Analysis Of Vertigo

Analysis Of Vertigo
In 1958 Alfred Hitchcock released what is considered the greatest film of all time, Vertigo. Vertigo
is a film noir thriller that stars James Stewart and Kim Novak. Stewart's character, Scottie Ferguson,
is sent to follow and investigate his old friend's wife, Madeline. He spies on her strange actions and
at the time falls deeply in love with her. The viewer is given a restricted narrative through the eyes
of former detective, who suffers from vertigo, as he follows Madeline through San Francisco. The
audience views the film from the same perspective as Scottie. Hitchcock pompously puts the viewer
into Scottie's eyes in scenes where he is following Madeline give Scottie a voyeuristic sense. The
narrative is later switched to unrestricted as ... Show more content on Helpwriting.net ...
The viewer is introduced to the dolly zoom in the first scene when they look through Scottie's eyes
as he hangs from the gutter and looks down to the pavement below. The dolly scene gives the sense
of vertigo. In this scene it makes the ground seem so much farther below than what it is. Hitchcock
uses this shot throughout the film to give a feeling of false reality. The shot works by moving the
camera back on a track while zooming in at the same time. This shot is also known as the vertigo
shot. In the bell tower, this shot clearly puts the viewer into what Scottie is feeling at the time. It
makes the viewer seem uneasy like they might suffer from Vertigo. In addition to this, Hitchcock
perfectly uses the camera angle and the actors to tell a separate story. In the scene where he meets
with his old friend, Gavin Elster, Hitchcock basically choreographed the actor's movement and
camera angles to set a mood and give foreshadowing. In this scene, Elster is sitting down while
Scottie is standing in front of him asking the questions showing dominance. Once Scottie sits down,
Elster stands up and stands on the steps to the second level, giving this sense of him being higher
than Scottie. The camera follows Elster but then once Elster confesses why he wants Scottie to
follow him, the camera pans in tight to his face. At this point Elster blocking is extreme in this shot.
After his confession, the two men stay in the same position as the camera angle retreats on a dolly
bringing both men into frame. This example shines light onto Hitchcock's use of blocking and
camera use that is evident throughout the film. Another major use of the camera is the way it used to
show Scottie's point of view. The narrative is restricted so that means the viewer can only see what
the protagonist is seeing at that time. This is clear in the scene where Scottie is following Madeline
as she
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Alfred Hitchcock Point Of View
Alfred Hitchcock's cinematic style contains an array of stylistic devices, notably the point–of–view
shot. Using point of view editing, the audience "repeatedly [sees] events through the eyes of an
individual character." (Walker) The audience is privy to only what the character knows and likewise
absorbs the character's emotional journey. As the audience's emotional investment/identification
with the protagonist grows, so does the plot amplifying the audience's empathy for the character's
heartache, longing, and anxiety, creating the perfect recipe for a suspenseful thriller. Hitchcock
employs point–of–view editing in the films, Rear Window and Vertigo to exemplify the
protagonist's mindset and to control the amount of information the audience made be aware of.
The 1954 film, ... Show more content on Helpwriting.net ...
The audience is only privy to the information that protagonist has. Therefore, the audience
experiences the same emotions and anxiety as the protagonist. Hitchcock controls how much
information the audience is given by narrowing it a single character's perspective. Like Jeffries, the
audience becomes suspicions as to whether or not his neighbor, Lars has actually murdered his wife.
Additionally, the audience feels the same panic and fear when he witnesses Lisa being trapped in the
apartment by Lars. As Jeffries focuses more on each character, the audience learns more about that
character's personality and life. For instance, Jeffries nicknames a woman in a lower floor, Miss
Lonelyhearts. Together the audience witnesses with Jeffries Miss Lonelyhearts throwing an invisible
guest a dinner party before she breaks down in tears. (Walker) After identifying with her sadness,
the audience feels an added sense of panic and anxiety when Miss Lonelyhearts is seen with a bottle
of pills and alcohol, insinuating suicidal plans at the same time Lisa is being trapped by

Vertigo Essay
Vertigo (1958), directed by Alfred Hitchcock, is an American psychological thriller film that
communicates ideas, themes and issues through the use of its visual style. The visual stylistic
choices enable the exploration of madness, scopophilia and feminist film theory within the film.
This paper will critically analyse how this is realised mainly through the use of "the Vertigo effect",
spirals as a motif, the male gaze and colour.
The theme of madness is a centerpiece to the film. Vertigo was the first film to utilize the dolly
zoom or "the Vertigo effect", an effect that is intended to create the perception of disorientation
(Wollen 1997, p.14). The effect is meant to be a representation of Scottie's acrophobia. It conveys
that he is "falling–away–from–himself" or to suggest that he is realizing that everything he once
believed in is not true (Wollen 1997, pp.14–15). Hitchcock also used the effect in the climax of the
film when Scottie looks ... Show more content on Helpwriting.net ...
58). This has contributed to audience viewing the female body as an object. By the end of the film it
could be argued that Judy turns into a doll and Midge turns into a painting. When Midge and
Madeline get the rare opportunity in cinema to view through the male gaze, they appear to be
depressed when looking at portraits of another women as the realize what men see them as.
Hitchcock however challenges the male gaze in this film. In a key scene in the film about two–thirds
into it, Judy has a flashback which reveals to the audience what actually did occur on top of the bell
tower. This use of a female character being afforded a flashback is uncharacteristic and not
stereotypical in Hollywood films at the time and can been seen as attempting to change the
stereotype of the male gaze (Wollen 1997, pp. 16–18). This challenges the male gaze due to the lead
female character not being seen as a passive object for the first time in the

Vertigo As The Archetypal Mystery
Vertigo as the Archetypal Mystery Christopher O'Neil Introduction to Film Prof. Michael O'Donnell
March 16th, 2015 Alfred Hitchcock 's Vertigo is a classic movie of the mystery genre. The film
takes what appears to be a relatively conventional mystery plot and enacts a process whereby it
proceeds to continually fold it within itself in order to develop a film that appears to change its
nature several times, but that nonetheless continues to perpetuate a sense of mystery. Indeed, in
many ways the experience of watching Vertigo is the experience of seeing something essential about
the world unravelling; something that both applies and does not apply to the events of the film itself.
This paper will consider Vertigo as a mystery film, but will also show how the film transcends this
genre, or distils it to such an extent that even when the 'mystery ' at its centre has been resolved, it
nonetheless remains almost as unfathomable at is was at start of the film. In essence, the film not
only presents the reconciliation of a mystery within its plot but essentially dramatizes the ineffably
mysterious nature of reality itself. This paper will demonstrate this by paying attention to key
scholarship around Hitchcock and psychoanalysis. Vertigo was made in 1958, at the height of Alfred
's Hitchcock 's fame as director and can be considered to be a seminal example of his film making. It
was influential in terms of its use of complex plotting and also its

