Australia Fashion Analysis

Australia Fashion Analysis
Textiles Theory Essay
Throughout Australian history, fashion has been shaped by geographical, seasonal and cultural
aspects of life. The '200 Years of Australian Fashion' exhibition featured over 120 artworks from
more than ninety designers. From the early dressmaking establishments in the 1800s to the
contemporary studios in the present day, this exposition showcased designs from the past 200 years.
This essay will describe, analyse and compare one artwork before 1960 and additionally a design
after 1960.
The first garment being described and analysed is an evening dress designed by Pat Rodgers and
Neil Rodgers around the year of 1959. It was created using silk (organza), silk (taffeta), feathers
(ostrich), cotton (tulle), glass (bungle ... Show more content on Helpwriting.net ...
These plastic sequins are sewn onto the checkers, matching their colours and generating a rough
texture. The feathers, on the other hand, create a furry and soft texture, making this garment very
unique. The long sleeved pants also have flares which end near the ankle and overall, the pantsuit is
not tightly fitted.
Comparing both garments described above, the first is a dress while the second garment is a
pantsuit. Both incorporate the use of ostrich feathers to produce a soft and smooth texture, however,
the first garment uses only varying blue ostrich feathers, while the second garment embeds white
feathers. The inclusion of feathers make the garments appear to mimic birds, the first garment
imitating a graceful bird such as a swan, and the second, impersonating a vividly colourful bird such
as a rainbow lorikeet. Furthermore, the pantsuit consists of a white collar while the dress has a
sweetheart
... Get more on HelpWriting.net ...

Article Report On The Corset
Illustrated Report on The Corset
Introduction
Arguably the most controversial garment in the history of fashion, the corset is a classic item that
has lasted the test of time. Made to adjust the wearer's body to the aesthetics through centuries, the
lingerie item remained an essential in many women's closet. Throughout its existence, the corset has
been condemned and misunderstood as a torturous device for the female body, but it is more than
that (Steele, 2001, 1–2). This report is dedicated to exploring the corset changes in form, its
purposes and meaning from the 15th – 16th century. Taking into account that the corset has a long
history, only the main events and mainstream viewpoints in its timeline will be examined. The focus
will be placed upon the garment's construction, the main events that causes its evolution and what it
meant for women at the time.
I. The Evolution of the Corset Form from the 15th – 16th Century
1. The Metal Corset The credit of inventing the corset couldn't be attribute to just one person like
most inventions. Clothing and fashion evolve out of earlier styles to cater to social, technological
and aesthetic phenomena. Corsets, or stays, were believed to have first appeared in Ancient Greek or
Minoan Crete (Fontanel, 1997, 10). Yet due to the lack of cultural continuity, the theory wasn't very
well supported (Tarrant, 56). At the start of the 16th century, there seems to exist two types of
corsets: orthopedic and fashion. The orthopedic

Personal Narrative-Home
The Skirt The skirt didn't fit Alice anymore. She was perplexed as sweat gathered like soft kisses on
her upper lip. Not this skirt. Not now. Her double chins pressed against each other as she looked
down, over her swollen belly, trying to see the elastic waistband she was attempting to pull up. The
baby in her belly gave a solid wap to the lower part of her stomach where the waistband was tightly
pushing into it. "Sheesh, okay, fine. I get it," Alice said through a defeated sigh. She let the skirt fall
in a heap at her muffin–loaf–swollen feet, plopped her backside on the edge of the bed, and fell onto
her back. She could feel her belly skin relax. Could she feel her baby smiling inside? Yes, she could.
"Let me tell you about your father," Alice said, letting her left forearm rest over her ... Show more
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Like a feather duster, her eyes danced over the dusty memories in photos and trinkets around the
room. She laughed out loud as one particular photo pulled her eyes to hold it. In it, she and Nathan,
her true love, stood side by side, legs apart, hands holding. Their eyes were closed; their tongues
were out. It had been Nathan's idea to set the camera on the sidewalk, use the timer, and stick out
their tongues. "You just want to see up my skirt," Alice remarked, thinking him clever. "Maybe," he
joked as he set the camera right, then ran to her and took her hand. "Stand like this," he showed her
the stance. She did as he said. And in three–two–one, they stuck out their tongues, doing their best
not to laugh. After the photo, Nathan had scooped Alice in his strong arms and spun her around.
"Let's never be apart. I'm madly in love with you, and I don't want to be apart for even one second,
one breath, one smile, one . . . tear. Are you crying?" He put her down, though she never quite felt as
if she landed, and she nodded, tears dripping down her cheeks. Nathan had laughed and caught each
tear with his

