Abstract Expressionism Essay

Abstract Expressionism Essay
abstract expressionism It was a full 170 years after Americans had their political revolution that they won an aesthetic revolution. American art to get rid
of its inhibiting mechanisms– provincialism, over–dependence on European sources, and an indifferent public– and liberate itself into a quality and
expressive force equal to, or exceeding that of art produced anywhere within the period. Few would argue that the painting and sculpture that emerged
from the so–called New York School in the mid 1940s was the foremost artistic phenomenon of its time and was labeled as the Abstract Expressionist
movement. Abstract expressionism was a reaction to social realism, surrealism, and primitive art in the 1940s; this is a turning point in ... Show more
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Sacred signs overlaid over unconfined surfaces were appealing because the artist was not restricted by a framing edge. They also admired the scale of
cave paintings. They were very big and encouraged their followers to paint big. The most significant impact of primitive art was the cave paintings
admirable freedom, which influenced the free, unbound style in which the abstract expressionists painted. The revolt of fascism and realism is
freedom, which is articulated in the free form style of the Abstract Expressionist.
Americans for generations had sought to achieve their own artistic maturity and had largely failed, either by inadequate assimilation of European
models or by America's own provincialism. The Abstract Expressionist Movement was so influential because it was the first time thatAmerican artists
were doing something new and different from Europe. American Artists for the first time had an advantage over Europe, which virtually transferred
the center of the art world from Paris to New York. Ironically, it was the paralyzing poverty of the Great Depression that gave younger American
artists their first advantage. Beginning in 1935, with the Federal Art Project organized under the Works Progress Administration, artists could earn a
living as artists and do so free to create in whatever manner they might choose. "They could even gravitate to New York, traditionally America's safe
haven for the revolutionary, and there band together as a beleaguered
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Art Before The Twentieth Century
Art before the twentieth century was used to visually tell a story or represent an idea, but it was not until the twentieth century that artist's began to
break down art into the purist basic elements. Abstract art is a movement that does not incorporate an underlying message and instead allows the
artist to work with form, color, and shape in a way that applauds its simple beauty. Abstraction in art forbids reality to be seen and instead the
medium is used to create an artwork that is essentially nothing from this world. In return, the viewer is forced to fight their way through the artwork
to try to find a meaning that is just not present (Greenberg 37). This allows the viewer to step back and instead and be drawn in by the extravagance
that can be created by the use of only the basic art elements. This form of art was unconventional in the beginning but developed with movements like
Dada and abstract expressionism which have influenced the American artistry in today's age. The Dada movement was as spontaneous as the name
itself. Modern art in America represents the evolution of taste which represents the people of that time (Rosneberg 36). The First World War caused a
group of artist visionaries to break away from conformity and to create art that would cause protest. Furthermore, Dada came to be an anti–art
movement where people began to create art that was not part of the social norm and by doing so it caught the people's attention. Marcel Duchamp
challenged people to

Georgia O Keeffe's Abstract Expressionism
Introduction
Abstract art achieved its way into America soon after World War II. A group of artists identified as Abstract Expressionists started designing pieces of
art that embraced personal value. Abstract Expressionism is a movement that was established in New York City. Artists participating in the movement
applied abstraction to communicate personal feelings in their design applying powerful colors, structures, and lines. The fascinating feature regarding
abstract art is there is rarely no topic to the portrait / statues. Still with no theme abstract artists apply unpredictability and passion to describe what they
are compassion on the painting. Throughout this era, there were a number of artists who adopted this type of painting. Georgia O'keeffe happened to
be one.
Georgia O'Keefe started as an artist at an early age and later moved on to broaden her love for art at the Art Institute of Chicago in the early 1900's.
A few of her admired pieces from this early age consist of Black Iris (1926) and Oriental Poppies (1928). She was one of the best American artists of
the twentieth century, extremely recognized for her beautiful flower portraits and other attractive designs till her passing on ... Show more content on
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Her use of the bones of animals alongside the flowers creates the mirage of the womanly shape. Her selection of bright colors, lines and shapes help
me to appreciate the beauty in everyday things that I normally don't look at very thoroughly. It is apparent that she was her work, in anything that she
created she incorporated feeling and emotion. When she painted, she painted according to how she was feeling whether it be a modern painting, an
abstract painting, a landscape painting. She took simplified natural forms like clouds, plants, and waves and used them in charcoal drawings with
exquisite abstracted, expressive lines and shapes. Without a doubt, Georgia O'keeffe was an amazing

The Rothko Chapel Essay
Mark Rothko is recognized as one of the greatest artists of the twentieth century and during his lifetime was touted as a leading figure in postwar
American painting. He is one of the outstanding figures of Abstract Expressionism and one of the creators of Color Field Painting. As a result of his
contribution of great talent and the ability to deliver exceptional works on canvas one of his final projects, the Rothko Chapel offered to him by Houston
philanthropists John and Dominique de Menil, would ultimately anchor his name in the art world and in history. Without any one of the three, the man,
the work on canvas, or the dream, the Rothko Chapel would never have been able to exist for the conceptualization of the artist, the creations on ...
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Rothko was well accepted in the New York art community, but experienced limited success during this time. Needing to add to his income he took a
position at the Center Academy instructing sculpture and painting and maintained this position from 1929 to 1952. As Rothko advanced in his painting
style he began to metamorphose from using imagery and symbolism to using colour fields. Typically his paintings feature large rectangular expanses of
colour arranged parallel to each other, usually in a vertical arrangement. The edges of these shapes are softly uneven, giving them a hazy, pulsating
quality, and they seem to gently hover or float over the canvas. The paintings are often very large and the effect they produce is generally one of
calmness and contemplation, but in spite of their tranquility, they cost Rothko enormous emotional effort: 'I'm not an abstract artist...I'm not interested
in the relationship of colour or form or anything else. I'm interested only in expressing basic human emotions–tragedy, ecstasy, doom and so on. And
the fact that a lot of people break down and cry when confronted with my pictures show that I can communicate these basic human emotions...The
people who weep before my pictures are having the same religious experience as I had when I painted them ( Chilvers 515).' In 1960, for the first
time, John and Dominique de Menil visited Rothko in his studio in the Bowery of New York City. They had a dream and they wanted his

The Differences Of Modernism: Clement Greenberg And Ronald...
Modernism has found new expressions in art which in turn have changed how people critic and understand art, in this essay I am going to focus more
on abstract expressionism. Debates in this movement have gone as far as influencing many artists and the two well–known critics who have made this
movement more remarkable and have changed the art world completely are Clement Greenberg and Ronald Rosenberg. On the writings of these two
gentlemen about art I will try to draw out the differences in the idea of what abstract expressionism is and what it is supposed to be, compare and outline
the similarities and the differences between the two critics.
Modernism as a profound historical base of art that intimidates past known traditions, questioning ... Show more content on Helpwriting.net ...
For Rosenberg Abstract Expressionism is not a continuation or explanation on what was in the past or re–defining it as Greenberg had proposed, he
says it was losing it. Whereas Greenberg wrote that action painting was a total drift away from art. On the basis where the two critics where trying to
convince each other of what is and what art should be they came with a defining type of style of painting in abstract expressionism, well Greenberg's
idea was a response to Rosenberg's idea of American Action Painting , but its aim was accurate. American Type Painting "is an empirical, sustained, and
unrelenting attempt to refute the claim that abstract expressionism painting constitutes a break with the past" (O'Riordan, 1957:5). Greenberg states
that art should be a self–justified meaning, art should be able to defend its reality through the means of its features and gives nothing similar to any
other, and he then states that if that type of art is seen as similar it should be eliminated, for example "a representation of objects – trees, people, fruits,
tables, buildings, horses, etc. they can be produced not only in painting , but just as well, if not better, in sculpture, photography, and film, thus they are
not essential to painting and must be discarded in art that aspires to be modern" (O'Riordan, 1957: 6). In Greenberg's American type painting an artist
would be acquired to