Philosophical Themes In Vertigo
Vertigo is an intriguing film throwing several philosophical themes at the viewer, including the ideas
of love, appearance/reality, and subjective/objective personality. By the use of camera shots, editing,
colour, and more, Vertigo provides viewers to immerse themselves into these themes and ponder
over what these messages mean and apply to their individual ways of thinking. An interesting
concept from the film that I want to dwell on more is the theme of appearance vs. reality. The film
creates a conflict between these two opposites, mainly by the physical form of Gavin Elster's wife
"Madeleine" (also known as accessory to murder "Judy") to the protagonist of the film, John
"Scottie" Ferguson as he tries to unravel the mystery of who she really is.
Following the philosophical theme, Madeleine is both a literal image and a real person. As a real
person, Madeleine is of course Judy, a woman with a "similar" face that Gavin Elster exploited to
use in his plan to murder his wife for riches. ... Show more content on Helpwriting.net ...
One profile subsists of several combining factors, which create a distinct image that the viewer and
Scottie attain of Madeleine until the end of the film. In this profile, Madeleine wears a grey suit,
dyes her hair blond, ties her hair in a curled bun, and walks in brown shoes. This visual image is
important, as it appears again through a sequence later in the film, where Scottie forces Judy
through a rigorous process of shopping and stylizing to obtain the identical image of "Madeleine".
The film emphasizes the finish of the transformation with the completed Judy, walking towards the
screen with a smile as an identical image of Madeleine. The scene even throws a bright green halo
of light behind Judy as it zooms in, (as I said in my Initial Thoughts post on Coursesite) to
emphasize her ethereal, "goddess–like" image in Scottie's subjective

Themes In Vertigo
Vertigo is a 1958 American Psychological thriller film directed by one of the best director of all
times, Alfred Hitchcock. The movie shows many contexts like fear, obsession and fantasy. The
movie starts when John (Scottie) Ferguson (James Stewart) a detective retires from his job when his
fellow officer loses his life falling from the height. In this moment, he accidentally gains acrophobia
(fear of height). His friend Gavin Elster (Tom Helmore) wants him to tail and follow Madeleine
(Kim Novak) who is acting weird and strange recently. Scottie blames himself and feels guilty when
he can't save Madeleine from jumping off the tower. The film throughout the time shows the
different contexts to relate the theme of obsession and sexual fantasy. The film is one of the top
example in use of camera, cinematography, score and direction. The movie successfully portrays
how love turns into obsession, how fear leads these characters into different madness, by the perfect
use of color, cinematography and use of characters. Color is one of the essential part of the movie.
The use of color can determine various emotions in the film. It can add richness to any scene. The
use of white has always shown to describe the peace and purity, whereas the red describes rage,
anger and bad. Black is color of mystery usually used to show the darkness, evilness of a scene.
Hitchcock is a big fan of use of color, he has perfectly used the colors to demonstrate the characters
build up and add the depth to it. Scottie sees Madeleine for the first time in the restaurant wearing a
dark green color dress which makes her focus among the other people. Scottie starts feeling
something her, next day again when he follows her, Madeleine drives green car which again tries to
state that she is the main focus. The use of alternative colors in the movie depicts how the characters
are build up to the story, red is shown as the Scottie's obsession, fantasy and love whereas green to
create this uncanniness, and unrealism and yellow as a reality, and truth of the matter.
In the next scene, Madeline drives to Golden Gate Bridge in San Francisco which is red. She was
again showed in a green dress, which matches the sea color green. She jumps into the sea

Vertigo Monologue
The vertigo was beginning to set in, meaning I only had 3 minutes – at max – to pack everything I
would require to survive in a setting as utterly awful as the 1800's deep south. I scrambled from my
bedroom to the bathroom, slipper– laden feet struggling to gain traction on the cool, smooth tile. My
tired and relatively confused hands reached for anything that could help, but in the panic that was
the realization of, I'm about to time travel, I only ended up slapping a few medicine bottles off of a
counter onto the floor and had to listen to their angry pill–rattling. In that moment of minor chaos,
my befuddled mind recalled I had an emergency first–aid kit in a cupboard under the counter, and I
figured this constituted as an emergency. I threw ... Show more content on Helpwriting.net ...
Atop the horse was a twig of a man clad in clothes you'd typically wear after your Sunday church
prayer session– Maybe that's where he came from. It would make sense, people took worship a lot
more seriously in this type of place.
"Y'look lost, can I help you out?" I was initially startled, but then I realized, Oh, he's talking to me. I
had already begun formulating a backstory in my head: I'd say I was a trader from the North,
planning to thrive off of the crops of the South, but I had gotten a bit confused along the way and
could use some assistance. Now, all I had to do was direct the story from my brain and to my mouth.
"No, t–thank you, I'm fine." Nice one, hotshot. I regretted not thinking my choice of words out
another seventeen times, but luckily, what the man lacked in physical strength, he made up for in
keen observation skills.
"Words of a fightin' lady. No need to be embarrassed, lemme help you out: You're currently in
Baltimore, a big town with even bigger ambitions." At the time, I thought, What a nice fellow, but I
need to show that I can do this on my

Themes Of The Movie Vertigo
Vertigo is about a man named John "Scottie" Ferguson that lives in San Francisco and suffers from
acrophobia, which is the fear of heights. Throughout the movie, he investigates the unusual
activities of an old friend's wife, Madeline, and during this process, he becomes obsessed with her.
Scottie's acrophobia gets to him while trying to save this woman's life and it is a critical point of the
movie because it is where the title comes in. His fear of heights is the most important thing to pay
attention to in this movie and it is shown through many points during the movie. There are also
many themes, motifs, and symbols in this film to know about. Alfred Hitchcock was known as the
"Master of Suspense" for the psychological suspense in his ... Show more content on
Helpwriting.net ...
He has a feeling of fear and terror and showing this at the beginning of the movie symbolizes the
rest of the movie. Madeline is the fear and the attraction to death throughout the movie. Hitchcock
does a good job showing all these aspects at the beginning to set the tone. It shows the rest of the
film will be a bumpy ride. Fear and death is a theme in the film that is both attractive and
frightening. Nature of appearances is another theme in the film. The woman at the beginning was
one of them but there are more throughout the movie. When Scottie is running up the staircase in the
church, his facial expressions are shown, and it is the expression of fear. Also, when Judy becomes
"Madeline" again, it is a big part in the movie. Her character is nothing but appearances. She is
based on the legend of a dead woman and Scottie is trying to make Judy look exactly like Madeline
because he sees her in Judy. Romantic delusion is another theme in the film Vertigo. Scottie was so
in love with Madeline, that when Judy comes along, and he sees something similar in her, he must
make her exactly like Madeline. Also, when Judy is at the top of the bell tower in the church, she
sees a shadow and she thinks it is the real Madeline returning to the scene of the crime and maybe
trying to scare her or make her feel guilty. There are also motifs throughout the movie. Motifs are
recurring structures or

Vertigo Research Paper
Care Services and Vertigo
According to ENT Today, 70 percent of seniors over 65–years old experience bouts of vertigo.
When a person has vertigo, they have the feeling of their body moving when it isn't. This is typically
described as a spinning, tilting, swaying, or pull in a single direction. While people of all ages
experience vertigo, it is especially dangerous for seniors because of the increased risk of falls.
The most common form of vertigo according to WebMD is known as benign paroxysmal positional
vertigo (BPPV). This particular vertigo includes sudden and short incidents brought on by sudden
head movement such as standing from a chair or rolling over in bed. It typically last from 15
seconds to a minute and is not serious.
While BPPV may be the most common, Dr. Herman Jenkins, Professor and Chair of the Department
of Otolaryngology at the University of Colorado School of Medicine and Health Science Center
warns, "It can be many things in the elderly, from loss of function from a viral infection to dislodged
crystals in the ear." Since vertigo may be caused by decreased blood flow to the base of the brain,
blood clots, ... Show more content on Helpwriting.net ...
They should not be done without medical advice, but once prescribed and taught they are often
successful at solving vertigo issues. Home care service providers can assist your loved on in these
exercises.
There are also foods that may be helpful in relieving the symptoms of vertigo. Vitamin D has been
found to be especially helpful. In fact, doctors may check to see if your loved one has a vitamin D
deficiency.
There are a number of herbs that may also be helpful, including ginger, ginkgo balboa, and
coriander. Many people also find relief through alternative medicines such as acupuncture. Since
vertigo may be caused by a lack of blood to the brain, it is important that habits which may restrict
circulation be avoided. These include tobacco, caffeine, and