Marketing Pl River Island And Dorothy Perkins
As part of my secondary research, I have analysed four dresses which are either from my client
'Topshop 'or direct competitors such as River Island and Dorothy Perkins. This research will enable
me to gain knowledge on what my TMG looks for when buying special occasion dresses and what
other companies do to make their products stand out and be successful in such a big market. I will
take this knowledge into consideration when I design my dress and it will help me to incorporate
features which other companies use to sell their products.
RIVER ISLAND: PINK EMBELLISHED MAXI DRESS
I have decided to look at this dress from River Island as the store is a direct competitor to Topshop.
The shop is popular amongst 14–25 year old females but their prices are a bit higher than what my
client offers. This is shown throughout the company and in their products. River Island sells a
variety of special occasion dresses so the store is one of the first places that my TMG would look at;
by looking at specific aspects of their garments, I will be able to understand what features make it a
successful company and how they make their clothing commercially viable. This dress costs £75
which is reasonable for the high quality of the product. Most special occasion dresses are with in the
£50–£100 price bracket. The price ensures that the garment is suitable for its TMG and it reflects the
high quality of the dress. The garment is made from 100% polyester which is a good material as it
resists

Corset Fashion Trends
This decade is full of new and interesting fashion trends! Fashion allowed women to have their own
freedom which often conflicted with the equality of men. But here are the decades latest trends.
Earlier in the decade was when the shoulders were allowed to return back to the normal state, being
relaxed and out and about. Corsets were still in style and added were full of strength and support but
some women disagreed. Sometimes the corset was tied so tightly women couldn't breathe. In 1976
to 1978 was one of the first appearances of the long cuirass bodice. That was basically a basically
like garment that was worn over the corset and were worn with dresses and it molded the hips
tightly. Daytime bodices had higher neck lines than evening bodices. ... Show more content on
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The small hoop kept large amounts of the fabric away from the fee and added volume to women's
skirts. They added sway and movement to the everyday women's step. Popular fabrics include
cotton, silk–taffeta and wool. Those were light in color and weight.
Women realized that corsets, hoops, and straps were crippled women in both physical and emotional
health. They decided they needed a "dress" reform and it was urgent. The first and most notorious to
get the ball rolling were Amelia Bloomer's foolish invention of , "bloomers." The outfit was made
up of a short jacket, a skirt that was just below the knee, and a pair of "bloomers" that gathered
around the ankles. The first appearance of a "bloomer girl" was in the streets of Ithaca. The
townspeople gasped at the scandalous trousers. This idea of "bloomer girls" soon faded. Common
complaints were that women wanted clothes that gave them the same amount of freedom as men
those women were "just trying to be men." ("Clothes for Coupons".)
Fashion during the past decade showed how people try to fit into the beauty standards even if it
meant their health. Men and women's rights still continued to fluctuate as women tried to gain
equality even in the fashion

Fashion In The 1800s
With over thousands of clothing collections from prehistoric life to the present, the Museum of
London, Victoria and Albert Museum, and the Fashion Museum in Bath allow visitors to observe the
many changes that occurred in fashion throughout the years. With my prior knowledge about the
1800s fashion styles, I began to focus on a different era within the 19th century at each museum.
Focusing on different eras enabled me to thoroughly analyze and compare each fashion style.
During the Romantic era, 1820s through 1850s, a transition was made from the former Empire style
to the new Romantic style. In women's clothing, waistlines began to increase and skirts were
becoming fuller in size and appearance. Skirts were cut in an A–shape with the hem of the skirt
being the fullest and the top of the skirt being ... Show more content on Helpwriting.net ...
This design gave women a rounded dress waist. I observed that this made the clothing appear
shapeless. During my visit at the Fashion Museum in Bath, I noticed that the morning dresses were
simple in color and shape. A solid example of the simplicity of fashion during the Romantic era was
a cherry colored striped morning dress located in the museum. The dress had a satin and net
trimming at hem of the skirt, which was the only intricate detail on the dress. The cherry and peach
striped color combination showed that fashion during this era became brighter and wider, mainly
along the hemlines. During the Romantic era, the sleeves were built on an inverted triangle bodice.
The sleeves on the cherry striped dress had puffed shoulders with a tight cuff and underneath were
special sleeves that were tied to the arm. After a thorough