Abstract Expressionism In Modern Society
During the time of the 19th and early 20th century, became a time known as modern society, known for its modernity and time of modernism. During
this time, artists were flourishing and growing into their own skin, pushing the limits in art, never seen before. This was a time where society became
dominated by industrialization, modernization around civilization. The focus became more on machine–age life than ever before. But with
machine–age life came the city life, below the night–lights where new art forms developed. This was a time where the man by the name of Edward
Hopper became apart of the spotlight. Hopper was considered a realist type of artist. His imagery of figures within urban settings goes well beyond
their role as modern cityscapes, exposing the under layer of the human experience. Though he was considered a realist, his work was during a time
between the World Wars. By considering the dramatic use of soft lighting, smallest action and representation of smaller spaces, Hopper led the way
towards Abstract Expressionism. A hot topic during this time was discussion of work led by Willard Huntington Wright. Wright believed that, "art
had principles of form and organization that could be rationally discussed and that it progressed toward a goal of purity" (p.16, Hills). Wright's work
and analysis was known as being a formalist meaning, " modern art tends toward the elimination of all those accretions so beloved by the general –
literature, drama,

Abstract Expressionism
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940's and 1950's, at the New York School,
American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject
matters, contributing to artists, were not meant to represent the ever–changing world around them. Rather, how the world around them affected the
artist themselves. The works swayed by such worldly influences, become an important article within the artists' pieces. Subjectively, looking inward to
express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a
representation ... Show more content on Helpwriting.net ...
In comparison to the Modern Artist Barnett Newman, Mark Grotjahn's paintings have similar formal decisions to His predecessor. In Mark Grotjahn's
works, the outward appearance of his butterfly pieces might resemble similar formal concepts from Barnet Newman's paintings. A likeness, present
within Grotjahn and Newman's paintings, is the vertical line bisecting the canvas. Which Barnett Newman coins this aesthetic a "zip", or the use of a
single vertical band . However, the semblance between the two artists stops there. As Barnett Newman's initial influences within his paintings such as,
Onement, 1 1948 (Fig. 1), derive from his religious backgrounds of Judaism and the ancient text of the Kabbalah , Grotjahn's inspirations are
completely different. The true meaning behind Grotjahn's paintings is inspired by nature
Using natural phenomenon as a starting point for abstraction, Mark Grotjahn's paintings straddle the polarities of artifice and nature. His painting,
Lavender Butterfly Jacaranda over Green (Fig. 2), expresses his fascination with nature. Transferring the experience of observation to an intrigue of
creative possibility, Grotjahn harnesses the mysticism of nature through aesthetic formality.
Another Contemporary Abstract Expressionist Artist within the exhibition is Torben Giehler. Like Grotjahn, Giehler's work is in comparison to a
Modern Master, Mondrian. Born in Bad Oeynhausen, Germany in 1973 he

Artwork is Not Art Because of Theory
Whether it be writers, painters, sculptors, musicians, or photographers, artists all over the world have striven to show people their views of the world,
of people, and even of the universe itself. Throughout history the creative urge of man to present to fellow men a different perspective or
representation of life–or even the afterlife–has surfaced time and time again in the form of artwork. Sometimes it comes through genius and complexity,
full of meaning and symbolism. Others, it is simple and void of any clear meaning at all other than that it is art. Soon, however, there became a point
when the work of art was no longer something one could just look at and understand; the principle of the matter had ... Show more content on
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Essentially, Modern Art allowed the "culturati" to move even further apart from the rest of society–they could be even more unique than
before because they actually liked this stuff that was strange and pointless to try to understand if you didn't know the theories it was being painted
behind.
As Wolfe explains, however, it isn't just the "culturati" that cause this great influence on art theory. Artcritics all over the United States
want, as always, to fit in with the chic of the chic and to be able to control what fashions are the craze. It is, after all, their critiques which usually
control the flow of the fashion. Modern Art's foremost critical influences in the United States, as Wolfe presents in The Painted Word, are Greenberg,
Rosenberg, and later, Steinberg.
Greenberg believed that art was heading into a final destination of "purity", and that the final destination of all that is truly art is what he
called "Flatness" (Wolfe 49). Essentially what this meant was that because the painting is indeed a flat surface made to appear like a three
dimensional plane by the painter, most painting was illusion. They began to conclude that the two–dimensionality of the canvas plane was what was
important, not the illusion they could create on it. Greenberg seemed intense on the point of flatness–as Wolfe puts it, it became "an obsession,

Jackson Pollock The Greatest Living Painter
"Jackson Pollock: Is he the Greatest Living Painter in the United States?"
This article was published in LIFE magazine on August 8, 1949 in the United States. It is a primary source. The author's name is not provided, which
is a potential limitation of the value of the article. The article describes Jackson Pollock, his life, his art, and his fame. It is informational, but due to the
nature of the magazine, it was likely written for entertainment value. The article highlights the controversy surrounding Pollock's art, describing the
views of both his supporters and critics. It also provides direct quotes from Pollock on his art making process. It establishes the legitimacy of Pollock's
art. The author seems to attempt to remain unbiased by

Key Elements In Abstract Expressionism
This research article reflects the idea of art being a form of expression in the midst of our human frailty. The emphasis of the article will explore the
idea of spirituality being key element in abstract expressionism. This article includes the work, Critical but Stable, by Esethu Khambule, which is
inspired by Wassily Kandinsky's Yellow, Red, Blue as well as Frantisek Kupka, Mme Kupka Among Verticals.
Abstract Expressionistic movement followed one of the gruesome moments in modern history. The aftermath of World War II created a traumatised
society that was in need of sense of purpose and morality being restored into their lives. This created an art movement that became a means of finding
a "sense of salvation" (Sobel,2014) in a "catastrophic landscape" (Sobel, 2014). Many artists emerging from this era were fearfully aware of the
irrationality and vulnerability of humans and, as a result, wanted to express their concerns in an untapped art market. Interestingly enough, elements of
surrealism leaked into abstract expressionism. Surrealists opened up a new way of creating art by emphasising on working with the subconscious rather
than the conscience mind. More specifically psychic automatism is evidence of the influence surrealism had on abstract expressionism. This allowed for
abstract expressionist to value "spontaneity and improvisation" (Paul, 2014) and the process of the work became more important than the work itself. ...
That shared factor being the spiritual element in their work. For these artists, art was merely a "vehicle for expressing and developing" their spirituality
(Rowan,

