2. THESIS
The sociology of music does not improve or degrade,
it simply changes with differences in societies.
OUTLINE
1 – The Evolution of Music Technology
2 – The Sociology of Modern Music
3 – So What?
3. Radio Magnetic Tape Cassette CD
Invention: Phonograph
Tape
MP3 Player
Year Popularized: 1877 1919 1950s 1990s 2000s
1960s
4. The Sociology of Modern Music
“[M]usic, like all other human creations, is the product of the minds already shaped
by particular cultures, and in this sense music could be said to reflect the society in
which it was created.”
Peter J. Martin, Ethnomusicologist
For us, in a technologically driven world, it logically follows that our social dealings with music
are greatly affected by technology.
5. How Technology
Has Influenced
Modern Music
We perceive perfection where, in reality, there is none.
6. So What?
By understanding the sociology of music and the effects of
modern technology on it we more easily accept the tastes
of others and become less critical of music as a whole.
In other words… Appreciating these concepts makes it a lot
easier to not be a jerk.
7. Blaukopf, Kurt. The Phonogram in Cultural Communication: Report on a Research Project Undertaken by Mediacult.
Wien, Austria: Springer-Verlag, 1982. Print.
S Davies, Hugh. "Electronic instruments." Grove Music Online. Oxford Music Online. 17 Feb. 2011
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/08694>. Web.
ESPN. “What Grade Would You Give The Black-Eyed Peas for Their Halftime Performance.” ESPN. ESPN, 2011. Web.
O 17 Feb. 2011 <http://sports.espn.go.com/espn/fp/flashPollResultsState?sportIndex=pollindex&pollId=106466>. Web.
Holmes, Thomas. The Routledge Guide to Music Technology. New York: Routledge, 2006. Print.
U Katz, Mark. "Portamento and the Phonograph Effect." Journal of Musicological Research 25.3/4 (2006): 211-232.
Academic Search Premier. EBSCO. Web. 27 Jan. 2011. Web.
Martin, Peter J. Sounds and Society: Themes in the Sociology of Music. Manchester: Manchester University Press, 1995. Print.
R Middleton, Richard and Manuel, Peter. "Popular music." Grove Music Online. Oxford Music Online. 17 Feb. 2011
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/43179>.
Millard, A J. America on Record: A History of Recorded Sound. Cambridge: Cambridge University Press, 2005. Print.
C Moyer, Michael. "RECORDED MUSIC. (cover story)." Scientific American 301.3 (2009): 92. Military & Government Collection.
EBSCO. Web. 27 Jan. 2011. Web.
"Music's Rich Tech History." Billboard 25 Oct. 2003: 12. Academic Search Premier. EBSCO. Web. 8 Apr. 2011. Web.
E Raynor, Henry. A Social History of Music, from the Middle Ages to Beethoven. New York: Schocken Books, 1972. Print.
RIAA. “2009 Year-End Shipment Statistics.” RIAA. RIAA, 2010. Web. 10 Mar. 2011.
<http://76.74.24.142/A200B8A7-6BBF- EF15-3038-582014919F78.pdf>. Web.
S Shepherd, John, and Peter Wicke. Music and Cultural Theory. Cambridge, UK: Polity Press, 1997. Print.
Shepherd, John. "Sociology of music." Grove Music Online. Oxford Music Online. 25 Feb 2011
<http://www.oxfordmusiconline.com/subscriber/article/grove/music/26085>. Web.
Teachout, Terry. "Why Listening Will Never Be the Same." Commentary 114.2 (2002): 57. Academic Search Premier. EBSCO.
Web. 8 Apr. 2011. Web.
Young, Miriama. "Latent body—plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through
technology." Contemporary Music Review 25.1/2 (2006): 81-92. Academic Search Premier. EBSCO. Web. 27 Jan. 2011.Web.
I
Robot with Trumpet (AP Photo|Sadayuki Mikami)
M Marilyn Monroe Robot (AP Photo|Sadayuki Mikami)
Bach Sheet Music (AP Photo|Jan Bauer)
A Tomb of King Juan II and Isabel of Portugal (ARTstor|William Keighley)
Portrait of the Mozart Family (ARTstor|Johann Nepomuk della Croce)
G Return of the Prodigal Son (ARTstor|POURBUS Frans I)
New York Skyline Vector (Creative Commons License|dragonartz.wordpress.com)
E Live Music Vectors (Creative Commons License|Spoongraphics)
Rebecca Black (AP Photo | Chris Pizzello)
S