What Are The Conventions Of Black Swan
In the film 'The Black Swan' does the costume follow the conventions of the swan lake? Looking at
other additions of the swan lake, both screen and stage.
The 2010 film the Black Swan (2010, Darren Aronofsky) is based on the original Russian ballet
production Swan Lake. The story is about a young ballerina who was about to be performing the
production. Form audience members who are well aware of Swan Lake there are many moments
within this film that relate to the Swan lake production example is the fact that the sun –like music is
played in the background of the film. This essay will be looking at the different conventions that
Black Swan has used in relation to the Swan Lake past productions in both stage and screen in
relation to the costumes. Does the film follow the ... Show more content on Helpwriting.net ...
The styles of tutus that they are mainly would have is Bell shaped tutu skirt or romantic tutu. In the
film Black Swan the style that the corps de ballet have designed is the bell shaped tutu. (See Figure
10)
This has followed the conventions of how the costume is designed in the Swan Lake. But the
costumes were not limited to this one style of tutu other productions have gone for the romantic tutu.
(See Figure 11) By having this article seems of for the Black Swan modernises the production as
more modern adaptations of Swan Lake have started to use this style of costume for the corps de
ballet. The colour for these tutus is a toned down version of what Odette's swan tutu would look
like. In the black swan Nina's white swan tutu
The prince's costume in both the black swan and other adaptations of Swan Lake is wearing the
colours of all black or white. (See Figure 12) In the black swan the prince is wearing the white tight
with a white velvet jacket. How the film has followed the conventions of costume in the Swan Lake
is the style of the prince costume which has been done in other adaptations of Swan

Clothing In The Renaissance Era
The Renaissance period was an exciting time, which had some beautiful clothing for men and
women. As we know the Renaissance period is known as "rebirth" because it was a period full of
innovations and creations; it was a turning point for fashion. It was tending towards wealthy
designs, and quite simple shapes and the use of silks and hides were very common. There was the
Northern and Italian Renaissance clothing and the Elizabethan clothing which was in England. The
main characteristic of the Renaissance female clothing was its fullness (Figure 1), while on the other
hand, men except for the upper garment or the mantle, was usually fitted and very revealing.
Numerous layers of garments in this manner shaped a critical factor of Renaissance ... Show more
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Fashion has indeed made some fantastic progress from that point forward.
Moving on to England; the Elizabethan period was significant for the history of fashion because of
all the changes and innovations during that period. The Elizabethan Era is the period related to the
rule of Queen Elizabeth I (1558–1603) and is frequently thought to be a brilliant age in English
history. It was the height of the English Renaissance. This was additionally the time in which
Elizabethan performance center thrived and William Shakespeare, among others, formed plays that
split far from England's past style of plays and theater. It was a period of development and
investigation abroad.
The Elizabethan Era was an exceptionally fashion–conscious age and prized a look that was
intricate, elaborate, stylized, and striking. People alike were worried to wear the most recent and
most fashionable outfits. The Elizabethan dress was stunning and expound, reflecting the success
and vitality of the age. Queen Elizabeth herself gave an extreme inventory of her clothing in 1600
included around 300 outfits and a few hundred different costumes. Towards the end of her rule,
English dress turned out to be progressively overstated, after the erratic tastes of the maturing

Beyonce's Costume Design
Beyonce Costume Design Introduction The chance to provide designs for a major star like Beyonce
comes only once in a lifetime. Therefore, it is important to really do the research and understand her
unique style and what she is trying to accomplish in terms of her image. Beyonce is clearly trying to
bring back a very sexy and edgy image, which can be accomplished with the use of synthetic
multifilament fibers like lame and Lycra in order to give her the strength and flexibility she needs in
crucial performances. Qualities as a Designer As a fashion student, I can bring in–depth knowledge
of textiles, weaves, and yarns in order to best provide Beyonce with the combination of sexiness,
glamour, and functionality that she demands. I have access to quality fabrics and have the eye to
build a structural design that will wow her audience. It is all about being creative, and using
knowledge of fabric basics to formulate a design that will be talked about for years to come. Staying
True to Her Looks Examining Beyonce's recent performances show a clear trend that can help me as
a designer understand and meet her needs. In summer of 2012, Beyonce highlighted several
performances in Atlantic City, New Jersey. Here, she wore costumes that highlighted a sexy
showgirl concept. The costumes were provocative, functional, and most importantly extremely
glamorous. Designed by Ralph & Russo, she enjoyed several pieces with lots of glitz and glam, with
revealing fabrics with