Jackson Pollock And Abstract Expressionism
The Encyclopedia Britannica reads "Abstract Expressionism, broad movement in American painting that began in the late 1940s and became a
dominate trend in Western painting during the 1950s." Abstract Expressionism was the first art movement to emerge from within the United States.
During World War II, European refugees came to the US to avoid persecution; many of which settled in New York City. Among those seeking a safe
haven where artist, writers and poets as well as collectors of the arts. Paris had been the center of the European culture and the capital of the art world,
which was replace by New York. In the 1940s New York boasted the nation's strongest financial system, a large upscale market for luxury goods, and a
flourishing high culture based on many museums, galleries, universities, artists, writers, publishers, magazines and journalism. Many Abstract
Expressionists were influenced by artist of the Surrealism movement in their thinking of releasing of the minds unconscious. Among the most
prominent American Abstract Expressionist is Jackson Pollock. Pollock was influenced by Thomas Hart Benton. Benton was the artist that painted a
series of murals in the House Lounge at our state capital located in Jefferson City, Missouri. Pollock believed that the "process becomes the subject",
which means that the making of the painting is the art, more so than the finished piece itself. Pollock used large canvas that he would pour multiple
types and colors of paint on, he

Frank Stella Research Paper
The work of Frank Stella presents itself as a catalyst. It is equipped with a three–dimensional energy that goes beyond the limits of the canvas and
spreads itself onto real space. His creations invite us in to interact. He is one of the pioneers of Minimalism, with his famous black paintings (1958–60)
,for which he received early and overnight recognition and acclaim . Those "Black Paintings" consisted of, basically , 'stripes of black house paint laid
out in stark repetitive, patterns separated by thin lines of unpainted canvas'.(Fig 1) In the evolution of its production, he becomes a pictorial reference to
exuberance, through his layering buildup and works that are full of curves, twists and contortions. If, in the beginning,... Show more content on
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Between 1958 and 1960, with a series of 23 canvases known as Black Paintings, Frank Stella cancels out any trace of visual illusionist effects or
references, and creates "non–relational images". He builds a linear pattern, organizing a structure of parallel stripes. With the phrase "What you see is
what you see" , he lays out the elements of absolute flatness of his painting, building, by doing so, a logic rationale to their visual system. It is time for
the reasoned geometric rigor of symmetry, regularity and serial repetition. In his minimalism, Stella eliminates color, he uses black paint and then
metallic gray and copper paint to reduce the idea of illusion. By focusing on unity and the fabric surface homogeneity – the "all over" – he begins to
express one of the aspects of the minimalist movement. These paintings are part of the exhibition "Sixteen Americans" held in 1959 at MoMA.
Nonetheless, the reductive course that Stella chose takes him to an alternative path: he chooses to end austerity, by replacing monochromatic stripes
with multiple colors and shades that immediately take the viewer to spatial interpretations. Stella's art does not take into account the limits of the
traditional rectangular canvas , always reminding us that no matter what connotations his paintings may evoke

Jackson Pollock Number 1 Analysis
Sandra Barrios
Art History ll: Abstract Expressionism
November 7, 2016 During the period of Abstract Expressionism, many of the artists were starting their works of art after World War ll. This started
around the 1950s and it was a major point in time for the American artists. During this time, artists interpreted their own way how they viewed
European art and made a type of new genre into the American art world. Jackson Pollock, "Two Statements" interprets that during this time, it was not
about how the viewer was supposed to see what the art, "looked like" but to feel how the paintings moved with the colors, lines, and space. Abstract
Expressionism was a movement for artists to show their works of how they interpreted the way a painting should represent itself as shown by the
artwork, "Number 1, 1950" from Pollock. The Excerpt, "Two Statements" from Jackson ... Show more content on Helpwriting.net ...
Many critiques would say it was sort of a "performance" because you can see the many movements Pollock makes around his canvas. His paintings
were also not on an easel, he would have his canvas laid out on the floor and used different brushes, sticks, and other objects to create the splatters,
drips, and lines. He also used his hands to leave hand–prints behind on the canvas since he was using the caveman style art form. Most of his paintings
were large as well other abstraction artists, but he would also do murals as well. Carl Jung stated it was a form of the "Collective Unconscious"
because Pollock was interacting with the painting, feeling and moving around so he can become as one. The work that Pollock made was to make his
viewers see or feel the interaction made on the canvas the same way he felt when he was making the

Essay The Art Cowboy
Booze, cigarettes, sex, beer, curses, affairs, abuse, paint: All of those are factors in Jackson Pollock's life, however, one stands out above all as the
most important one, paint. America's greatest painter, born in Cody, Wyoming on January 28, 1912, had a deeper connection to this colorful, flowing
liquid than anyone else in history. Blood did not run through his veins, but oil and pigment, tar and sand did. He became something else while he
painted. He became his painting. No other painter in history had been able to do what Jackson Pollock did. Jackson pushed past any boundaries in the
world of art. He created something new, and at the time no one had been able to do that. Jackson Pollock shocked the world of art by introducing a new
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It was after he moved to Long Island that he discovered what he was to be truly famous for, his "drip paintings." According to the Smithsonian
Museum of Art, Pollock began working on the ground, on a not stretched canvas, throwing and dripping raw materials such as sand, tar, and paint
on the canvas (2). This was of painting without subject matter is known as "action painting" (2). Indicated by one source, he needed to view his
painting from all angles and step around it (National Gallery of Art 2). This is part of the technique and action painter uses to "get into his or her
painting." He had developed the ability to become completely part of his painting (2). In the film Pollock, when Krasner discovers Pollock's new way
of painting she says, "You've done it Pollock. You've cracked it open." This is exactly what Jackson did, he "cracked open" the art world, exposing new
skin and breaking all the traditions. Rugoff indicates that Pollock, with strong influence, had changed painting from a traditional compositional
technique to something else, making his paintings look more as sculptures (442). Along with the finished product, the method Pollock used to paint
was "out–of–the–ordinary." Pollock painted physically, in almost a performance art technique (National Gallery of Art 2). His movements could not be
repeated, however, the artwork always came out how the artist wanted it to (2). Pollock says himself

The Cold War And The American Abstract Expressionism
With the increasing influence of communism spread by the Soviet nation, tensions rose between Russia and the United States, starting the Cold War.
Communism, an ideological theology derived by Karl Marx, promoted the war against separate social classes. In this philosophy, meant to free the
excessively poor working class from the oppressive shackles of the rich, the abolition of private property, the government control over education,
communication and labor, and a heavy income tax were crucial elements. Though the people ruled under this system maintained their natural rights,
such as the freedom of speech or expression, they could only do so if they expressed ideals supported by the government. Due to the restricted
expression that communism supported, Russian artists were forced to follow the confines of communist ideals in their art. Though the validity of the art
as a weapon was previously thought to be solely a tall tale, it is now known that the American Abstract Expressionist movement became a vital tool to
the CIA, and the art form was weaponized through propaganda.
Though, throughout this time period, "the great majority of Americans disliked or even despised modern art," it was an essential art movement in the
1950s and 1960s, and the "CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years," creating a
meaningful impact on the outcome of the Cold War (Saunders). "Abstract Expressionism stood for, above all else,

