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Thriller Movie Analysis’
By Jaymes
The Silence of The Lambs
This is one of the first
frames of the film. As we
can see it is an eery scene
that contains foggy/misty
forest - focusing on a
barren tree. This shot
follows the rule of thirds
allowing a greater view of
the fog
This already gives the film
a creepy, more importantly
thriller, feel to it. This is
because a misty forest is
almost a tradition in order
to create tension and
suspense.
In this frame of the opening
sequence we see the
introduction of the main
protagonist in a shallow
focus.
The fact we are introduced
to her in this setting and
manner tells us/the
audience a lot. Primarily
that she is a strong
character and is used to
this type of eery setting.
In this frame of the opening
sequence we see a blurry
close up of the
protagonists foot whilst she
is running
This frame is highlighting
running - a fast, physically
tiring movement. It is
typical of thrillers to include
fast paced scenes. The
zoom in on the foot draws
attention to the key feature
and suggests that there will
be some sort of chase in
the film
In this frame we see the
protagonist climbing a rope
wall hurdle.
This frame is not only
portraying her strength,
however this is likely to
convey a struggle between
the protagonist and
antagonist
Se7en
This is one of the very first
frames of the film. With in it
is a close up of a book and
what appears to be the
shadowy outline of a
figure's head.
The fact that the we cannot
tell what the shadow is
conveys to the audience
that we do not know and
adds mystery, tension and
slight suspense.
This directly follows the
book frames as a fade. It
too helps to build the
thriller identity of the film.
This is achieved by the
dark background - showing
evil, scariness etc -
contrasting with the bright
white text.
The text itself is written in a
jagged hand style font -
suggesting a rush and
insanity perhaps. The
shaky motion of “An” and
“Production” add to this.
This frame contains a pair
of deformed hands on a
notebook style pad. The
fact chiaroscuro lighting is
used signifies its
importance and adds to the
creeper thriller feel.
This infers that the
antagonist is psychopathic
and looks at medial
conditions etc which may
inspire his killings.
This frame is mostly red.
The colour red suggests
blood and danger - telling
the audience that murder
and death will highly be the
basis of the film.
Inception
This is the very first frame
of the film. Here we are
introduced, by a short take
to the main protagonist -
played by Leonardo Di
Caprio.
The expression on his face
is one of shock, fear and
trauma. These are
common emotions for
thrillers as the main
character is usually put
through a series of draining
events.
In this frame we see an
extreme close up of the
protagonists watch.
This shows that time is
*usually* of the essence in
thrillers and that many
things can change the
course of the film if the
wrong thing happens at the
wrong time
In these consecutive
frames we see how quickly
the mood/pace of a film
can change in thrillers
through short takes.
This is done by contrasting
two scenes, in this case
one being a possible terror
attack and the other the
protagonist calm on a train.
In this scene we get a close up of
the safe which is hiding what
Cobb (DiCaprio) needs to
access.
The safe represents the mind,
and its contents the dreams. This
is mise-en-scene using a safe as
a metaphor for the stories plot.
The Bourne Identity
This is how the film begins.
A quick, bright flash of
lightning on a stormy night.
The visual effects suggest
that something dangerous
has occurred.
There is no fade into the
storm - instead it is a quick
jump from the universal
opening pictures to this.
The fact there is no cut
highlights that this is very
dramatic and sets the tone
for a thriller film.
In this scene that follows
the dialogue, we hear the
first dialogue of the film.
However, it is in a foreign
language (Italian). This
means the audience has
no idea what they are
saying, and leaves us
clueless as to whether they
are good or bad characters
- adding a sense of
mystery.
These frames are linked
through cross-cutting. This
is in order to show that
these events are
happening at the same
time and builds tension as
the audience wonders
what will happen when the
characters meet.
The floating body also
gives us a basic plotline
and what the film will
entail. This is through the
use of a low-angle shot
which shows the character
as small and week.
Also, this is a slight loose
frame - highlighting that the
character is alone and is
likely to remain so
throughout the film.
This POV (Point Of View)
shot shows that the body
has been spotted by the
fisherman and makes the
audience wonder what’s
going to happen to the
body, and how will the
characters react to one
another?
The way the title of the film
appear in a jumbled up,
code style fashion
indicates a lot about the
film.