Giselle And The Romantic Era
The romantic era had begun in the early 19th century and was the most innovative era for the ballet.
Known for the reflection of art and literature, the romantic era was the time of fantasy, etherealism
and supernaturalism. Female dancers became the superstars of the ballet especially with the
introduction of pointe work, the iconic romantic tutu and themes of a love that could never be. On a
softly lit stage lights flickered over ghostly forms.
Throughout the romantic era many innovative features were introduced such as gas lighting, trap
doors and fly wires. Gas lighting was used as the transition light from sunshine to moonlight for the
ballet acts. Gas lighting created a mood to tell the story of a love that was destined to fail, especially
in Giselle. The dark light of the second act filtered across the willis as they haunted the graveyard.
Trap doors and fly wires were innovative as it gave the effect of the ballerina's disappearing and
flying through the air delicately.
The ballet Giselle is a romantic ballet based on a forbidden love between a royal and a commoner.
Giselle is a young girl who has a weak heart and falls deeply in love with a royal named Albercht.
Giselle has a strong passion for dancing however, her heart limits her from doing what she loves.
Later in the ballet she finds out that the man she loves dearly is engaged with another woman.
In the romantic era the costuming had a large impact on performances. The costumes complimented
the ballerinas.

Lolita By Vladimir Nabokov
In Lolita by Vladimir Nabokov, the narrator, Humbert Humbert, writes to the reader, whom he
regards as "the jury", of his attraction towards young nymphets. Humbert, through utilizing intricate
language and wordplay, emphasizes his appreciation of his Lolita, and diverts the jury's attention
from his perverse pedophilic ways, suggesting that horrific things can be temporarily veiled behind
the beauty of art. Evidence of Humbert's entrancing language can be seen straight from the
beginning of the novel. The very first sentence of the novel, "Lolita, light of my life, fire of my
loins. My sin, my soul. Lo–lee–ta: the tip of the tongue taking a trip of three steps down the palate to
tap, at three on the teeth. Lo. Lee. Ta", reads with such stirring ... Show more content on
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In the world of Lolita, Humbert is writing this memoir for the jury of his trial, and by using his
"fancy prose style" to cover up the disconcerting details of his relationship with Lolita, he attempts
to convince the jury the "purity" of his relationship with Lolita. Whenever Humbert involves
pedophilia or Lolita, his matter–of–fact tone shifts into rich, indulgent language, which amplifies the
aesthetic appeal of Humbert's nymphets as the jury reads along. For instance, in the scene where
Humbert becomes aroused by Lolita spreading herself over Humbert, his recountance of the
incidence is so complex and enthralling, in hopes that the jury can feel empathy for his lust for
Lolita. He paints Lolita as: "She wore that day a pretty print dress that I had seen on her once before,
ample in the skirt, tight in the bodice, short sleeved, [...] and was holding in her hollowed hands a
beautiful, banal, Eden–red apple" (Nabokov 57). The poetic elements in Humbert's description, such
as alliteration (pretty print, short sleeved, hollowed hands), parallelism (ample in the skirt, tight in
the bodice) manipulates Lolita's otherwise indecent description into a piece of art, exceeding beyond
the moral values that prohibit other people, such as the jury, from enjoying the allure of nymphets.
Yet,

What Do Men And Women Wear During The Victorian Age
Do you like fashion? Well then this is something you might want to learn about. This informational
essay regards the fashion during the Victorian Age. Although the fashion from this age is bland it is
unique compared to other times. This informative essay with converse about what men and women
wore during the victorian age. First we will discuss fashion for men during the victorian age.
Men in the victorian age had a wider range of options for apparel than the woman had. The clothing
article for men during the men during the victorian age was very dull and bland, They wore some
more formal attire than the woman. Some things they wore were, three piece suits, or a casual pair
of pants paired with a blazer, and some of the highest quality shirts made with only the best linens
that money could buy and the linens were typically white in color. The popular choice of headgear
for men was top hats. Choice of shoes mainly consisted of boots. Moving on, let's confabulate about
the women's choice of garb. ... Show more content on Helpwriting.net ...
Their preferred garment consisted of dresses. Their dresses had intricate designs embroidered into
them. The dresses were very stiff and caused encumbered movement. The cause of this was due to
the fact that corsets were worn underneath the dress. The corset was made up of two different
pieces. The top piece was referred to as the bodice. It connected to the skirt with lacings. These
dresses also included a high neck as part of their design. Woman wore hats as well. They were
initially used to aid protection from the sun but they were later becoming a sign of class. The
popular thing to do was to put pins in your hat. The more pins you had the class you had. The upper
class women had boxes for their pins. Next up the victorian children's