Autumn Rhythm, By Robert Rauschenberg, And Marilyn Diptych
Abstract Expressionism began in the 1940s and the 1950s in New York after World War II from the ideas of Surrealism about art that looks to
examining the unconscious mind, and the feelings people hold that makes us all humans. Through the discussion of Autumn Rhythm (Number 30) by
Jackson Pollock, I will define Abstract Expression and why this work is part of this movement. Then, through the discussion of Canyon by Robert
Rauschenberg, Target with Plaster Casts by Jasper Johns, and Marilyn Diptych byAndy Warhol, I will explain Assemblage and Pop Art and why each
of these works belong to those movements. Autumn Rhythm (Number 30) is Jackson Pollock's most famous piece that shows action painting, a
defining technique of Abstract Expressionism, and his innovative drip painting technique he developed in 1940. Pollock created his piece by placing
the canvas on the floor, then he used brushes, or even his hands and started to drip the paint on the surface. His distinct technique of painting makes
him absorbed in the creation of his art piece without being aware of what he is doing. Therefore, Pollock is free from realism and from his own self
through painting because it relieves his anxiety now that he is focused only on his art. Pollock's work is classified as non–objective because Autumn
Rhythm (Number 30) cannot be related to any recognizable object from real life, so he is not constraint by reality, but goes outside the box as if
liberated to soar free and paint from his

Western Painting
Many people say that arts come from life. Whatever you face in your daily experience, all of them would become the source, the inspiration, the soul
of the artwork.In this essay,I would like to focus on the paintings form of art. How do the paintings reflect the attitude of the artists? How do the
paintings reflect the philosophy and value of the world? No matter you are eastern or western people,paintings are just not about the skills, but they
also convey the feelings of the artists. Needless to say, there is still a great divergence of traditionalChinese painting and Western painting. Generally
speaking, Chinese painters love to use realistic techniques to express unrealistic things and their feelings in addition to the fact that they want ... Show
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So I would combine them together as to compare with Chinese painting style more sophisticatedly. Abstract expressionism is the pioneer of western
abstract painting style.It was to use exaggerating brushwork to express emotions, so it is similar to Xieyi. However,the level of thinking may be quite
different. Most of the artists would like to express their personal feelings like happiness,sadness rather than national feelings by using
objects.(Seitz,1983) By contrast, Color–field painting was the development of Abstract expressionism and the purpose was similar in addition to the
fact that background was tremendously crucial. (Wilkin,2007) The only difference is that the subject matter in color–field painting is the color, the
object is not necssarily important.(Artstory foundation) Willem De Kooning represented the Abstract expressionism while Kenneth Noland
represented the color–field painting.Willem De Kooning was the prominent Abstract expressionism painters and urgely objected to the restrictions
imposed by naming movements.He said "I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I
paint this way because I can keep putting more things in it – drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it
again becomes an emotion or idea."(Artstory foundation). It means he like the freedom of painting to tell people his emotions.Some of the famous
paintings were the women features. In the other way, Kenneth Noland was an significant painter who insisted on producing his paintings in soak–stain
technique.He focused on the choice of color, to determine how the background integrated with the subject to become a full subject.(Webb,2011)I will
use each one of the paintings for the two style to illustrate its difference and the value

A Critical Analysis Of Jackson Pollock And Steve Jobs
All individuals living within a community, are constantly being influenced by others while they develop their personalities, habits, and morals. Some
people are naturally inclined to follow and others are confident enough in their own thinking to lead. A leader must think for themselves, allowing their
uniqueness to translate into creative solutions. An individual's decision to follow an unpopular path will always be either applauded or scrutinized by
others, which can be discouraging. It is important for individuals to both listen to what others have to say about their work, while also remaining
confident in their abilities. Trailblazers like Jackson Pollock and Steve Jobs show that in order for an individual to successfully take their own path in
life and perpetuate it, they must find their calling, be confident in their abilities, and listen to other's critiques without allowing themselves to become
filled with pressure or self doubt. Jackson Pollock succeeded in developing a new artistic technique to depict the world by accepting culture's initial
reactions understandingly and remaining confident in himself. Pollock broadly describes the origin of his use of abstract expressionism in a 1949
interview with William Wright. He explains how he practiced many of the great historical art techniques in school, but felt that "the modern painter
cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture"

Pop Art vs. Abstract Expressionism
Pop Art vs. Abstract Expressionism
Characteristics of Abstract Expressionist Paintings–optical buzz, all–over composition, Matisse sometimes painted images on large canvases, as did
Picasso but paintings still retained an object like character– the viewer needed to stand back to see the complete composition. Abstract expressionist
paintings, on the other hand, draw the spectator into them. The field of vision is thus larger than the field of vision of the spectator, who finds himself
in a world beyond measurement (class handouts) "Portable Mural"
Location– Generally, due to severity of totalitarian regimes of Europe, modernist artists were forced to flee Europe in order to continue their art. This
meant a shift from the art capitol of ... Show more content on Helpwriting.net ...
Aggressive and harsh, raw in colour, the texture thick and heavy as if it had been relentlessly worked and re–worked over again and again. Pictures
don't have the delicacy of Pollock's. Shapes are vaguely suggestive , pressed together, brush strokes are dense
(Hugh Honour & Fleming, 1991)
Mark Rothko– Abstract Expressionist paintings can be divided into two groups. That of the action painters and that of the colour–field painters. As
melancholic and misanthropic as Pollok, killing himself in 1970. Understood that to paint a flat form painting destroyed illusion and revealed truth.
He was very aware of the spiritual dimensions attainable in abstract art, some of his works being described as deeply religious. (Hugh Honour &
Fleming, 1991)
Aim–to communicate with basic human emotions. To express tragedy, ecstasy, doom and so on. Origins and definition ofPop Art–
Pop Art was a 20th century art movement that utilized the imagery and techniques of consumerism and popular culture as well as mass media and
advertising
Pop Art– defined as 'making impersonality a style' by using the imagery of commercial art and other mass media sources. (Hugh Honour and John
Fleming, 1991) Pop Art, a movement in the 1950's and 1960's, is based on 'popular culture' and is concerned with such phenomena of modern life as
commercial posters, packaged foods,