Alfred Hitchcock's Vertigo
Often times, throughout many of Alfred Hitchcock films, I find myself very intrigued to the
development of how the story unfolds. The difference between Vertigo (1958) and the other films
that we have watched, is that this film has more unanswered questions and a darker meaning.
Personally, I did not really like how the story of Vertigo was filmed. And of course this is just my
own opinion, which can be argued based on your own experience with the film. For instance,
throughout the majority of the film, all we see is John 'Scottie' Ferguson (James Stewart), follow
Madeleine Elster (Kim Novak) all around the San Francisco area. For me this repetitive act of
scenes caused me to unconsciously drift away. Although, I did enjoy the "pure cinema" ... Show
more content on Helpwriting.net ...
Some of the major forms of experimentation that I noticed throughout the film was in the lighting,
camera shots, and movement. A perfect example where Hitchcock experimented with
cinematography of lighting within a scene was inside the Empire hotel. Hitchcock really played a lot
with the colors of the neon light coming into Judy Barton's (Kim Novak) hotel room. A more
specific scene of his intense use of lighting was when Scottie transforms Judy into Madeleine. In
fact, Alfred Hitchcock, really felt that the lighting was very important aspect that helped shape the
meaning of the scene. According to Vertigo's screenwriter, Samuel Taylor, he mentioned that
Hitchcock never really liked to see the story in a full view. Instead Hitchcock was more focused on
viewing each scene like a mosaic. In order to view the full story, he believed he had to first
complete each part of the mosaic. Hitchcock creates each scene as a form of artwork. As seen in
several scenes throughout Vertigo, we clearly see how he creates scenes by focusing on every aspect
of cinematography to tell a deeper sinister narrative through each characters. An exaggerated and
personally one of my favorite scenes within Vertigo's cinematography was based on the lighting and
special effects used in Scotty's nightmare scene. I can imagine how

Vertigo Case Paper
Chief Complaint
Vertigo.
History
Patient is a 58–year–old right–hand white male interviewed in the presence of his wife. He was
previously seen by me last month for admission for the acute onset of vertigo with possible TIA or
stroke as etiology. He stated that he awoke on 06/18/2015 in his usual state of health and then went
to work and while there, he had the sudden onset of marked spinning vertigo. He was unable to walk
straight, but denied any bilateral lower extremity weakness. He did have nausea and vomited several
times. He initially denied any diplopia, visual field cut, blurred vision, facial asymmetry, facial or
body sensory changes, dysarthria, or focal weakness. He continued to have marked vertigo in the
emergency room, ... Show more content on Helpwriting.net ...
He also had right more than left mastoid opacifications and states that he was recently treated for
otitis media. He has hypertension, hyperlipidemia, coronary disease and had been noncompliant
with his medications in the past. His exam was essentially normal except for the subjective vertigo.
There was no nystagmus and no diplopia on the initial exam. On 06/19/2015, he gave a different
history. He states that he had a strike to the left temporal on Tuesday 06/16/2015. This did not result
in any vertigo or any other neurological symptoms at that time. It was two days later that he had the
vertigo at work. The patient also claimed that he had been seeing double since the previous night
and the morning of the 19th. However, his neurological exam at that time, failed to reveal any actual
disconjugate gaze. The patient had an MRI MRA, which revealed old white matter ischemic disease
and mild intracranial atherosclerosis, but no evidence for acute stroke or posterior circulation
significant stenosis. His diagnosis was labyrinthitis, possibly due to his bilateral mastoiditis. He was
treated with Augmentin for 10 days. His symptoms resolved prior to discharge on meclizine. On
physical therapy on discharge, he had no

Essay on Vertigo
Vertigo
The Alfred Hitchcock film; Vertigo is a narrative film that is a perfect example of a Hollywood
Classical Film. I will be examining the following characteristics of the film Vertigo: 1)individual
characters who act as casual agents, the main characters in Vertigo, 2)desire to reach to goals,
3)conflicts, 4)appointments, 5)deadlines, 6)James Stewart's focus shifts and 7)Kim Novak's
characters drives the action in the film. Most of the film is viewed in the 3rd person, except for the
reaction shots (point of view shot) which are seen through the eyes of the main character.(1st
person) The film has a strong closure and uses continuity editing(180 degree rule). The stylistic
(technical) film form of Vertigo makes the film much more ... Show more content on
Helpwriting.net ...
Afterward, he became heart broken and fell into a depression for a few months. Soon, after he began
to replace Madeleine with other people. One day when he was in downtown San Francisco, he saw a
woman who looked like Madeleine. The woman's name was Judy Barden. John approached her and
asked her out on a date. As they began to fall in love John began to change her into Madeleine. One
night when Judy and John where about to go out to dinner, he noticed that Judy had a necklace that
was similar to Corlata's necklace. To create closure in his life, John took Judy to the Spanish
monastery and her forced to go into the tower, where he overcame his "Vertigo" where Judy
confesses to John that Gavin was using both of them in his plan to murder his wife. During her
confession, Judy became frightened and fell to her death.
The Hollywood Classical Film characteristics in Vertigo, helps to develop the plot and story. The
first element of a Hollywood Classical Film that I will be examining is that individual characters are
casual agents of the film. This means that characters in a film act as if they really exist, they have
goals, fears, feelings, motives and emotions. The characters in Vertigo who are casual agents are the
following: John Ferguson is the main character, he is a ex–cop who suffers from a fear of heights, he
is spying on Madeleine Ellester and eventually falls

Vertigo Analysis
with the idea of it guiding their eyes central focus. It demands that we forget all other elements, as it
gives a [close–up shot] of a woman's lips, then both her eyes, and finally on one of her eyes. All of
which is a set up for the audience to be pulled into the spiral that is Vertigo. Also, I can't help but
think that the camera's close–up focus on her features, before changing the color to red, is meant to
make me think they are exposing a predator's attributes. Along with their mesmerizing (spiral in
eye) effects. – The moment Scottie hanging off the side of the building and the camera follows the
direction of his eyes when he looks down towards ground level. This strikes me as innovative due to
the way it is able to simulate depth perception

Feminism In The Movie Vertigo
Vertigo The film Vertigo is all about how a dizzy fellow, who was an ex–detective, chases after a
dizzy dame. Being the best movie of all time, it is an easy target of criticism. However, Vertigo, as
the best film ever made, is here to stay. The Director Alfred Hitchcock is known as a controlling
director, most especially when it comes to women. In his film, the female characters are reflected to
have the same qualities, such that they are blond, icy, and remote (Ebert). Aside from that, these
women are imprisoned in costumes which combined fashion and fetishism (Ebert). Hitchcock's
Vertigo is considered as the most confessional, as it deals directly with themes and arts that he
controls (Ebert). This film is all about how Hitchcock used, ... Show more content on
Helpwriting.net ...
Scottie has been forced into an early retirement because of vertigo and clinical depression, which he
incurred in the line of duty (Belton). Scottie is then hired as a private investigator to follow a
woman, Medeleine Elster. Vertigo was shot in San Francisco California and at Paramount Studies in
Hollywood (Belton). The start of the film depicts a close–up shot of women's mouth, and it pans up
to the women's eye (Belton). Relatively, the screen then turns red while it emphasized on the eye,
with the music that hits an eerie climax (Belton). If the viewers will try to look at the mouth close–
up, they will notice her attempt to move her lips. This scene is like one of those dreams that people
have when they are scared and they want to scream or yell but they cannot open their mouth. The
film popularized the dolly zoom, with a camera effect that distorts perspective in order to create a
visually disturbing effect. This disorientation conveys Scottie and his acrophobia. The use of such is
called the vertigo effect. It is also noteworthy that the film is about the constant batter of people's
fear of death, and their curiosity about life after death

