The Giver Theme Essay

The Giver Theme Essay
The themes of suffering and death, outline the author and director's sociological perspective on
manipulation and are developed through the techniques of juxtaposition, symbols, camera angles
and sound effects. Lowry uses juxtaposition when associating a cruel act with a normalised
blameless deed as Jonas is granted the opportunity to witness the "release" of a child. "...the new
child, no longer crying, moved his arms and legs in a jerking motion. Then he went limp. His head
fell to the side, his eyes half–open. Then he was still" (Chapter 19). Lowry uses subtle yet effective
language to describe the death of the child; however, the incorporation of laughter and happiness
expressed through Jonas' father contrasts with the reality of the ... Show more content on
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Additionally, personification in the novel intensifies the situation. "In his agony, he perceived the
word 'fire' and felt flames licking at the torn bone and flesh' (Page 110). This imagery is used to
develop dramatic tension within the audience. Likewise, Niccol uses the surroundings to change the
audience's emotions. He specifically uses the time of day to shift the mood. In contrast to 'The
Giver', Niccol's In Time, scrutinises emotional and physical pain. The constant threat hanging over
Will's life, due to his varying opinions and motives heavily influence the tone of the film. The tone
is accompanied by pacing music, which ironically displays the need for people to redirect their
motives and ideas for the good of all humanity. The narrative perspective used in the novel and film
is a significant aspect that influence and engage the audience. 'It was almost December, and Jonas
was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep,
sickening feeling of something terrible about to happen' (Page 7). This passage illustrates Jonas'
thoughts and emotions through a third person point of view. The third person point of view allows
the audience to rely on the information revealed; nevertheless, this also limits the perspective of the
protagonist. Similarly, Niccol gives sight to the thoughts and feeling of the protagonist, Will,
through dialogue. Although the film predominantly revolves
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Film Analysis Of The Shawshank Redemption
Introduction:
Shawshank Redemption is directed by Frank Darabot, published in 1995 Australia. The film
focusses on the theme of forgiveness and escape. It follows an unusual friendship between Andy and
Red set in a 1930's American prison. The main focal scenes explored include: Brooks suicide and
Tommy's death. The film is to be narrated by Morgen Freeman (Red), it shows the 20 year period of
Andy's imprisonment. As a part of the analysis emphases on the scenes as it introduces the audience
to the Shawshank prison and Andy's first moments when attends to the prison to the very moment
when he escapes to Mexico.
Theme 1: Brooks Suicide
Describe the scene:
This scene shows Brooks Hatlen, an older inmate, who has served his 50 year ... Show more content
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"Some birds aren't to be caged. Their feathers are too bright"
Film Techniques:
The first key moment of this scene is where we are shown a wide shot of Brooks sitting alone
feeding the pigoens. The wide shot reveled that he was alone and isolated. There was then a close up
on his face and we could see his expression and the way he hung his head downward. The way he
was holding his body gave the audience the feeling , that he might have been dealing with sadness
and depression from the start.
A particularly interesting scene comes at the moment of Brook's suicide, the movement is used at
first makes the audience unsure what is going to happen to Brooks, there is a close up of his shoes
standing on the stool and for a moment, the audience are unsure of what is going to commence next.
His statement says "I have decided not to stay. I doubt they'll kick up any fuss. Not for an old crock
like me" this indicate the meaning of how he is going 'away', but the darkness and music of the
scene says otherwise.
There is then a close–up of him writing "brooks was here' on the wall, which briefly tranquillize the
audience when seen that he's simply carving the message. There is a camera angle taken from
behind bars in the

Build Up of Suspense in the movie Jaws Essay
Build Up of Suspense in the movie Jaws
The film "Jaws" has been directed and produced in 1975 by Steven Spielberg. It is about a police
chief that has been assigned to a hot resort on one of New England Coast's beaches. His job is to
make sure that the killer shark, which has already eaten a person in this area, does not have a chance
to attack again.
The film is set on the 4th of July because it is a national holiday in America – The Independence
Day. Lots of people organise picnics, go for holidays etc. The New England Coast is an attraction to
tourists and many people visit it during their holidays. In the film the protagonist is chief Brody
(Roy Scheider). The secondary characters are ... Show more content on Helpwriting.net ...
After the attack and the disturbing music the 'dead' silence came. This is to highlight the fact that the
girl has been killed in a very brutal and painful way and that nobody could help her, even if they
wanted to. It also tells the audience that the shark is creepy, awful and unstoppable. This shark
characterisation helped the director to build tension more effectively before the future attacks.
Just like silence, music can also be used to scare the audience. An example of this is the loudness of
the theme tune increasing as the shark is getting closer to its prey. It tells us that the attack is about
to begin and lets us know that the person attacked will die, we know that he or she could not survive
as previous victims had not survived.
In the second attack a lot of camera techniques have been used to help build tension and scare the
audience. The scene began with a straight, long shot of a 10 year old boy, Alex, going to his mother
to ask for more time in the water. The straight shot was used to show equality, to make the audience
feel as they are in the same place with all tourists on the beach. This did not build any tension
because nothing was going to happen at that point. The audience might wonder why so much time is
spent with Alex, why we are continously focused on him, not on any of the other boys – this starts to
build

Life Of Pi Human Nature
Mother Nature has its own unique presence in this world an almost indescribable sentiment to just
be in the middle of the sea or in a forest to just sit there in awe of its beauty and aurora. Mother
Nature has always been simply stronger than man and technology. Human nature always tends to
dominate nature with technology and weapons. Mother Nature can heal, nurture and destroy. In the
end it constantly comes out as the strongest. Mother Nature known as the mysterious secretive and
most powerful against Human Nature is a recurrent theme throughout the movie Life of Pi and
Avatar. In the film Life of Pi directed by Ang Lee and Avatar directed by James Cameron, film
techniques such as lightening, different camera angles mise en scene and symbolism ... Show more
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Pi finds difficulty in discovering himself in his own comfort zone amongst his family. After the
shipwreck Pi is left alone on a lifeboat with a tiger. In this scene an aerial shot of his head
overshadowed by the immense dark lightening of the ocean emphasises Pi's vulnerability. Pi is faced
with many challenges, miraculous occurrences and great suffering along with Richard Parker. Pi's
suffering gets revealed through the powerful storm scene where wide angle shots are used to portray
his weakness in the vast wild deep sea. The storm gets stronger Pi see's the horror it's having on
Richard Parker, as an extreme close up of his face shows extreme fear. As Pi screams 'God', arms
spread in supplication: "Why are you scaring him? I've lost my family. I've lost everything. I
surrender. What more do you want?" A wide angle is used so the audience can comprehend how
terrified Pi feels as he is encountered by Mother Nature. Deep orchestral music accompanied by
crashing waves which fades in to sadder choral voices gives a deep sense of Pi's suffering. The raft
is swiped away which is a symbolism of Pi losing his haven material possession which kept him
alive for so long. Richard Parker is a symbolism of Pi's primitive self braver. A high angle shot of
Richard Parker is used to demonstrate that even a tiger is afraid in the face of Mother Nature. Pi and
Richard Parker are seen bracing