Art Analysis: Cutting Edge Couture
Good morning everyone and if you haven't already guessed my collection I have chosen is Cutting
Edge Couture. This collection was featured in spring–summer 2010. In this cutting Edge Couture
collection I'm focusing on this specific piece. In this cutting Edge Couture piece displays a black
cotton and pistachio–green polyester tulle cut out dress. The bodice is comprised of black cotton as
well as the slip which can be seen through the hole of the dress. The green tulle lightly covers
sections of the bodice and overlaps at times increasing the opacity in the overlapping areas. The ball
gown skirt is voluminous as the tulle is tightly packed together resulting in a ball gown skirt shape.
The most unique feature of the dress is the missing chunk between the top and bottom half of the
skirt maintaining its multilayered form. The illusion of the seemingly sawed in half skirt aspect
addresses the cutting edge theme. Due to the unimaginable construction of the piece keeps the
audience in the unknown of how this piece was produced. Excluding the obvious technique of
sewing through the production of the bodice, the techniques and methods that underwent to create
the split skirt is puzzling. Their unique mindset and ideas for designs ... Show more content on
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The tulle like texture stands out against the black cotton as well as when the material is tightly
packed together. The distorted and layered form of the dress creates an emphasis point towards the
form of the dress. The unnatural look of the dress creates a central point of focus due to the
questionable shape and breathtaking illusion. The ruffles featured on the dress stimulates and creates
repetition and pattern. The folds and pleats in the material also adds an aspect of movement to it.
The contrast between the tight bodice and the full ball gown skirt helps break up the outfit through
materials while the cut breaks up the piece

Ferguson Corset Style
My portrait is associated with the period style of the late Victorian era known as the Bustle Period.
The name came from the skirt silhouette that was popular from 1870–1900. Industrialization was a
major contribution to the spread of the bustle; along, with the adjusting of garments to fit the form.
Though these developments, the Natural Form (Second Bustle Period) became prominent for a short
time (this is the garment style seen in the picture above) and would eventually be a stepping stone to
the end of bustles. The idea of rejection seen in garments and their counterparts, would also been
seen in the arts. France was the epicenter of fashion and those who came would go to Paris for
leisure; and visit the fashion houses of Worth, Paquin, ... Show more content on Helpwriting.net ...
My portrait, Madame Lerolle (1882), was of Madeleine Lerolle, a 26– year old wife of a fellow
artist. Madame Lerolle and her husband Henry, who was also an impressionist artist, were popular in
cultural circles in Paris and often entertained artists and musicians in their home. According to an
article written by the Cleveland Museum of Art, the portrait is supposed to portray her in a
traditional pose, standing behind a table decorated with a vase of flowers. The atmosphere is
supposed to emphasize her youthful beauty and grace and the meaning between the flowers in the
vase and those lying on the table are symbolic of nature's idea of life and

The YIPEISHA Sweetheart Beaded Corset Bodice
This review of the YIPEISHA Sweetheart Beaded Corset Bodice Classic Tulle Wedding Dress will
help you make a decision regarding what kind of dress you'll want for your wedding. You could
spend thousands of dollars buying a dress that you'll wear for a few magical hours, or you could
purchase an inexpensive dress that is still stunningly beautiful and use the extra money to put a
down payment on your home. That's how much you can save on your wedding when you don't
spend thousands on a dress.
Ordering a Dress Online
It takes a leap of faith to order a dress online unless you have a good idea of whether the dress will
be a good fit with great materials. This sweetheart beaded corset dress is made of great materials, so
it will never look or ... Show more content on Helpwriting.net ...
Is the crinoline sold with this dress?
If you need a petticoat, you will have to purchase it separately
The YIPEISHA Sweetheart Beaded Corset Bodice Classic Tulle Wedding Dress is a great alternative
to buying a dress that costs thousands, and you won't be sacrificing quality, either. When you order a
dress, make sure you're giving yourself enough time to have it fitted perfectly to your frame.
There's no way to order a dress that fits you as if it were custom made unless you provide custom
measurements. It's important that you're being realistic about your expectations when ordering a
dress online. It can be incredible, if you're buying with a sound plan. Purchase with the bra in mind
and have the rest altered by a professional.

