Abstract Art Analysis

Abstract Art Analysis
Harry Hopkins was the savior of art culture during the Great Depression, as a matter of fact, Artists wasn't originally included in the New Deal
development. President Franklyn Roosevelt was not considering them as people who worked for a living, strangely enough, he placed Hopkins in
charge of the program. He believed the artists had to generate earnings for their selves as well. The money they will spend in the economy will help
create jobs. The government treated the artist like employees giving them paintings quotas. Federal Government wasn't governing the type of painting
being made by the artist. Majority of the artists expresses a political undertone in their paintings. The United States is a melting pot of nationalities, all
nationalities were leaving their homeland to find a better quality of life. Creating a connection to other countries and allowing cultures to have a
profound influence on United States citizens. Abstract art was derived from Europe Magazine Der Strum in 1920, World War I, Germany was to first
express this kind of art, in fact, it was named German Expressionism. Ending of World War II, the United States developed their ideology ofabstract
expressionism.
Art with Democratic Values In 1938, Daniel R. Celentano painted a "Houseboat" overcrowded with an Italian family. This painting correlates to
democratic values, it represented a family that was poor but they were happy being overcrowded in a houseboat. During that time family had to stick
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John Augustus Walker
John Augustus Walker's (1901–1967) Historical Panorama of Alabama Agriculture, or fair murals, were created in the spring of 1939. Each mural,
about 7 ВЅ feet by 5 ВЅ feet, hang today in the Jule Collins Smith Museum of Fine Art, at Auburn University. These ten murals were made to
represent the "vision of the future" in the south during 1939. Depicted in each of the murals are key milestones in the agricultural development of
the state of Alabama; ranging from Alabama's First Farmer to Science on the Farm. These murals were said to be "A series of bold, nostalgic
paintings at the 1939 Alabama State Fair that helped visitors to forget world troubles and celebrate their collective past." Walker used bright tempura
paints, in greens, yellows, and blues, on the vast landscapes and farm life scenes to attract viewers in hopes of educating farmers and non–farmers of
improvements in agriculture. John Augustus Walker was an artist based out of Mobile, Alabama. He was born February 9, 1901 to John L. Walker
and Lilly Roche Walker. "Walker was first encouraged to pursue art by his teacher Maud Mayme Simpson during his years at elementary school in the
Mobile County School System. At age 16, Walker entered the work force as a stenographer for real estate agent F. M. Backes to augment the family
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This piece depicts the "men at work on the farm reflects New Deal era values of productive labor."12 In this piece there are four men hard at work
to build houses to live in and collect livestock for food. These men are seen cutting wood and placing said wood on houses for the roofs, as well as
carrying live stock into one of the buildings for food preparation. In the background you can see the dark blue sky and green landscape and the many
trees that go on for miles. Showing the great resources of the land they had settled

Albina Mural Project Analysis
The Albina Mural Project began as a yearlong collaboration with seven artists to create sculptures and murals influenced by black history and culture.
The project began in 1978, funded by a federal jobs program known as the "Comprehensive Employment and Training Act" that provided jobs to the
unemployed. In total there were six panels of artwork that depicted key transitional points in black history. The artwork displayed events from the slave
trade all the way to the Civil Rights Movement. The murals are referred to as sources of "history, inspiration and hope" that uplifted the neighborhoods
and communities they belong to. This particular mural served as a reminder of the past and marked the achievements of influential African American
figures... Show more content on Helpwriting.net ...
It represented the journey of Africans and their transition to America. It depicted the hardships and the struggles facing African American. It displayed
heroes and gave the community something to believe in. Although, the murals eventually began deteriorating and had to be removed. Judy Madden
Bryant, one of the painters working on the mural, states "My people are important. My culture is important" (Dunitz). The mural was a source of pride,
something the community was proud of. Black history is something that is often glazed over and not taught to its fullest extent in school. The Albina
Mural Project emphasized the importance of art and self–expression by demonstrating its ability to deliver generational messages through symbolic
representation. The negative portrayal of Africans in the media became normalized through processes such as vilifying people of color in cartoons. In
addition to the other demoralizing aspects of the media, the impact on young impressionable children can come in the form of altering perspective and
influencing attitude. However, the mural gave the youth of Albina something to believe in. By filling the youth with cultural pride empowers the next
generation to stand up and fight for equality and continue the work of the heroes and figures they looked up to. Perhaps the most valuable lesson of all
communicated by the mural is to stand up and fight

Art Therapy For People With Suicide Essay
Populations and Setting: Art Therapy for People with Suicide
According to Suicide Statistics – AFSP (2015), approximately 44.193 people die because of committing suicide every year. Suicide is one of the
common leading causes of death in the United States. The age–adjusted suicide rate is 13.26 people per 100,000 population in a year. Men have a
suicide rate 3.5 times higher than women. There are 121 people who commit suicide on average per a day. Suicide rate is highest in the middle age,
especially white male. In 2015, the highest suicide rate was among adults between the ages of 45 and 64 years. The second highest suicide rate
occurred at the age of 85 and older. Suicide rates had have been consistently lower for young people than for ... Show more content on Helpwriting.net
...
Two different workshops were held for a series of community meetings and a wide range of participants to create the basis of the mural painting
project. A poet, Theodore Harris, and psychologist, Dr. Terri Erbacher, helped workshops of collage art making and writing at Horizon House, "a
support group for former mental health patients (About Us)". Also, Dr. Molly Layton, psychotherapist, facilitated storytelling classes for participating
survivors and attempters of suicide, and they mainly talked how their life has been changed by commiting suicide. Various communities were shaped to
share self consciousness and resources for intervention around the concern about suicide in Philadelphia through Finding the Light Within (Burns,
2012).
Research on art therapy shows that there are numerous positive psychological and healthy results in visual arts suggesting that large community
participation in the healing art project may have great benefits (Stuckey, 2010). Finding the Light Within project provided a safe place for people to
talk and share about their thoughts and feeling, to sorrow and heal, to meet other people, and to not feel alone. Through art making, this public art
community program always to make people discuss about difficult social issues and share their thoughts. Jane Golden and Cathy Harris at Philadelphia
Mural Arts Program believe that mural painting