Presentational Devices in Chicken Run Essay
Presentational Devices in Chicken Run
Chicken Run is an animated film about a group of chickens trying to escape from a chicken farm.
The film is a spoof of the film 'The Great Escape' and as with that film there are characters, who
represent good and characters who represent evil. In Chicken Run, the character that represents good
is the chicken, Ginger. The chicken farm owner, Mrs. Tweedie, portrays evil.
The film makers of Chicken Run have used presentational devices to give us clues about each
character. They use camera angles, setting, costume, lighting, music, sound effects, body language
and facial expressions to portray a character as good or evil. I will personally concentrate on ...
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As with most war films the prisoners design escape plans. Chicken Run, is no different, with the
chickens designing numerous plans to escape, with little success. Many war films also have victims
in them. Chicken Run also has a convention for this, with Edwina the chicken being decapitated by
the villain Mrs. Tweedie. Finally, the last convention I will mention is the roll call. In war films the
prisoners are often told to line up for inspection, and Chicken Run adapts this, in the way the
chickens have to line up to have their eggs inspected.
Moving away conventions of war films, the film also has conventions of everyday household
objects. The chickens use screw drivers, hammers, and many other tools for building their
contraptions which they use in their attempt to escape from the farm. Another thing would be the
fact that the chickens dress much like humans do. For example the chicken, Ginger wears a hat, and
the rooster on the farm a scarf. Both these conventions serve, to make the viewers feel more familiar
with the chickens and therefore relate to them.
Now, moving onto the question. I will begin with how the film makers use different camera shots to
portray Ginger as a good character and Mrs. Tweedie as an evil one. However, I will first describe
the different camera shots. Beginning with the close–up. This camera shot is, as the name implies, a
close–up of, usually,

A Comparison of John Steinbeck's novel Of Mice and Men and...
A Comparison of John Steinbeck's novel Of Mice and Men and the 1939 Film Version of the Novel
Looking at the novel 'Of Mice and Men' by John Steinbeck there is the clear comparison that this is
a print text, while the 1939 film version of the novel by Milestone is a visual text. There are many
things that need to be taken into consideration when analysing a visual text, these being the use of
camera angle, sound, lighting, editing and the mise en scène, whereas when looking at the print text
the use of description, dialogue, characterisation and imagery. The three scenes which are most
relevant to the novel and the film are, the shooting of Candy's dog, the fight which takes place
between Curley ... Show more content on Helpwriting.net ...
Candy looks "helplessly" saying "it's hurt him" after Carlson suggests shooting him because the "ol'
dog jus' suffers hisself all the time". This suggests, just as clearly as the film, that the dog is
important to him and he doesn't want to lose him. This is also suggested when Candy says that he
"don't mind takin' care of him". Throughout the scene there is also the focus on the newspaper
article as well as the main story of Candys dog. This is a good technique used to build up tension
because the audience wants to know what's going to happen to the dog. Throughout this scene in the
film there is still a clear focus on Candy although the story of the newspaper article is going on
around him. This causes an emotional build–up, along with the other characters that are placed in
the camera shots who appear not to care about Candy. The emotional build–up is created in the
novel with the description of Carlson who "continued to look down at the old dog" as Candy
"watched him uneasily", this builds up tension between the two characters even more so as the other
characters present are unaware of this non–verbal communication until Carlson finally speaks. Once
the conversation is over between the two and

Crimson Tide : A Dramatic War Story Of How Loyalty...
Rachael Pizzo
Student Id: 00637000
Professor Cowan
HUM 135 / Spring 2016
October 9, 2016
Crimson Tide Review Released in 1995, Crimson Tide tells a dramatic war story of how loyalty
collides with conscience aboard the USS Alabama. Captain Frank Ramsey (Gene Hackman) and his
new XO Lieutenant Commander Ron Hunter (Denzel Washington) are charged with preventing
Russian Rebels from launching missiles at the US and Japan. They struggle to maintain their
position in Russian waters as they wait for orders via an emergency action message (EAM).
Tensions rise as the ship is attacked and damaged. The whole crew is polarized as the captain and
his XO sharply disagree on how to react when a partial EAM is received after a previous command
to launch an attack on Russia's launch complex. Crimson Tide, was directed by Tony Scott and
produced by Don Simpson and Jerry Bruckheimer and distributed by Buena Vista Pictures
Distribution, Inc. The director and crew effectively use music, lighting, varying camera angles, and
symbols with hidden meanings, to build tension and represent each character's approach to keeping
the balance between humanity and unquestioning obedience. The soundtrack for Crimson Tide was
produced by German composer Hans Florian Zimmer. His acoustic ability to blend sounds from
nature, synthesizer, choir, guitar, and philharmonic orchestra, evoke an array of emotions varying
from scene to scene. In the beginning of the movie, Mr. Zimmer composed "Goodbye" for Lt. Ron

Charlie And The Chocolate Factory, Edward Scissorhands,...
Tim Burton, producer, animator, and director, most commonly associated with his darker horror and
fantasy films, uses a array of cinematic techniques to display a message to viewers and keep them
more engaged in the storyline. After a thorough analyzation of three classic Burton films Charlie and
the Chocolate Factory, Edward Scissorhands, and Corpse Bride, one can come to the realization the
Burton uses two techniques very effectively throughout each picture. These two techniques are,
Music/Sound, and Camera Angles, and Burton uses them primarily to convey feelings to the viewers
and keep them engaged.
In Burton's Charlie and the Chocolate Factory, Music and Sound is a cinematic technique used very
effectively to convey various feelings to the viewer. One specific scene comes to mind, the scene in
which Willy Wonka introduces the children and parents to the inside of the factory in the giant
edible field. As everybody enters that room, there is a non–diegetic tune that accompanies a sense of
wonderment in the viewer. Soon, though, Wonka tells them to be cautious, and the music becomes
more uncertain, giving the viewer a feeling that something may happen. The technique of
Music/Sound is portrayed very effectively here, as it gives the viewer various elements of
foreshadowing and different feelings to get them absorbed into the film. The second technique,
Camera Angles, is also used effectively in Charlie and the Chocolate Factory to convey different
feelings throughout the

Country Music Video Analysis
When thinking of a country music video, what comes to mind? Most would think of an old dirt road,
beer, trucks, and girls. That's not what a country music video is about, it's about showing what the
song is trying to say, through a video. A music video shouldn't be about how good or bad the song
is; you shouldn't even hear the song when you watch the video. It should be about helping to tell and
show the story, the way the artist wants the viewer to see it. A great country music video consists of
three things: a narrative, visual effects, and the camera and lightening of it. Sturgill Simpson's music
video of "Brace for Impact" is not a typical country music video, but it is a country music video. It is
an extraordinary and effective video, ... Show more content on Helpwriting.net ...
There are different types of camera angles used throughout Simpsons video. In a video there are
three camera angles that are used to add different effects to it (Davis). When Sturgill is singing and it
shows him from eye level it's creating a drama filled effect. Then when it shows him from a high
angle it's creating a weaker effect. It also shows him from a low angle which creates a dominating,
strong effect. The lighting of "Brace for Impact" is dark. The lighting of video's can modify, or alter,
the mood of it (Davis). Simpson is shown playing and singing in a concealed room, with little light,
meaning he wants the mood of the video to be gloomy and tragic. The camera angle and lighting of
"Brace for Impact" help to set the mood and effects, of what Simpson wants you to feel, when
watching this music

The Influence Of Gothic Elements In Tim Burton's Movies
Tim burton is very good at using color to establish a mood. As seen in many of his hit movies, color
is a large part. Tim burton uses certain cinematic techniques such as color symbolism. For example,
in "Alice in Wonderland", you can see that Tim burton purposefully makes queen Iracebeth's castle
dark and red to show that she is angry or even dangerous while Tim Burton makes Mirana of
Marmoreal's castle white to show tranquil and goodness. Even the small things matter to Tim
Burton. All colors are specially chosen because it would change the whole movie if he changed a
white castle to a black castle. This technique can also be found in "Charlie and the Chocolate
Factory" in the scene when they are riding on the boat down the chocolate river. ... Show more
Gothic elements such as castles, or ancient prophecies are used all throughout his movies. If you
asked many people would say this is the factor that tells them that a movie was directed by Tim
Burton. Throughout all of his movies there are always one or two gothic elements included. For
example, in "Edward Scissorhands", you can find two gothic elements. Setting in a castle and
inexplicable events. Edward Scissorhands is found in a dark, supposably haunted castle when peg
finds him in a dark corner. If Edward was found in the middle of the desert it wouldn't be intense.
The explicable event is that Edward was converted to a normal human but he was a robot and he has
scissors for hands. Tim Burton makes these gothic elements very obvious so it can change the tone
of the movie from happy to creepy. Tim burton also uses gothic elements in "Alice in Wonderland".
Again, he uses a castle as the setting for most of the movie but also adds an ancient prophecy. The
castle is used to show the scary queen and the ancient prophecy is used to depict what will happen
throughout the rest of time. Tim Burton likes to use these to change the mood very quick, which is
one reason why Tim burton loves using this