Process Essay: Delicate Mesh Wedding Dress
Delicate Mesh Wedding Dress
On your wedding day you want to feel beautiful, happy, and delicate. This is the day you have
waited for your entire life. Therefore, you want a dress that is going to make you feel all of the
above things. At our store When Freddy met Lilly, we offer a long range of dresses that can provide
you with these things. We are one of Brisbane's designers and can help you find a wedding dress of
your dreams.
Simple Mesh Bodice
Mesh is one of the main things you should consider when trying to find a wedding dress that makes
you feel delicate. These are a few different dresses that feature a mesh bodice. One of the favored
mesh bodice dresses is the Emme gown. This gown feature very little mesh on the bodice, but
enough ... Show more content on Helpwriting.net ...
There are dresses such as the Saxon Gown. This dress is leather and has sequins to make the gown
sparkle, but it also has a comfortable mesh underlay.
Mesh Goes with Everything
Something that everyone loves about mesh is that it goes with everything. Therefore, if you are
wondering what could go with your gown don't worry, When Freddy met Lilly offers a ton of
accessories that go along with these mesh dresses. From belts to headpieces and even jewelry you
can't go wrong with choosing something to go along with your mesh wedding dress.
Customizable Wedding Dress
When you visit When Freddy met Lilly, we will do everything we can to help you find your dream
dress. Every dress on the line can be customized to your liking. From size, colour, and details, if you
can dream it, we can create it. Never feel you have to choose from inside the box. Come in and we
will help you create just what you are looking for!
Your wedding dress should be everything you have dreamed of and more. Therefore, if you want a
mesh wedding dress, don't be scared to get one. This is your day and you are the one that need to be
happy with what you are wearing. Stop by our store When Freddy met Lilly today to get your dream
wedding

Corset Review
Black Cashmere Under bust Corset Review
The most desired slender and seductive sculpting look is now possible with Black Cashmere Under
bust Corset. From a formal elegant gown to a short thrilling party dress, for a woman a flawlessly
shaped exquisite figure is all that she ever wants. With the Black Cashmere Under bust Corset; you
will get that impeccable and lustrous figure that you can flaunt. Black Cashmere Under bust Corset
is considered to be the waist training specialist as it is the fundamental garment which can be used
as a shaper, lingerie, in costumes and it also goes very well with occasion pieces.
The classic design of this waste training expert, lifting up the bust lying just beneath it will give you
your most desired sculpted, ... Show more content on Helpwriting.net ...
Corset waist training is the best way to have that flawless flat stomach without taking onto vigorous
tough exercises.
This waist training flat stomach connoisseur is made up of three fabric layers. It has two layers on
the inside which is strong and pure cotton twill and one layer on the outside which is made up of
polyester and is black in colour. There are 26 spiral stays made up of steel that gives the shaping
power to the corset along with six steel bars and a busk closure also made of steel. The lace when
pulled tight gives the spine support by pulling it close to the waistline giving the sculpted look.
Corset waist training with its modern design and benefits has improved postures of many giving
them the slimming effect and a raised bust line and a curved silhouette for the most tantalizing look.
It is a much demanded product especially for the waist training flat stomach benefit that is
applicable for women of all age groups. It is an impressive shape wear that is beneficial by all
women around the world who use it and also recommend others to use it too. Quoting the words of a
very pleased

My Summer Wardrobe
"I have missed you so much!" I say as I fall back onto my bed. It feels so good to be back home. My
own bed, my own room, my own clothes, my own food.
"I am glad to have you back Riles!" Sam says, leaning onto the door frame of my room. "Ethan is a
little bummed though."
"Boo hoo." I say. "Tell him he is free to visit anytime he likes."
"I will do that right away." Sam laughs. "Is there anywhere you want to go today? Anything you
need to do?" she asks.
"Today I think I will just stay here and get my things organized and cleaned up." I reply. "Tomorrow
I wouldn't mind hitting a few malls. I would like to revamp my summer wardrobe."
"I hear that there is a sale going on this week at the new Prada store that just opened up a few ...
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I look to the side of the bed to see what fell. I see a small silver pocket watch. It is about an inch and
a half round. There are black roman numerals etched around it. There are small round circles etched
in a circle inside of that and then a watch hand in the center with four numbers marking every half
hour. 3, 6, 9, 12. The time on the watch says 12:29.
I pick it up and hold it close to me. Aden gave this to me shortly after we met. I thought I lost this in
the accident. It must have just got tangled up in everything and I never saw it.
I start to day dream of the day Aden gave this to me. It was the night of our senior prom.
"Honey, Aden is here." My mom shouts up the stairs to me.
"I will be down in a minute." I call back. I was so nervous that night. Aden was the first guy I had
ever gone to a dance with who I ever got this excited and nervous to go with. I check myself out in
my tall beveled mirror one last time before making my way downstairs. I am wearing a mermaid
style gown. It is blush pink and has gold crystals that cover the entire bodice. It has a few crystals
that are spaced out on the lower half of the dress, making it look like there is a waterfall of
diamonds dripping down my dress when it hits the light. My hair is curled in loose waves down my
back. I think I am ready.