Art Appreciation 2
ART 110– Art Appreciation
Assignment #2 – Research an Artist
The Early Life of the Artist
1. When was the artist born? Diego Rivera was born on December 8, 1886. (Wiki)
2. Where was the artist born? Rivera was born into a well off family in Guanajuato City, Guanajuato, Mexico. (Wiki)
3. Note any information you were able to find on the parents of the artist. Rivera's maternal linage stemmed from Jews who had converted to Roman
Catholicism. His father's side came from Spanish nobility. (Wiki)
4. Did the artist have any brothers or sisters? Rivera was born with a twin brother, Jose Carlos, who died before he was two years old. He also had a
sister, Maria del Pilar Rivera, who was 4–5 years younger than ... Show more content on Helpwriting.net ...
What style did the artist work in? (This is noted for you at the beginning of this assignment). Diego Rivera worked in political protest. He had been
asked to paint a mural in Moscow for the 10th anniversary of the October Revolution but was ordered out due to involvement in anti–Soviet politics.
Upon his return to Mexico he was kicked out of the Mexican Communist Party due to their belief that his 1928 mural In the Arsenal was believed
by some to show Rivera's prior knowledge of a murder by a Stalinist assassin. And in 1933, Rivera was asked to paint a mural in Rockefeller Center,
New York, and when they saw it contained the image of Vladimir Lenin it was removed from the wall, and Rivera lost his commission to paint a
mural for the World's Fair in Chicago. (Wikipedia)
2. Describe the significant characteristics of this style. The style of art of Political Protest is often driven from anger, brutality, war, protest and
feelings of government misrepresentation. The piece is designed to get these emotions across, to make people understand how the artist feels. Often
colors and hidden images or phrases are embedded to create a more lasting effect.
3. Name some of the other artists who worked in this style. Artists who worked in the style of Political Protest are Pablo Picasso (Frank, p.410), Bob
Dylan (musician/song writer), Hunter S. Thompson (political writer), and many photojournalists emerged during the civil rights movements.

The Muralist Movement in Mexico
The Muralist Movement in Mexico
Mural painting is one of the oldest and most important forms of artistic, political and social expression. Mexican muralists, Diego Rivera, Jose
Clemente Orozco, and David Alfaro Siqueiros revived this form of painting in Mexico and led the way for the Muralist Movement in Mexico. Their
murals were based on the political and social conditions of the times. During the beginning of the 20th century, Mexico went through a political and
social revolution and the government began to commission a number of huge frescos to celebrate its achievements. The muralist movement would not
only have a great effect on their own country but the rest of the world as well.
The first modern artists from a Hispanic country ... Show more content on Helpwriting.net ...
Several of his murals appeared in the patio of the National Preparatory School, formerly the Jesuit institution of San Ildefonso. These include "The
Elements," "Man in Battle Against Nature," "Christ Destroys His Cross," "Destruction of the Old Order," "The Aristocrats," and "The Trench and the
Trinity", or in this case, the worker, the soldier and the peasant. Other pictures at this location depict negative forces (in a negative light) and the human
tragedy of the Revolution. In 1925, at Mexico City's House of Tiles, he painted the mural "Omniscience". The following year, at the Industrial School in
Orizaba, Veracruz, he created a mural depicting conditions in post–revolutionary Mexico. Between 1927–1934 Orozco lived in the United States.
On his return to Mexico, Orozco worked in Guadalajara between 1936 and 1939. In the vaulting of Government Palace he painted such celebrated
frescos as "The People and Its Leaders" and, on the staircase, his picture of Miguel Hidalgo, father of Mexican independence, holding a flaming torch.
In an article entitled The Demands of Art History, Harris states:
Orozco reached the summit of his art with the frescos he painted for the Guadalajara's Hospicio CabaГ±as. These include a historical panorama of
Mexico showing the pre–Hispanic world of the great Indian civilizations, the Conquest, visions of the downtrodden, public service as opposed to
demagoguery, the perils of alienation and dictatorship, the Revolution, creative activity

The Idea Of Self-Expression Of Graffiti And Pop Culture
You've probably seen some type of graffiti art before; most likely in a large city like New York City. Whether it be on bridges, public transit property,
buildings, or walls, graffiti is an art form that is available at your exposure. It is intended to be seen by the public eye and this type of art arises
curiosity amongst viewers. Graffiti can be seen as its own subculture. This culture initiated about 30 years ago in New York City, and the grand
appreciation for this art has helped it become a global phenomenon. The use of graffiti can date all the way back to Ancient Greece, but modern graffiti
didn't originate until 1960 when artists tagged their names on cars. It wasn't until the 1980s that hip hop became a part of graffiti, which ultimately ...
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The program was founded by Jane Golden in 1984 and the program has almost 4,000 murals in total. The mural arts program is intended to help educate
and uplift people, targeting young kids with hopes of them wanting to become successful in their futures. In Jane Golden's book, Philadelhphia
Murals and the Stories They Tell, she believes that when the program started, the murals would help, "...kids learn about discipline and
responsibility. Many had limited options. We hoped they would come out of the program with a sense of their own identities and values so they
could go on to live normal lives and not end up dead or in jail" (35). Not only are adults that view the murals targeted, but children are as well, in
order for them to become educated on important topics in the world. One "reward" of these murals is to help the community come together and
appreciate the stories of the artists and to educate people on different topics. People can relate to the murals and the reasoning behind the art. In
addition, this program has actually helped with employment has over 200 paid job positions. Graffiti artists, and even regular people (doesn't
necessarily have to be a well–known artist) can sign up to work on the murals and get paid. It is still a form of graffiti since it is done on walls of
buildings and

Summary Of Frank Romero's Mural 'Going To The Olympics'
In Frank Romero's mural "Going to the Olympics," there are many objects and symbols that in my opinion are used to represent life here in Los
Angeles. For example, the cars and palm trees painted by Romero are made to depict the type of environment found in Los Angeles, especially
downtown. In LA, you would find a lot of traffic especially, on freeways and when large events such as the Olympics were taking place.The Iron
located in the top left corner of the mural is made to represent a common prop used in Hollywood movies. In these movies, an iron would often be
used to symbolize a spaceship. There are also wrestlers painted at the top of the mural. These wrestlers are used to depict the wrestlers who competed
at the olympics in 1984. The... Show more content on Helpwriting.net ...
Times, Frank Romero is suing caltrans due to their removal of his mural tilted "Going to the Olymipcs," and in my opinion he did the correct
thing. Graffiti can be considered as either art or vandalism to many people and is a very common thing you will see on the streets in L.A.
Whether on bus benches, on the sides of buildings, inside bathroom stalls, and even on beautifully painted murals and like it or not, graffiti will
always be present in our city. "The mural had been defaced by graffiti taggers in the past, then restored by the artist." Frank Romero's work has
been vandalized multiple times by taggers but, he understands that graffiti is always going to take place in our city. Due to this problem, as a
solution Romero restores his mural in order to preserve his artwork, but in June, 2007 caltrans did not give him a chance to and instead painted
over his mural with no notice. "The episode took place, the suit says, without Romero having been given the advance notice required under a 1980
state law protecting artists' "moral rights," the notice provides 90 days for the artist to save or relocate works of public art before a building's owner
can have them removed." If my hard work was forcefully removed, I too would have sued the city because they have no right to cover someone's
artwork without giving any notice and no chance to allow the artist to try and save their