Weather In Moulin Rouge
How does Baz Luhrmann use the weather to portray distress in the protagonists' lives in the films
Romeo and Juliet and Moulin Rouge with the help of camera angles?
The manipulation of the weather is a concept that features in both Romeo and Juliet and Moulin
Rouge. In both of these films, it is used to show distress and the death of one or both of the
protagonists. This concept of distress and/or death will be explored. For the film Romeo and Juliet,
sequence will be used where Romeo kills Tybalt and sequence will be used, where Romeo is
banished because of him murdering Tybalt. For Moulin Rouge, I will be exploring sequence , where
Christian is thrown out of the Moulin Rouge on to the street, as well as the closing sequence, ...
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This is similar to sequence of Romeo and Juliet where Romeo is banished from the town that he
once lived in. In both films there is rain in both of these sequences, showing that Romeo and
Christian are now at their lowest points in their lives, being rejected from places they love and the
people who they have grown fond of, and fallen in love with. In Moulin Rouge Christian is full of
sadness and anger from being thrown out on the streets. The camera angle of Christian in this
sequence is different from that of Romeo in sequence of Romeo and Juliet. We see Christian in an
eye level shot as he lies on the floor in the rain possibly showing, cinematically that he has hit rock
bottom in his life.
In the closing scene of Moulin Rouge we find Satine slowly dying in Christians arms. The camera
angle that Baz Luhrmann decides to use is a birds eye view shot (or in other words an extreme high
angle shot) which shows just how powerless Christian is in this situation. This shows that Christian's
emotions are just of complete and utter surprise and of course sadness. At the end of this scene we
see that it is in fact snowing, showing and emphasising Satine's words to Christian that she is

Mise En Scene In Psycho
From the quote, we are able to see that all , if not most , of Hitchcock's films seek to play with the
viewer's emotions, often by leaving crumbs of suspense before the action, making the viewers go
through a myriad of emotions. Hence, for Psycho, I will be discussing three scenes where Hitchcock
has deliberately and precisely controlled via the film medium, to engage us. Argobhast and
Norman's conversation scene. In this scene, we see Argobhast's journey towards finding out the true
reason of Marion's disappearance and hence, Hitchcock plays us via Norman and Argobhast's first
interaction. Initially, the scene opens up on a light note, with Norman seen reading and eating candy
and as the non diegetic ominous sound slowly disappearing, ... Show more content on
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Upon entering the parlor, Hitchcock has set the stage for the viewer to use Marion as a vehicle to
determine how Norman is like. The POV shot of Marion studying the room first brings out attention
to a stuffed Owl and a stuffed crow, the first indicator to the viewer that something is not right,
making us feel suspicious already. Marion then takes the seat closer to the tiffany lamp while
Norman takes the seat at the opposite side of the room which is noticeably darker. Mise en scence in
this scene does the most to capture the true personalities of the characters. For Marion, Hitchcock
has deliberately surrounded her with objects such as the lamp which is actually the only source of
light for the whole room, a pitcher of milk and several other scenic objects. Furthermore, the milk
may perhaps symbolize innocence that despite the crime committed, there is a redeeming quality
within Marion that will save her. As Marion sits closest to the lamp, her face remains brightly lit up
and similarly casting the same effect towards the objects around her. The viewer upon seeing
Marion, unconsciously feels at ease within her presence, perhaps even forgetting that Marion is no

Film Analysis Of The Film 12 Angry Men
This essay will explore the Oscar–winning United artist film 12 Angry Men directed by Sydney
Lumet; with a thorough evaluation of how successfully the narrative reflects tensions in 1950s
America. 12 Angry Men is renowned for its strong linear narrative and the ability to obtain the
attention of the audience with the use of only one mise–en–scene. The 1957 courtroom drama was
established around the key theme of Politics and the battle between communism and capitalism in
1950s America; with a traditional Hollywood Narrative being sustained throughout, enabling a
powerful and persuasive style. 12 angry men initiate with an introductory scene, displaying external
architecture of the New York County Courthouse which sets the scene for the rest of the film by
highlighting the importance of the location. When brought inside, the audience is introduced to the
12 jurors, through a camera 'pan' from right to left, to show their importance as they remain the key
focus for the entirety of the film. With a high camera angle introduction of the main suspect, a
young underprivileged Hispanic boy, whose life depends on the white men who sit before him.
American society
There are many nostalgic ideas of the 1950s that often create images of happiness; not far from
those depicted in blockbusters such as Randal Kleiser's 'Grease' (1959) and Walter Lang's 'Cheaper
by the Dozen' (1950). However, the reality of 1950s America was far from enjoyable. Although the
1950s was filled with consumer

Cinematic Techniques Essay examples
Cinematic Techniques
The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices
appropriately within the context of the theme. Part of the underlying theme of this movie as
explained by Truffaut himself is, "... to portray a child as honestly as possible..."(Writing About
Film, 1982). It is the scenes in this movie that are most helpful in disclosing the overall theme of the
film. Within the scenes, the camera angles in this film play an important role in accentuating the
emotions behind the scene. The camera angles used in this film will be the primary focus of this
paper. The high angle shots utilized in The 400 Blows are effective in helping to develop the overall
feel of a scene. This movie ... Show more content on Helpwriting.net ...
There is a definite correlation here between the angle selected and the sense of childhood innocence.
However, this particular camera angle does not always hold the same meaning in every shot.
A latter high angle shot involves the elementary school teacher. Mr. Bigey (Georges Flamant), the
teacher, is first demonstrated in this film by using a high angle close–up. This angle presents the
teacher as a figure of authority and rule. Furthermore it establishes a feeling control. Humans are
most likely to look up to, figuratively speaking, figures of authority and control. As to follow with
the storyline, the teacher is almighty and can direct the children in any sort of fashion he pleases. He
has the control. This particular angle is appropriate for this scene because it establishes, right away,
that Mr. Bigey is a force to be reckoned with. For example, when someone is knocked out in a
fistfight and the first view they see upon awakening is the opponent towering over them, they are
more apt to recognize the authority and control considering the view. That is why this angle works.
Speaking of view, the next shot that will be discussed gives an entirely different feel, partly because
of the view, but it does remain within the definition of a high angle shot.
In the reformatory, immediately after exiting the patty wagon, another high angle shot is employed
to reveal the reinforced bars on the ceiling giving the audience a

Cultural Diversity In Clint Eastwood's Gran Torino
Many people say that old people fear change as they have grown so accustomed to their old ways,
however, in Clint Eastwood's meaningful and captivating drama Gran Torino, it is exemplified that
anyone is capable of change. Gran Torino shares a story about tolerance and cultural differences, but
also one about hope, self–sacrifice, and unlikely relationships. In the film, an abundance of cultural
diversity is met with much resistance, stereotype, and prejudice by the movies' main character, Walt
Kowalski. Walt's world is changing; his wife has died, his Detroit neighbourhood is deteriorating,
his relationship with his two sons is distant, and his Korean War memories continue to affect his
ability to fully enjoy life. Through an unlikely bond with the Hmong family next door, Walt finally
receives redemption by coming face–to–face with the same destructive prejudices consuming
neighbourhood teenage gang members that have consumed him. Through the devices of
characterisation, symbolism, and dialogue the viewers will witness Walt emerge as a more
compassionate individual who becomes more accepting of other cultures and ethnic backgrounds
around him.
Clint Eastwood depicts a sense of transformation in protagonist Walt Kowalski from a racist
tormented character to a compassionate father figure through characterisation. Protagonist, Walt is
perceived as a tough, worn, old man who has had enough of the people around him. He is viewed as
a stereotypical irritable old Korean war