I start walking down our spiral staircase to go and meet Aden. I look up and I see him wearing a
perfectly tailored black tux with a white dress shirt

David's Bridal Beaded Lace Night
When you immerse yourself in the world of wedding dress styles, it's unlikely that you really
grasped the difference between mermaid silhouettes and trumpet. The difference is so subtle, that
unless you're a dress designer, you might not know. That's completely understandable, and we're
here to educate you! Mermaid dresses are tight throughout the bodice, down the the hips and the
thighs. The dress begins to flare below the knees. If you think of a mermaid and her fins, you'll get
the basic shape. The trumpet dress is tight down to the middle of the thighs. The dress can flare
around the hip, below the crease of the buttocks, or around mid–thigh. It really is such a subtle
difference in silhouettes that we'll forgive you for not knowing.
David's Bridal Beaded Lace Wedding Gown
The plunging v–neck bodice with wide straps is covered in stunning lace details that bring an
elegance and beauty to this dress. The entire dress is covered in ruffles of lace with a fringe of tulle
on the end of each as it flares into the trumpet shape. The back is open, and while it looks like
covered buttons keep the dress closed, it's zippered for easy closing. The train is a few feet, so it
won't be unwieldy, but still dramatic as it flows behind the bride. The colors available are solid
ivory, solid white, or ... Show more content on Helpwriting.net ...
This dress fulfills that desire perfectly. It's a lovely satin that billows from the middle of the thighs
down to a lovely chapel train. It's ruched below a sweetheart neckline and gathered at the thigh
before the layers flow. The belt closure and built–in bra give this dress structure. You can purchase
the dress in sizes 2 through 18 plus. Many brides have reported that it's fairly true to size, but you
might want to order a size larger and have it fitted to your shape perfectly. It's available in white or

Dora Maar Essay
A portrait of Dora Maar, painted in 1937 by talented artist Pablo Picasso. The portrait of Dora Maar
is painted in a cubist style. It concentrates many bright colours including yellows, blues, greens, and
oranges towards the face. Yet has many cooler shades of colours such as green, purple, blue and red
towards the torso. The piece portrays Dora Maar in an intimate yet mysterious way, as she was the
partner of Pablo Picasso and he viewed her in this way. The way Pablo Picasso executed this piece
was that it was something more than just a portrait.
The general composition of the artwork has Dora Maar as the focal point. More specifically, her
face, where as if the bodice is the middle ground. With wood panelling as a surrounding
background. Pablo Picasso has achieved these three levels, by using placement, colour and texture.
As this piece is a portrait, it's clear that Dora Maar, Pablo Picasso's partner is meant to be the focal
point. He's drawn attention to her face by applying many different techniques to different areas of
the painting. By using eye catching colours such as yellows, oranges and greens on her face in
conjunction with having the placement of her face at ... Show more content on Helpwriting.net ...
The art element chosen to focus on is the element of Line. Line can be used to divert the viewer's
eyes, create definition, and can also indicate value and a light source within the piece. The art
element line is most present around Dora Maar's face and he has used the element in this specific
area for a lot of reasons. For example, by using line as an "outline" for her eyes, face, nose, etc. He
has drawn attention to this area by making this area seem a lot bolder. If you were to compare the
bodice to the face, the face seems to have a lot more detail because of line. By using line, it has
contributed to the interpretation by diverting your eyes to chosen