Film Analysis Of Vertigo
"Vertigo" (1958) is frequently considered director Alfred Hitchcock's greatest film. It is the story of
a melancholy police officer, Scottie (James Stewart), forced to retire after his vertigo caused a tragic
accident. A friend, Gavin, tries to capitalize on Scottie's skills, so Gavin asks Scottie to follow his
unstable wife. By accident, Scottie falls in love with this wonderfully mysterious woman,
Madeleine. Scottie does not realize, however, that he is falling prey to an elaborate scheme set up by
Gavin which will make it appear like Madeleine kills herself. Scottie was unable to get to the wife
before she jumped out a window because of his vertigo.
Unaware of the scheme, Scottie feels responsible for the death and falls into a terrible mental state.
His friend, Midge, tries to pull him out of it, but to no avail. Finally, one day, Scottie spots a woman
that looks like Madeleine on the street. He follows her to her home and asks too many questions.
She knows who he is, but she can't reveal that he was just a pawn in a terrible crime. Scottie is
relentless and finally the look–alike, Judy (Kim Novak) agrees to date him. Scottie proceeds to
control every aspect of Judy so that she looks like Madeleine. He changes her hair and clothes. He
falls in love with ... Show more content on Helpwriting.net ...
Hitchcock's direction was always top notch, but here, he created a new technique to demonstrate
Scottie's vertigo that is truly mesmerizing. Every shot is thoughtful and well–crafted. Jimmy Stewart
plays the obsessed Scottie so well that it is actually disturbing. And though Kim Novak was, at
times, criticized for a stiff performance, more people now realize that she embodies the terrified,
abused, accessory to murder perfectly. The performance of Gavin is the weakest of the film, but he
is not the focus, so it does not affect the overall affect much. Holistically, the performances and
directorial choices are

Camera Movement In Vertigo
The significance of Camera Movement in Vertigo
Film editing is an important post–production phase of the filmmaking process. It means the
unlimited use of the digital technology, where the film editor works with raw footage, selecting the
best shorts and combining them to create a good quality motion picture. Camera motion is one of
the film editing techniques that has been widely used in the movie Vertigo to create the outstanding
movie. Most importantly are the three set–pieces of camera that are interconnected in both structure
and meaning. These are, the scene at Ernie's restaurant that shows the start of Scottie's pursuit in
Madeleine, the celebrated zoom in and track outshot that arouses the acrophobia of Scottie, and
finally, the 360–degree ... Show more content on Helpwriting.net ...
The flow of camera forward and backward generates a move which makes an object of sight and
desire to appear to be diminishing from view. On several instances, Madeline disappears from view
as she goes to various places. When Madeline was going to Carlotta's grave, she disappears from
sight into a flower shop. As she leaves the flower shop, she disappears and gets into the church; then
she vanishes from view as she heads to the graveyard and eventually she disappears entirely into the
McKittrick Hotel. The use of spiral movement in Vertigo portrays a state of unstable equilibrium.
For instance, Scottie goes after Madeline which expressed the theme of sexual desire. However,
initially, Scottie does not connect with Madeline (Bouthemy et al., 1030).
At the instance when the vertigo shot is taken, a structural structure is formed embodying the
staircase at Mission San Juan Bautista extends like a spring who elasticity is no more. This shows
that Scottie will be where he wants to be. His vertigo has reached its climax which means that no
matter how much he tries to chase Madeline, he will not get her. In the real film, the spiral is created
by the motion of the

Alfred Hitchcock's Vertigo
Even though Vertigo was poorly received, when it first aired in 1958 it has since been crowned
Alfred Hitchcock's best film and accomplishment of all time. Vertigo may not be everyone's cup of
tea, but it is a cup of tea that people ought to try. Many of Hitchcock's films exposes the viewer to
scenarios and ideas that people generally try to avoid or sweep under the rug, Vertigo is no
exception. This film takes the viewer on a slow–moving but nonetheless, intense rollercoaster ride.
It is hard not to find something to deliberate about when it comes to Hitchcock's Vertigo. It touches
people in very dark places which makes it all the more exciting and reason enough to watch. There
are plethora of reasons as to why this film is worth watching, ... Show more content on
Helpwriting.net ...
In an article written by Steve Vertlieb, he mentions that, "Vertigo is a deeply felt canvas, a sad and
beautiful portrait, painted by two of the cinema's most gifted artists", which could have not been
said any better. There is no doubt about it, this film would not be nearly as fascinating as it is
without Bernard Herrmann's score. (In many cases, silence really does speak louder than words, but
whenever silence cannot do it justice, music is the next best thing for the job.) There are numerous
scenes throughout Vertigo in which words would never be able to express the things happening on
screen. In those scenes, Bernard Herrmann compositions shine through. An example of this, is the
rather long sequence, about 18 minutes in to the film, in which Scottie begins following "Madeline".
The dialogue is minimal and the entire sequence may as well be considered to be a 15 minute long
silent film it was not for Hermann's music. In this sequence the audience is taken on a journey with
Scottie, in which the viewer follows Scottie driving through San Francisco, watching Madeline
buying flowers, observing Madeline gazing at the painting of Carlotta, more driving, and so on. This
journey would have absolutely no significance if it wasn't for score playing in the background. The
music adds an indescribable mystery that keeps the viewer completely hooked, eager to find out
what will happen next. It really is Hermann's music that instills

Vertigo Themes
Film Analysis 1: The Power of Vertigo I remember watching Vertigo for the first time back when I
was still very young, but at the time, I didn 't really understand anything about the movie. As I
watched it again as I grew older, I learned to appreciate how great this movie really is and the
special narrative style that the movie presented. Vertigo, to me, was always known as Alfred
Hitchcock 's best film.
Most of Hitchcock's well–known films like Psycho or North by Northwest have unique title
sequences that were an important part of their respective themes and narratives. For Vertigo's title
sequence, it starts with an extreme close up of a woman's lips, which suggests the foreshadowing of
Judy's role in the movie. The intro then shifts to the person's eyes, while the eyes, referencing the
idea of looking and watching like what Scottie will do for the most part of the movie. Visual motifs
were presented during this sequence such as the spinning spiral patters. These were motifs that are
carried through into the narrative.
The film is about John "Scottie" Ferguson, a detective who suffers from acrophobia, which is
probably the reason for the title "Vertigo". He has guilt complex over what happened in the
beginning of the movie when the police officer fell off and died. When he accepts to watch over his
friend 's suicidal wife for his final job, he madly falls in love with 'her'. Later on in the movie,
Scottie tries to save 'Madeleine' from falling off a steeple, but was