Notes on King Richard Iii and Looking for Richard Essay
Lady Anne scene – – "Presents Anne with an offer she can't refuse" –Showing the references
throughout with popular contemporary context to derive meaning –Anne mostly in the dark
enhancing her incomprehension, camera turns away from her or shows only as body parts to frame
Richard's body "Was ever a woman in this humour wooed? Was ever a woman in the humour won?"
– assonance and expansive 'o' sounds as well as rhetoric and repetition "I'll have her but I'll not keep
her long" – intercuts of 'Ha' as well as an increased speed of cuts through this line – almost portrays
Richard as mad – cut of him out of costume in rehearsal laughing – Seduction through language and
sexual tension in Pacino's version – low neckline in costume, ... Show more content on
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Penelope Allen's appearance of a dishelved women fighting for her portrayal of Queen Elizabeth
defines how heightened emotions transcend time –

Comparing Dark Water and The Mothman Prophecies Essay
Audiences love to be scared. Horror films attempt to find some sort of trigger in the audiences mind,
and develop it to create horror.
Preceded by the great horror novels such as Dracula, and developed in the early nineteen twenties
and nineteen thirties in Germany. From slash movies, to the post–modern psychological thrillers,
horror films have evolved into an art form. This genre relies heavily on the basic horror conventions.
These have been adapted from the early twentieth century, and have developed a whole series of
genre conventions into a familiar variety of scary settings, iconography, and stereotyped
characterisation. Audiences have a clear understanding of this, and they use it to ... Show more
Although the violence in both films is quite obvious as the films progress, both film's psychological
horror is present in the early stages of the films, this form of horror is essential to both films in
gaining the audiences attention and developing their own horror. This is portrayed effectively by the
use of bland, uninteresting isolated settings. This isolation establishes the tense atmosphere of the
films, and the everyday settings of a small village and a block of flats gives a sense of reality to the
horror. This creates a relationship between the audience and the setting of the horror, and this is
developed to create some effective jolts as both films progress.
Characterisation can be used to isolate the audience from the horror, or develop a relationship with
it, depending on how the characters are established. In "Dark water", the two main characters are a
mother and her daughter. Both characters have conventional characteristics. The daughter is
innocent. The woman, without a husband, is portrayed weak, this form of stereotype is more the
case in Japan than in America. Along with the setting, this gives us two vulnerable characters, alone
but for each other, giving the director endless possibilities to take advantage of them, by using them

Much Ado About Nothing and Good Will Hunting
Self–discovery relies on the learning from others.Self–discovery is defined as "The act or process of
achieving understanding or knowledge of oneself."We all interact with many people who play an
influential role in our lives. These people could challenge, criticize, motivate, inspire, or judge us.
Through this, we may develop a deeper understanding of ourselves and our abilities. By reflecting
upon difficult or unhappy interactions with another person, we might even be able to see these
interactions with new eyes. The idea of counterfeiting, in the sense of presenting a false face to the
world, appears frequently throughout Shakespeare's much ado about nothing. A particularly rich and
complex example of counterfeiting occurs as Leonato, ... Show more content on Helpwriting.net ...
Again, influenced by the people around him. Similarly, during the film Good Will Hunting, Will
counterfeits himself to his new lover, Skylar. "I have 12 older brothers, were scattered all over the
place but three live with me" Hiding the shameful fact that he was an abused orphan. Benedick and
Beatrice both get soliloquies during the play after being tricked into thinking that one loves the
other. Both soliloquies contain the personal growth that they have just encountered through the help
of the other people around them. Benedick speaks of Beatrice as "fair", "virtuous", and "wise",
which confirms that he has always been in love with her, but had never wanted to admit it to
himself. Beatrice has come into realisation of how she was and what she is becoming by discovering
her love for benedick. "Taming my wild heart to thy loving hand; If thou dost love, my kindness
shall incite thee" The scene with Will and Sean at the pond. Sean has a soliloquy through almost the
entire thing; the only shot is an eye–level close up on Sean. It stays on him until he begins talking
about love, then the camera very slowly, staying at eye–level, and pans to include Will in the shot.
"Michelangelo? You know a lot about him I bet. Life's work, criticisms, political aspirations. But
you couldn't tell me what it smells like in the Sistine Chapel" This effective technique creates the
idea that Will is slowly being exposed by Sean's words.

Ms Trunchball Analysis
The film Matilda by Danny DeVito was released in 1996. Ms Trunchball is depicted as an evil and
malicious character. This is shown through her appearance, personality and language lighting effects
and camera angles.
Firstly, Ms Trunchballs negative appearance depicts and shows how evil and malicious she is. Her
appearance is very unflattering and what she wears makes her look even more scary and terrifying
then she really is. She wears dark, harsh clothing which is unflattering and old fashioned, as a
viewer it makes me feel scared and anxious about how she dresses and appears as a character. Ms
Trunchball is big, tall, intimidating, and nasty, very mean to children, this is shown through her
appearance. When Ms Trunchball is introduced to the movie for the first time there are many low
angles to make ... Show more content on Helpwriting.net ...
Most of the angles used focus on the one subject Ms Trunchball. Although most of the camera
angles used are low angles, as these types of shots make a subject appear larger, bigger, powerful
strong and threating towards viewers, so that they get an idea of how the evil character in the story
is. Also, eye level shots or close ups of Ms Trunchball were the most effective because it showed her
disgusting teeth, this is not very appealing to the audience. There was also some extreme close ups
on her face to show exaggerated facial expressions. The camera angles that were used on Ms
Trunchball, are showed strongly through the editing techniques. As Danny DeVito uses a high angle
shot to show all the details of what the school looks like from a top view. However some of the
techniques Danny DeVito uses, such as when Ms Trunchball spins a girl around by her pigtails, may
potentially be too scary for little children under eight. The direction and angles of the shots were
demonstrated appropriately, because it was noticeable and eye opening as a

Critical Analysis of a Sequence from FANTASIA Essay
Critical Analysis of a Sequence from FANTASIA
All of the animation that was used in Fantasia was hand drawn. The scene that we are analysing is
the first one right at the very beginning. This was when the elephants and hippos are floating on
bubbles and then one of the hippos' lands on the floor on a bed, then the crocodiles come along.
The way that each and every one of the slides was so smooth was because they used a technique
which was very similar to ghosting that we now use on the computers except they traced each slide
onto a piece of tracing paper as well as normal paper, they would then place each one on top of the
other so that they would be able to see where all of the animations ... Show more content on
Helpwriting.net ...
This would suggest to the viewer that the crocodiles are bad and evil. The hippos are more of a soft
brown colour which suggests that they are good and calm. Also the fact that the hippo was wearing a
pink tutu which suggests that she is sweet and innocent.
The shape of the crocodiles is much more tense and square than the hippo. When all of the
crocodiles surround the hippo they stand in a square, with their shoulders up. The crocodiles are
much more sharp and quick. They are also of a flat shape and everything is in 2D. The hippos are
more of a round and smooth shapes, also the bubbles that they float on are round with soft edges. A
circle shape is used for hippos to show that they are good and gentler.
There are many example of when shadows are used in this animation. The first time we really notice
a shadow is when the crocodiles are creeping along the wall. The shadows of the crocodiles are
much bigger than the crocodiles them selves. This would make them seem more frightening and
evil. Also it would make them seem more intimidating as they were up high looking down with a
huge shadow casting behind them. The spotlight that is on the hippo is circular to show the
gentleness and the goodness, but then this disappears when the crocodiles form a square around her.
But when