Katy Siegel Abstract Expressionism
Abstract expressionism, was a movement in American painting that flourished in the 1940s and 1950s, often referred to as the New York School or as
Action Painting. Abstract expressionism according to Katy Siegel was a "creative earthquake that altered the landscape of modern art". This movement
had been considered as especially 'American' in style, this was because of its attention to the physical adjacency of paint. It had allowed artists to break
away from accepted conventions in both technique and subject matter. Abstractexpressionism was quite a successful movement and in is success
allowed New York to become the centre ofmodern art at the time, a title previously held by Paris. The works of the movement where highly abstracted,
this was used to convey strong emotional or ... Show more content on Helpwriting.net ...
The works of this generation range from Barnett Newman's unbroken colour fields to Willem de Kooning's violent and powerful portrayal of the
figure, as well as Jackson Pollock's action paintings filled with expression. These works resisted definition as a cohesive style and were influenced by
mostly the Surrealist movement and the way of tapping into and harnessing the unconscious mind.
Abstract Expressionism united other artist like sculptors such as David Smith and Ibram Lassaw, as well as photographers like Aaron Siskind, but
primarily the movement was one of painters. Breaking away from the accepted conventional forms in both technique and subject matter, Abstract
expressionist produced monumental works that reflected their subconscious. The most significant influence on the Abstract Expressionists themes and
concepts was Surrealism, a movement in which the Abstract expressionists translated into their new style that was fitted to the post–war mood of
anxiety and trauma. The Surrealists opened up new potentials with their emphasis on accessing and harnessing the unconscious thought and

What Is Abstract Expressionism
"Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for
composition and for colours, and that you be a true poet. This last is essential." – Wassily Kandinsky.
OVERVIEW / GENERAL PRESENTATION OF CONCEPTS
Art historians typically identify the early 20th century as an important historical moment in the history of abstract art as artists worked to create what
they defined as "pure art" – creative works that were not grounded in visual perceptions, but in the imagination of the artist. Influential works from this
time period include Picture with a Circle (1911) by the Russian artist Wassily Kandinsky (1866–1944) and Francis Picabia's Caoutchouc (1909).
Through much of the 1950s, the dominant art movement in the United States was Abstract Expressionism. A highly popular branch of Abstract
Expressionism was called Action ... Show more content on Helpwriting.net ...
Some built upon the ideas of the Abstract Expressionists and some rejected them.
One of the movements to reject Abstract Expressionism was Minimalism, a movement aimed at eliminating all excess in order to expose the most
basic essence of art. So, what these two styles have in common. In my opinion, for one, there's that desire to strip away naturalist representations in
order to find some element of truth. Also, the reduction of a painting into flat colours was something being explored by Abstract Expressionists like
Mark Rothko.
In contrast with Abstract Expressionism and its impulsive and gestural expression of the unconscious, Minimal artists focused on material aesthetics,
the relationship of objects to space, the effects of light, and producing highly reduced arrangements. For example, Donald Judd (1928–1994) followed
these basic principles, arranging coloured aluminium boxes in different ways, above, or next to one another.

Abstract Expressionism During World War II
During the time of World War II, Abstract Expressionism was one of the most popular arts movements. Abstract Expressionism developed in New
York around the 1940s. Most of the art works that were created reflected on the artists' emotion after the war. These paintings were not meant to be
realistic but to express people's inner emotions, which people were in not in favor of these arts pieces. Some of the most popular artists that were
famous for their art pieces were Jackson Pollock, Archlie Gorky, and Mark Rothko. Abstractexpressionism art has helped these artiest express their
emotions in ways that cannot be understood because emotions are not concrete.
Abstract art is not so much of what a person is looking at, but it's about what is happening

Abstract Expressionism and Frank O'Hara's Writing
Abstract Expressionism and Frank O'Hara's Writing
While researching everything about American cotemporary poet Frank O'Hara, it became very apparent that art was a driving force in both his
personal life and his professional writing career. This can be proved by merely trying to find information about him in the literature section in a library.
Only his collected poems can be found, but much more information about Frank O'Hara can be found in the art section. Many art books dedicate entire
sections to celebrating O'Hara's poetry as complementary to the art of the abstract expressionist movement that was occurring in New York at the same
time that O'Hara was writing his poetry. Even general art books that merely explain the ... Show more content on Helpwriting.net ...
Defining their artistic vision is difficult because they were acting out at the very idea of defining artistic ideas. David Anfam, author of Abstract
Expressionism, explains that the movement was groundbreaking and resulted in a drastic change in the attitude toward both the past and future of art.
The movement ensued with astonishing speed and meticulousness, and Anfam further describes the movement as "at once striking yet inwardly
complex" (7–8). The movement found its way into the New York art scene after World War II, and it continued for approximately fifteen years. The
painters of the movement were survivors of the Great Depression, World War II, Holocaust, and age of nuclear weapons. This sparked a sense of
anxiety and urgency in their painting, a feeling Americans identified with.
There was also a sense of renewal and rebirth at the end of the war era. The artists were searching for a way to step away from the conventional
subjects and styles, neither of which they felt were able to convey their new vision. They drew inspiration from all directions and valued individuality.
Abstract expressionists sought to express their subconscious through their art. The process of expressing their vision was also very important to the
painters. How they painted the piece of art was just as important as the work itself. All were influenced by Existentialist ideas, which emphasized

Abstract Expressionism Course Analysis
This is the last module for the course. Within this module we will be reflecting on the past eight weeks and what you have learned in this course.
From the first flight at Kitty Hawk to landing a man on the moon, and personal computers, the later half of the 20th century brought extraordinary
change to our world. After the bombing of Hiroshima and Nagasaki, the artist needed to find new ways to express himself or herself. Abstract
Expressionism was an expressive art of profound emotion and universal themes. Most of those themes were shaped by the legacy of Surrealism. The
abstract Expressionist artist translated surrealism into a new style fitted to the post–war mood of anxiety and trauma. The artists in this movement
made America the center

America's First Superpower
Unlike the rest of the Western world, America came out on–top in the aftermath of the second world war. Instead of their economy being crippled by
debt, like England and most of Europe, The United States of America came out stronger than ever before, lifted out of the depression to become
the world's first superpower. The war had created jobs and prosperity for the American citizens. No city felt this as much as New York, who
emerged after the 4 year war, a different city. The economic dominance of New York came quickly. In the late 1940's it rose to became the world's
largest manufacturing centre. New York also became the world's financial capital. Not only trading goods through ports but trading hundreds of
millions of dollars each day through the stock exchange. New York was acknowledged as a superpower by the United Nations who selected the city
as their permanent headquarters. It was observed by E.B White that "New York is not a state capital or a national capital– but it is by way of
becoming the capital of the world". It seemed that everyone in the world was recognising New York as the superpower it was fast becoming. And so,
many young flourishing artists made their way from the repressed, debt burned and rising fascism power in Europe, to the prospering and 'free' New
York.... Show more content on Helpwriting.net ...
For this they looked to primitivism like many before them, versing themselves in their ancient ways of expression. In a letter to "The New York Times"
in June 1943, Abstract Expressionist artists Mark Rothko and Adolph Gottlieb with the help of Barnett Newman wrote: "To us, art is an adventure into
an unknown world of the imagination which is fancy–free and violently opposed to common sense. There is no such thing as a good painting about
nothing. We assert that the subject is