Vertigo Essay
After watching "Meshes of the afternoon" and "Vertigo" a few times for my video essay project it
was clear to me that Laura Mulvey's theory is implemented in almost every film. When I first read
Mulvey's reading, at first I thought that Mulvey' theory was only evident in 'old' movies. However,
after I completed the reading, when I was watching movies for my own pleasure I started to notice
the idea of the male gaze and scopophilia in almost every movie I watched. From the film by Deren,
I learned that "Meshes of the afternoon" could be a feminist film but it still does include the famous
male gaze in the ending of the film. Also, Deren's "creative use of reality" can be confusing at times,
but after watching the film several times it is clear ... Show more content on Helpwriting.net ...
I'm not exactly the biggest fan of presenting in front of the class so the video essay process is what I
choose to do. At first, this was a frustrating project just for the simple fact that technology can
sometimes be difficult to navigate. I had a hard time at first finding a software I liked, and there
were also times where files wanted to delete themselves. However, after a few hours I decided that
iMovie was relatively easy to use. I like the idea of a video essay because you get the chance to
record things as many times as you like and you can follow a script. There have been endless
amounts of times that I have been presenting in front of my class with a few key points in mind of
what I wanted to say, but somewhere along the line the points got left out. I also like the method of
the video essay because there are endless amounts of clips, transitions, and effects that can make a
video essay fun to create. Overall, I think that the video essay is a great tool for students to use
because students can be creative and the video essay eliminates the anxiety of presenting in front of

Analysis Of Vertigo
The Influence of A Film As Alfred Hitchcock produced the famous film Vertigo, he created it with a
goal in mind. Instead of telling the audience what was going on, Hitchcock showed the audience
with various themes. Throughout this film there were several clues to this mystery puzzle, however
its only fully noticed when an individual watches the film multiple times to fully complete the
mystery puzzle. Hitchcock provides many examples of this throughout his film. Though, in order to
fully recognize Hitchcocks clues, one must rewatch this film on multiple accounts, coupled with a
brief analysis. When first viewing this film, I was fairly disappointed. I knew that Hitchcock was
essentially a household name within the film industry. A writer from Encyclopedia Britannica,
Michael Barson "Hitchcock's greatest gift was his mastery of the technical means to build and
maintain suspense". He knew how to properly piece films together to essentially keep the audience
questioning what really happened during multiple mysterious scenes. ... Show more content on
Helpwriting.net ...
For example, at the beginning of the film, Scottie the protagonist was involved in a cop and robber
chase, with a fellow colleague on a local rooftop. Unfortunately, his colleague died due to falling
from severe height. A few scenes later, Scottie reveals his condition known as vertigo. About half
way through the movie, Scottie begins to climb a staircase and vertigo begins to kick in. Finally,
towards the end of the film Scottie makes the staircase climb a second time, though he doesn't seem
to have his condition anymore. Furthermore, the viewer will most likely breeze past the fact that this
whole movie is somewhat focused on the theme of

Symptoms And Symptoms Of Vertigo
Vertigo is the feeling that you or your surroundings are moving when they are not. Vertigo can be
dangerous if you are doing something that could endanger yourself or others when you experience
vertigo, such as driving.
CAUSES
This condition is caused by a disturbance in the signals that your body's sensory systems send to
your brain. There are many different causes of a disturbance that can lead to vertigo, including:
Infections, especially in the inner ear.
A bad reaction to a drug or misuse of alcohol and medicines.
Withdrawal from drugs or alcohol.
Rapidly changing positions, such as lying down or rolling over in bed.
Migraine headaches.
Decreased blood flow to the brain.
Decreased blood pressure.
Increased pressure in the brain from a head or neck injury, stroke, infection, tumor, or bleeding.
Central nervous system disorders.
SYMPTOMS
Symptoms of this condition usually occur when you move your head or eyes in different directions.
Symptoms may start suddenly and usually last for less than a minute. Symptoms may include:
Loss of balance and falling.
Feeling like you are spinning or moving.
Feeling like your surroundings are spinning or moving.
Nausea and vomiting.
Blurred vision or double vision.
Difficulty hearing.
Slurred speech.
Dizziness.
Involuntary eye movement (nystagmus).
Symptoms can be mild and cause only slight annoyance, or they can be severe and interfere

Character Analysis Of Vertigo
Recently, Alfred Hitchcock's Vertigo replaced Citizen Kane as Sight & Sound's Greatest Film of All
Time. The movie includes all the essentials for a great film: strong, multi–layered characters,
stunning performances from some of the greatest actors of the time, and a rich, exhilarating plot
filled with suspense and twists. The movie's brilliance is unmistakable, and throughout the years it
has been the inspiration for many other movies, such as the 1976 film Obsession. Vertigo follows
acrophobic ex–detective John Ferguson who takes on a new job to follow his old friend Gavin's
wife, Madeleine. Madeleine is acting strange, and Gavin believes she may even be possessed. As
John grows close to Madeleine, the two fall desperately in love. Unfortunately, Madeleine's bizarre
behavior gets the best of her, and she throws herself out of a church tower and falls to her death.
Shortly after, John meets a woman named Judy who looks unmistakably like Madeleine. John's
character takes a dark turn when he spirals into obsession with Judy and her image. Later in the
movie, it is revealed that Judy actually is Madeleine, and she faked her own death. If I had a
problem with Vertigo, it would be that this is revealed too soon. Judy barely has any screen time
before this revelation, making it rather unsurprising as we are not quite attached to her character.
But while I decided to put this minor detail aside, someone else felt compelled to make an entire
movie dragging this portion of

Vertigo: A Balance Disorder
Vertigo is a balance disorder. It is a condition that makes you feel dizzy or unsteady or the objects
around you are moving. Often it feels like a swaying or spinning movement. This may be connected
with nausea, sweating, vomiting, or difficulties walking. It intensifies when the head is moved.
Vertigo is the most common type of dizziness. There are few natural remedies to cure vertigo. These
include: Ginkgo Biloba– This Chinese herb is one of the best known natural cures for vertigo. It is
known to improve blood flow to the brain, which helps the symptoms of vertigo to die down.
Ginger– Is an effective vertigo home remedy. When consumed during an attack, it is said to balance
symptoms within minutes. Stay Hydrated– It is essential to drink

Vertigo Essay
A repertoire of filmmaking techniques is fundamental to the establishment of a film's storyline by
conveying explicit and implicit ideas and by taking the viewer through a heightened emotional
journey. Alfred Hitchcock employs his unique film style to augment the patterns of narration in the
monumental film, Vertigo. The narrative patterns follow the male protagonist, Scotty, who is
inescapably drawn into the conflict of the story as he unceasingly follows Madeleine, the female
protagonist. Overall, the film employs a restricted narrative in which the audience's knowledge is
equal to that of Jimmy Stewart's character, Scotty. The Muir Woods sequence in Vertigo conveys
patterns of narration through the combined elements of editing, ... Show more content on
Helpwriting.net ...
For example, when Madeleine wonders into the forest, Scotty's curiosity provokes him to start
walking in that direction, as seen in shot 17. The action is immediately continued in shot 18, as
Scotty continues his quest for Madeleine, keeping the viewer engaged in the situation. The arising
suspense from these two shots results from the prior use of accelerated editing rhythm. There is a
series of short shots, 12–17, which show Madeleine venturing away and Scotty's bewildered
reaction. The tension and suspense build as each shot captures Madeleine walking further away until
she seems to disappear in between shots. In sum, the editing techniques serve to explicitly enhance
the action and implicitly convey the narrative.
Vertigo's patterns of narration are also illustrated by the elements of mise–en–scene presented
during the Muir Woods sequence. All of the elements placed in front of the camera, such as setting,
lighting, and figure behavior, contribute to the ultimate sense of realism conveyed by the sequence.
The particular natural setting allows for important landmark events in the film to take place. In the
presence of large Sequoia trees, Scotty confirms the color green motif and its symbolism of life. The
cross section of the tree, a common exhibit in natural parks, allows for a critical point in the
narrative to take place. In shot 11, "Carlotta" declares her birth and death in

