

Changes in Technology and Changes in the Housing Design...
According to Bemis (1936) "A new conception of the structure of our modern houses is needed,
better adapted not only to the social conditions of our day but also to the modern means of
production: factories, machinery, technology and research". Albert Bemis, US housing manufacturer
in the early twentieth century has a vested interest in using technology to advance new concepts in
the design of houses. Nevertheless he points to the important relationship of the use of technology in
the structural design of housing. However, it is difficult to estimate how far changes in technology
were responsible for changes in the design of housing as much of the evidence that has been sourced
argues that the social, political and economic environments ... Show more content on
Helpwriting.net ...
In this essay it will be demonstrated that these elements unified with technology to create change
which impacted on changes in the design of housing.
Urban Concepts
Man's primary need has always been housing as shelter from the elements. Originally mud huts
were built where hunters were able to find animals for food and then more permanent dwellings
were built, using local materials, as the economy changed to agriculture. Later as populations grew
so different environments emerged with significant change in the urban form and fabric of
settlements. Housing was determined not only by available materials but also the cost of getting
them to the place of construction. Different places had different availability of materials and labour
which shaped the design of housing. Each technology therefore had an impact and was a common
thread unifying changes in housing in Athens, Paris and Chicago. From this it can be seen that
innovative technology continues to advance and cause significant social change that is, 'certain
urban characteristics flow inevitably from new technologies' (Chant 1999).
By the fifth century the Greeks were distinguished by their art which concentrated on the human
form and architecture based on thought, order, rationale, proportion and space, and new intellectual

What Is The Mood Of The Painting Paris 1900
History is continuous and an imprint of past presents mark landscapes. Remnants and different
layers of history intertwine, influence, and become a part of everyday life. The painting Paris 1900
is a streetview that captures an everyday scene with passersby. Even though the painting provides a
glimpse of one street in the city, the portrayal and presence of the people and objects is significant
within themselves as they portray the history of the city and how it has changed. The painting Paris
1900 illustrates the history of how the city physically changed throughout the nineteenth century
through the size of the street, the street light, and the type of people represented.
The painting is titled Paris 1900, and the author is unknown. The ... Show more content on
Helpwriting.net ...
All the people are well dressed and bear the markings of the wealthier echelons of society. Perhaps
when the painter decided to capture the street such habitants of society just happened to be going
about their days. Or perhaps on this street, real or imagined, one would usually only find this type of
social class. However, either way in reality due to the public works reconstruction it would have
been more common for certain districts and neighborhoods to become more hegemonic looking and
distinct in relation to one another. Haussmann's simplifications caused more segregation of class and
function. Different parts of the city increasingly formed distinctive characters of dress, function, and
wealth. Another motive for the reconstruction was to break up some of the poor and insurrectionary
neighborhoods. Many were displaced and concentrated into a quarter on the periphery of the city,
which became a close community tied by common resentments and shared experiences. This
hegemony illustrates how class and function influence the physical evolution certain parts of cities
that perpetuate the differences and distinctive forms that are even present

Ladies Paradise
Although Napoleon III's developments to Paris' infrastructure can be seen as the natural progression
of an urban landscape, there are arguments that the intentions and outcomes of development were
immoral. The development of Paris created a new lifestyle for Parisians that was entirely based on
consumption. Advertising schemes were created to accommodate the new pedestrian market that
was established after Napoleon III's renovations. This new influx of the average pedestrian caught
the eye of many department stores. As Louis Veuillot writes, "none is more insistent or widespread
then the need to be seen, the most vulgar expressions of which are also the most
successful...Pompous signs, advertisements, grotesque and brazen deceptions, theatre– ... Show
The Second empire wasn't going to build around the center of Paris, but rather renovated the center
completely without a trace of the old infrastructure. Neither Napoleon III or Haussmann wanted
anything to do with the history of the working class within the center of Paris. Haussmann even
hired photographers to portray the change before and after, as if the displacement of the working
class was seen as undesirable. With the new development of the overall quality of life in Paris
creates a new value on properties within the epicenter. So, a reorganization of geography was
needed to push out the lower class so that the upper class can move in. Napoleon built may
provincial cities around Paris that follow the Parisian model but this land was used for a fraction of
the cost. The city had become dominated by the Bourgeoisie. Haussmann's innovation could be seen
as an effort to repress the lower class and move them out of Paris. Haussmann had evicted the
working class from the center of the city and put them on the hill of Belleville or the plains of La
Villette. This countryside of Paris was seen as a ghastly reminder that Paris didn't want the working
class to live in Paris. Clark describes the landscape as, " in that kind of bastard countryside,
somewhat ugly but bizarre, made up of two