Seeing Through The Wall Analysis
Xiaoxiao Bao
Prof. Trever
Art History of Latin America
September 18, 2016
Seeing Through the Wall The de Young museum visit was definitely a retreat which allowed me to escape from daily coursework for several hours;
most importantly, it is a decent place to explore Latin American artworks, especially the Teotihuacanmural fragments, that we discussed in lectures.
Both the elaborate setting and authentic displays in the gallery have contributed to create a satisfactory space for viewers to think and to observe the
Teotihuacan cultural context. Crossing a mid–sized gallery that exhibits native American artworks, a dark hollow rectangle entrance appears indistinct
by the end of the wall. Wagner's collection of Teotihuacan mural fragments... Show more content on Helpwriting.net ...
Larger interactive wall projection will be another good idea to engage the audience. If the super–nature figures depicted in mural paintings can be
interpreted into animation, where they can shake their hands and move their bodies, cooperating with a sound system may bring them into life.
Converging modern technique into displaying Teotihuacanmurals may enhance the efficiency of visual communication as the time has changed. While
establishing some suitable interactive programs can help people understanding the artworks easier, the gallery has established a pleasant space to
showcase the Teotihuacan mural fragments overall through considerate settings and authentic

Aspects Of A Negro Life Essay
Aspects Of A Negro Life
Through his political activism and his artwork, Douglas dramatically changed the way other artists viewed African Americans. Politically, he helped
found and served as president for the activist organization that drastically assisted with employing thousands of artists.
he 1920s and 1930s brought drastic changes to the lives of many African Americans. Geographically, they migrated toward the urban, industrialized
North, not only to escape racial prejudices and economic hardships, but also to attain higher social and economic status. This "Great Migration"
transformed the streets of Harlem, New York, and gave rise to cultural changes of the New Negro movement. As this movement gradually gained
popularity, ... Show more content on Helpwriting.net ...
Through his political activism and artwork, Douglas was able to reveal the ideas and values exemplified during the Harlem Renaissance, despite
significant criticism of his style.
With this rebirth of traditional African culture, the number of African American artists rapidly increased. It became difficult for these artists to gain
employment, even with the assistance of government work–relief programs, such as the Works Progress Administration (WPA). Set up by President
Roosevelt as part of his New Deal program, the WPA offered jobs to thousands of unemployed artists, in an attempt to boost the nation's morale, as
well as stimulate the depressed economy. Despite its good intentions, the government program was unable to pay decent wages and failed to provide
employment for nearly five million artists (American). In response to this failure, the Harlem Artist Guild, founded in 1928, aggressively began to
work alongside the WPA to ensure the success of African American artists. Led by its first president, Aaron Douglas, theactivist organization played an
influential role in helping artists attain the recognition necessary to qualify them for the WPA work projects (Bearden 131). With the assistance of
Douglas, the Harlem Artist Guild, and the WPA, millions of African American artists succeeded in gaining employment despite the hard times of the
1930s (Artnoir's).
In his own works, Aaron Douglas used a strong,

The Diversity Of The Indigenous Youth Arts Program
Imagine a mural, of ancient Cree markings, known as syllabics, etched on a wall in a public art gallery. You notice that for certain blocked
inscriptions of the text, red and gray paint in the style of graffiti buffing has obscured them from view. That translated mural, presented by Open
Space galleries, tells the story of the flood for the Cree Nation. Created in 2013 by a young indigenous artist named Jesse Campbell. As a student, you
don 't have many opportunities to create a large–scale piece of art and have it displayed in a public place. But here in Victoria a program exists for
indigenous youth artists where you can do just that.
The Indigenous YouthArts Program, created by the Open Space arts society, provides this environment. A studio where young indigenous artists can
experiment and create grand scale artwork. Every two weeks mentors and participants meet to explore and work on their respective projects. The
Indigenous mentors are artists in their fields, who share their knowledge and ability with the students. The program is flexible, with drop–in
opportunities to come for a few sessions or stay for the full program. Jesse Campbell, a former student of the program in 2013, who is now the
co–ordinator of the program, says, the mentors are fortunate to be a part of the program, and consider the student 's lucky to have access to such a
resource. A place that cultivates and enriches indigenous artists, by giving them direction and opportunity to explore

My Cultural Paper On Machu Picchu Peruvian Restaurant
One of the countries in South America is Peru, home to part of the Amazon rainforest and also to Machu Picchu. Machu Picchu is an ancient Incan city
that was set high in the Andes Mountains. The civilization was renowned for its sophisticated dry–stone walls, and so is Machu Picchu Peruvian
Restaurant. This restaurant has captured the essence not only of the ancient civilization, but of the culture of Peru as well. Though this is a restaurant,
they teach their customers about Spanish culture, and they also contributes to both their immediate community and Hispanic community. So in other
words, this restaurant isn 't just a restaurant, but a Peruvian cultural experience. First of all, the reason why I chose to do my Cultural Paper on Machu
Picchu Peruvian Restaurant is because to me (as well as the community, I'm sure), this place isn't only in existence to sell food, but to allow its
customers to experience Peru and it's culture as much as possible without going to the actual country. When you first drive past the restaurant, the stone
design of the outside draws your attention. This restaurant is located in downtown Newburgh (one of the most dangerous cities in New York), so its
design automatically stands out from the poverty surrounding the area. Also, from the moment I walked into the restaurant, it was like I stepped into a
different world; from the smells to the ambiance, this restaurant embodied Peru 'to the T'. The dishes on the menu were all authentic, Peruvian

Diego Rivera's Passion For Art
Diego Rivera was born on December 8, 1886, in Guanajuato, Mexico. At the age of three years Rivera began drawing on his walls at home and his
parents saw this and instead of punishing him for drawing on the walls they nurtured his creativity. Rivera made art that portrayed the lives of
working class Mexican people. Rivera's passion for art began from a young age. Around 10 old years he went on to study art at the San Carlos
Academy of Fine Arts in Mexico City where he received training modeled on conservative European academies. Later in his life he traveled to Europe
to continue his art studies where he friended many famous artists such as Pablo Picasso. In Spain, Rivera studied the work of El Greco, Velazquez,
Goya, and the Flemish masters