Essay on Hitchcock Deserves His Status as an Auteur
Hitchcock Deserves His Status as an Auteur
Alfred Joseph Hitchcock was born August 13, 1899, Leytonstone, England, and died in 1980 in Los
Angeles, USA, of liver and heart problems. He went to Ignatius College in London, to the School of
Engineering and Navigation, and then to the University of London. He started his film career in
1919 illustrating title cards for silent films at Paramount 's Famous Players–Laskey Studio in
London. There he learned scripting, editing and art direction and rose to assistant director in 1922.
By 1925, he had directed his first finished film, " The Pleasure Garden" shot in Munich. His
breakthrough film, "The Lodger", came a year later. Alfred Hitchcock directed over ... Show more
The film begins with Marion, who steals $40,000 so she can afford to get married. She drives from
the city to her lover and, on the way, stops at the Bates Motel where she meets the owner, Norman, a
very nervous but friendly young man. After hearing over tea with Norman about his relationship
with his mother, Marion retreats to her room where she has a shower before bed. While in the
shower she is brutally murdered by what seems to be Norman's mother. Later, when a private
investigator goes looking for Marion, he is also horrifically murdered by the "mother" and only
when Marion's sister, Leila, accompanied by Marion's lover, Sam, comes looking for her do we
discover that the "mother" is actually Norman. He had been dressing up as his mother since killing
her, along with her second husband, many years earlier.
The Parlour Scene =================
A key scene in Psycho is the parlour scene. Nothing horrible happens in this scene but it provides
the audience with clues that something is not quite right. In particular, it begins to reveal the darker
side of Norman's personality and his pathological obsession with his mother. Hitchcock uses camera
work, lighting and mise en scene, particularly birds, to create a sense of menace.
The scene

Analysis Of Do The Right Thing
In his 1989 film Do the Right Thing, Spike Lee uses elements of film style, including mise–en–
scene and cinematography, to present the narrative theme of the film, which calls attention to the
consequences of racial tensions in a Brooklyn neighborhood. These stylistic techniques are
particularly prominent in two scenes where an African–American member of the community, Radio
Raheem, encounters neighborhood residents of other races: Korean–American fruit–and–vegetable
shop owners and an Italian–American pizzeria owner named Sal. The action of the film takes place
over the course of a scorchingly hot summer day in Bed–Stuy, a neighborhood in Brooklyn. The
film showcases the quotidian routines of the neighborhood's residents, the majority of whom are
black. There are, though, a few other groups represented in the community: most notably Koreans,
Italians, Caucasians, and Latinos. Lee pays particular attention to highlighting the strained relations
between the members of these different ethnic groups who attempt to coexist in the neighborhood.
The racial tensions continuously escalate over the course of the film and culminate in the murder of
black character Radio Raheem at the hands of a white police officer near the end of the film. Thus,
the film is largely centered around the consequences of these racial divides. Prior to his death, Radio
Raheem is in two scenes in which Lee uses both stylistic and narrative techniques to display this
narrative theme. In the first scene,

Essay on Pleasantville
The movie ''Pleasantville'', written, produced and directed by Gary Ross, approaches a period in
America's history which subsequent generations idealise as a better and more stable society. He
portrays this time period of the 1950s as a time when people and life were less complicated; a time
when everyone knew their place in society. However, as the film ironically shows, this was a time
when people were more ignorant, racist and most certainly sexist. Ross demolishes this illusion of
the great 1950s American society by showing how its defects are gradually changed from black and
white to colour. Ross shows that 'change is inevitable' once a catalyst for change is added to the
ordered life of "Pleasantville". Once David and Mary–Sue begin ... Show more content on
Helpwriting.net ...
Throughout the romantic scene between Skip and Mary–Sue, the viewer notices that Jennifer, as her
'Pleasantville' character, Mary–Sue, is the original catalyst of change within "Pleasantville". Without
her intervention change would not have been inevitable in "Pleasantville". This intervention,
however, was not a one–way process. The viewer also can note that Jennifer originally hated
"Pleasantville" but grew to accept it. This is clearly shown in the scene "From the Tree of
Knowledge" (01:10:00), where Jennifer puts on the coat, a symbol of "Pleasantville's" old fashion
dress. Supposedly because of the chill from the coming storm, she willingly puts on what she
originally first stated she would never wear. This act was the initiator of her changing attitudes.
Further by putting on glasses that symbolize "nerdiness", reading a book and rejecting an offer to go
out because she "has to study', Jennifer shows that 'Pleasantville' is changing her into Mary–Sue.
The arrival for the first time of a thunderstorm and rain to 'Pleasantville' is a symbolic technique by
director Ross to imply that those who embraced change had their former selves "washed away." So
Mary–Sue, Bill and many of the teenagers become "coloured" people after the storm. They become
different people no longer "normal" residents of "Pleasantville."
Bud is the second catalyst of change, yet most of the time when he does inflict change upon
''Pleasantville'' he does so

Analysis of Steven Spielberg's Creation of Tension and...
Analysis of Steven Spielberg's Creation of Tension and Suspense in Jaws
The essay is about analysing the ways the director builds suspense and scares the audience I shall
explain the effects of the following:
Sound and music, camera shots, red herrings and tension in the plot. I will also include a conclusion
and will give my vies on the scariest moment of the film and provide my reasons for this
The film is called Jaws. We get some idea of what the movie is about by this title.
Steven Spielberg directed the film.
The story involves a series of attacks on swimmers by a great white shark. The effects of the shark
attacks threaten the future of the resort's tourist business, and. Finally, ... Show more content on
Helpwriting.net ...
Chrissie decides to go for a swim. We get a shot from underneath the water with mysterious music
lasting around ten seconds when the musical cue for the shark cuts in. The point of view shot works
really well with the music, as we do not yet know what is in the water. The director keeps us, the
viewers; unaware of what is actually the culprit of these revolting attack. As the film progresses we
learn to associate the music with an imminent shark attack.
The next attack is that of a little boy Alex kintner. There are people playing on the beach and in the
water. Brody (the police chief) is sitting tentatively, watching things intently. He hears screams from
a young girl, but of course they are playful screams. Then we see a man playing fetch the stick with
his dog. We also see a rather large lady go into the water, and finally we meet Alex Kintner. These
are all very likely suspects of the next shark attack. Alex Kintner goes out on his lilo into the water.
Then we get a point of view shot from under the water, but no music. The shark is not yet there.
Something is approaching but we are not sure if we are being teased or not. Meanwhile we see a
stick floating in the water and the man calling out for his dog. This makes us feel uncomfortable as
the suspense increases. Next we see more children splashing and then the film cuts to a point of
view shot

Analysis of the Film Good Will Hunting Essay
Good Will Hunting is the graceful tale of a young gentleman's struggle to find out where he belongs
in the world, by first finding out who he himself is. In this film, Matt Damon takes on the role of a
disturbed genius that has a keen understanding of the deepness of human character. The film is a
voyage through the mind of Will Hunting as he is required to undergo psychotherapy as an
alternative to serving jail time. With the assistance of a psychologist, played by Robin Williams,
Will learns about himself and recognizes his individual worth in the world by comprehending what
is most important to him in his own life. This motion picture serves as a source of superb example
for film technique. Gus Van Sant's directing ability joined with ... Show more content on
Helpwriting.net ...
He is not wearing any masks because he feels protected in these situations. In the times where Will
is in a position where he is hiding inside himself, or he doesn't have that sense of security, Van Sant
does a very obvious color change to more colder hues, such as blue and white. This use of color
builds a feeling of manipulation and unease, being distant and unfriendly. One such example is
Will's first encounter with Sean, the psychologist. He is staring at a work of art that is suspended on
the window and as he is looking at it, he is examining its artistic worth and Sean's life (Van Sant &
Bender, 1997). The nearer he gets to the image, the more frigid the light gets until the conclusion of
the monologue when he is directly facing it and the sunlight produces an impression that is quite
comparable to an overexposed photograph, which causes Will to look especially bizarre, and
terrifying. In this big moment, there is an entire change in mood within one shot. The frigidness of
the shot forms a sense of reckoning and the viewer can identify with how Will lashes out when he is
in circumstances he doesn't feel comfortable with. Furthermore, Vant Sant makes statements which
are just as strong through his use of camera angles and shots. Together with the film's
cinematographer, Jean–Yves Escoffier, he creates a mise–en–scene which is striking and powerful

