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Malcolm 
By 
Jake Beare, Ben Bullock and Charlie Robertson
EXT. PLAYGROUND . DAY 
It feels cold in the air, it is winter. Everything is 
quiet, all you can hear is the wind. Two young men are 
sitting on the swings, the playground is deserted. 
ANDY 
Oi, how you coping? 
MALCOLM 
Yeah, I'm good 
ANDY 
Malcolm. c'mon you know what I 
mean. 
MALCOLM 
Yeah, I'm doing fine. 
ANDY 
have you been leaving the house 
much? 
MALCOLM 
yeah. 
ANDY 
Besides seeing me? 
MALCOLM 
Yeah course I have, obviously. I 
went out just the other day. 
ANDY 
Oh really? 
MALCOLM 
Yes really. 
ANDY 
Okay, you're always welcome to 
stay at my yard. 
MALCOLM 
Thanks man, but I'm doing fine. 
ANDY 
Okay man, well you are always 
welcome. Just know that you 
always got someone to call.
2 
(CONTINUED) 
MALCOLM 
I'm not lonely, I'm coping 
ANDY 
Have you spoken to your parents. 
MALCOLM 
No, I don't really see them, 
they're always out, and when they 
are home they just pretend like 
I'm not there 
ANDY 
Well, you can talk to me. 
MALCOLM 
Okay man (gets up) 
ANDY 
Wait, where you going? 
MALCOLM 
I'm going home. 
ANDY 
Well I'll see you next week, 
okay? 
MALCOLM 
yeah, I'll call you. 
INT. BEDROOM. DAY 
Malcolm arrives to an empty house, he slowly but surely 
walks upstairs, each step is a struggle, he opens the 
door to his bedroom and stops and stares at his bed, 
almost mesmerised by the room he has been living in for a 
long time. He looks at the bed again and he is then 
staring at his past self and his dead sister talking. 
INT. BEDROOM. DAY 
This is a flashback of his sister giving him a framed 
picture of the two of them. 
ABI 
Can I come in?
3 
(CONTINUED) 
CONTINUED: (2) 
MALCOLM 
Come on in. 
Abi is looking awkward, having a small cheeky smile on 
her face. 
MALCOLM 
What? 
ABI 
You know that picture that we 
took in the park a few months 
ago. Well, I loved it so much, I 
got it framed. 
Abi hands the framed picture to him, Malcolm's face 
immediately beams. 
MALCOLM 
Ahh, you're right, it is a nice 
photo. 
ABI 
Well,you look nice, it just looks 
like theres something in my eye! 
(laughs) 
INT. BEDROOM. DAY 
Malcolm looks in the mirror and takes off his glasses. 
He stares hard at the thing he calls hi face. He takes 
a big breath, puts on a fake smile and goes down stairs. 
He hears a the door open and two people laughing. 
MALCOLM 
Mum?! Dad?! 
Malcolm shakes his head. He sees the picture of him and 
his sister n the table near the mirror and carries it 
down the stairs with him 
INT. KITCHEN. DAY 
After the flashback, Malcolm goes downstairs, before he 
gets down the last step the phone starts to ring. he 
goes towards the phone, looking suspicious at the house 
phone. He puts down the frames picture and picks up the 
phone.
4 
(CONTINUED) 
CONTINUED: (2) 
MALCOLM 
Hello? 
SECRETARY (V/O) 
Hi, am I speaking to Malcolm 
Thompson. 
MALCOLM 
Yep 
SECRETARY (V/O) 
Well, I'm calling from the Capio 
Nightingale hospital and it says 
here that you haven't turned up 
for sessions in over three weeks. 
MALCOLM 
Yes, I've just had a lot of 
things on my plate. 
SECRETARY (V/O) 
Your mental health is not a 
laughing matter Mr Thompson. 
MALCOLM 
I can assure you that my mental 
health is at the top of my 
agenda, its just I've had my 
hands full. 
SECRETARY (V/O) 
Okay, so we will see you next 
week? (long pause) Hello? Mr 
Thompson? Hello? 
Malcolm puts down the phone as he is fed up and tired 
with the secretary but does't hang up. He grabs the 
picture again and goes to sit down on his chair, buries 
his head in his hands, trying to block out all demons. 