Mayan Murals Research Paper
what does the history of mural making in public spaces tell us?where can we trace this history? from do we have to go? all the way back to the cave
paintings of Alta Mira?murals have been around for a long long time and really just about every civilization has created some kind of mural that is
now part of their cultural heritage. you can think about the Mayan murals of Central America and of course Michelangelo's painting of the ceiling of the
Sistine Chapel. but when we talk about murals today I think the relevant history starts in the early 20th century with what i like to call modern murals.
so at the start of the 20th century in north America the role of murals kind of shifts and takes on a new purpose. one ... Show more content on
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exploring ways to make their downtown's more vibrant and beautiful a different kind of meal emerged one that was not designed to tell a story but
rather speak to the space around it this new kind of mural created a conversation with architecture these kinds of murals were often strong and color
design sighs and purposeful in location I'm not seen a single term for this kind of mural but I like calling them environmental graphics and they
started to emerge in the late nineteen sixties in New York City with two groups city walls ink and smokehouse associates artist at this time we're
suggesting that murals needed to fit the scale in the context of the urban scene they wanted a mural that could speak the same visual language as the
city and this tendency spread all over the US in 2 cities like Atlanta Chicago Buffalo Cincinnati and even right here in my hometown of Indianapolis
what public art can be has expanded dramatically since the sixties and seventies artists have an are interacting with the public sphere and much
different and more invasive ways like Meryl later – clears project where she joined the new york city sanitation department as an

The Importance Of Public Art
Public art has a way of bringing communities together and starting conversations. This semester I am working with Dane Arts Mural Arts (DAMA),
which is a nonprofit arts group that creates murals and other forms of art throughout the various communities of Dane County. DAMA is a public and
community art program that train local artists to become community artists to create murals that beautify neighborhoods, bring people together, and
"make a difference in the lives of youth." The leaders of the program collaborate with communities to encourage students to become agents of change
by developing projects that physically and socially benefits communities.
Dane Arts Mural Arts is more than a group of artists that create murals. The program helps train new artists in the process of creating public art and
encourages students, youth, and community members to take part in the activity. Through DAMA, students heighten their connection to their
community. DAMA works hard to provide students opportunities to experience success through artistically created hands on projects. By working with
at risk youth, they are constantly making differences in student's lives. Engaging students can be challenging, but through project based learning,
DAMA uses art as an educational tool to increase school attendance and improve individual's motivation to succeed. Art has the innate power to
transform places, individuals, and communities. One of the most influential ways they help communities is by

Judith Francisca Baca
Judith Francisca Baca was born on September 20, 1946 in Los Angeles, California to Valentino Marcel and Ortensia Baca. Her father, Valentino, was
not in the picture, so she was raised by her mother, grandmother, and two aunts. Coming from a Spanish speaking family, Baca struggled in school, but
maybe her struggling was a good thing. Due to her problems with speaking, Baca's teacher made her sit at her desk and paint, which sparked her
interest in art. She attended California State University at Northridge to obtain her bachelor's degree. Then she went back to her high school, Bishop
Alemany High School, to teach. That is where she got together "ethnically diverse" students and painted a mural. Her teaching job did not last long.
Her next job was in Los Angeles in a traveling program for artists to teach at different schools. But one even that sparked her art life was exploring the
Mexican muralist tradition. She was inspired by different books she read about them and traveled to Mexico to take classes in mural techniques and
materials. When she returned to Los Angeles, she began her Citywide Project. She supervised and ... Show more content on Helpwriting.net ...
One of her most famous works is "A World without Borders". It is a painting of Latinos crying. The background of this painting is they want a
world where border patrol does not exist. People should be free to go and live wherever they want and cross the border whenever. This painting, in
a way, is expressing propaganda. They want people to realize that there is an issue with having borders. Some artists have created artwork that has to
do with their heritage in their times. Baca's work however not only expresses her ethnicity and background, but also has propaganda and represent
equality as a whole, with all races. Her work is headed in a new direction that expresses her opinion on different matters through art. It is a great
technique and also creates beautiful

Wayne Roberts: The Graffiti Art Movement
The graffiti art movement was first introduced during the mid to late 1960s in Philadelphia, Pennsylvania. It is one of the most fundamental
contemporary art movements. Artists used bold and thicker letters to enhance their art and make it stand out. Graffiti artists spray painted subway cars
which led to a new style called, "the throw up". Although it is a well– known form of art, it is still considered to be vandalism and it can be punishable
as a criminal offence.
Wayne Roberts was an Americangraffiti artist, known as Stay High 149.He was born on October 20, 1950 in Emporia, Virginia. Roberts used a
specific tag which came from a television series called, "The Saint".He is one of the most famous, influential and admired writers in the history of New
York City aerosol art. One of his most famous pieces is the STAY HIGH 149 top–to–bottom on the IRT. In 1974, Roberts basically retired fromwriting
and his retirement would span over 20 years. ... Show more content on Helpwriting.net ...
Although he declines to provide his last name, his first name is Demetrius which comes from a Greek alternative. On July 21, 1971, a New York
Times reporter wrote an article on TAKI called, "TAKI 183 Spawns Pen Pals," which caused him to be called the father of contemporary graffiti. As
his legend grew, there were rumors that said he sprayed a secret service car and the Statue of Liberty. Even though TAKI 183 was the first to be
promoted in a publication, Julio 204 began writing his tag in NYC first. Unfortunately, Julio did not write outside his own neighborhood of Inwood in
Manhattan, and this is the reason why he never received the media–attention TAKI did. Demetrius had no interest in the colorful, mural–sized art form
that graffiti turned into, so he went to college where he learned car repair and bodywork. Over the past 40 years, TAKI has been silent in the graffiti art

Philadelphi The United States
Philadelphia is the largest city in the Commonwealth of Pennsylvania, the fifth–most–populous city in the United States, and the core of the
sixth–largest metropolitan area in the country. Located in the Northeastern United States at the confluence of the Delaware and Schuylkill rivers,
Philadelphia is the economic and cultural center of the Delaware Valley. Popular nicknames forPhiladelphia are Philly and The City of Brotherly Love.
The city is the center of economic activity in Pennsylvania, and is home to the Philadelphia Stock Exchange, the Federal Reserve Bank of Philadelphia
and several Fortune 500 companies.
Philadelphia is a city rich in history. In 1682, William Penn founded the city to serve as capital of Pennsylvania Colony. By the 1750s, Philadelphia had
surpassed Boston to become the largest city and busiest port in British America, and second in the British Empire, behind London. During the American
Revolution, Philadelphia played an instrumental role as a meeting place for the Founding Fathers of the United States, who signed the Declaration of
Independence in 1776 and the Constitution in 1787. Philadelphia was one of the nation 's capitals during the Revolutionary War, and the city served as
the temporary U.S. capital while Washington, D.C. was under construction. It is home to such icons as Independence Hall, where the Declaration of
Independence was signed, and the famous Liberty Bell. A visit to the Independence Visitor Center, Independence National

