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Nicole Sherry
Audience Theories
The Effects Model
 The consumption of media texts has as effect or
influence upon the audience.
 Its normally considered that this effect is negative.
 Audiences are passive and powerless to prevent
the influence.
 The power lies with the message of the text.
Hypodermic model
 The messages in media texts are injected into the
audience by the powerful, syringe – like media
 Audience is powerless to resist
 The media works as if it is a drug and the
audience is drugged/addicted.
 Frankfurt School – theorised in the 1920s and
30s that the mass media acted to restrict and
control audiences to the benefit of corporate
capitalism and governments
 The Bobo Doll experiment – This is a very
controversial piece of research that apparently
proved that children copy violent behaviour.
Bobo Doll Experiment
 Conducted in 1961 by Albert Bandura
 In the experiment the children watched a clip of
an adult violently attack a clown toy called a Bobo
doll.
 The children were then taken into a room with
attractive toys that they were not permitted to
touch. Then they were lead into a room with Bobo
Dolls
 88% of the children imitated the violent behaviour
that they had earlier viewed.
 8 months later 40% of the children reproduced
the same violent behaviour.
Bobo Doll
 The conclusion reached was that the children will
imitate violent media content
 There are many problems with the experiment.
 The effects model – backed up by the bobo doll
experiment – is still the dominant theory used by
politicians, some parts of the media and some
religious organisations in attributing violence to
the consumption of media texts.
Examples of films which are causing
or being contributory factors are:
 Child’s Play 3 – murder of James Bulger in 1993
 Manhunt – murder of Stefan Pakeerah in 2004 by
his friend Warren LeBlanc
 The film A Clockwork Orange (1971) in a number
of rapes and violent attacks
 The film Severance (2006) in the murder of
Simon Everitt.
 In some countries these films were banned due to
their explicit content.
Effects Model
 Contributes to Moral Panics whereby:
 The media produce inactivity, make us into
students who wont pass their exams or ‘couch
potatoes’ who make no effort to get a job
 The media produces violent ‘copycat’ behaviour
or mindless shopping in response to
advertisements.
The Uses and Gratifications
model
 The Uses and Gratifications Model is the opposite
of the Effects Model.
 The audience is active.
 The audience uses the text and is not used by it.
 The audience uses the text for its own
gratification or pleasure.
 Here power lies with the audience and not with
the producers
 This theory emphasises what audiences do with
media texts – how and why they use them.
 Far from being duped by the media, the audience
is free to reject, use or play with media meanings
as they see fit.
 Audiences use media texts to gratify needs for:
 Diversion
 Escapism
 Information
 Pleasure
 Comparing relationships and lifestyles with one’s
own
 Sexual Stimulation
Reception theory – Stuart Hall
 The media can help people with issues such as:
 Learning
 Emotional satisfaction
 Relaxation
 Help with issues or personal identity
 Help with issues of social identity
 Help with issues of aggression and violence
 Controversially the theory suggests that the
exposure of violence can help rather than hinder
 The theory suggest they act out their violent
impulses through the consumption of media
violence
 The audience’s inclination towards violence is
therefore sublimated, and they are less likely to
commit violent acts
Reception Theory
 This suggests that texts are encoded with
meaning by producers and then decoded by the
audience.
 The theory suggests:
 When a producer constructs a text it is encoded
with a meaning or messsge that the producer
wishes to convey to the audience
 In some instances audience will correctly decode
the message and understand what the producer
was trying to say
 In some instances the audience will either reject
or fail to correctly understand the message.
Three types of audience
readings:
Dominant
Negotiated
Oppositional
Dominant
Where the audience
decodes the message
as the producer wants
them to do and broadly
agrees with it.
Negotiated
Where the audience
accepts, rejects or refines
elements of the text in light
of previously held views.
Oppositional
Where the dominant
meaning is recognised but
rejected for cultural,
political or ideological
reasons.

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Audience theories

  • 2. The Effects Model  The consumption of media texts has as effect or influence upon the audience.  Its normally considered that this effect is negative.  Audiences are passive and powerless to prevent the influence.  The power lies with the message of the text.
  • 3. Hypodermic model  The messages in media texts are injected into the audience by the powerful, syringe – like media  Audience is powerless to resist  The media works as if it is a drug and the audience is drugged/addicted.
  • 4.  Frankfurt School – theorised in the 1920s and 30s that the mass media acted to restrict and control audiences to the benefit of corporate capitalism and governments  The Bobo Doll experiment – This is a very controversial piece of research that apparently proved that children copy violent behaviour.
  • 5. Bobo Doll Experiment  Conducted in 1961 by Albert Bandura  In the experiment the children watched a clip of an adult violently attack a clown toy called a Bobo doll.  The children were then taken into a room with attractive toys that they were not permitted to touch. Then they were lead into a room with Bobo Dolls  88% of the children imitated the violent behaviour that they had earlier viewed.  8 months later 40% of the children reproduced the same violent behaviour.
  • 6. Bobo Doll  The conclusion reached was that the children will imitate violent media content  There are many problems with the experiment.  The effects model – backed up by the bobo doll experiment – is still the dominant theory used by politicians, some parts of the media and some religious organisations in attributing violence to the consumption of media texts.
  • 7. Examples of films which are causing or being contributory factors are:  Child’s Play 3 – murder of James Bulger in 1993  Manhunt – murder of Stefan Pakeerah in 2004 by his friend Warren LeBlanc  The film A Clockwork Orange (1971) in a number of rapes and violent attacks  The film Severance (2006) in the murder of Simon Everitt.  In some countries these films were banned due to their explicit content.
  • 8. Effects Model  Contributes to Moral Panics whereby:  The media produce inactivity, make us into students who wont pass their exams or ‘couch potatoes’ who make no effort to get a job  The media produces violent ‘copycat’ behaviour or mindless shopping in response to advertisements.
  • 9. The Uses and Gratifications model  The Uses and Gratifications Model is the opposite of the Effects Model.  The audience is active.  The audience uses the text and is not used by it.  The audience uses the text for its own gratification or pleasure.
  • 10.  Here power lies with the audience and not with the producers  This theory emphasises what audiences do with media texts – how and why they use them.  Far from being duped by the media, the audience is free to reject, use or play with media meanings as they see fit.
  • 11.  Audiences use media texts to gratify needs for:  Diversion  Escapism  Information  Pleasure  Comparing relationships and lifestyles with one’s own  Sexual Stimulation
  • 12. Reception theory – Stuart Hall  The media can help people with issues such as:  Learning  Emotional satisfaction  Relaxation  Help with issues or personal identity  Help with issues of social identity  Help with issues of aggression and violence
  • 13.  Controversially the theory suggests that the exposure of violence can help rather than hinder  The theory suggest they act out their violent impulses through the consumption of media violence  The audience’s inclination towards violence is therefore sublimated, and they are less likely to commit violent acts
  • 14. Reception Theory  This suggests that texts are encoded with meaning by producers and then decoded by the audience.  The theory suggests:  When a producer constructs a text it is encoded with a meaning or messsge that the producer wishes to convey to the audience  In some instances audience will correctly decode the message and understand what the producer was trying to say  In some instances the audience will either reject or fail to correctly understand the message.
  • 15. Three types of audience readings: Dominant Negotiated Oppositional
  • 16. Dominant Where the audience decodes the message as the producer wants them to do and broadly agrees with it.
  • 17. Negotiated Where the audience accepts, rejects or refines elements of the text in light of previously held views.
  • 18. Oppositional Where the dominant meaning is recognised but rejected for cultural, political or ideological reasons.