Picks up the newspaper and sees a depressing headline, 
he throws it away. 
Malcolm goes to make himself a cup of tea, this becomes 
obvious after he gets his mug out on the table, he 
reaches to get the mug but in the process accidentally 
knocks something over. It becomes apparent that it is 
the picture frame that his sister gave him in the 
previous flashback, but only this time it is all smashed 
up and there is glass all over the floor, the picture is 
lying lifeless, it is symbolic that such a happy memory 
just shatters like that. After the sight of the framed
5 
(CONTINUED) 
CONTINUED: (2) 
picture broken on the ground, Malcolm's head goes into 
overdrive and he begins to have a nervous breakdown. 
This will be portrayed through montage. 
SERIES OF SHOTS 
A. GRAVE YARD 
A very depressing clip of his just staring in anger and 
disgust at the grave stone. 
B. PICTURE SMASHING 
this is the sight of the framed picture falling in the 
air it shows that this framed picture meant a lot to 
Malcolm as it was his last sentimental object of his 
sister that he had. 
C. ABI GIVING HIM THE PICTURE 
Same footage as the flash back, showing to the audience 
that the particular moment was incredibly meaningful to 
him. 
E. ANDY CONCERNED 
Same footage from earlier scene. 
F. MALCOLM CRYING (PRESENT) 
This would be a highly emotional moment, this would be 
longer than the other clips, it would show Malcolm pacing 
up and down his stairs and banging his head on the wall. 
MALCOLM 
Its not my fault (repeats) 
G. PICTURE SMASHING 
H. THE GRAVEYARD 
I. CAR CRASH 
J. MALCOLM CRYING (PRESENT) 
Malcolm is just banging his fists into the floor to show 
his frustration. 
K. PICTURE SMASHING 
L. CAR CRASH
6 
(CONTINUED) 
CONTINUED: (3) 
M. THE GRAVEYARD 
N. ABI SMILING 
O. ABI'S FACE SMASHED IN THE PICTURE 
P. MALCOLM CRYING (PRESENT) 
INT. KITCHEN. DAY 
The breakdown is over, Malcolm is on the floor, curled up 
in a ball. Malcolm is helped up by a familiar hand, he 
looks up and is startled. he can't believe it at first, 
but then he looks angry. 
ABI 
You never used to clean anything 
when I was here. 
MALCOLM 
What? how? You are dead, how are 
you here? Are you here to taunt 
me? Or am I just crazy? 
ABI 
You're not crazy, you're just 
severely depressed. 
MALCOLM 
Why does it have to be so hard, 
why did you have to die, how come 
I didn't die? 
ABI 
Don't torture yourself with this. 
MALCOLM 
Torture myself? I love you, you 
were the only person in the world 
that i truly cared about, and you 
were taken away from me. You 
helped me, you clothed me, you 
cared for me. without you, I'm 
nothing. Its not fair! And its 
all my fault, oh God, its all my 
fault. 
ABI 
Malcolm, your mistakes can 
control you, or you can control 
your mistakes. You have to forget
7 
(CONTINUED) 
CONTINUED: (2) 
the things that you can do 
nothing about. You have to get 
over me. 
MALCOLM 
(MORE) 
But how? 
ABI 
(only you can know how to fix 
yourself) 
Abi is gone, Malcolm is alone, but this experience has 
finally given him closure. He goes towards the couch 
that he sat on before the smashing of the picture, he 
looks at the newspaper that he threw, he looks at the 
smashed photo across the room, and he smiles as he is a 
different person to how he was before. Then there is a 
sound bridge of the next scenes dialogue to make it look 
like that this whole film was a counselling session this 
whole time. 
-- 
INT. OFFICE. DAY 
COUNSELLOR 
So what did she say? when you 
saw her? 
MALCOLM 
She said that it wasn't my fault 
and that I had to get better. 
COUNSELLOR 
This is very common in people who 
have lost someone, I feel that 
you have made a break through. 
MALCOLM 
I hope so. (smiles)COUNSELLOR 
So I'll see you next week?MALCOLM 
Yeah, see you 
The counsellor believes he has got better and believes 
that he has made a break through 
EXT. OPEN SPACE. EVENING 
This will be the final scene of the film, this will make 
the audience have closure on if Malcolm has gotten over 
his sisters death.