Analysis : The Belly Of Paris
The environment in which people live in demonstrates the societal norms and values of said culture.
In Émile Zola's The Belly of Paris, Florent, a political outcast, returns to Paris only to find that the
regime has drastically changed. Napoleon III, a self–elected emperor, has torn down many of the
streets of Old Paris to make room for the angular and orderly streets of New Paris as well as the new
markets of Les Halles. Throughout the novel, the character's lives revolve around the various
markets in Les Halles and the streets of Paris. Zola uses descriptions of architecture and city
planning as well as how people use space within Paris to demonstrate the city's corruption,
signifying that the architecture of a city is a reflection of ... Show more content on Helpwriting.net
...
The buildings do not literally look like the stomachs of women, but instead the architecture is a
reflection of those who live within the city. The comparison of dancing–girls and fat women to the
city draws attention to the status of Parisians that the city reflects. Zola implies that the city is a
corrupting force because it reflects the same thirst for riches, attention, and power that the regime
has. Kenneth Cornell argues that "Paris the monster is [Zola's] constant image" (Kenneth Cornell).
Zola uses his arguments to describe the corruption of the people within Paris and thus demonize the
city further his goal of exposing the true nature of the regime. Zola achieves his goal of labeling
Paris as a monster. He states that the old buildings in Paris still represent complying and supporting
the regime, and thus supporting the government because they support the people. He claims that the
city has always been corruptive. Essentially, Zola uses the existing architecture of the city to further
enhance the image he is painting. Likewise, the church of St. Eustache is a representation of the
corruption within the society in Paris, demonstrating Zola's depiction of the political state of the city.
When walking around Les Halles and Saint Eustache with Florent, Claude argues, "I don't think it
was some chance need for symmetry that put one of the rose windows of Saint–Eustache right in the
middle of

Yves Saint Laurent's Life Of Becoming A Fashion Designer
Yves Saint Laurent
Background:
Yves Henri Donat Mathieu– Saint–Laurent, who is also known as Yves Saint Laurent, was born in
Oran, Algeria on August 1, 1936. He was the only boy out of three children that were birthed to
Charles and Lucienne Andree Mathieu–Saint–Laurent. As young child, Yves would create dresses
for his sisters and mother to wear. He also enjoyed making little doll figures. The fashion world was
a place of piece in Yves world of torture. In school he was often bullied due to be homosexual.
When Saint Laurent was at the age of 17 years old his mother took him to Paris to officially pursue
his dreams of becoming a fashion designer. He enrolled in to a stint fashion school, but that was
short live when he won a design contest. Due to winning that fashion design contest he was given
the opportunity to meet Vogue editor Michel da Brunhoff. Vogue was so impress with his designs
that they not only took published his them, but Yves and showed the designs to a designer and
fashion icon, Christian Dior. Dior loved the designs that were places upon him and hire the young
Yves Saint Laurent had his design assistant for House of Dior. In 1960, Yves Saint Laurent would
leave his positon as creative director for House of Dior to fight for the French military on the South
of France. He later returned home and continued on with his fashion career. On June 1, 2008 Yves
Saint Laurent passed away in his Paris home from brain cancer. He was 71 years of age.
Work/Style:
After

William Shakespeare 's ' The Night ' And ' Notre Dame '
The next two days in Paris passed all too quickly for Virginia and me. Sometimes we were with the
others, but we did a lot of solo wandering too. We did visit the Louvre and Notre Dame. I still have
some of those pictures somewhere. I could find them if I really wanted to find them, but I am afraid
if I did, they would ultimately make me sad. We were so happy and so much in love as only sixteen
and a half can make you.
The night after Art and Shirley had dinner, he and Benny went out with Carol and Shirley for dinner.
Virginia and I had our dinner in the room. I had planned on a great dinner, but all we felt like when
the time came was a simple snack. I think the both of us were a bit nervous. Hell, I knew I was.
Making hasty love on a ... Show more content on Helpwriting.net ...
"You have no idea how happy that makes me, Virginia. As much as I want –wanted– to do just that,
I heard my dad in my head, telling me to be sure of my emotions before I acted."
She laughed again. "You too? My mother has been yammering in my ear for the last ten minutes to
put you off. I think they know a lot more than we give them credit. We 're not fooling them, are
we?"
I chuckled. "I know I 'm not. My dad has me pegged."
"I have a feeling they know exactly what we 're going through right now. Maybe that 's why they let
us go on this trip. They want to see how responsible we really are."
I stood, pulling her to her feet at the same time. "So, we 'll do just that." I kissed her. "I love you."
"I love you, too."
We spent the next two hours on the couch. I sat, reclining against one of the plush arms, and Virginia
stretched out with her head in my lap.
"I want to be an artist," Virginia said. "Not one of those angry artists, but someone soft and dreamy.
I could be an illustrator for children 's books."
"You 'd be good at that. I 've seen those drawings you have on your bedroom wall. Pretty cool."
"Thanks. What do you want to do?"