Research Paper On Abstract Expressionism
Abstract Expressionism In the early fifties, the United States witnessed the emergence of the hydrogen bomb and Miltown sedatives, a Cold War
repression and consumerism began to shape the post–war society. In this unshaped world, the abstract expressionists materialized their desperate
striving for spontaneity, freedom and the re–discovery of self and the human context. Their romantic, anti–capitalist hope, with all its weaknesses and
contradictions, was telling them that the values embedded in their art could overcome the artistic concept and transform society. Behind this impulsive
energy, there was the rigorous life choice, which required a total commitment. Pollock's words perfectly described this tendency "Painting is my whole
life." It is hard to imagine a greater contrast for the cowardly cynicism of the postmodern art world. American abstract expressionists didn't want to
conform to the ruling political and social ethos – Newman, Rothko and Adolph Gotlieb were convicted anarchists. Abstract expressionism, also known
as the heroic abstraction, New York school, gestural painting and action painting was the last big attack of postmodernism on the ruling culture, the end
of painting as the symbol of opposition and breakthrough. ... Show more content on Helpwriting.net ...
but outside, as well. The U.S. government grasped the opportunity to use its unique style as a representation of American democracy, uniqueness, and
cultural openness. During the Cold War period, the U.S. government promoted and financed international exhibitions of Abstract Expressionism as a
means of political marketing. Either they tried (unsuccessfully) to follow in the footsteps of the pioneers, like DeKooning and Pollock and their
authenticity, many artists found it difficult to pertain to the metaphysical concept of the abstract expressionism in a society overtaken by consumerism,
economic boom, and development of mass

An Analysis Of Jackson Pollock : Abstract Expressionism
Jackson Pollock was an American painter and began to paint during the mid 20th Century. He started his own way of painting. These techniques were
introduced by influences from the Modernist time where there was a vast social change that challenged traditional themes and techniques in artmaking.
Abstract Expressionism developed in 1940's. It was the first movement to achieve international influence and put New York City at the center of the
Western Art World. As an abstract Expressionist, Pollock used different layers of diluted, running paint as well as different tools to make his painting
look like it was dripping and crisis crossing in chaotic lines. In the art world Modernism affected the ideas, attitudes, and practices of artists. The ...
Another balancing act is going on between bright and dark, and near and far. Because if their brightness one is tempted to take the yellow, white,
aluminium and orange swirls as the figure, because they are laid over a dark blue–black background. That idea clashes with the fact the vivid swirls
are themselves overlaid by the blue–black of the poles. Moreover, while we see the poles as pulled closer because their paintwork is physically nearer,
we also experienced their darker colour drawing them away to disappear into the deepest background.
Compared to Pollock, other artists used highly controlled and meticulous approaches to representation. They would be painting on an easel and be
standing upright rather than the ground. They use a range of different paint brushes and different tools to create the illusion of reality.
Pollock's self–developed process of painting he called his drip technique which came to be known as 'action painting' challenged and changed the art
establishment and the way the painting was done at the time. In 1943, according to the art critic Clement Greenberg, "Pollock had absorbed and
transcended

The Dissolution Of Pollack 's Vision Of Non...
This art analysis will define the dissolution of Pollack's vision of non–representational art/action painting to identify the reduction of rhetoric found in
the color field art of Mark Rothko and Barnett Newman during the middle of the 20th century. Abstract Expressionism was typically defined by
Pollack's "action painting" methods, which sought to objectify the painting process in a complex and busy style of "rhetoric" applied to canvases laid
on the ground and dripped or splashed with paint. Rothko and Newman agreed with this new non–representational style by reducing the rhetoric of
Pollack's organic style by simplified geometric presentations of space with carefully selected fields of color. Newman's "zip" method sought to
reduce the separation of objects through a single line to move away from Pollack's chaotic use of paint. Rothko tended to focus on line divisions in an
abstract geometric method that allowed the color to become the primary focus of the painting. In this manner, Rothko and Newman sought to abstract
color fields to be the most reduced form of non–representational art in the Abstract Expressionist School. In many ways, Rothko and Newman led a
new school of Color Field painting to contrasts the emotional energy and highly complex action painting of Pollack during this historical period. In
essence, an analysis of the reduction of rhetoric in the work of Mark Rothko and Barnett Newman define the shift away from complex painting
methods utilized by Jackson

Essay on Abstract Expressionism
Abstract Expressionism
"New needs need new techniques. And the modern artists have found new ways and new means of making their statements ... the modern painter
cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture."
Jackson Pollock
Rarely has such a massive transfer of influence has ever touched the world as did in the Paris to New York shift of the 1940's and 1950's.
All of the characters of American art were to be expelled in a rapid shift of power. No longer wouldAmerican artists be the lamb suckling at the teat of
European sources, American art was to dispose of narrow–mindedness, an uninterested public, and liberate itself into a valued and ... Show more
content on Helpwriting.net ...
Cocky and brash; the American artists began to shake off their European influence and claim themselves as the new superior art force. Within a few
short years and without many groups becoming aware of it New York had displaced Parisas a world centre of the arts. Something that arguably still
exists today (however capitals such as London have begun to take centre–stage).
During this period a small section of artists had the courage to challenge social realism and regional life that had characterised
American art of previous decades. They drew their inspiration from the bright–hued art of the American Indians and their picture writing, the
Mexican revolutionary muralists, Surrealism in some forms and Russian
Abstraction. They admired the scale of cave paintings, the lack of composition and the feeling of freedom. Like the Expressionists they felt that
'Гўв‚¬В¦the true subject of art was man's inner emotions, his turmoil, and to this end they exploited the fundamental aspects of the painting process –
gesture, colour, form, texture – for their expressive and symbolic potential' (Robert Motherwell, 1951). They felt that the frame of mind of the artist
when he creates a work of art could be instantaneously revealed by gesture and brushstroke, explaining themselves using arm movement before
inappropriate objects or pre–determined meaning. The term 'Abstract Expressionism' was first coined by critic Robert Coates

Jackson Pollock Number 1 Essay
Abstract Expressionism became one of the most common school of art disciplines for artists to join because the discipline holds common beliefs. These
artists were all committed to expressive art of profound emotion and universal themes, and most were influenced by the legacy of Surrealism, a
movement that they translated into a new style fitted with the post–war mood of anxiety and trauma (The Art Story). Abstract Expressionism artwork
are typically working with the canvas that can be attacked by the painter, filled with a variety of colors and abstract form, and vigorous general
expressionism. Jackson Pollock's Number 1 (1950) is regarded as one of the most important artworks of Abstract Expressionism, which is displayed at
the National Gallery of ... Show more content on Helpwriting.net ...
Pereira's own work demonstrates the use in art of machine–made media and industrial technologies, an approach advocated by the Bauhaus artists in
Germany (Phillips Collection). Irene was so interested in science that she required her students to take chemistry, industrial mechanics, and physical
study of light at the New York Laboratory School of Design where she taught classes. Irene's interest in the sciences became a central point and an
inspiration for her painting and constructing her work. Over the course of her career, she incorporated an unusual range of materials, including paints
mixed with metal, glass, radium, and other new materials, into her compositions (Phillips Collection). This explains the terrain–like sections on the
Mecca as they could be mixture of glass, metal, rocks, and ceramic fluids mixed with paint. Because of the different types of material and variety of
colors Irene uses for her work, the arrangement allows the viewer to look through shifting facets of color, created by the corrugated surfaces, to the
bottom