8 
(CONTINUED) 
CONTINUED: (3) 
ABI (cont'd) 
MALCOLM 
I realise now after all of this, 
after all my pain. That life 
isn’t for the good times, or even 
the bad times. Its for those 
times when you truly feel alive. 
When you get to a place when you 
know you are significant and you 
know that you aren’t alone. You 
could say that everything you go 
through gives you something to 
cherish. And when you get to a 
good place and you feel like you 
can take on the world, thats when 
you remember that pain, that pain 
that made you realise “I am 
alive, Malcolm, you are alive”.

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Malcolm fourth draft

  • 1. Malcolm By Jake Beare, Ben Bullock and Charlie Robertson
  • 2. EXT. PLAYGROUND . DAY It feels cold in the air, it is winter. Everything is quiet, all you can hear is the wind. Two young men are sitting on the swings, the playground is deserted. ANDY Oi, how you coping? MALCOLM Yeah, I'm good ANDY Malcolm. c'mon you know what I mean. MALCOLM Yeah, I'm doing fine. ANDY have you been leaving the house much? MALCOLM yeah. ANDY Besides seeing me? MALCOLM Yeah course I have, obviously. I went out just the other day. ANDY Oh really? MALCOLM Yes really. ANDY Okay, you're always welcome to stay at my yard. MALCOLM Thanks man, but I'm doing fine. ANDY Okay man, well you are always welcome. Just know that you always got someone to call.
  • 3. 2 (CONTINUED) MALCOLM I'm not lonely, I'm coping ANDY Have you spoken to your parents. MALCOLM No, I don't really see them, they're always out, and when they are home they just pretend like I'm not there ANDY Well, you can talk to me. MALCOLM Okay man (gets up) ANDY Wait, where you going? MALCOLM I'm going home. ANDY Well I'll see you next week, okay? MALCOLM yeah, I'll call you. INT. BEDROOM. DAY Malcolm arrives to an empty house, he slowly but surely walks upstairs, each step is a struggle, he opens the door to his bedroom and stops and stares at his bed, almost mesmerised by the room he has been living in for a long time. He looks at the bed again and he is then staring at his past self and his dead sister talking. INT. BEDROOM. DAY This is a flashback of his sister giving him a framed picture of the two of them. ABI Can I come in?
  • 4. 3 (CONTINUED) CONTINUED: (2) MALCOLM Come on in. Abi is looking awkward, having a small cheeky smile on her face. MALCOLM What? ABI You know that picture that we took in the park a few months ago. Well, I loved it so much, I got it framed. Abi hands the framed picture to him, Malcolm's face immediately beams. MALCOLM Ahh, you're right, it is a nice photo. ABI Well,you look nice, it just looks like theres something in my eye! (laughs) INT. BEDROOM. DAY Malcolm looks in the mirror and takes off his glasses. He stares hard at the thing he calls hi face. He takes a big breath, puts on a fake smile and goes down stairs. He hears a the door open and two people laughing. MALCOLM Mum?! Dad?! Malcolm shakes his head. He sees the picture of him and his sister n the table near the mirror and carries it down the stairs with him INT. KITCHEN. DAY After the flashback, Malcolm goes downstairs, before he gets down the last step the phone starts to ring. he goes towards the phone, looking suspicious at the house phone. He puts down the frames picture and picks up the phone.