Street Art Essay Topics
Street art is visual art created in public locations, usually unsanctioned artwork executed outside of the context of traditional art venues. The term
gained popularity during the graffiti art boom of the early 1980s and continues to be applied to subsequent incarnations. Stencil graffiti, wheatpasted
poster art or sticker art, and street installation or sculpture are common forms of modern street art. Video projection, yarn bombing and Lock On
sculpture became popularized at the turn of the 21st century.
The terms "urban art", "guerrilla art", "post–graffiti" and "neo–graffiti" are also sometimes used when referring to artwork created in these contexts.
Traditional spray–painted graffiti artwork itself is often included in this category, excluding territorial graffiti or pure vandalism.
Artists who choose the streets as their gallery are often doing so from a preference to communicate directly with the public at large, free from perceived
confines of the formal art world. Street artists sometimes present socially relevant content infused with esthetic value, to attract attention to a cause or
as a form of "art provocation". Common variants include adbusting, subvertising and other culture jamming, the abolishment of private property and
reclaiming the streets.
Some street artists use "smart vandalism" as a way to raise awareness of social and political issues. Other street artists simply see urban space as an
untapped format for personal artwork, while others may

Once A Mission Girl Dj Agana Analysis
In 'Once A Mission Girl Always a Mission Girl ', DJ Agana uses icons of girls in the mural to conveys a story of two empowered women of color ,
that are loved by their community , become leaders in the mission . With the use of purple and pink, Dj Agana mural creates a friendly engagement for
the target audience: girls. With the use of the female gender symbol and heart, Dj Agana conveys the love for the girls is deep. The eyes of the girls
convey confidence in themselves and others because of their approachability. Because the mural is located on the wall of the Mission Girl
organization, the birds and roses enhances the message of Mission girl: growth and protection of the latina and girls of color. In comparison to Instant
Mural by Asco, both murals highlight the visual presence of the Latina community. In Faith Ringgold's For the Women's House oil painting is site
specific to women of color to convey empowerment with the use of figuration like in Mission Girls . In Both Mission Girls and The Day of the Dead
Mural , both works display more than one women together to convey female unity. The figures are used to convey known and unknown leaders within
the community.
Once a Mission Girl, is a site specific mural that enhances the core values of the organization called Mission Girls as well. It is located on 24th street
and Harrison Street. The Mission Girl organization is part of The Mission Neighborhood program who seek to provide 'educational and social services

LAUSD: Synergy Mural Program
LAUSD
SYNERGY MURAL PROGRAM
Second largest in the nation, the Los Angeles Unified School District (LAUSD) enrolls more than 640,000 students K–12 at over 900 schools and 187
public charter schools (www.lausd.com). The LAUSD contends with on–campus bullying that impacts the student, faculty and administrative staff
negatively every day. The school district does its best to support anti–bullying programs but most programs seem to help guide social media sites
towards young adult social communities on Twitter and Facebook, rather than deal directly with proactive ways to prevent bullying directly on each of
the school campuses.
The LAUSD should implement the 'Synergy' Mural Program. This Anti–Bullying activity program engages student, faculty ... Show more content on
Helpwriting.net ...
The LAUSD Administrative staff will have a lead faculty member that will provide the site link (URL) and an email to each of the Principals,
Administrators, Faculty and Student web sites to share the portfolio of Synergy Murals created and the school where the Mural is being displayed.
Getting students involved throughout the school year will be part of the daily communications, so as to not lose focus on the meaning of the trial
program.
The success of the trial will be measured by the communications that come from the school's ability to produce communications successfully around the
idea and promotion of the trial

Jackson Pollock: 'Jack The Dripper'
Jackson Pollock
Reece Murkley
Mrs. Ahasay
April 28, 2015
"The painting has a life of its own".– Paul Jackson Pollock said that quote. I think this quote means that the painting is unique. Despite his short life,
Jackson Pollock was nicknamed "Jack the dripper", for his unique painting techniques. He had become one of the most famous painters. Paul Jackson
Pollock was born January 28, 1912. He was born in Cody Wyoming. His dad abused him all the time. His father was an alcoholic. Jackson also became
an alcoholic. He died when he was 44. He died in a single car accident. He was drinking and driving. His car hit a tree. His girlfriend was in the car. He
was still married to . His wife came back to the USA from France ... Show more content on Helpwriting.net ...
She was jewish. She was a contemporary artist. She was creating her own career in art. Other people, like Peggy Guggenheim, thought Pollock was
more of an American style of art. Peggy found Pollock's art laying on the floor, not hanging on a wall. Pollack married Lee in 1945. In 1946, is
when he bought the farmhouse and created an art studio in his barn. He still continued to drink. He also had a girlfriend. 1949, Pollock held an art
show that sold out and he became the best paid avant–garde painter in America. He did not like being recognized or told how good his work was. He
did not like to give interviews. When he did give an interview, he would answer questions that were already written down. He still continued to
drink. He met friends at a bar named Cedar Bar. Then more heavy drinking, more girlfriends and less paintings and more fighting. After the "Drip
Period", he painted in black and white. No color. There are masterpieces being sold today. You can see his hand print in the left corner of his
painting. He liked to paint with gallons of house paint, not regular oil in tubes. A painting called Lavender Mist, was painted in 1950. He never used
the color lavender but it looks like that color when your eyes go across the painting. There is a book called Action Jackson, written by Jan Greenberg.
He is featured in many artist books, history books and magazines. There are websites that you can create your own abstract painting. There

How Did Jackson Pollock Contribute To Art
Jackson Pollock was one of the most misunderstood abstract expressionist artist.
People believed that because his work looked just like splattered paint on a canvas that even a two year old could do his job. However, they did not
know how much time, patience, and skill it took Jackson Pollock to finish one painting. In the beginning of his art career Jackson Pollock studied under
Thomas Hart Benton, which was a really religious painter. Later on though he went on his own. During the Depression Era he did many of his
works of art for a program that was supposed to help the economy again. Although he was really occupied with art he seemed to not be able to stop
drinking. This led him to be on psychiatric treatment. This inspired him to do to symbolistic and Native American art. It wasn't until 1949 that
Jackson Pollock really got famous overnight; with the help of the life magazine when they asked "Is he the greatest painter in the United States?"
This was because many people were very interested in his new form of art, which is called the drip period, where he would let paint flow of his tools
onto a canvas that was on the ... Show more content on Helpwriting.net ...
This painting is mainly interpreted as a metaphor for the unconscious mind coming to life. There is a variety of African, Native American, and
prehistoric art demonstrated in this work of art. Jackson Pollock is able to show an abstract figure of a man and a woman which is may be
interpreted as Northwest Indian totems by the myriad. There is also sign of Egyptian culture and African culture merged as one with the
representation of Egyptian gods interacting and wearing African mask. Jackson Pollock is able to show some of Picasso's work in this painting by
the abstract figures that he implies are have facial feature similar to those Picasso has. The Guardians of the Secret is a symbolism of