"My dad 's been urging me to join the air force. I 'm not sure about that. When we were on our way
over here, they gave us a tour of the ship. I thought the radio room was cool. I can read Morse code,
you know. Maybe I 'll do something like that, but in the navy."
We talked further of our goals in

The Urban Renewal Project Of Paris, Caillebotte Painted...
During the time of the urban renewal project of the Haussmannisation in Paris, Caillebotte painted
Paris Street; Rainy Day (Fig. 1). Depicting little to no amount of communication and physical
contact between the various figures walking through the intersection, this significantly unique
painting provides a sense of isolation and detachment. Caillebotte utilises several techniques in
order to construct a powerful two–point perspective in his painting. By determining where the lines
of the objects in the painting recede towards and eventually meet along the horizon, the vanishing
points can be located. As the illusion of a three–dimensional space is recreated onto a picture plane
on a two–dimensional surface, the vanishing points are ... Show more content on Helpwriting.net ...
The smaller the figures are, the further away they are portrayed. Furthermore, when the parallel lines
of an object on a picture plane extend toward a single point, the object will appear as though it is
further away. Thus, these lines will eventually converge and disappear at a point in the implied
distance. This is known as the vanishing point. Objects on a picture plane can appear larger or
smaller, depending on the distance from the viewer. For instance, in Paris Street; Rainy Day, the
architecture towering over the horizon provides a significant indication of where the vanishing
points are situated. The lines representing the roof, mouldings, windows and balconies on the façade
of the building in the middle left of the painting recede diagonally towards the horizon. If these lines
visibly extended further, they would converge at two points on either side of the building along the
horizon. More specifically, these vanishing points would be located by the umbrella on the left and
just to the right of the lamp post along the horizon. Whether there are one, two, or three, vanishing
points enable one to recreate a perceived point of view with form and depth in space. Perspective is
a fundamental component of producing realistic landscapes, still–lifes, portraits, etc. As
demonstrated through the exploration of the perspective in

Analysis Of Gustave Caillebotte 's Paris Street
The general understanding of subjects in Impressionist paintings are often linked to a new
representation of a newfound modernized society. Beyond modernization in the nineteenth century
Impressionist paintings also discloses the newer economic and social state of that time: Capitalism.
By the mid–1800s people were divided into various classes, the most popular being the upper class
bourgeoisie and the working class proletariat. Industrialization increased the lust for commodities,
which in turn overburdened the working class. The division between status and wealth induced
strong social effects at the time, which resulted in a new sense of isolation.
Gustave Caillebotte's Paris Street; Rainy Day begun production in 1876 and was finished early in
1877, showing a flaneur's–eye view of an ordinary slice of bourgeois life. The painting shared
spotlight with Auguste Renoir's Ball at the Moulin de la Galette, and was first exhibited along with
Le Pont de L'Europe and Claude Monet's series of the Saint–Lazare train station at the third
Impressionist exhibition in 1877.
Paris Street; Rainy Day places us upon a rain–soaked sidewalk directly in front the Place de Dublin,
an intersection made up of eight streets near the Gare St. Lazare. A fashionably dressed bourgeois
couple who are often referred to as 'Flaneur's' are the major figures in the painting as they politely
avert their eyes from the viewer, seemingly unaware of what will be a collision of umbrellas with
the man entering

The Attraction to Paris
Millions and millions of people from all around the world come to visit France every year. The most
popular city to visit in France is Paris. So many people visit Paris, but each of them have different
reasons for visiting. Some people come to see the major landmarks and attractions. Others come to
see the numerous art galleries. The food in Paris draws in tourists all by itself. There are many
reasons to visit Paris. Probably the most popular reason to visit Paris is to see all of the most famed
monuments. The Eiffel Tower is the unmistakable icon of Paris. Gustave Eiffel designed the tower
for the World Expo of 1889. Back then, Eiffel was an engineer who designed iron bridges for trains.
He employed the same kind of structural elements when designing the Eiffel Tower, most notably
the iron crossbars and massive archways. Another monumental landmark is the Arc de Triomphe.
Napoleon commissioned the Arc de Triomphe in 1806, as a monument to the success of his imperial
armies, and it wasn't finished until 1836. The design for the arch was based on the Arch of Titus in
Rome, which is 50 feet tall, but the architect scaled the Arc de Triomphe to three times that size at
156 feet tall. Tourists can climb stairs to the roof, or ride in an elevator. The Notre Dame is a popular
place to visit as well. It is the finest example of Gothic architecture in Paris. The original towers are
223 feet tall, but the spire which was added during the 19th century is 300 feet