Shot Techniques in the Film, Do the Right Thing Essay
Shot Techniques in the Film, Do the Right Thing
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I
say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the
high and low angle shots. He does this to draw clear contrasts between the two elders of the block,
Da Mayor and Mother Sister and to make conflict more apparent.
Mother Sister certainly believes she is on a higher moral plane than the lowly Mayor and is usually
seen by way of a low–angle shot high in her window preaching down and casting criticism on the
passersby, giving her an almost God–like characteristic. The high angle shots from her view give Da
Mayor and others on the street a ... Show more content on Helpwriting.net ...
Briefly the two are in the same eye–level shot showing the viewer that Mother Sister and Da Mayor
are very much the same. This also gives her character a much more tangible, mortal quality. They
are also shown this way after Da Mayor risks his life to save a boy from being hit by a car while
playing in the street, but it is not so much because the two are equals as it that the God–like Mother
Sister is coming down from her high perch to grace Da Mayor with her sacred opinion that he has
done a good thing.
A good example of Lee using high and low angel shots to exemplify conflict is in the two
encounters between Sal and Radio Raheem. Radio Raheem is shown throughout the film only with
low–angle shots giving him a threatening, larger than life appearance. When Radio Raheem walks
into Sal's Famous with his boom box blaring the first time it starts a huge altercation between Sal
and Raheem. The camera jumps back and forth between low angle close up shots of Raheem to the
reverse high angle close ups of Sal as the two yell at each other. This confrontation ends with Radio
Raheem finally turning off the music and peace is restored. The second instance occurs just before
and serves as the catalyst for the violent climax.
Lee makes excellent use of these shots as a way of bringing the viewer into the action of the movie.
His use of high and low angle, point of view shots both heighten tension and give the feeling that the
characters

The themes are timeless and resonate the views in a modern...
The themes are timeless and resonate the views in a modern society despite being written in
disparate contexts, these values concern the core of human nature. This can be shown and evidenced
through Shakespeare's "Othello" and the similar views in Clint Eastwood's "Unforgiven". Both texts
echo the same views and themes through timeless society, these being Gender, and Honour.
In "Othello" there are many negative views on the treatment of women and equality which are
shared with "Unforgiven" though at a much more violent level and both exerting male dominance.
Iago see's all women the same, addressing his statement with the use of caesura, 'devils being
offended..., and housewives in your beds' from Act 2 scene 1. He lists these abusing ... Show more
Little Bill's comment during the interrogation of those guilty of the abuse towards Delilah is ironic,
'well I aint gonna hurt no woman' as though he doesn't harm the women, he has still hurt them as the
offenders were not punished justly for their crime, which is insulting towards the women. The Kid
comes to Munny for help and labels the women with animal imagery here 'even cut her teats' the
incident was over exaggerated, though the animal imagery reveals that another man in the country
uses a downgrading term, thus offending the females. Overall the males views in both 'Othello' and
"unforgiven" remain pertinent despite the gap in their time, which only shows that the theme is
timeless and the fight for equality is not over.
Othello is known as an honorable man in the play as he is in charge but that begins to fade, and
Desdemona still chooses to honor her husband. The ironic comment from Desdemona in Act 4
Scene 2 'To whom my lord, With whom? How am I false?' this is ironic as everyone but her knows
that she is accused of adultery , and her use of repeated question marks shows her distress to be right
in the eyes of her husband, to honor him with respect. Iago is one who also holds a honorable
position, though it is deceiving. His high regard can be noted through the use of epithets 'Honest
Iago'. These epithets are ironic as he is not 'honorable', and

Techniques In Edward Scissorhands
Does abnormal people like the way they are – hated by the "ordinary" people? The movie "Edward
Scissorhands" directed by Tim Burton, is about a man named Edward who has hands that are
scissors. He was fabricated by the inventor who lived in a mysterious, gloomy castle. The reason
why his hands were scissors, was because the inventor died before he replaced it with human hands.
That the inventor was dead, Edward was left out and living in the castle all by himself; until, when a
local Avon saleswoman, Peg Boggs went into the castle and saw Edward. She felt frightened of his
hands at first. However, she realizes that Edward is harmless and lonely so she decides to take him
to her home. Once Peg introduced Edward to everyone in Peg's neighborhood, most people got
along with him. Edward was also recognized as a talented, trustworthy person once he proved his
skills on hedge–trimming and hair–cutting. However, not everyone accepted him and at last, the
whole neighborhood start to reject him. As a result, Edward ends up living back up in the castle, his
home. In the movie Edward Scissorhands, Tim ... Show more content on Helpwriting.net ...
Tim Burton uses low angles, eye–level angles and high angles in order to contrast human and mans
in a distinctive way as well as address the relationship between them. Additionally, he also uses
closeup shots and medium shots to create mood and impression and at the same time, show that
Edward and people of the neighborhood live in very different conditions. Both of these cinematic
techniques leave the audience with meanings which justifies the theme of the movie. These methods
of filming shape meaning as well as cause the movie to turn out as an interesting one. Some people
might be somehow different than others by an extreme amount, but do understand that we still have
sameness within each other, and they have no reason to be disliked

Analysis Of No Country For Old Men
No Country For Old Men
The film 'No Country For Old Men', directors Ethan and Joel Coen use a variety of film techniques
to draw parallels with the idea of fate, chance and free will. Two particular scenes that shows these
ideas is the coin flip scene involving the confrontation between Chigurh and Carla Jean as well as
the following car crash scene.
One of the many film techniques used by the Coen's is the symbolism of the coin. The coin held by
Chigurh denotes his moral nature, driven by random chance and the idea of fate. Halfway into the
confrontation between Chigurh and Carla Jean, we see Chigurh offer Jean the coin flip, where he
says "This is the best I can do." Jean knows she must call the coin, whether it is a head nor tail, but
she refuses, as shown when she answers "The coin don't have no say. It's just you." Carla
understands that Chigurh's choice to kill lies not in the coin, but Chigurh himself. This stands in
stark contrast to Chigurh's viewpoint, where he believes that each choice and random chance
determines our fate, whereas Jean refuses to believe that her fate is determined by the outcome of a
coin. Chigurh continues to pressure Jean into making a decision, and her refusal to make a decision
is no decision at all. Yet, Chigurh does not act outside the idea of fate, as shown in the following
scene. Even though Chigurh has the green light, another car barrels into his, causing Chigurh's
vehicle to swerve onto the sidewalk. Although Chigurh does eventually

Camera Angles In Beowulf
An iconic film that has shown the generations of Anglo–Saxon culture is called Beowulf, created in
2007 by Robert Zemeckis. Beowulf is the legendary warrior, he and his men set out on a journey to
Denmark to fight a battle and conquer a foreign beast. During the specific portion of the film
Beowulf, being the noble king that he is, ignored Wiglaf's word of advice to not fight as it is not a
king like thing to do. Secondly, Beowulf stood out in the scene as he removed his armor and stood
tall compared to Fin from Frisian, which represents body language. Lastly, the battle took place on
the shoreline of Denmark, close to the castle, the cinematography included the ocean with many
guards and warriors surrounding the foreign warrior. To begin ... Show more content on
Helpwriting.net ...
Beowulf arrives on the scene with along with Wiglaf right behind, and demand his soldiers to finish
the foreign warrior off quickly. Authority is shown by the specific camera angles as Beowulf is
shown in depth to the low angle shot and also the close up during their engagement between each
other. With the camera committing a close up on Beowulf it shows the buildup of an important scene
coming up and it builds the stage for the viewer. With the camera angle showing Beowulf with the
low angle shot, it resembles his appearing larger and more dominant than the opponent. His
opponent was given the high angle shot showing isolation and having a lesser importance compared
to the king. An over the shoulder camera angle was also used, the camera goes through Finn's
shoulder while he is holding his weapon up high and Beowulf's face is right in the center dominating
his opponent just by verbally speaking to him. Secondly, body language is equally important as the
camera angles are, as body language shows how a character responds to an event happening. A body
has many secret meanings and during this scene, Beowulf is seen being dominant by taking control
of an escalating situation near the shores of Denmark. Beowulf uses