  • 5. 4 (CONTINUED) CONTINUED: (2) MALCOLM Hello? SECRETARY (V/O) Hi, am I speaking to Malcolm Thompson. MALCOLM Yep SECRETARY (V/O) Well, I'm calling from the Capio Nightingale hospital and it says here that you haven't turned up for sessions in over three weeks. MALCOLM Yes, I've just had a lot of things on my plate. SECRETARY (V/O) Your mental health is not a laughing matter Mr Thompson. MALCOLM I can assure you that my mental health is at the top of my agenda, its just I've had my hands full. SECRETARY (V/O) Okay, so we will see you next week? (long pause) Hello? Mr Thompson? Hello? Malcolm puts down the phone as he is fed up and tired with the secretary but does't hang up. He grabs the picture again and goes to sit down on his chair, buries his head in his hands, trying to block out all demons. Picks up the newspaper and sees a depressing headline, he throws it away. Malcolm goes to make himself a cup of tea, this becomes obvious after he gets his mug out on the table, he reaches to get the mug but in the process accidentally knocks something over. It becomes apparent that it is the picture frame that his sister gave him in the previous flashback, but only this time it is all smashed up and there is glass all over the floor, the picture is lying lifeless, it is symbolic that such a happy memory just shatters like that. After the sight of the framed
  • 6. 5 (CONTINUED) CONTINUED: (2) picture broken on the ground, Malcolm's head goes into overdrive and he begins to have a nervous breakdown. This will be portrayed through montage. SERIES OF SHOTS A. GRAVE YARD A very depressing clip of his just staring in anger and disgust at the grave stone. B. PICTURE SMASHING this is the sight of the framed picture falling in the air it shows that this framed picture meant a lot to Malcolm as it was his last sentimental object of his sister that he had. C. ABI GIVING HIM THE PICTURE Same footage as the flash back, showing to the audience that the particular moment was incredibly meaningful to him. E. ANDY CONCERNED Same footage from earlier scene. F. MALCOLM CRYING (PRESENT) This would be a highly emotional moment, this would be longer than the other clips, it would show Malcolm pacing up and down his stairs and banging his head on the wall. MALCOLM Its not my fault (repeats) G. PICTURE SMASHING H. THE GRAVEYARD I. CAR CRASH J. MALCOLM CRYING (PRESENT) Malcolm is just banging his fists into the floor to show his frustration. K. PICTURE SMASHING L. CAR CRASH
  • 7. 6 (CONTINUED) CONTINUED: (3) M. THE GRAVEYARD N. ABI SMILING O. ABI'S FACE SMASHED IN THE PICTURE P. MALCOLM CRYING (PRESENT) INT. KITCHEN. DAY The breakdown is over, Malcolm is on the floor, curled up in a ball. Malcolm is helped up by a familiar hand, he looks up and is startled. he can't believe it at first, but then he looks angry. ABI You never used to clean anything when I was here. MALCOLM What? how? You are dead, how are you here? Are you here to taunt me? Or am I just crazy? ABI You're not crazy, you're just severely depressed. MALCOLM Why does it have to be so hard, why did you have to die, how come I didn't die? ABI Don't torture yourself with this. MALCOLM Torture myself? I love you, you were the only person in the world that i truly cared about, and you were taken away from me. You helped me, you clothed me, you cared for me. without you, I'm nothing. Its not fair! And its all my fault, oh God, its all my fault. ABI Malcolm, your mistakes can control you, or you can control your mistakes. You have to forget
  • 8. 7 (CONTINUED) CONTINUED: (2) the things that you can do nothing about. You have to get over me. MALCOLM (MORE) But how? ABI (only you can know how to fix yourself) Abi is gone, Malcolm is alone, but this experience has finally given him closure. He goes towards the couch that he sat on before the smashing of the picture, he looks at the newspaper that he threw, he looks at the smashed photo across the room, and he smiles as he is a different person to how he was before. Then there is a sound bridge of the next scenes dialogue to make it look like that this whole film was a counselling session this whole time. -- INT. OFFICE. DAY COUNSELLOR So what did she say? when you saw her? MALCOLM She said that it wasn't my fault and that I had to get better. COUNSELLOR This is very common in people who have lost someone, I feel that you have made a break through. MALCOLM I hope so. (smiles)COUNSELLOR So I'll see you next week?MALCOLM Yeah, see you The counsellor believes he has got better and believes that he has made a break through EXT. OPEN SPACE. EVENING This will be the final scene of the film, this will make the audience have closure on if Malcolm has gotten over his sisters death.
  • 9. 8 (CONTINUED) CONTINUED: (3) ABI (cont'd) MALCOLM I realise now after all of this, after all my pain. That life isn’t for the good times, or even the bad times. Its for those times when you truly feel alive. When you get to a place when you know you are significant and you know that you aren’t alone. You could say that everything you go through gives you something to cherish. And when you get to a good place and you feel like you can take on the world, thats when you remember that pain, that pain that made you realise “I am alive, Malcolm, you are alive”.