PIXELATING
REALITY
Dr. Gigi Johnson
@gigijohnson
@maremel
How Smartphones
Shift NOW
…and HERE
#sxsw #NotHereNow
LIFE AT THE
LOUVRE
Pixelating Reality
Decoding/
Recoding
NOT PRIVACY
QUESTION (HERE)
PUBLIC SPACE
ENGAGEMENT
AND INTERACTION
SMARTPHONE
AND US
Flickr/Steppschuh cc 2.0
Mobile:
A Remote
Control for
Our Life
MOBILE: EXTENSION OF SELF OR BRAIN
Memory
extender
Supplement
or substitute
Flickr/Steve Rainwater cc 2.0
YOUR EXPERIENCES?
Me
Device
Location/Context
CONTEXT AND
MENTAL TIME TRAVEL
Near Future
Near Past
Evidence for
unseen Others
•not present/HERE but
Near FUTURE
Sensory
engagement with
device content
•Not present but HERE
from near PAST
•ElseWHERE and
ElseWHEN
2 FACTORS:
PHOTOGRAPHY AS PERFORMANCE &
SENSORY CO-ATTENTION/PRESENCE
“Recently, photography has
become almost as widely
practiced an amusement as sex
and dancing…”
-- Susan Sontag, 1977
Not New…
BROWNIE CAMERA: 1900
Cosmopolitan Magazine
June 1900
MOBILE
IDEATION:
1999
Mobile communications device
with a camera
Abstract
The invention pertains to a
mobile communications
device with a
camera, comprising a
microphone
(5), loudspeaker, display, keyp
2003: WORRIED ABOUT PRINTING
Digital Camera Ownership
20% of US Households
45% of US Internet HH
82% of digital camera users print photos at home
(InfoTrends Research Group)
2011-2013: SHIFT TO MOBILE CAMERAS
• 2007: 100 million peak in digital cameras
• 2012: 98 million
• 2013: 30% drop to 63 million
• 2014: 20% drop forecast
• (Source: CIPA)
2013: est. 32% increase in smartphone
sales (source: IDC)
WE SHARE...A LOT
•Facebook: 250 billion photos
• 350 million uploads a day
•Flickr: 8 billion photos
•Instagram: 16 billion photos
•Tumblr: 50 billion posts
SOCIAL ROLES OF PERSONAL PHOTOS
Remembering
&Recall
Communication
& Identity
Self-
Presentation
Family Life
Negotiation
Sharing
Experiences
vs. Objects
Reconnect (a
la postcards)
Identity
Formation
EXPERIENCE AS EVIDENCE
Overheard at the Los Angeles Disney Concert Hall
when the usher asked the patron to not take a
picture:
“How can I show people that I am here if I
don’t have a picture?”
•Saving without Context?
•Tagging passively with
dates and geotags?
Saving Now for Later?
SELFIES AS MULTICULTURAL SOCIAL
NORMS
Dec. 2013, Mandela Funeral, Getty Images, NY Daily News
March 2014, twitter.com/theellenshow pic.twitter.com/C9U5NOtGap
PHIL’S PHOTO
• Have phone extension cord
HOW DO YOU SEE
LOCATIONS
EMBRACING OR ENGAGING
WITH
MOBILE PHOTOGRAPHY?
SOCIAL CONSUMPTION BEFORE
....VS. NOW PUBLIC & FRAGMENTED
Flickr/kballard cc 2.0
FoMO
FEAR OF MISSING OUT
…making the wrong
decision on how to use our
time...
Source: Wikimedia/Czar
HOW DO YOU SEE PERSONAL
SCREENS USED IN SOCIAL SETTINGS?
CONCERTS
"See, you can't even sing
because you're too busy taping!"
Beyonce told a fan in July.
"I'm right in your face baby, You
gotta seize this moment baby!
Put that damn camera down!“
-- USA Today, 2013
HOLLYWOOD BOWL
PUBLIC SPACES
WORKING
EVERYWHERE
TRADITIONAL
EDUCATION
Flickr/Accretion Disc cc 2.0
FAMILY AND FRIENDS
HOW DO WE DESIGN FOR LIVE
SPACES?
Implied Other
Twitterwalls –
awkward, pschophantic
Virtual attendance
Signage – providing
context, implied
metadata
PERSONAL
INTENTIONALITY
Norms &
Negotiations
Long-Term
Social
Impact
Cultural
Impact
Context
Me
Device
Collaboration
Location/Context
RETHINK CONTEXT:
• RETHINK ROLES
• RETHINK FLOWS
• DESIGN FOR
COLLABORATORS
CAN WE FOLD TIME?
•Bring our past contexts and stories
• History Pin
• History Harvest
• Findery
•Leave our current stories for future
collaborators
HOW CAN WE RETHINK
ROLES AND CONTEXT?
INVITE NEW
CONVERSATIONS
FOR FURTHER CONVERSATION(S)
Gigi Johnson, EdD
Maremel Institute
@maremel
@gigijohnson
http://maremel.com

Pixelating Reality: How Smartphones Shift Now @SXSW

Editor's Notes

  • #8 Bill Sanders
  • #16 Chronesthesia (Tulving) or subjective timeReconnecting over devices?Bringing the experience to others?Separating from those they are with Live?
  • #17 How are we Present if we are always checking in to other information and places? Are we shifting our energies to auto-documenting our activities through pictures and other actions to the detriment of the activity and connections that we are experiencing live?Photos outbound having a priority to live interactionSensory interruptions in local/socialFocus – closing off sensory input
  • #18 Snapchat, Instagram, FlickrHow are we blowing up time and space through digital images and messages, blowing it up and turning it into shiftable bits of data so we are making different decisions with its Time and Place?
  • #19 …which means that, like every mass art form, photography is not practiced by people as art. It is mainly a social rite, a defense against anxiety, and a tool of power.”
  • #23 400 billion pictures globally 2013 - IDC
  • #24 Instagram.com source: http://instagram.com/press/Facebook:Mashable, September 2013Flickr: Yahoo event, May 2013Tumblr: Yahoo event
  • #25 Role of photography in personal livesRemembering - Stuhlmiller, 1996Identity – Barthes 1981Sontag 1973
  • #26 Establishment of being digitally important -- whose camera is most important? Your camera is MORE important than MY live experience. Van Dijck 2008 – we are creating collaborative memories….
  • #28 Source: http://www.nydailynews.com/news/politics/president-obama-poses-funeral-selfie-article-1.1543188President Obama with Denmark's Prime Minister HelleThorning-Schmidt and Britain's David Cameron
  • #39 Behavior previously tethered to desk and time at desk – moved to living room and to everywhere
  • #40 StudyAnxietyForced comparisons of my life vs yoursSherry Turkle, Alone TogetherAlready a study in Computers in Human Behavior, Przybylski et al. 2013
  • #44 Virtuix Omni with Oculus Rift
  • #55 Victoria and Albert Museum
  • #59 Decrease in workplace spaceDisbursed working
  • #66 Implied OtherTwitterwalls – awkwards, pschophanticVirtual attendanceSignage – providing context, implied metadata
  • #67 Story of University Negotiations
  • #68 Knowledge Flows vs. Knowledge Stores