Analysis Of The Boy In The Striped Pajamas
"Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows."
– John Betjeman, English poet. Childhood of illusions that the child creates, until they embrace
logic. The Boy in the Striped Pajamas focuses on the son of a German soldier, Bruno, during the
second World War. Bruno is oblivious to the war and the persecution of the Jews until his father
receives a promotion. The family moves to a compound near a concentration camp where Bruno
befriends a Jewish boy named Shmuel. Bruno's naive beliefs about his country lead to his demise in
the camp's gas chamber when he attempts to help his friend. This movie's theme of naivety is
supported through the sound, symbols, characterization, and camera angles. The Boy in the Striped
Pajamas often uses sound to contribute to the theme. During the first scene, Bruno and his friends
are shown playing while they run through the marketplace. This visual is accompanied by upbeat
music that provides a sense of joy and freedom. This combination shows Bruno's innocence before
he encounters the malignance of the world. Later on, music is again used to highlight Bruno's
innocence. As Bruno runs through the woods exploring, feelings of adventure and discovery are
broadcasted by the background music. Naivety is exemplified by his enjoyment of the adventure
that the sound implies. As Bruno and Shuel run through the ghetto, adventurous music is laid over
tones of apprehension and sorrow. But his innocence remains sound, even when the circumstance
become severe. Despite the dour situation when he enters the camp, Bruno laughs. Thunder from the
storm rumbles louder as Bruno ventures further into the camp, and despondent music plays as Bruno
reconsiders his decision to help Shmuel. However, Bruno is not deterred and continues his mission.
Bruno's demeanor and commitment while the storm grows closer communicates the innocence that
he holds on to, despite the odds. This sentiment is generated from the gradual decline of joviality in
the background music while Bruno and Shmuel search the ghetto. Symbols also support the
continued theme of naivety. The "pajamas" that the inmates of the camp wear symbolize Bruno's
innocent view of the world.

Film Techniques in the Movie "Shawshank Redemption"
'Shawshank Redemption' directed by Frank Darabont is a compelling film about the life of one of its
prisoners, Andy. many film techniques were used through out the film as a clever way of conveying
main themes. This essay is going to examine how Darabont used camera angles and colour
effectively in this film to portray the idea of power. The use of camera angles was a clear way of
defining a characters personality. The warden, Norton, is often seen from a low angles which
highlights his high status in the prison and his authority."Your arse belongs to me". This effective
way of showing Norton's position of power allows the audience to understand the significance of
him. The prisoners, however are frequently shown from a high angle which ... Show more content
When Andy plays music we see the prisoners shown form a bird's eye view, this is another camera
angle used to display the prisoners as small and insignificant. The camera angles used by Darabont
allow the audience to see the status of the characters. As the audience we get an instant look into
who is a in control and who isn't. While Andy is inside Shawshank we do not see many variations of
colour, mainly just shades of grey. these dull, lifeless colours highlight the prisoners lack of power
and for most of the prisoners, their lack of hope. Being contained in those dull prison walls and
obeying Norton completely shows that the prisoners do not maintain any form of control in the
situation they are in. The grey boring tones of the prison represent how the prisoner are expected to
act, dull, lifeless and without and opinion. The colours Darabont has used show how insitutionalised
the prisoners become. When Brooke's is released these dull colours are also shown, emphasizing
how he has become insitutionalised. This contrasts against the colours shown during the reunion of
Andy and Red. The audience no longer sees grey, depressing colours, but instead sees the bright
sand and vibrant colours of the pacific ocean. This shows the audience how Andy is no longer
controlled by the conformity of prison life, has regained power and is now, finally free. both camera
angles and use of colour were effective ways of portraying the idea of power.

Analysis of Trainspoting Essay
Analysis of Trainspoting
"Make a close analysis of a film segment you have viewed and describe the use of mise–en–scene
and editing."
I have chosen to analyse a small segment of the film "Trainspotting". The particular scene I have
chosen is called "Spuds Interview" and shows a character (Spud) attempting to appear as if he is
trying to earn the placement at a leisure facility. The catch is he is trying to appear to be trying
without actually having to get the job and therefore work. Spud appears to be drugged and his
hyper–active, exuberant personality which does a little more than simply shine through shows. The
most important aspect of this segment is the mise–en–scene as it is this which ... Show more content
(Spud looks at the mural on the wall for a few seconds the sits upright as if an idea has come to him)
Spud PLEASURE! I mean, my pleasure, of peoples like leisure, like its
Their pleasure!
Although the answer is not the best, the safety the "wall" has provided shows us that the idea of "the
sea" works.
The mural is only seen by the viewers as they see the interviewers and cannot be seen before that,
the only background for Spud is the bare wall, this suggests that he himself is stripped of ideas for
his answers to the questions he is presented with until the mural is seen by the viewers and he is
given ideas from the location he is in.
The characters are set up in a teacher to class style with the interviewers at the top of the room with
a large desk and Spud at the bottom. This could also be compared with a courtroom set–up, in both
cases the way the characters are placed suggests authority to a child. Spuds behaviour is childlike
also as we see later in the interview.
The props used in the scene also support the language used. For instance, because he is nervous,
Spud is using lists of three to fill his answers out, he does this because to list something is an empty
piece of evidence which Spud presents in the form of his intelligence. As a

Themes Of Birds In Psycho
Psycho a film directed by Alfred Hitchcock was created for the purpose of inciting fear and suspense
to engage its audience.
Hitchcock portrayed the message of mental health throughout the film.
Psycho both encouraged and allowed the audience to reflect on the message of mental health also.
Hitchcock utilises birds and taxidermy, the visual motif of eyes, and camera angles to engage his
audience and to create suspense.
Within the movie Psycho, birds are a prominent motif. The themes of isolation and duality, were
emphasized by the use of bird–related language, such as Marion's surname being 'Crane' and her
being from Phoenix. While dining with Norman in the parlor of the Bates motel, Marion is told by
Bates that she "eats like a bird", this transitions to Norman stating that he knows a lot about
taxidermy and the stuffing of birds, however not so much about how they are when they are alive.
Hitchcock suggests the fact that Norman doesn't know how to function normally within society,
however indicating he does know how to coexist with his "mother". The taxidermy of the birds
foreshadows that his "mother" is in fact 'stuffed' (preserved) and Norman is the one keeping her
'alive'. Hitchcock effectively utilised taxidermy and birds, to highlight Norman's mental health.
These create suspense, to help engage the audience.
A prominent visual motif Hitchcock utilised within the film was the characters eyes. The themes of
voyeurism and surveillance were underlined throughout