Abstract Expressionism In Willem De Kooning'sWoman On Ochre?
By Ruthie Bowles, Contributing Author for What Sells Best News
LEAD
CLIFF, NEW MEXICO– WFAA, an ABC News affiliate, reports a stolen Willem de Kooning painting was found hanging on a wall behind a door in
a deceased couple's home. Someone stole the rare painting from the University Of Arizona Museum Of Art over 30 years ago (UAMA). Experts
estimate its value to be $160 million.
BACK STORY
Investigators are still baffled by the painting's theft, which took place more than 30 years ago, based on WFAA reporting. The mystery surrounds the
Willem de Kooning painting called "Woman on Ochre". The beautiful oil on canvas hung on the university's walls for 20 years before thieves stole it
in 1985.
The spirit of the art world celebrated when Willem de Kooning was born in 1904. Born in the Netherlands, he came to America as a stowaway, and
made port in Virginia. Later in his life, he traveled to New York, and it was there he found his home.
According to The Art Story, experts label de Kooning as one of the most influential Abstract Expressionist painters. Surrealism, Expressionism, and
Picasso's Cubism heavily influenced his work. He is known for "action painting", which means that the piece itself feels like it is still in motion based
on a variety of techniques and characteristics.
A couple wiled their way into the museum prior to operational hours. While the woman captured the security guard's attention, the man snuck to the
upper floor and sliced the painting from its

Adolph Fredrick Reinhardt Biography
Adolph Fredrick Reinhardt was an American abstract artist, writer, critic and educator. A quick little timeline discussing his school and some of his
associations, work or group related. He studied art history under Meyer Schapiro an art historian at Columbia University, New York from 1931
–35,
Reinhardt also painted with Carl Hotly and Francis Criss both American painters at the American Artists School from 1936–37. Later on Studied at the
National Academy of Design with Karl Anderson in 1936 and worked for the Works Progress Administration Federal Art Project from 1936
–39 while
being a member from 1937–47 of the American Abstract Artists group. Reinhardt later continuing his studies at the New York University Institute of
Fine Arts from 1946–51.... Show more content on Helpwriting.net ...
His Monochrome Paintings the ones that contained nine squares of different shades of black, one of his most remarkable works. Contributed
artworks for many books such as "Who's who in the Zoo" and "A good man and His good wife." Published many cartoons and illustrations while
working for the Picture Magazine. Many works included the "How to look at Art" series. Reinhardt has also protested against the Metropolitan Museum
of Art and designed many leaflets to voice his objections with the museum. His idea of minimalism and his style of modern art influenced many
abstract artists during the

Postcolonial And Its Effects On The United States
Postcolonial refers to the period after official decolonisation but also refers generally to the shifting of dominance within a colonial structure.
Colonialism and imperialism (a policy of extending a country 's power and influence generally through colonization or the use of military force) is
about land, ownership, dominance and power, whereas post colonialism is concerned with the history of colonialism, racial representation, and the
representation of the 'Other'. Past and present inform each other and each depends on the other, which creates a continuous flow into the following
periods.
Once the Second World War had ended and left behind it complete destruction the world was then in a state of geopolitical tension. This division was...
Individualism played a key part for Gutai artists. During World War II, Japan's dictatorial government were more about a national body. They shut
down any idea of individual expression. Artists in Japan rebelled against this attitude and rather encouraged the public, children and others to "do what
no one has done before!"1 Japanese painter and secretary of the Gutai group, Akira Kanayama used tubes of paint or felt–tip pens affixed to a
remote–controlled toy car to create his own type of action painting. These works were a reference to Abstract Expressionism, particularly Jackson
Pollock's drip technique. His works appear very similar to Pollock's however Kanayama was actually offering a playful critique of Pollock by
producing such intentionally similar works mechanically, therefore rejecting the psychological and personal factors that Pollock emphasized. The
title of this 1957 painting, 'Work' was a common one for Gutai artists. It was a sign of their complete rejection of representational art and their refusal
to tell the viewer what to think. Alternatively, Saburo Murakami's 'At One Moment Opening Six Holes' involved the artist hurling himself through a
series of enormous kraft paper screens. The paper was stretched taught across a frame, causing a loud explosive sound as he broke through each sheet
as quickly as possible. This piece revealed Murakami's desire to go far beyond the limits of the

Jackson Pollock Research Paper
Jackson Pollock, the American Cowboy
Jackson Pollock is arguably the most renowned American artist. He helped foster the first explicitly American art movement, and his painting, Number
17A, ranks fifth on the chart of most expensive paintings ever sold. So how does Jackson Pollock, a man from Cody, Wyoming, become a celebrated
artist at the center of the abstract expressionism movement? Simply put, by appealing to the American character.
For this exploration into Pollock, the American character will be looked at through the lens of one of the five myths: the frontier myth. Through a
study of his upbringing and his works it becomes evident that Jackson Pollock's popularity can be attributed to his use, whether deliberate or not, of the
ideology ... Show more content on Helpwriting.net ...
Similar to how the American dream is not confined by conventional boundaries, Jackson Pollock's art was not confined by the conventionalities of
the art world. For example, instead of a paint brush Pollock often used a stick, instead of an easel, the floor. It would be convenient to dismiss this
as a ploy to be different and attract interest, but Pollock claimed it was out of necessity rather than choice. In an interview with William Wright
Pollock explained that "the modern artists have found new ways and new means of making their statements. It seems to [him] that the modern
painter cannot express the age, the airplane, the atom bomb, the radio, in the forms of the Renaissance or any other past culture" (Karmel, 1999).
Although Pollock changed the art world in a concrete way, the extent of the impact Pollock had on the art world may not be explicitly clear. In an
interview with Bruce Glaser of Arts Magazine, Lee Krasner, one of Pollock's wives and a fellow abstract expressionist, said that "[Pollock's] painting
shifted the focus of attention from French painting to what was happening here. ...It breaks once and for all the concept that was still more or less
present in Cubist derived painting, that one sits and observes nature that is out there" (Karmel, 1999). Pollock is a revolutionist; he changed the art
world in an enormous way giving way to numerous art movements: color field painting,

The Role Of Abstract Expressionism In American Art
Abstract Expressionism is considered a triumph in American Painting. It is still the most discussed and debated form of twentieth century American
art, and still influences generations of artists. It used the cultural references of the tragic, the unconscious, the sublime and the primitive to create a
unique and evocative style of painting that was unique in the art world.
Though some may view Abstract Expressionism and Surrealism as similar, the thing that made it fundamentally different, according to Motherwell,
was that the artists worked more `directly' and `violently' and on a `much larger scale physically than the surrealists ever had.' (Page 40, David and
Cecil) It also seems important to Motherwell to have a style that ... Show more content on Helpwriting.net ...
That a painting could be read in this way reveals its sublime aura.
Rothko saw the `clouds of colour' in his paintings as abstract `performers possessing tragic or ethereal demeanours.' (Page 23, Hopkins) The size of
the paintings functioned as a representation of scale. Viewers could measure themselves against the coloured blocks. `This could lead to the feeling
of being enveloped or transported out of the body,' (Page 23, Hopkins) Frank O'Hara also considered scale important in Pollock's paintings, because
of the `emotional effect of the painting upon the spectator.' (Page 28, O'Hara) `Blue Poles', by Pollock is seven feet high and some sixteen feet
across. Robertson describes it as a `world self contained and utterly convincing which the spectator should be flexible to enter, explore and move about
in.' (Page 29, Robertson)
Gottlieb and Rothko were inspired by primitive and archaic art, but removed any symbols from their original context, making their connotations
inaccessible to the general public. The viewer could not tell what these symbols meant to the artist by simply viewing the painting, but this was perhaps
not their intention. The artists themselves viewed their work as a `poetic expression of the essence of the myth.' (Page 10, David and Cecil) Primitive
mythology often inspired the Abstract Expressionist's painting, including

