2. ICONOGRAPHYâŚ
Clothing:
In Creep your unable to see costume within the first few minutes of the trailer due to the fact that the scenes are being viewed from a
point of view angle. This indicates that the audience have not got a sense of what type of character this is because it is difficult to tell
from what people wear. Later on in the trailer we clearly see that that the woman is wearing casual clothing which could represent a
normal person who most can relate to.
Lighting:
A lot of darkness was used in Creep to remind the audience the fact that the film will be scary with a connotation of darkness which is
danger and evil. The dark mise en scene immediately alerts the audience to the genre of the film, which is important to reinforce in
the opening minutes. Harsh fluorescent light was used in Creep. The film is based in the underground which was effective to use
dark chiaroscuro and silhouette lighting. There was also a point of view shot with a combination of lagged shots in order to create a
more effective lighting.
Location:
The film is set in Charing Cross underground station which is quite unique as most slasher /horror films are based in domestic and
exterior areas. However in Creep, the whole film is based inside the underground station which links to the main character as she is
trapped inside. For a slasher/horror film the location of using the underground seems like a mysterious place. The use of
the London underground scares an audience as it is one many people can relate with, therefore we view it as a way to be in that
situation ourselves. Also, it surprises but confuses us to see the station empty as weâre used to seeing it filled with hundreds of busy
people rushing to get around, therefore the empty and abandoned setting gives us a chill.
An isolated setting is used to have this effect on the audience, as no one is around and therefore no one can help this girl. This is a
common aspect and convention of the horror/slasher genre as it allows terrifying sequences to take place as there is nothing or no
one around to out a stop to it. The trailer is set in an underground station in London, and this is therefore the films unique selling point
also due to the fact this film was a British success.
Props:
The anonymous/killer is shown holding a knife, this is seen
in most horror movies as it is a way to express the genre
so it can be noticeable to the audience.
3. NARRATIVEâŚ
The narrative device used in the trailer is the unknown/killer which the main character must overcome by escaping the danger. It
follows the story of a woman locked in the underground at night where she is followed by a killer living in the sewers below.
It is set in quite a dark place, which is common with a lot of horror/slashers. It gives the audience an idea of what happens at the
beginning of the film but doesnât give the audience any clues to the conclusion. The trailer shows one main character, who is known as
the âfinal girlâ that is used in most horrors. The trailer also introduces a other characters who seem to be working on the tracks and two
other men who are in the same position as the girl. The trailer gives quick glimpses of the âcreepâ however leaving enough information
hidden to make sure it does not give away too much.
CHARACTERIZATIONâŚ
There are elements from the horror/slasher genre which are repeated in most horror films such as the âfinal girlâ who is also featured in
this trailer as we expect that she survives due to all existing horror movies following the same aspects.
There are also binary opposites used in genre such as the victim and the killer. The trailer shows one obvious main character, who
follows the typical character of the âfinal girlâ that is used in horrors as she is a young and attractive. The trailer also briefly introduces
other characters all if which are men. It shows a couple of men who seem to work on the tracks and two other men who are stuck in
the same situation as the girl.
4. SOUNDâŚ
The most frequently used type of sound was silence overall, which adds to the intensity and builds up momentum to that fact that
something is going to happen. Also non-diegetic sounds were used, such as a beat of music which always matched or was in sync
with the on- screen movement or atmosphere. This appeals to the audience as it allows them to interact more with the moment and
movement.
In addition, with the use of gloomy non- diegetic sound, it gets the audience slightly scared also it enables the audience to anticipate
that something may suddenly happen. As this is happening there is an introduction of stingers and high pitched music, building the
tension as the action kicks in. The music generates the atmosphere for the audience as a tense and paranoid mood is created.
EDITINGâŚ
In Creep, motivation cuts where used when diegetic sounds were used to form a reaction from the characters more effectively. The
fast speed of cuts allows the audience to get into the fast momentum and also the quick transition cuts portrays well to the genre of
the film within the opening two minutes. This is efficient in a way to build the audience up to the main plot. Conventionally slasher/
horror films are played at fast tempo in terms of the action which the editing has a huge part to play to convey this.
The titles used in the trailer are made by the use of editing. Another aspect of editing which was used in this trailer was the sound
effects at the end when the title of the film appeared. After each shot, a subtitle was presented which the audience has to read in
order to feel more engaged. At the end of the trailer, an enigma is created as the last shots of the scene have been shown to makes
us question his identity, his reasons for killing people, and if the girl survives.