Summary Of Paris Paris Journey Into The City Of Light By...
After reading the book Paris, Paris, Journey into the City of Light, by David Downie, the vision that
I have created in my mind was very different from Downie's perspective. It made me realized that
the city of Paris has come a long way since the Revolutionary War to be the city it is today. Many of
us thinks that Paris is this beautiful city that is full of lights, luxurious brands, and tourist attractions.
However, we don't fully acknowledge the history and knowing why it is the way it is today. And by
reading this book, it gives travelers a little background information and a little more appreciation to
each of the sites that are mentioned.
One particular chapter that has captured my attention was "Sidewalk Sundae: What makes Paris
Paris." ... Show more content on Helpwriting.net ...
That was silly of me. I found the history of Coco Chanel was amazing. She was just an ordinary
lady that didn't have anything to creating a brand that is well–known today. In the chapter, Downie
mentioned Coco was a social outcast from the provinces and came to rule Paris society and "almost
single–handedly revolutionized the way women around the world dressed, smelled, and behaved"
(Downie, 112). Throughout the chapter, Downie described Chanel's history, her love life, and how
she had become a celebrity during her time. During Chanel's life, she has gone through quite a few
boyfriends. Each one of them helped her advanced in her career. For example, Étienne Balsan, he
was Chanel's first famous lover. He had offered finance for Coco. Although it was Balsan that got
her out of poverty, but it was Boy Capel who gave her happiness, one who understood her passion
and thirst for freedom. However, they only remained as friends and lover, never a wife. After,
Chanel's life began to flourish. From making hats for society ladies and irrégulières, unmarriable
women to the birth of Chanel No. 5 (perfume), and finally the iconic handbags, one which she
named "Boy" as one of her collections. I want to visit her original boutique at Rue Cambon shop.
The history of Coco Chanel was fascinating and learning how her

What Is The Influence Of Hugo's Les Mis�rablesBy Victor Hugo?
Soren Gordhamer once wrote on mashable.com, "...social media, likely more than anything else, has
significantly impacted most of our daily lives." However, social media would not have been so
influential back when it did not exist. So what were the influences on the greatest people of the
nineteenth century? French poet, novelist, and dramatist of the Romantic movement, Victor Marie
Hugo is considered one of the greatest and most renowned French writers of all time, specifically
for his innovative brand of Romanticism developed over the first decade of his career. Considering
Hugo's popularity amongst readers everywhere, it is not surprising that many sources can be found
on Hugo and his works. Many of these sources focus specifically on Hugo's most famous work: Les
Misérables. Certainly, Victor Hugo's Les Misérables was heavily influenced by people and events of
the time period.
Napoleon Bonaparte was one great influence on Victor Hugo that impacted Les Misérables. Within
the novel, Hugo creates a symbolic parallelism between Valjean and Napoleon (Bloom 204). Victor
Brombert writes "...[Valjean] returns from the Touban galleys, in October 1815, by moving north
through Digne and Grenoble. It is the same road that Napoleon had taken on his short–lived return
to power from the island of Elba seven months earlier" (204). Brombert references the novel itself:
"...the same road by which, seven months before, the Emperor Napoleon went from Cannes to
Paris." Another parallel lies

Preludio, By Nisha Coleman
Busking in Paris is the second oldest profession in this beautiful city. There are many mistaken
beliefs about buskers. Mostly, buskers are recognized to be homeless, unemployed, drug addicts,
etc. Some are. But some are also artists like Nisha Coleman. Coleman shaped her story Preludio by
her work as a busker in Paris. She went to Paris, with a slim budget, a language level of French
sufficient enough to help her with small interactions with others, her violin, and an extreme craving
for free will. Her status as a sans papier and as a musician inform the way she tells this story as she
based her whole story on these information's.
Coleman shaped her story Preludio by her work as a busker in Paris. She always wanted to live free.
Eat, sleep and work only when she wanted to. A new lifestyle seduced her, as much as a new
adventure and she decided to come to Paris. Her story is shaped by her work as a busker and we can
recognize it just by how she describes her lifestyle in Paris. How she came with nothing, but her
violin; ready for a new experience. In Preludio, Coleman gives another image of buskers. ... Show
She makes her story depends on these facts. Her whole experience, her whole story, the way she
describes the places wouldn't be the same without these information's. She didn't describe Paris as a
tourist. She describes Paris as a musician. As a busker, in a free will point of view. Which give, the
reader, a unique and different interpretation of Paris. She didn't make a great deal about the Eiffel
Tower, which in general every person that has been in Paris will talk about first. She genially
portrays us the streets of Paris, the metro, people and her interactions with people. Those are easier
information's for the lector to relate to than the view of the Eiffel Tower for example. Her
description of Paris familiarizes and transports the readers really in Paris, which

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