Vertigo Patient
I went to my practicum site twice this week. Learning is the continuous process. Seeing variety of
patient with different chief complaints is helping me learn more about various diagnosis. I had a site
visit this week. My professor followed me with two patient; one had vertigo and other had back
pain. I was nervous because I never had vertigo patient before at the practicum site. One of the
suggestion provided by my preceptor was to bring my family practice guidelines book at practicum
site to help me with my HPI. I agree with her suggestion and I plan to bring family practice
guidelines book during my clinical.
The reasons for the visits were pink eye, rash around eye, upper respiratory infection, hypertension
and thyroid follow up, vertigo, seasonal allergy, back pain, corneal abrasion, chronic sinusitis, oral
contraceptive reevaluation, worried well and nausea. I have learnt from my experience so far that
not to make any assumption about the diagnosis only by chief complaints before seeing patient. This
is because with the vertigo patient at first I thought he might have BPPV but as I started to interview
patient, I realized that he had 1 episode of vertigo. His symptoms were mainly related to cerumen
impaction and seasonal allergy. For the patient with hypertension and thyroid follow up, her BP was
elevated but it was lower than the guidelines. She was ... Show more content on Helpwriting.net ...
Moreover, for someone who was started on oral contraceptive pills, and having period before
placebo time, increasing progesterone can help to get period during the placebo time. Furthermore,
it was interesting to learn that there is a diagnosis called "worried well" for patient with feared
health complaint in whom no diagnosis is made. For the patient with nausea, after history and
physical, I ordered some labs (CBC, CMP, thyroid panel and liver panel) to help me find the cause
of the

Flicker Vertigo Studies
One of the main visual contributors to discomfort on high speed trains is lighting. Illumination
within the trains carriages is an important factor to consider for safety, convenience and comfort.
One of the main sources of discomfort related to illumination is glare. Glare occurs when the eyes
are exposed to a source of light greater than that for which the eyes are adapted. Glare can either
occur from the artificial lights inside the train carriages or externally from the sun with
complications ranging from mild discomfort and annoyance, to an impediment to vision and
reduction in safety (Oborne, 1978).
In order to reduce discomfort and disability glare there are a variety of designs considerations that
should be considered. Although completely eliminating glare from the sun is almost impossible, due
to its ever changing intensity and position relative to the train, there are certain measure that can
help reduce it. The simplest preventative methods include equipping the windows with blinds which
the passenger can utilise to achieve ... Show more content on Helpwriting.net ...
Flicker vertigo is defined by Rash (2004) as 'an imbalance in brain–cell activity caused by exposure
to the low–frequency flickering (or flashing) of a relatively bright light'. The effects of this can vary
from mild discomfort in the form of dizziness, nausea and nervousness to more serious effects of
vertigo, convulsions or loss of consciousness (Oborne, 1978). Flicker vertigo can affect a passenger
if they are experienced to a light–flashing sequence anywhere in the range of 4 – 20Hz (Rash,
2004). In high–speed rail this light flashing sequence can be a result of the interruption of sunlight
by external objects such as poles or wires. It is therefore difficult to design against, however with an
appropriate seating layout and the presence of blinds the discomfort can be

Vertigo Essay
INTRODUCTION
The Vestibular, Ocular Reflex (VOR) is an important
Reflex that serves to allow our vision to be fixed during movement (i.e.: while the head is in
motion).
The vestibular refers to the inner ear and ocular refers to the eye. The inner ear relates to the control
of your eyes and plays a vital part in balance, spinal problems, and core issues. As mentioned in the
name, the VOR incorporates both the visual and the vestibular systems, tying together information
from the semicircular canals also known as the vestibular labyrinth.
The semicircular canals, which are situated in the inner ear, house sensory information that
measures and directs the eyes to move in the opposite direction to the movement of the head. The
semicircular canal provides a signal for the ... Show more content on Helpwriting.net ...
The sensory information provided by both ears is normally symmetrical. Signals coming from the
left ear correspond with the information provided by the right ear. Thus, if the vestibular organs in
one or both ears are not working properly, the brain receives conflicting signals about movement,
resulting in the sensation of vertigo.
Vertigo is a sensation of motion or spinning that is often described as dizziness. There are two types
of vertigo, peripheral and central vertigo. Peripheral vertigo is due to a problem in the part of the
inner ear that controls balance. These areas as discussed above are called the semicircular canals.
Professor Roger Hugh Stephen Carpenter is an English neurophysiologist and a Professor of
Oculomotor Physiology at the University of Cambridge. He recognises that head movements, both
rotational and translational, stimulate the vestibulo ocular reflex.
This would include either turning the head back and forth (horizontally), nodding (vertically), or
bringing the ear to the shoulder, all while keeping the eyes fixated on a

Vertigo : A Film Analysis Of Alfred Hitchcock's Vrtigo
When people hear the word "Vertigo" the first thing which comes in mind is the disease but here this
word refers to a movie "Vertigo" which is directed by the famous Alfred Hitchcock. This movie
hooked the audiences 'attention from it's opening credit to the very shocking end. Vertigo is mixture
of desire for love, rage, obsession, madness etc. It is based on a French novel D'entre les morts
(From Among the Dead) written by Boileau Narcejac. Hitchcock's Vertigo got mixed review when it
was released but by the time it's popularity increased and today it is viewed as Hitchcock's most
deeply felt work. The famous character in the movie Scottie which was played by John Stewart, he
played the role of detective who was afraid of heights, acrophobia, after an unfortunate incident due
to which Scottie retires from his job. Later in the movie, Scottie falls in love with Madeline (Kim
Novak) who he was spying because his friend Gavin Elster (Tom Helmore) believed that his wife
was possessed with her late great–grandmother. Scottie goes through many phases in the movie like
curiosity, obsessed, phobic, mental illness etc. In this essay I want to focus on "Dolly zoom
technique" which triggered Scottie's acrophobia, the Ernie scene from Scottie's point of view and
the immersive videos also known as 360–degree camera movement when Judy Barton's
retransformed herself as Madeline The opening scene supports the entire of Scotties acrophobia, and
as audience, we get the chance to encounter

Vertigo Case Study
Indication Hearing loss and vertigo. History The patient is a 74–year–old right–handed white female
who initially saw Paul R. Cass, DO several years ago. She then saw Douglas Black, MD. His notes
were reviewed. She was seen here mainly for CPAP for her obstructive sleep apnea. At that time,
she had multiple neurological complaints that were unchanging and nonspecific. She did have an
MRI in 2010, which revealed a right cerebellar lacune. A repeat MRI in 2011 revealed age related
white matter ischemic disease and the cerebellar lacune was not commented on. She states that she
had dizziness years ago at the time that the "slight CVA" of the right cerebellar area was noted. This
resolved. In 2000, she was in Florida and had the onset

The Silance Of Music In Alfred Hitchcock's Vrtigo
Vertigo is a 1958 film directed by Alfred Hitchcock, starring James Stewart, Kim Novak, and
Barbara Bel Geddes. The film follows the acrophobic, retired San Francisco detective, John 'Scottie'
Ferguson (Stewart) who is hired to trail his friend's wife, Madeleine (Novak), but falls in love with
her in the process. When Madeleine dies in what is deemed a suicide, John becomes depressed and
begins to obsess over Judy (Novak), who looks exactly like the Madeleine he knew. After changing
Judy's appearance to be a doppelganger of Madeleine, John comes to find out that he had actually
fallen in love with Judy pretending to be Madeleine, because she was part of a plot to murder the
real Madeleine. One aspect of the film that is interesting is the way the balance of music and
dialogue add to the suspense of the story. As stated in James Berardinelli's review of Vertigo, "There
are numerous, lengthy passages that pass without dialogue (most of these occur while John is
trailing Madeleine), and Herrmann's music sustains Hitchcock's carefully–crafted tone." As well as
to create these interesting scenes that rely almost entirely on visuals to tell the story, the music has
an important role of building the feeling of suspense, complete with the typical thriller crescendos
used to foreshadow a big event. This film has many technical aspects that help it stand apart from
others and the musical choices made are a clear example of this. Another aspect of this film that is
fantastic is the