5. CINEMATOGRAPHYâŚ
The trailer starts of with a handheld/ point of view shot of the main character in order to create a real life effect and also to identify
with the character to see what they see. The effect of using a shaky camera reflects the characterâs uncertainty of the situation and
nervous mind, as the point of view shot takes the audience into the scene with her and makes us feel her anxiety. The cut to the shot
of a woman waking up shows the way in which we are introduced to the main character, immediately we develop a connection with
this character as the tension that has been created at the start leads us to our suspicion for her and what could be happening. In a
way we are able to relax in this shot as the music has been cut and she appears to be in a normal situation, but at this moment the
audience is left to think we can hear a train coming in the background. However this doesnât last for long as the quick pan leads us to
realize that she seems to be completely alone and there isnât any form of help around her.
A montage of shots is then shown which seem to blur into one, the combination of fast-paced shots adds more characters and story
lines into the plot as it appears to be full of chases and increases the pace of the film and leaves us wondering whatâll happen next.
All of the shots are extremely dark which is clever as we are not sure of what could happen next and our confusion of what we see in
front of us is still there. The shots begin to increase rapidly in pace which increases suspense and ambiguity. We see a flash of a
knife, letting us know that this film is gruesome and some sort of bloody destruction will arise. Certain characters were shown in
shock through a close up which from this we can assume that there is less chances of them escaping. By the end of the trailer the
woman is isolated and left completely defenseless to what the other characters got themselves into. The title of the film âCreepâ is
displayed at the end of the trailer in a way to permanently anchor the name in our minds making us think about what might of
happened to the victims. There is a shot of a baby doll and dead babies around it, this again creates a disturbed image in our mind
as it seems out of place and leads to confusion and feeling agitated.
A clear shot of a mysterious man is introduced in the middle of the trailer which frightens us as it is not what we expect and it also
intrigues us further as it adds a twist to our suspected storyline. However, the next camera close-up on him convinces us that he is a
victim too which begins to make us care what happens to his character. The fast cuts to a bloody hand grabbing onto the train leads
us to question âwill she ever escape?â. The quick transition shots of a dark room, a flashlight and the tunnel highlights all possible
escape routes, however this may be a risk as we cannot receive comfort knowing that something will happen unexpectedly...
6. CINEMATOGRAPHYâŚ
The trailer starts of with a handheld/ point of view shot of the main character in order to create a real life effect and also to identify
with the character to see what they see. The effect of using a shaky camera reflects the characterâs uncertainty of the situation and
nervous mind, as the point of view shot takes the audience into the scene with her and makes us feel her anxiety. The cut to the shot
of a woman waking up shows the way in which we are introduced to the main character, immediately we develop a connection with
this character as the tension that has been created at the start leads us to our suspicion for her and what could be happening. In a
way we are able to relax in this shot as the music has been cut and she appears to be in a normal situation, but at this moment the
audience is left to think we can hear a train coming in the background. However this doesnât last for long as the quick pan leads us to
realize that she seems to be completely alone and there isnât any form of help around her.
A montage of shots is then shown which seem to blur into one, the combination of fast-paced shots adds more characters and story
lines into the plot as it appears to be full of chases and increases the pace of the film and leaves us wondering whatâll happen next.
All of the shots are extremely dark which is clever as we are not sure of what could happen next and our confusion of what we see in
front of us is still there. The shots begin to increase rapidly in pace which increases suspense and ambiguity. We see a flash of a
knife, letting us know that this film is gruesome and some sort of bloody destruction will arise. Certain characters were shown in
shock through a close up which from this we can assume that there is less chances of them escaping. By the end of the trailer the
woman is isolated and left completely defenseless to what the other characters got themselves into. The title of the film âCreepâ is
displayed at the end of the trailer in a way to permanently anchor the name in our minds making us think about what might of
happened to the victims. There is a shot of a baby doll and dead babies around it, this again creates a disturbed image in our mind
as it seems out of place and leads to confusion and feeling agitated.
A clear shot of a mysterious man is introduced in the middle of the trailer which frightens us as it is not what we expect and it also
intrigues us further as it adds a twist to our suspected storyline. However, the next camera close-up on him convinces us that he is a
victim too which begins to make us care what happens to his character. The fast cuts to a bloody hand grabbing onto the train leads
us to question âwill she ever escape?â. The quick transition shots of a dark room, a flashlight and the tunnel highlights all possible
escape routes, however this may be a risk as we cannot receive comfort knowing that something will happen unexpectedly...