Sadequain Biography
Sadequain is one of the personalities of Pakistan who received critical acclaim for his work not only as an artist but also as a poet. His
contributions to the field of art and literature in the form of paintings, murals, drawings, calligraphies, collections of quatrains etc. are highly valued.
He was part of the Progressive Writers and Artists Movement. He was a legendary artist and he painted approximately 15,000 pieces of artworks.
What was written about him in some very prestigious newspapers and magazines; clearly reflect the importance and value of Sadequain's work. The
newspaper Le Monde of Paris, France commented in its April 1964 edition: "The multiplicity of Sadequain's gifts is reminiscent of Picasso."
Sadequain was awarded several prestigious titles like 'Tamgha–e–Imtiaz' in 1960 and "President's Medal for Pride of Performance" in 1962. He was
one of the greatest artists of Pakistan and his work, awards and titles are a clear depiction of that. Introduction... Show more content on Helpwriting.net
...
He was not content with simply painting images; rather, he utilized his artistic abilities as way of expressing his realistic approach and imparted
messages to the mankind through use of strong and creative symbols. (About Library and Essays | sadequainfoundation) Sadequain's paintings were
dominated by distinct and powerful idioms which reflected his school of thought. For instance; he analyzed the cactus plant as a symbol of triumph of
life over environment. His analysis focused on how the plant survives in harsh conditions and how it points upwards even in hostile circumstances. For
Sadequain cactus symbolized survival against all odds. Cactus is just one example of the unique interpretations Sadequain showcased in his work.
Other dominant themes include; Sun Series, Cobweb Series, House of Cards Series, Crow and Scarecrow series etc. (About Paintings |

Boyle Heights Essay
Political unrest and ethnic pride cover the walls of the Estrada Courts housing complex in Boyle Heights. Murals representing the social unrest of the
time are depicted on the eighty plus murals in this community. A random housing complex is not necessarily the place you'd think of finding murals,
but these murals carry a much grander meaning. The history they carry is part of the beauty within the art itself. Constructed during the 1940's during
WWII, because of the housing shortage of the new industrial spike, the Bracero program really initiated the artistic move from these murals. Coming in
from Mexico, hispanics and Chicanos were of the minority at the time. They were not seen as equal rather as just temporary workers during the war to
later be sent back. ... Show more content on Helpwriting.net ...
They made mural celebrating and honoring all aspects of Mexican and Latin roots as well as proclaiming their presence there. In the "El Lton and
Zade" mural Che is at front stage with his finger pointing out to the public letting them know that they are no minority, that they are the same as the
other people and should not be treated less than. This mural in particular is an example of the political unrest as hispanics a were not being taken
into account during the midst of the 20th century. Other murals are representation of ethnic honor such as the one of Cesar Chavez, Francisco Villa,
Emiliano Zapata, and Cantinflas with Aztec figures in the back to further celebrate where these honorary heros came from. It is drawn in a manner
that guides the eye to the center two leaders, Villa and Zapata, as to demonstrate that they are the start of pride for all hispanic race and the others
just followed. Similarly, but more modern the mural of "Orale Raza" is a in your face call for unity as it calls upon the hispanic race to go on about
showcasing their pride in who they

Zapatistas Orozco Analysis
Jose Orozco was an influential social realist painter who painted his most celebrated murals after the Mexican Revolution. His murals (and other
Mexican artists' work) inspired the political programs by Franklin D Roosevelt, in the United States, to encourage the employment of unemployed
Mexican artists through the development of the Public Works for Artist Project that was under the Work Administration Program. Orozco did not
glorify the Mexican revolution or its rebel leader Zapata and his peasant followers, Orozco, however stayed true to his art style by creating symbolic
and caricaturist images which depicted the struggles and suffering of Zapata and the Zapatistas (his followers). In the painting, Zapatistas, Orozco
depicts Zapatista and his peasant followers going into their last battle in Morelos. In Morelos, Zapatistas lost many of his followers and also succumb
to his injuries and died. The painting's scene may have... Show more content on Helpwriting.net ...
As a result Zapata joined the resistance by campaigning rights for all villagers, but was then arrested due to his actions. After being pardoned Zapata
continued his work and recruited a group of followers called the Zapatistas. Zapata then asked President Madero to reform the land that had been
taking away from the villagers, but in response President Madero offered that the Zapatistas put down their arms and in return Zapata would get the
currency to buy back the land himself, which Zapata instantly refused. As a result, after the assassination of President Madero by General Victoriano,
who soon replaced him as President, he offered Zapata to unite their troops. Zapata unsurprisingly refused the offer. Since Zapata refused the offer,
later in 1914 the Zapatistas were able to drive of Huerta and his troops out of the country and finally gain the justice they were fighting

Franklin Delano Roosevelt's New Deal
In 1935, Franklin Delano Roosevelt created the Works Progress Administration (WPA) under the aegis of his New Deal program. This
Congressionally funded program gave jobs and money to the unemployed of all stripes during the Great Depression. For all its jobs and participants
of every race, creed and age, the WPA is often viewed through the display of its arts. During the secondNew Deal along with the Social Security Act the
Works Progress Administration(WPA) was created. This program is somewhat of an extended version of efforts by Herbert Hoover attempted to
provide jobs and income to the enormous amount of unemployed people during the depression. The creation of the WPA became the creation of the
Federal Arts Project directed by Holder

Public Art On College Campuses
1.Based on what you've learned so far in this course, do you see a need for public artwork on the STC campuses? Explain why.
Many universities have their representative public artwork on their campuses for which they are recognized. Moreover, art feeds people's creativity.
2. Do you think South Texas College would benefit from a percent for public art program which would provide a permanent public art collection on all
the campuses?
Yes. At the moment of selecting auniversity, new students take into account factors such as institutional and academic quality, economic situation, and
the school's infrastructure. Therefore, public art collection on all STC campuses can attract more new students
3. How could public art on campus benefit students

Arguments Against Graffiti
Graffiti comes in all different shapes and forms including gorgeous street art, community sponsored murals, simple tags, gang related messages and
senseless vandalism. The distinction between these forms can be blurry and open to interpretation by the viewer of the graffiti. The more cut and dried
difference between all forms of graffiti is whether or not they are considered legal. A commissioned mural for a civic center and a large work ofstreet art
painted illegally on the side of a building may both look equally beautiful. But, as Mettler (2012) points out, it is common to find city ordinances in the
United States which say that graffiti or unpermitted art must be removed often at the property owners expenses.
A police constable named ... Show more content on Helpwriting.net ...
On the other end of the spectrum, writers like PHADE and BUBZ report that they disregard the loss of reputation on the street that they may
encounter and that their ability to do graffiti legally is more important to them. Furthermore, it has allowed for them to work with other movements
for social change and awareness. The 140 Characters Conference in New York gave greater exposure to the legal graffiti movement which
prompted a collaboration back in Toronto with a group that is dedicated to providing "Winter Survival Kits" to the homeless called Project Winter
Survival. Project Winter Survival helps draw attention to the need for additional help for the homeless population during cold months when it is easy
for someone without proper shelter to die of exposure. The intersection of Project Winter Survival and legal graffiti led to involvement with a further
project called Invisible People which seeks to bring visibility to the homeless population and their struggles. PHADE and BUBZ worked together to
create a mural in Toronto after watching 50 hours of video documenting the lives of homeless men and women. The mural begins with the words
"PUTING [sic] A FACE TO HOMELESSNESS" and then depicts silhouettes of the "invisible" homeless followed by portraits detailing the men,
women and