Analyzing the First Few Minutes of Die Hard Essay
Analyzing the First Few Minutes of Die Hard The first few minutes of 'Die Hard' are extremely
economic. They offer the audience an enormous amount of information about the story they are
about to see. By paying close reference to the text, show how far you agree with this statement.
There are a lot economic in the first few minutes I suppose. However in this essay I am going to
explain the scenes where I confess that it relates to economic and how far I agree with this
statement. In order to achieve my target I need to ensure that I pay close attention on the first few
minutes of the ... Show more content on Helpwriting.net ...
At the beginning of the 'Die hard' we see Bruce presents in a limousine, medium shot has been
exerted to introduce Bruce and the driver. By doing this as an audience we become aware of Bruce
being not just powerful but also a rich person. While the limousine arrives there is a point of view
angle to establish the area and a high, tall building stood up to show that they are going to end up in
that building. So this gives the audience an idea of that something negatively is going to occur in
that building.
During the event of the party in the huge building we also notice that everyone attending the party is
in high status because everyone was wearing formal clothes and drinking wine showing the
audience a posh party in progress.
When Takagi, Vice chairman Nakatomi investment group emerges from office and walks up to the
balcony, the camera follows him to show the party in progress. At this scene there has been used a
high angle shot to show us that he is in higher status than the people beneath. This gives the
audience an impression that Takagi is financially rich and seems to have the power over the
building.
After approximately a minute we see Holly sits at the desk and swivels her chair to face away from
Harry and the camera. Establishing shot was applied to inform the audience that she is married to
Bruce Willis and also that she owns the office which

Black Hawk Down
Man Down Repelling down from a hovering Black Hawk helicopter, running through the streets in a
foreign city, bullets hissing past your ears, bombs are exploding all around you, debris flying in all
directions, and you have a job to do. In Black Hawk Down, director Ridley Scott mixes a wide
variety of camera movement, camera angles, film speed, tone, and music to throw the audience into
the thick of the fighting in Mogadishu, Somalia. Scott places the viewer into the boots of Delta
Force members, ARMY Rangers, and many other military positions allowing you to experience the
nightmare these soldiers are going through. William Arnold stated "Black Hawk Down is a terrific
‘trip' movie that – like Private Ryan – plops us right in the ... Show more content on
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This new sense of hope is also reflected by the now yellowish tone. A new frame from inside the
helicopter reveals a bumpy ride as the camera bumps and vibrates with the helicopter. The first time
the audience members are placed in the boots of a soldier is when a high camera angle is used to
look down on the Red Cross Food Distribution Center through the eyes of S.SGT. Matt Eversmann
(Josh Hartnett). The camera perspective then switches to the ground as a vehicle carrying armed
men is tracked by the camera and follows the people rushing to get food by using a crane shot. The
camera switches to a low angle camera shot to show how desperate the starving people are for food
that they begin to fight each other for it, causing the camera to sway back and forth. The music
changes from an upbeat style to a more guitar–fueled rock and roll style symbolizing the anger felt
by the audience and soldiers. On another helicopter flight, American oldies' can be heard, which
conveys that this ride is not a serious flight like to one before. The soldiers are more relaxed and
peer out the helicopter door to enjoy the Somalian landscape. The yellowish tone switches to a
greenish tone as the frame changes to show Pfc. Todd Blackburn (Orlando Bloom) reporting for
duty, suggesting that this is a more serious part. The camera angle shows the soldier behind the desk,
checking Blackburn in, is always looking up to Blackburn. Even though Blackburn is younger, he
has a more heroic

Double Indemnity Film Analysis
The movie Double Indemnity is a film–noir style of film directed by Billy Wilder and released in
1944. This paper explores the formal elements displayed in the selected clip as well as the stylistic
choices made by the director. The clip lasts for two and a half minutes and is comprised of five
shots. The sequence takes place amid downtown Los Angeles and centers on the events of an
insurance representative returning to his office at nighttime. The first shot features Mr. Neff, the
protagonist, and a night watchman in a static, medium two–shot conversing in an elevator. The two
men are shown in a back–view with Mr. Neff positioned to the left side of the frame and the
watchman on the right. Top lighting illuminates the characters' upper ... Show more content on
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The non–diegetic music increases in pitch and starts to sound more fantastical. The third shot shows
Mr. Neff entering his darkened office and walking over to his desk in a medium–long shot. The
lights are off and only his silhouette is made visible against the backlight of the brightly lit glass
door. The camera pans to the right as he walks to his desk and the venetian blinds leave striped
shadows on him. He switches on a desk lamp which shines a light on the papers on his desk. A
glimpse of his office is made visible by the lamp showing a water cooler, some cabinets, and his
desk. The forth shot cuts on action to a medium shot of Mr. Neff sitting at his desk. He is centered in
the frame and seen catching his breath and wiping sweat off of his face. A full ash tray is visible in
the foreground on his desk. He takes out a pack of cigarettes and lights one up. The brightly lit
match highlights the contrast between him and his surroundings. The camera pans to the left as he
wheels himself in his swivel chair over to his Dictaphone. The desk lamp shines on him leaving the
sides of the frame in darkness and casting a shadow behind him. The sequence ends with a static,
medium–close profile shot of Mr. Neff leaning back in his chair and speaking into his Dictaphone.
His brimmed hat casts a shadow onto the upper part of his face. The non–diegetic music fades out
and stops as Mr. Neff begins his monologue. The clip ends with him saying, "I suppose you'll call
this a

Mise En Scene For The Happiness Salesman
I. Short Answer. 1. I am writing about the short film The Happiness Salesman. In this film a newly
single mother is trying to get her fussy crying baby to nap and her doorbell rings. At the door is a
salesman who tells her that he can offer her something missing in her life and she invites him in to
show her what he has. The salesman offers that he can restart her life, fulfill her dreams for a price.
He is selling a special DVD that contains her perfect future and that she can take a peek at it, she
just needs to type in what moment in time she would like to see. I liked this film, it was a little
predictable that what the salesman wanted in exchange would be sinister. It is suspenseful and there
are some interesting shots. You know something ... Show more content on Helpwriting.net ...
In the "making of" the costume designer Anna Biedrzycka–Sheppard describes how in the beginning
of the film the color of the clothing had some salmon pink, reds and some pretty yellows but when
people are in the ghetto and time goes on and the conditions worsen the colors become
monochromatic. The lighting in the film is either dark with brown and grey colors to accentuate the
feeling of sadness and hopelessness that existed in the ghetto or soft natural lighting during hopeful
scenes like when Szpilman is being helped by others, or when he is playing the

Citizen Kane : Film Directed By Orson Welles
Citizen Kane (Orson Welles 1941) is a film directed by Orson Welles, this film follows the life of a
millionaire Foster Kane played by Orson Welles himself. The film is set in the early 1930's and 40's
and follows his life and the presses attempt to unveil the meaning of his last mysterious word
"Rosebud." The brilliance of this film comes from the cinematography and shows the assertions of
humanity through its use of Mise–en–scene and various technical aspects such as low angle shots
and Deep–Focus shots. The use of Deep–Focused shots made this film appeal to people both
literally and visually; Deep–Focused shots are usually accompanied by the use of Mise–en–scene in
order to set up the scene so the audience is fully invested in the ... Show more content on
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Welles was a pioneer when it came to filmmaking, Especially in Citizen Kane where he developed
new skills of narrative structure, sound, set design and even the screenplay. The aesthetic of this film
gave all the different techniques a new and fresh taste. The Deep Focus shots show the foreground
middle ground and background in a shot making the picture clear. The way that he worked and used
the camera manipulated the viewer's experience, as opposed to the camera style of the "Old
Hollywood" era of filmmaking. The film focuses on scenes shooting into the light and dark to create
a new and fresh filming technique, the cinematic realism was something extremely new to the
filming industry at the time. The realism can be noticed through the Deep–Focus cinematography
done in this film. These techniques allowed for the different scenes to flow together ad make the
audience unaware of the changing of scenes. The importance of Deep–Focus cinematography affects
the way the audience can further understand the film to their own working of their own minds.
Deep– Focus cinematography gives the idea that what you are looking at is really there. Another
important technique in Citizen Kane was the use of Low–angle shots, a low angle shot is a camera
technique in which the camera shots the subject of a scene from the bottom looking up, this can give
the sense of being "Larger than life."
When viewing Citizen Kane the audience sees how

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