The randomness of the
order of letters suggests
that the main character has
to solve something.
The code style font relates
to the FBI, hacking etc.

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Jaymes - Real Media Research

  • 2. The Silence of The Lambs
  • 3. This is one of the first frames of the film. As we can see it is an eery scene that contains foggy/misty forest - focusing on a barren tree. This shot follows the rule of thirds allowing a greater view of the fog This already gives the film a creepy, more importantly thriller, feel to it. This is because a misty forest is almost a tradition in order to create tension and suspense.
  • 4. In this frame of the opening sequence we see the introduction of the main protagonist in a shallow focus. The fact we are introduced to her in this setting and manner tells us/the audience a lot. Primarily that she is a strong character and is used to this type of eery setting.
  • 5. In this frame of the opening sequence we see a blurry close up of the protagonists foot whilst she is running This frame is highlighting running - a fast, physically tiring movement. It is typical of thrillers to include fast paced scenes. The zoom in on the foot draws attention to the key feature and suggests that there will be some sort of chase in the film
  • 6. In this frame we see the protagonist climbing a rope wall hurdle. This frame is not only portraying her strength, however this is likely to convey a struggle between the protagonist and antagonist
  • 8. This is one of the very first frames of the film. With in it is a close up of a book and what appears to be the shadowy outline of a figure's head. The fact that the we cannot tell what the shadow is conveys to the audience that we do not know and adds mystery, tension and slight suspense.
  • 9. This directly follows the book frames as a fade. It too helps to build the thriller identity of the film. This is achieved by the dark background - showing evil, scariness etc - contrasting with the bright white text. The text itself is written in a jagged hand style font - suggesting a rush and insanity perhaps. The shaky motion of “An” and “Production” add to this.
  • 10. This frame contains a pair of deformed hands on a notebook style pad. The fact chiaroscuro lighting is used signifies its importance and adds to the creeper thriller feel. This infers that the antagonist is psychopathic and looks at medial conditions etc which may inspire his killings.
  • 11. This frame is mostly red. The colour red suggests blood and danger - telling the audience that murder and death will highly be the basis of the film.
  • 13. This is the very first frame of the film. Here we are introduced, by a short take to the main protagonist - played by Leonardo Di Caprio. The expression on his face is one of shock, fear and trauma. These are common emotions for thrillers as the main character is usually put through a series of draining events.
  • 14. In this frame we see an extreme close up of the protagonists watch. This shows that time is *usually* of the essence in thrillers and that many things can change the course of the film if the wrong thing happens at the wrong time
  • 15. In these consecutive frames we see how quickly the mood/pace of a film can change in thrillers through short takes. This is done by contrasting two scenes, in this case one being a possible terror attack and the other the protagonist calm on a train.
  • 16. In this scene we get a close up of the safe which is hiding what Cobb (DiCaprio) needs to access. The safe represents the mind, and its contents the dreams. This is mise-en-scene using a safe as a metaphor for the stories plot.
  • 18. This is how the film begins. A quick, bright flash of lightning on a stormy night. The visual effects suggest that something dangerous has occurred. There is no fade into the storm - instead it is a quick jump from the universal opening pictures to this. The fact there is no cut highlights that this is very dramatic and sets the tone for a thriller film.
  • 19. In this scene that follows the dialogue, we hear the first dialogue of the film. However, it is in a foreign language (Italian). This means the audience has no idea what they are saying, and leaves us clueless as to whether they are good or bad characters - adding a sense of mystery.
  • 20. These frames are linked through cross-cutting. This is in order to show that these events are happening at the same time and builds tension as the audience wonders what will happen when the characters meet.
  • 21. The floating body also gives us a basic plotline and what the film will entail. This is through the use of a low-angle shot which shows the character as small and week. Also, this is a slight loose frame - highlighting that the character is alone and is likely to remain so throughout the film.
  • 22. This POV (Point Of View) shot shows that the body has been spotted by the fisherman and makes the audience wonder what’s going to happen to the body, and how will the characters react to one another?
  • 23. The way the title of the film appear in a jumbled up, code style fashion indicates a lot about the film. The randomness of the order of letters suggests that the main character has to solve something. The code style font relates to the FBI, hacking etc.