The Path Of Pop Culture
THE PATH TO POP CULTURE
Art 212 Research Paper
The Path to Pop Culture
One of the most influential time periods with in Art Culture was Pop Art. It paved the way for Art that that challenged the convention of fine art. This
is my attempt to learn about Pop Art because I want to show how the WWII was an influence onAbstract Expressionism. That later influenced Pop Art.
This way I can help my reader understand, the power of Pop Art. During this paper I plan to discuss, World War II and the effects philosophic thinking,
inspirational artist of the 1960s that opposed the Abstract Expressionism movement and compare the movements. World War II had a drastic effect on
the world after it ended. Many felt abandoned by their home nation. ... Show more content on Helpwriting.net ...
This resulted in the shift from figurative to abstract imagery and from material to spiritual content. These effects were common of those who lost
their homes during the war"1. In Physiological terms it's called Existentialism, this theory is based upon existence and how you see yourself within
humanity. The birth of Existentialism came, after the Great Depression. It then followed again after the Second World War. This state of mind comes
to life generally, when they believe human life is in no way complete and fully satisfying. Due to suffering and losses that occur when considering the
lack of protection, power, and control one has over their life. Even though they do agree that life is not optimally satisfying, it nonetheless has
meaning. Existentialism is the search and journey for true self and true personal meaning in life. In art terms a way to express this disconnect was
though painter 's creative process. It was an act of necessary self–assertion, an expression of freedom and authenticity. Harold Rosenburg a powerful art
critic of this time strongly believes in order to understand Abstract Expressionist painting, you need to understand existentialism. The philosophy
played an important role in shaping Rosenberg's notion of "Action Painting." Meaning what was to go on the canvas was not a picture but an event."2
Rosenberg viewed this as a personal

Analysis Of ' Blue Poles '
Russian painter and pioneer of abstract modern art, Kandinsky's art and ideas impacted and inspired many generations of artists, from his students at
Bauhaus, to the Abstract Expressionists post World War 2. Kandinsky contested the boundaries of conventional art making practice through his rare
artistic style that departs from the strict conventions of realism and naturalism formed by the Academie, and seeks to convey inner spiritual experience
by challenging intentions and emotive capacities. He sought to convey a universal, visual and spiritual language of abstract forms and colours, along
with interpreting his synesthetic experience of music, to create artworks that transcended cultural and physical boundaries.
Abstract and Modernist ... Show more content on Helpwriting.net ...
Performed on canvas laid flat on the floor, Pollock makes no physical contact with the canvas whilst painting. The canvas seems to convey a telling of
Pollock's vigorous working methods and turbulent life to the audience, as the work consists of glass shards and footprints embedded into the canvas.
Pollock's boundary breaking manipulation of surface ultimately encourages artists to imitate his new and non–traditional methodologies within art
making.
Modernist critic, Clement Greenberg coined the term of Abstract Expressionism, and was largely responsible for the growing reputation of Pollock
within the art world. Greenberg assisted in determining the reaction to Blue Poles by the audience. In The Nation, 20/1/1945, Greenberg supports
Pollock through advocating his artwork in a public expanse, "American painting is much in need of all three qualities (that is, 'boldness, breadth, and
the monumental'), and it is significant that Pollock, who manifests all three, has already begun to exert an influence, though he has been before the
public hardly more than a year." Greenberg upholds Pollock's name with high importance, displaying his significance to the Abstract Expressionist
movement. Pollock's heavily influential style was rather radical in its extremity in his time, through his unconventional material practices and drip
techniques, redefining the conventions of traditional painting, in order to

Art And Its Impact On Art
Art. Art is formally defined as "the expression or application of human creative skill and imagination, typically in a visual form such as painting or
sculpture", yet art is so much more. Art is not merely drawings and paintings, yet it is an individuals' emotions, their mindset, their heart, all
illustrated through strokes of a brush, sketches of a pencil, or a dripping of paint onto a canvas. The relationship between art and emotions have
become the subject of many extensive studies, but the emotional influence of art has been established. As viewers, great amounts of society look at
artistic works as quirky means to a financially compensating end. Capitalism, a phenomenon looked at as a blessing by some, yet a curse by many,
has played a major role in increasing the volume of art production, yet this should not be taken lightly. Art should not be made solely for the purpose of
financial gains, rather art should be produced for an emotional release. Abstract expressionism, an art form developed in the 1900s capitalized off this
rationale: Art should be one's channel of self–expression, a means to develop an emotional relationship between the artist and the viewers, and also
with a higher spirituality. It was the fall of this movement that truly encouraged capitalist exploitation of art, through movements such as the Minimalist
movement. The true meaning of art has been saturated by capitalist motives and a hunger for financial gain, rather than true expression and an

Glisten Essay
I decided to choose my subject by walking around the museum and seeing which one "called" to me. I chose Glisten (1972) by Sam Gilliam because
the bright colors grabbed me as soon as I saw it and a feeling of happiness washed over me. Sam Gilliam (b. 1933) is a very well known
African–American painter, innovative for his use of three–dimensional canvases (University of Kentucky), who is a part of the American Abstract
Artists group, as well as many other movements, such as the WashingtonColor Field movement (Malyon). Glisten is a 27 x 73 15/16 x 3" acrylic on
canvas 3–dimensional artwork (University of Kentucky).
The lines in the painting seem painterly, meaning I couldn't find any distinct borders to them. It seems most apparent in the ... Show more content on
Helpwriting.net ...
The colors have a mostly high value and equally low and high saturation. Seeing as this is a non–representational piece of art, I can only say local color
is being used.
Though it's safe to say no color goes unused in this work, I notice a lot of usage of blues/purples, reds, and yellows. I believe he uses these colors to
convey the message he is sending. The color gives the painting a lot of emotion, as if you're looking at a sad mood turn into a bright happy one. In
addition to its emotional effect, I can visualize the bright yellow at the top of the painting representing the sun. I can gather this from the title, as if the
sun's yellow rays are "glistening" on the blue hues below, possibly water.
The color scheme of the painting looks as if it's somewhere along the lines of complementary and analogous. The colors contrast each other, but
also compliment them in a very specific way. It is very clear with the splashes of red on the blue down in the bottom left corner. This work has a
very open palette, as you can tell by the usage of many colors. The color is very expressionistic. The intentional variation of the color speaks volumes
of the mood being portrayed. When standing in front of the painting, the dominating warm colors seem to disregard the sad blues and purples, giving
the observer a happy, peaceful feeling. I would imagine looking at the

Abstract Expressionism Essay

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