The, New Jersey, York Jersey And Asbury Park
A mural is more than just a painting on the wall. Murals bring together a sense of community and make the city a more welcoming place. According to
the Merriam–Webster Dictionary, the word mural means a painting or other work of art that is directly executed on to a wall. In many aspects, murals
originated from graffiti, which comes from the Latin word graffio, meaning scratching or scribbling. Mural Arts programs are popping up in cities
across the nation. However, I decided to focus on two cities that were closer to home for me. I focused my research on Newark and Asbury Park,New
Jersey, in comparison to Philadelphia, PA. All of which, are cities that are not the nicest, but with the help of murals are becoming more welcoming
places.
Newark, New Jersey, is the home to 100's of murals lining the streets. Travelling up route 21 along the Amtrak train
–station resides over one mile of
hand painted murals, the second longest mural in the country. This mural is known as The "Portraits" Mural. It was painted by 17 different artists and
depicts multiple styles and images that are meant to reflect the culture of Newark. Newark is also home to the "City Without Walls" project. Mayor
Ras Baraka stated, "Portraits' celebrates the uniqueness and oneness of our city" (Mazzola). In addition, it is stated that the murals honor the history,
cultural intersections and narratives of every day life within the city of Newark. 'Portraits' was painted as part of the Gateway effort. The

Poverty In Newark
Newark is a broken city, with years of neglect, corruption, and greed that have put generations of families in a cycle of poverty. The generations of
poverty have festered in a city filled with crime and drugs. People can argue for years on how to approach and fix Newark's problems. Many can agree
on the significant problems of Newark, but the problems of Newark are not something that can be fix overnight. It will take many years for Newark to
recover. How does the Brick City get lifted out of poverty and crime? A good place to start is with education both at the student level and offering
training programs for adults. The next step would be to create jobs beneficial to the people of Newark. What kind of jobs does Newark need to
become a thriving ... Show more content on Helpwriting.net ...
Resources in the form of tax breaks, land, and water. But if these businesses work with the community, they can empower Newark resident to break
the poverty cycle. Business can train and employ Newark residents. They can sponsor local school sports teams and hold educational workshops for
the children on the weekend. When the communities in Newark thrive and flourish, business in Newark will succeed and prosper as well. Businesses
and communities working together is an excellent way to help the Brick City break the cycle of generations of poverty

Martial Arts Has Impacted Every Facet Of Korean Life
From the earliest times in Korean history, martial arts have impacted every facet of Korean life. Martial arts in Korea have remained fluid and ever
changing as a result of movement and connections of other cultures and countries throughout Asia. It is difficult for us as Americans to understand just
how significant of an impact martial arts had on everyday life during this time in Korean history; however, we can look into multiple key relationships
to attain a better understanding of just how much that influence had throughout the Korean peninsula. The history of Korean martial arts is rooted in
their deep connection to Korean government, culture, and religion. The three kingdoms period began around 57 AD and can be seen as the true ... Show
more content on Helpwriting.net ...
This terrain allowed for very power legs, leading to even more powerful kicks. The Korean martial art of Tae Kwon Do originated from subak and
taekkyon. While this martial arts has its origins dating back thousands of years, it is relatively modern only dating back to the 1940s and 1950s.
The martial art of tae kwon do is quite aggressive, strength versus strength. Typically tae kwon do is referred to as a hard style art, where as
hapkido, another Korean martial art is considered a soft style art. Hapkido originated from yool sool, as well as tae kyon and unlike tae kwon do, it
focused on throws and kicks rather than strength versus strength. Hapkido and tae kwon do alike each have there differences, but modern hapkido and
tae kwon do are still seen in numerous military and security organizations as effective methods of self defense. Korean governments, especially that of
Koguryo saw an enormous connection to the martial arts. These connections ranged from the structure and function of the government to the basis of
all order and infrastructure. Early Korean warriors and tribal units needed martial arts as they took over and conquered other territories. Consequently,
the foundations of each of the three kingdoms is that of a fighting spirit, and marital arts. Society also encouraged the advancement of martial arts as a
means of protection from outside invasions and as a way to advance yourself socially. The constant threat of attack from an opposing force made

The Philadelphia Mural Arts Project Analysis
The Philadelphia Mural Arts Program is the nation's largest public nonprofit art program, dedicated to the belief that art ignites change. For over 30
years, Mural Arts has united artists and communities through a collaborative process, rooted in the traditions of mural–making, to create art that
transforms public spaces and individual lives. They create programs that develop partnerships with schools, grassroots organizations, city agencies, and
philanthropies. Mural Arts engages communities in 50–100 public art projects each year, and maintains its growing collection through a restoration
initiative. Core Mural Arts programs such as Art Education, Restorative Justice, and Porch Light yield unique, project–based learning opportunities for

Judy Bacas Murals Essay
An Inspiration Across Cultures
Public art conquers so much more than the simple task of making the street a little easier to look at. It involves those who created it, those who
supplied the means to create it, and those whose lives it continues to impact. Wall paintings in particular take an important role in working for a greater
good. Judith F. Baca, a Hispanic–American woman and artist– activist has contributed an unaccountable amount to the mural movement in Los
Angeles. She has accomplished this by giving individuals the chance to create art and develop a sense of pride, she has taught younger generations a
respect for their ethnic identity, and from the many walks of life that continue to view her ... Show more content on Helpwriting.net ...
The simple fact that Baca is a woman is extremely important when it comes to evaluating her impact on others. Being a woman and reaching out for
social change the way that Judy Baca does takes much dedication and passion. Bell hooks writes about the commodification of women in the art
world: "...an undiscerning marketplace seeks to confine, limit, and even destroy our artistic freedom and practice." (Hooks 1981, 17). While Baca
comes from the historically challenged feminine perspective, she can reach the youth that she works with because of their disadvantaged perspective
as well. They are more apt to listen and learn from her because she has already overcome the challenge of succeeding in as a Hispanic American
woman in a patriarchal society.
Baca's commitment led her to found the Social and Public Art Resource Center (SPARC) along with film maker Donna Dietch and artist Christina
Schlesinger in Venice, California. SPARC has facilitated in the creation, preservation and documentation of public art in the Los Angeles area. In this
way SPARC has been able to get the community involved in art and has given a voice to peoples of color. In addition, the center has organized
symposia and exhibitions that draw attention to the multitude of cultures that make up the area as well as the entire country (Brown 1996, 28).
Baca began work on SPARC's first

