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DOUBLE FEATURE
• INSIDE NO. 9 (2018)
• INSIDE NO. 9 is a dark
comedy anthology TV series
from the U.K. that often has
horrific elements
• The stories are linked only
by the number 9 in some
way and a brass hare statue
that is in the background of
all episodes
DOUBLE FEATURE
• The episode we’re going to
watch, ONCE REMOVED,
is notable because of its
unique plotting
• It’s a great example of how
STORY differs from PLOT
and the idea that it’s often
HOW a filmmaker chooses
to plot/tell a perhaps
familiar story that makes it
special and memorable
STORY VS. PLOT
• THE STORY – man plans to
kill his wife but thing go
wrong along the way causing
further problems
• THE PLOT – details about a
man’s plan to kill his wife are
revealed in reverse along the
way – it shows us the
CAUSE after we’ve already
seen the EFFECT
STORY VS. PLOT
• THE STORY – what
happens chronologically
(original order of events)
whether the audience sees
it or not – THE FACTS
• THE PLOT – only what the
filmmaker chooses to show
us and how they choose to
show it to us – THE
DELIVERY OF THE
FACTS
STORY VS. PLOT
• This simple yet complicated
switch from a STORY to a
PLOT changes “Once
Removed” into a more
engaging and rewarding
experience for the audience
• We are pulled in not only by the
characters and what’s
happening to them, but also by
the act of figuring out what’s
going to happen based on what
already did happen…
FILM EXAMPLE
FILM EXAMPLE
• CARRIE (1976)
• Full Screening In Class (also available to
stream and/or download from Blackboard)
• We’ll be using CARRIE (and other films) to
further our discussion of class material
• Using your book and the streaming film, bring
your completed SCREENING NOTES-CARRIE
next class for discussion and credit
CARRIE
1976 Horror
Directed by Brian De Palma
Based on book by Stephen King
Nominated for 2 Academy Awards including;
Best Actress in a Leading Role (Sissy Spacek)
Best Supporting Actress (Piper Laurie)
CARRIE
Carrie was ranked 86th on Empire's list of The
500 Greatest Movies of All Time.
It was ranked 15th on Entertainment Weekly's list
of the 50 Best High School Movies
46th on the American Film Institute 's List of 100
Greatest Horror films in American Cinema.
The film's prom scene has had a major influence
on popular culture and has been discussed,
analysed and parodied numerous times and was
ranked 8th on Bravo 's The 100 Scariest Moments
in Cinematic History (2004).
CARRIE
Please give the film your full attention – let
yourself really get into it with no distractions
Any form of art needs your full participation to
make its impact – ART IS A TRANSACTIONAL
SUBJECTIVE EXPERIENCE and it can only do
so much on its own
You’ve made the financial and physical
commitment to be here so why not make the
mental commitment, too?
SCREENING NOTES-CARRIE
Setting; Plot vs. Story; Characters
Classical Narrative Structure elements:
Exposition, Rising Action, Climax, Falling Action,
Resolution
Diagetic & Non-Diagetic Sound/Music
CINEMATOGRAPHY:
Camera Distances
Camera Angles
Camera Movement
Motifs, Themes, and Messages
LOOKING AHEAD
Bring your completed
SCREENING NOTES-CARRIE
next class for discussion and
credit

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WCC FILM 100 Double Feature LUTHER

  • 1. DOUBLE FEATURE • INSIDE NO. 9 (2018) • INSIDE NO. 9 is a dark comedy anthology TV series from the U.K. that often has horrific elements • The stories are linked only by the number 9 in some way and a brass hare statue that is in the background of all episodes
  • 2. DOUBLE FEATURE • The episode we’re going to watch, ONCE REMOVED, is notable because of its unique plotting • It’s a great example of how STORY differs from PLOT and the idea that it’s often HOW a filmmaker chooses to plot/tell a perhaps familiar story that makes it special and memorable
  • 3. STORY VS. PLOT • THE STORY – man plans to kill his wife but thing go wrong along the way causing further problems • THE PLOT – details about a man’s plan to kill his wife are revealed in reverse along the way – it shows us the CAUSE after we’ve already seen the EFFECT
  • 4. STORY VS. PLOT • THE STORY – what happens chronologically (original order of events) whether the audience sees it or not – THE FACTS • THE PLOT – only what the filmmaker chooses to show us and how they choose to show it to us – THE DELIVERY OF THE FACTS
  • 5. STORY VS. PLOT • This simple yet complicated switch from a STORY to a PLOT changes “Once Removed” into a more engaging and rewarding experience for the audience • We are pulled in not only by the characters and what’s happening to them, but also by the act of figuring out what’s going to happen based on what already did happen…
  • 7. FILM EXAMPLE • CARRIE (1976) • Full Screening In Class (also available to stream and/or download from Blackboard) • We’ll be using CARRIE (and other films) to further our discussion of class material • Using your book and the streaming film, bring your completed SCREENING NOTES-CARRIE next class for discussion and credit
  • 8. CARRIE 1976 Horror Directed by Brian De Palma Based on book by Stephen King Nominated for 2 Academy Awards including; Best Actress in a Leading Role (Sissy Spacek) Best Supporting Actress (Piper Laurie)
  • 9. CARRIE Carrie was ranked 86th on Empire's list of The 500 Greatest Movies of All Time. It was ranked 15th on Entertainment Weekly's list of the 50 Best High School Movies 46th on the American Film Institute 's List of 100 Greatest Horror films in American Cinema. The film's prom scene has had a major influence on popular culture and has been discussed, analysed and parodied numerous times and was ranked 8th on Bravo 's The 100 Scariest Moments in Cinematic History (2004).
  • 10. CARRIE Please give the film your full attention – let yourself really get into it with no distractions Any form of art needs your full participation to make its impact – ART IS A TRANSACTIONAL SUBJECTIVE EXPERIENCE and it can only do so much on its own You’ve made the financial and physical commitment to be here so why not make the mental commitment, too?
  • 11. SCREENING NOTES-CARRIE Setting; Plot vs. Story; Characters Classical Narrative Structure elements: Exposition, Rising Action, Climax, Falling Action, Resolution Diagetic & Non-Diagetic Sound/Music CINEMATOGRAPHY: Camera Distances Camera Angles Camera Movement Motifs, Themes, and Messages
  • 12. LOOKING AHEAD Bring your completed SCREENING NOTES-CARRIE next class for discussion and credit