Essay about North by Northwest, by Alfred Hitchcock
Alfred Hitchcock's film North by Northwest (1959) is famed as a classic man–on–the–run thriller,
following protagonist Roger Thornhill as he flees across state lines in a mad dash to save his life and
unravel the mystery to his extraordinary predicament. However, mid–way through the film
Thornhill's quandary is further complicated by the introduction of Eve Kendall, a beautiful yet
mysterious woman he encounters on a train during his escape from the authorities and people trying
to kill him. During the dining room scene on the train, Hitchcock expertly uses the camera to
convey the characters thoughts and feelings. Interestingly, in a film that has several sequences with
complicated cinematography and editing, the dining car scene is ... Show more content on
Helpwriting.net ...
Once the flirtations between the two in intensify, Hitchcock transitions into using close shots,
beginning when Eve discloses her bribe arranging Thornhill being seated with her, and her
subsequent reveal that she knows Thornhill wanted for murder. The use of the close shot provides a
better, more intimate view of their expressions as they banter back and forth and the sexual
innuendos ramp up. Thornhill's thoughts are particularly evident across his face as he changes from
showing interest in the attractive woman across from him, to tension at being recognized by her, to
unabashed glee at the prospect of sleeping with same said beautiful woman, and finally to alarm as
he learns police are boarding the train. In contrast to Thornhill's expressive looks, Hitchcock shows
Eve's as being more controlled and understated. Throughout her linguistic dance with Thornhill, Eve
manages to maintain an air of surety about herself, revealing only those pieces of information that
she wants him to know. She manages to exude a sense of cool certainty and control during arguably
the most sexually suggestive moment of the film: in the only profile shot of the scene, the camera
shows Eve as she slowly blows out the flame on the match Thornhill uses to light her cigarette,
clasping his hand as she does so. This aura of calm calculation gives the sense that she is in
complete control, no doubt due

Hitchcock Vertigo Analysis
Exploring the representation of women and sexuality in Hitchcock's Vertigo (1958)
Unsupported assertion – is "known today as Hitchcock's greatest achievement" ?
How do you measure this, where does this come from?
Language "swallowed easily by audiences"
"It dropped at the Box Office" unsupported assertion and continues with no evidence of reading for
your thoughts and synthesis Structure Introduce Hitchcock – when, who etc
Hitchcock (Revised Edition) Paperback – October 2, 1985 by Francois Truffaut (Author), Helen G.
Scott (Collaborator)
Master of suspense – attributed to Hitchcock (1200 words) – all elements, eg symbolism, music etc
Explore Vertigo in terms of the film maker – paragraphs, eg focus on suspense (1 paragraph), then
music (1 paragraph) etc
https://www.rogerebert.com/reviews/great–movie–vertigo–1958 http://www.bfi.org.uk/news/50–
greatest–films–all–time https://kelseyprofcomm.wordpress.com/2015/10/18/the–male–gaze–in–
hitchocks–vertigo/
PLAN
INTRO
Vertigo (Dir. Alfred Hitchcock, 1959) is known today as Hitchcock's greatest achievement (Ross. G,
2017). It is a tale of male aggression and visual control. Many of his other films involve strange
motifs, themes, symbols and unpredictable characters, however 'Vertigo' has a much deeper intent.
On release it, it dropped at the box office, wasn't understood by audiences and could have ruined
Hitchcock's career all together. it only made $2.8m on release (Canning. B, 2010), Bridge on the
River Kwai (1957) the year before made over 6 times that amount at $18m (Steinberg/Cobbett
,1980). Hitchcock being an influential Auteur didn't fall after the release, but over time has been
studied by many and his once flop of cinema has become an absolute masterpiece – trumping
'Citizen Kane' for the place of greatest film of all time (Bfi, 2017).
Alfred Hitchcock was an British Hollywood director that made films from the 1920's to the 1970's.
He is known as "The Master Of Suspense"
He is best known for his impact on the horror and thriller genre. He is remembered for being an
expert in building suspense in his films and.
Vertigo (1958) is a psychological thriller about a police detective, Scottie Ferguson (James Stewart),
who is forced to retire when he

Alfred Hitchcock Film Analysis
I've gone on the record as saying I like Alfred Hitchcock's films, though I only really love one so far
("Psycho"). My admiration for Hitchcock, along with the number of his films I love, increased after
we watched his beloved "Vertigo" in my class. It may have barely surpassed "Psycho" as my
favorite Hitchcock film. This film stars James Stewart as John "Scottie" Ferguson, a San Francisco
detective forced to quit the force after a traumatizing event causes him to develop acrophobia. He
soon takes up a case as a sort of private eye, however, when an old acquaintance from college asks
him to investigate the strange habits of his wife (Kim Novak). Stewart obliges, with dire
consequences. One of the surprises in this film, for me, was Stewart as Scottie, who performed
excellently. I like Jimmy Stewart, but I've never been as enamored with him as some movie buffs.
That has changed some, as I think this is his best performance I've seen. He makes you care for his
character and believe his motivations and feelings for the first portion of the movie. He struggles a
bit in the emotional scenes, but he still succeeds in evoking our sympathy. By the end of the film,
his performance takes a remarkable turn and he becomes genuinely disturbing. It's brilliant. Kim
Novak is also great as Madeleine Elster, the wife Stewart's character follows. She has a creepy,
disturbing quality about her during that first part of the movie that works quite well. Later, her
performance takes a turn,

Theme Of Vertigo By Paul Austers Mr Vertigo
To fight through downfall "I was twelve years old the first time I walked on water" is the first line in
Paul Austers Mr. Vertigo, a book about a child's dream and the journey to reach them. The book
takes place in America at 1927 where a young boy named Walt is approached by a strange man,
called Master Yehudi and is offered a chance in a lifetime, the ability to fly. As he goes with him he
chooses a difficult path that will bring both wonders and despair. This is a book telling about a boys
big ambition to overcome all hardship that lives throws in his way. The ability to overcome hardship
can be seen through the protagonist personality, his ambition to reach greatness. He was a nobody, a
nothing, so when he is offered the chance to achieve something greater he takes it. "Not like a bird,
my little man. Like a god. You'd be the wonder of wonders, Walt, the holy of holies. As long as men
walked the earth, they'd worship you as the greatest among them." (Auster 74). He has an ambition
so extraordinary and he is willing to do anything to reach his goal, suffer through hardship so
repulsing that no human ever should need to go through. He got buried alive, cuts of a part of his
finger and so many inhuman things, but he ... Show more content on Helpwriting.net ...
Another example where this occurs is later in Walt's life when he lives in Chicago, owning a
nightclub named Mr Vertigo. There he meets Dizzy Dean, the former best baseball player in the
world until he hurt his arm. Recognizing himself so much in Dean he cannot longer hold them two
apart, Deans success is his success and his downfall is his downfall. He cannot longer stand how
Dean keeps falling to the bottom and decides to make him kill himself. Although when Dean
recognizes him for who he was, the flying boy, he loses his cool and end up threating Dean with a
pistol. When revealed about what his deed he again loses it all, his life in Chicago and his

