Briefing - Life Cycles and Landscapes
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Landscapes for Life - Conference 2017 Lead, Share, Learn, Inspire Tuesday 18th - Wednesday 19th July 2017 - Winchester, Hampshire
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Briefing - Life Cycles and Landscapes
- 1. Life Cycles and Landscapes The continuing story of a partnership
- 2. Tom Munro – Dorset AONB Lucy Galvin – Norfolk Coast AONB Kim Tilbrook – Activate Performing Arts
- 3. Kim Tilbrook – Activate • Produce, promote and develops the performing arts in Dorset • We believe that artists can affect and provide positive change in our communities
- 4. Carabosse – Fire Gardens, Inside Out Dorset in Bournemouth – 2007 Photo: Roy Riley
- 6. Harmonic Fields—Pierre Sauvageot, Inside Out Dorset 2012
- 7. The Rock Charmer, Paper Cinema & Kimmo Pjohnen,
- 8. Life Cycles & Landscapes – Aims: • To explore the ancient 400 mile original ‘super-highway’ - The Icknield Way* as an inspiration to create a series of site specific live events • A strategic agreement between outdoor arts and AONBs nationally, with AONBs integrating Arts policy in their new Management Plans • Talent and sector development for environmental/guardians of the landscape and Outdoor Arts - including 3 residencies • And Now: artistic development • The artistic creation will comprise of 4 events in the landscape. Performative installations that will bring live audiences, performance, visual, digital and live artists and musicians to an artistic experience that will animate the landscape. Each will culminate in some level of resolution. May – September 2018
- 10. Life Cycles & Landscapes ACE Ambition for Excellence Primary Partners: Activate And Now: National Association for AONBs Dorset, Cranborne Chase, North Wessex Downs, Chilterns and Norfolk Coast AONBs Arts University, Bournemouth Norfolk & Norwich Festival Oerol Festival, Netherlands Corn Exchange National Trust at Basildon Park Holkham Estate, Norfolk Inside Out, Dorset
- 15. And Now: Barrow for Activate/Inside Out Dorset Photo: Tony Gill
- 30. Lucy Galvin Norfolk Coast AONB
- 35. Oerol: learning from over 30 years of experience ' The clashes that take place between The Staatsbosbeheer and the Oerol Festival release energy.'
- 36. Bringing together... land managers Case study: 'Wind Still Life' – Walden Collective 'The real owners are the people who live here' 'The first time the artists came my reaction was - no way!‘ Remy (Statsbosbeheer)
- 37. … + artists Thomas (Walden Collective) 'Limitations are not limitations – they are factors that inform the work.'
- 38. … + local residents Oosterend is a 'secretive' community There is a lot of resistance to change 4,800 on island as a whole 500,000 tourists per year (same density of visiting as Amsterdam) 80% island owned by state Tourism is worth E80m to island
- 39. … + audiences Art is a way in to landscape Audiences need to cooperate with artists in new ways Cooperation develops a value beyond words … x role of producers Broker/intermediary between different worlds - producers, arts organisations, festivals
- 43. = results Enormous opportunity to: • Build active engagement • Share landscape in new ways • Unlock resources • Show value of landscape • Understand landscape
- 44. Norfolk: the search for a site
- 47. Dorset: The search for a site
- 49. North Wessex Downs: search for a site
- 53. • Tell the person next to you about an Arts activity you have been involved in and what the benefits were • Do you have or are you thinking about including an arts-related policy? • If not policy-driven, what arts-led engagement have you thought about or would like to do? • Fill in a postcard, tell us about it
- 54. How will you develop your Arts Policy? • Kim@ActivatePerformingArts.org.uk • lucy.galvin@norfolk.gov.uk • T.Munro@dorsetcc.gov.uk
Editor's Notes
- How it all began South Dorset Ridgeway Landscape Partnership Barrow Wayfaring How it sits in our Management Plan and how it benefits the AONB (hand out policy)
- High quality celebration of the landscape/landscape features Greater depth of engagement in landscape aspects and questions – archaeological heritage, farming heritage, wildlife New audiences Greater numbers of people simply being outside, hopefully stimulating revisits or more ‘nature contact’ Enriching experiences of the AONB Benefits of having supportive policies in Management Plan; how this benefits the AONB
- Engagement: Over 1,000 volunteers come from mainland - get free camping and meals, 50% discount on shows Artists developed - work closely with organisers over years
- 'This demands flexibility from the artist as much as us – it is important to look for artists who can respect the area and the professionals who look after it ' Artists pay a bond - 500E
- 'You need to do the concept development with an intimate knowledge of the space' Lived there for a month and half - 'knocked on every door' A deep map - the soul of the landscape/the landscape of the soul translate into each other
- NB All communities are resistant to change!
- Visits to many different sites whilst looking – issues: Sensitivities on coast – SSSI; breeding birds; visitor pressures; access issues - both physical (tide etc) and social (getting beyond usual audiences) Natural England; Holkham Estate; Norfolk and Norwich Festival Involvement of wider community – how, why - new opportunities to work across boundaries These challenges are helping to forge new and useful working relationships.