Chicano Park History
The most significant number of outdoor mural art in the United States is just minutes away from downtown San Diego, but if you've visited the city,
you've probably driven over it without even knowing it. San Diego's Chicano Park is hidden below the San Diego–Coronado Bridge. More than 70
vibrantly colored murals adorn the support pylons of the freeway overpass. The walls pay tribute to the history of the surrounding Mexican–American
and immigrant community called Barrio Logan. In the 1960s, the community was further separated by the formation of the 5 Freeway and the high
on–ramps of the San Diego–Coronado Bridge. City leaders didn't include tenants in the preparation of these projects that destroyed more than 5,000
houses and local businesses.... Show more content on Helpwriting.net ...
The park's story is worth retelling: The bisecting of the Barrio Logan community by I–5 and the Coronado Bridge, ending in a concrete "roof"
supported by large gray pillars, replaced at least 1,500 families. With a society of 20,000 in its heyday in the 1940s, the historic neighborhood was
rezoned as industrial in the 1950s, ushering in junkyards, auto–wrecking operations, plating and chemical companies, and now, a legacy of
environmental and air condition issues.
In 1967, community leaders began demanding a neighborhood park under the bridge. When the California Highway Patrol started building a substation
there, hundreds of residents formed a human shield to stop construction. They displayed signs in Spanish with statements like, "More houses, fewer
junkyards," and they hoisted a Chicano flag from a telephone pole.
The use of murals as a tool of political resistance is a long Mexican tradition. "Imagine the park without murals," said Tommie Camarillo, chairwoman
of the Chicano Park Steering Committee, who has been volunteering at the park for 48

Personal Accomplishment
I think my biggest issue is establishing a good introduction
PROMPT:
Discuss an accomplishment or event, formal or informal, that marked your transition from childhood to adulthood within your culture, community, or
family.
Ever since I've been old enough to have the job, I've taken my role on the mural crew seriously but this year was particularly important to me as I
was an older veteran member of the crew. Earlier this summer, when I had come over to ask my boss about a certain outline of a hand I'd sketched
onto the wall when she gave me her expectations for me that summer. While working hard along with everyone else and doing a thorough jobpainting
were to be expected, the most significant piece of advice she gave me to was to be a ... Show more content on Helpwriting.net ...
I was aware that the mural crew program was funded by the city of Boston and thereby the mayor, but I had always assumed that however
appreciative of us youth artists the administration was, they would usually just sign a few checks to continue our program and call it a day.
Therefore, at the end of this past summer, after six consecutive weeks of working five hour days painting walls in the scorching New England sun,
I was surprised and excited to hear that the mayor was making an appearance at our wall to see our mural. It's not extremely common that I get to
show others the product of my summer job. Of course I am grateful for the residents of the neighborhoods we paint in seeing our murals everyday,
but I was more interested in the prospect of someone of such importance getting to know more about something that's very important to me. The
biggest detail of the mayors visit was the inclusion of one of us artists being a designated speaker to give a brief speech describing the significance
of our job. When my boss first mentioned the role of the speaker and how someone should volunteer for it, my mind immediately put myself in that
role. Despite having to deliver this speech to the mayor, his entourage, some media reporters, and any other citizen who wanted to come see our
presentation, I put aside any reservations I had about public speaking in favor of being able to speak about the mural crew to such large outlet.
Anyone who's asked me what I do over the summer has also received a somewhat no conventional answer. I've often faced others trivializing my
summer job, but I don't think of it as a "paid arts and crafts" experience. I felt pride in both beautifying Boston's neighborhoods in the form of art and in
being a contributing member of my

The Pros And Cons Of The WPA
Drastic times called for drastic measures during the times of the Great Depression. The longest and most severe depression had major negative effects
on unemployment rates, living conditions, health, education, families, and the overall quality of life during the time. In response to all the adversity, the
New Deal allowed one of the most ambitious agencies, the WPA, or theWorks Progress Administration, to be implemented. The WPA lead to major
improvements in social and cultural aspects, large developments for the state of Kentucky and the effects of the WPA were everlasting and can still be
seen today.
For starters, the Works Progress Administration can be considered one of the most beneficial actions of the New Deal, due to the wide variety of
jobs and opportunities that it offered. Not only did it offer jobs, but it pushed for different parts of federal arts to be established. Public projects
allowed for millions of unskilled men, women, and children to be employed and make a living. Projects created for mainly the men included building
roads, schools, museums, community centers, and hospitals. Women, however, were taught to use sewing machines as a form of work, to make
clothing, bedding, and supplies for hospitals and adoptions centers. A significant component of the WPA was incorporating fine arts which allowed for
creativity from writers, painters, actors, and musicians. Overall, the main goal of the WPA was to start public building programs in order to end the

How Did Mexican Culture Influence Their Arts During The...
During the time of post revolution in the 1920's, Mexico underwent an enormous transformation from a mostly rural society to a largely industrialized
and modern society. The various opinions of the Mexican people and their modernized culture can be put into perspective by the artistic expression of
three famous artist Diego Rivera, JosГ© Clemente Orozco, and David Alfaro Siqueiros. They began a movement with wall paintings that focused on
the political and social conditions in Mexico during the 1920's and gave an in depth story of their point of view through their art. This essay will
discuss a moderate overview of the impacts and influences of their art during the 1920's.
The Mexican Revolution began in 1910 with a political revolt against the tyrannical president Porfirio Diaz. The civil war was led by a number of
charismatic individuals whose personal political agendas often determined the path of the decade–long revolution. Accompanied by a group of
intellectual radicals, political leaders began to discuss a noticeable movement inspired by the revolution. In the Library of Congress' essays entitled La
RevoluciГіn Mexicana y los ... Show more content on Helpwriting.net ...
Some of these artists spent time in Europe before the revolution, and became well acquainted with the European realism movement in which artists
used painting to demonstrate the immoderate conditions of the oppressed working classes. Many of the artists involved were ardent socialists or
communists, believing in the power of the working classes and in the equal distribution of wealth. While the mural project commissioned numerous
artists from across the country, the influence and prominence of Orozco, Rivera, and Siqueiros was so great that their work became the face of the
movement. Each had a different personality, philosophy, style, wide range of influence, and a well–developed survey on Mexican muralism that was
visible in their

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