Vertigo Case Studies
This literature review will assess the value of magnetic resonance (MR) and computed tomography
(CT) in detecting pathologies associated with vertigo. The common two types of vertigo peripheral
and central vertigo are defined. Previous studies suggest that both MR and CT are good options for
detecting semicircular dehiscence syndrome related peripheral vertigo. Although the accuracy rates
of MR and CT are comparable in detecting acute intracranial hemorrhage, MR has an overall higher
diagnostic yield for stroke and multiple sclerosis related central vertigo. In clinical practice,
hospitals take cost into consideration when making patients' care plan. Having every patient go
through imaging examination can be time consuming and expensive. Peripheral ... Show more
content on Helpwriting.net ...
In their study, 217 of 356 patients had a final clinical diagnosis of acute stroke. 27 of these patients
were diagnosed with acute intracranial hemorrhage. MR detected this condition in 23 patients
compared with CT in 25 patients. 190 of the patients were diagnosed with acute ischemia. MR
correctly identified 164 patients compared with 35 in CT. Table 1 summarizes the statistics of these
data (Chalela et al., 2007). In comparison with the final clinical diagnosis, MRI had a higher
sensitivity of 83% and a specificity of 97% for diagnosis of acute stroke, compared with 26% and
98% respectively for CT. For acute intracranial hemorrhage, MRI had a sensitivity of 81% and a
specificity of 100%, compared with 89% and 100% respectively for CT. For acute ischemia, MRI
had a sensitivity of 83% and a specificity of 96%, compared with 16% and 98% respectively for CT
(Chalela et al., 2007). Chalela's findings are consistent with previous literature. In Viirre and
Nelson's study, they have also found that CT and MRI have similar sensitivity for detecting
hemorrhage. In addition, they have also found that MRI has superior sensitivity of 83% compared to
26% for CT when detecting ischemia (Nelson and Viirre, 2009). MR and CT in Identifying Multiple

Vertigo
Vertigo – Hitchcock Defying Genre
"...alternatively, a film can revise or reject the conventions associated with its genre" – Bordwell
Based on the French novel D'Entre les Morts by Pierre Boileau and Thomas Narcejac, Vertigo is
arguably one of Alfred Hitchcock's masterpieces and the "strangest, yet most hauntingly beautiful
film he had ever made" (Adair, 2002). At the time, its far–fetched plot drew a mixed response from
critics – Time magazine called the movie a "Hitchcock and bull story" – but today most agree that it
is one of the director's most deeply felt pictures. Vertigo very easily categorized into a specific genre
– Thriller, a genre of movies that, in many ways, Hitchcock played a major role in defining.
Thrillers are ... Show more content on Helpwriting.net ...
He finally settles down onto the couch, facing away from the toilet door, waiting. As the bathroom
door opens, he turns to his left, and we only see his left profile (Fig 1.), a mirror image to the first
time he set eyes on Madeleine in the restaurant – unsure, and this time, full of anticipation. We are
reminded of the green motif, by the neon light outside Judy's apartment. As Scottie turns around to
fully see the resurrected Madeleine, he slowly stands up and at this point the music starts to pick up,
leading us to the point at which he sees his beloved. The camera tracks into a close up of Scottie's
face, with the green light reflecting off his eye, he almost looks like he has tears in his eyes (Fig 2.).
Cut to Judy/ Madeleine stepping out of the toilet, it is Scottie's POV of Madeleine bathed in ghostly
green light. Similar to the scene in the cemetery where Madeleine was shot through a fog filter,
which gave her the green glow, Judy/ Madeleine now had green light superimposed around her
body, which gave her the appearance of a blurred, ghostly figure (Fig 3.). This reflected Madeleine
coming back from the dead, now a ghost, as green is usually used to represent ghost or spirits in
film. She then slips out of the blur and into focus, Hitchcock used this to indicate Scottie's come
back to reality, coming to his senses as he spots the locket in the next scene, realizing that Judy has
been tricking him all along (Truffaut, 1985).

Movie Review : ' Vertigo '
Alfred Hitchcock's movie, Vertigo has captivated audiences since its release in 1958. The movie
follows detective Scotty who realizes he has severe acrophobia and experiences terrifying vertigo
when he is unable to catch a fellow colleague as he falls off the roof of a building while pursuing a
criminal. Scotty quits the police force and is hired by an old college friend to investigate the strange
activities of his wife, Madeline, all the while becoming dangerously obsessed with her. This
storyline has twists and turns that it seems only Hitchcock would be able to create in the almost
perfect mystery. However, when looking at the fine details of the movie it is clear to see there is an
underlying theme being portrayed throughout the film. ... Show more content on Helpwriting.net ...
However, women liked being able to support themselves, so this was not an easy task for males.
Scotty is the ideal representation of the frustrated male of the 1950's, and Madeline, Judy, and
Midge are great representations for the women. Unless the viewer is actively looking for the subtle
clues projected by Hitchcock's characters, this theme can easily be lost in one of the greatest
cinematic mysteries ever created. The aspect of the fight for power between the genders first makes
its appearance with two of the movie's main characters, Scotty and his ex–fiancé Midge. In one of
the very first scenes the characters are at Midge's apartment and the subtle fight for dominance
between males and females is evident. First, her apartment is filled with her artwork and she is
working diligently on her next project. The window in her apartment practically takes up an entire
wall, and outside it is a spectacular view of the city. It gives the feeling that this woman is reigning
over the city, and can reach out and take anything she wants from it; an ideal that woman wanted to
have during this time. This is vastly different from Scotty's home as the viewer sees later in the film.
His home, while spacious, has a very limited feel due to the lack of any outside view due to how
dark it is outside. This gives the viewer the idea that the woman is

Vertigo Gaze
The gaze in the movie
Laura Mulvey, the British scholar, she puts forward the film argument combines with
psychoanalytic theory and the concept of "male gaze" in her article "Visual Pleasure and Narrative".
Mulvey mentions that, "In a world ordered by sexual imbalance, pleasure in looking has been split
between active / male and passive / female. The determining male gaze projects its phantasy on to
the female form which is styled accordingly. In their traditional exhibitionist role women are
whisper At and displayed, with their appearance coded for strong visual and erotic impact so that
they can be said to connote to–be–looking–at–ness."(p.715) In other words, Hollywood narrative
films use women in order to provide a pleasurable visual experience for men. The narrative film
structures its gaze as masculine. The woman is always the object of the reifying gaze, not the bearer
of it.
Art is the ... Show more content on Helpwriting.net ...
The first lens shot of actress is very important, because it is the crucial weapon to satisfy male
actor's voyeurism and fetishistic scopophilia. In Vertigo, it performs "voyeurism" and "fetishistic
scopophilia" from beginning to the end. However, Double Indemnity only obviously shows "
fetishistic scopophilia." Double Indemnity's chief actress Phyllis is a sexy and beautiful woman, the
first lens shot of her begins from her bare feet, and then from her bare feet slowly rise to her body,
then moves to her naked shoulders, the chief actor Walter keeps looking up at Phyllis. It could
implie the later status between Phyllis and Walter. Walter loves Phyllis, but she does not.
Differently, Madeleine's first lens shot starts from her back in a long distance, then the lens slowly
close her body. The lens stops at her elegant back image –nice hair, wears a green evening dress.
Scottie peeps her in distance. It is the first voyeurism and fetishistic scopophilia plot in

Analysis Of Vertigo

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Analysis Of Vertigo