The Role Of Clothing In The Elizabethan Era
Fashion of the Elizabethan Age The Elizabethan Era started in 1558, when Queen Elizabeth I started
her reign, and ended in 1603 after her death. During this time, the Renaissance began to develop in
Italy. After the discovery of many new ideas and the spread of literacy and knowledge due to the
printing press, people focused on the nature of the world and the significance of being an individual
(Nunn 29). As a result of Sumptuary Laws, people started to judge each other by their social status.
These laws were clothing guidelines to help maintain social structure. They dictated the color and
type of clothing citizens could wear. Because of these laws, clothing styles changed exceptionally.
Elizabethan fashion enlarged some parts of the human ... Show more content on Helpwriting.net ...
They followed the same trend of broad shoulders and wide hips. It was supposed to resemble a suit
of armor. Wealthy men wore fabrics that were colorful, adorned with expensive trimmings such as
gold and silver lace ("Elizabethan Fashion"). Men accessorized with animal furs and many jewels.
Their outfits consisted of a doublet, sleeves, hose, breeches, ruff, a cloak and a hat. A doublet was a
close–fitted button up jacket. They were often stuffed with horsehair, wool or rags to keep their
muscular shape. Sleeves were separate just like the women's and were tied on to the doublet with
laces. Hose were tight fitting pants that covered the waist down. Breeches were short trousers that
attached to the doublet and covered the pelvic area. Ruff was put on the neck and was ordinarily
starched and white. Cloaks were fancy capes that were worn over the doublet. Hats were common
accessories and came in a variety of shapes. Men's hair was combed forward to have short bangs.
Mustaches and beards were trimmed and cut nicely. Lower class men wore just about the same
things but not as colorful and less poofy like those of the higher class

The 's Production Of Afternoon Of A Faun
Many authorities on dance, consider it a living art form while only there for a fleeting moment, it is
always moving and forever changing. Just as a sculptor creates his piece with his own hands and
may make another that might look very similar, they are truly different. That is how dance is. The
dance piece cannot be performed exactly the same, it may be close, but there will be small instances
that may be different from earlier performances. This is especially true of the performers. No two
dancers will perform the same piece the same way. These small instances, such as a hand position,
the extension of the leg, whether higher or lower than the performance before are what makes each
dance work one of a kind. Furthermore, dance as ... Show more content on Helpwriting.net ...
Also know that you should never video tape or take pictures during the performance. Flashes from
cameras constantly going off can be very distracting for the dancers to the point of losing their
balance or forgetting a step during the production. Then there are the copyright issues of the videos
and /or pictures taken during the production. That particular performance is someone's original idea
and should not be plagiarized. In the movie Elizabeth the Volta was danced between Elizabeth and
the love of her life, Robert, after her coronation. The ballroom was bright with candle light. There
were red tapestries hanging on the wall behind her throne with the family crest on it. Her gown was
gold in color, long and cumbersome. The bodice was stiff and constricting, making the breasts seem
non–existent. Queen Elizabeth's gown seemed to be made of a brocade material with satin
embroidery. Several buttons adorn the cuffs of the sleeves and the back of the bodice. Her shoes had
a very low heel on it and hair was down, but the front was pulled away from her face. Robert's
formal attire was a velvet looking waist coat with a long sleeved tunic worn under it. His breeches
looked like those lanterns that you would make as a child out of construction paper and the shoes,
however, had a higher heel than that of the women's. Both the men's and women's garments were
embellished with

Puritan Woman-Personal Narrative
Katherine stood at the edge of her yard, staring at the crashing waves just beyond. The salty wind
brushed her face gently, inviting her to breathe deeply of its scents and calmness. Reaching a hand
up, she plucked the pins from her hair, using her fingers to brush through the auburn curls. She hated
wearing her hair up all the time; it made her head sore. To avoid attracting any undue attention, she
put it up like the rest of the village women. To be considered modest. everything must be covered.
Kat thought it was a silly rule, like so many others among the Puritan women. Those rules, and the
looks that she received from the villagers, were some of the main reasons she chose a home farther
away. She shook her head, enjoying the way the breeze blew through her hair as a mist sprayed her
face. Taking another deep breath, she turned and started back toward her little log cabin. ... Show
more content on Helpwriting.net ...
"You'll make a lovely bouquet for my kitchen," she whispered to the fragrant blossoms. Standing
straight, she made her way to her home, looking over her shoulder at the dirt road passing along the
side of it. It had been busy in the recent months, but today, it remained empty, stretching out into the
horizon and into the small village below. Kat sighed. Things in Ipswich were not what they used to
be. It was a little too restrictive for her taste, but that didn't mean she didn't like to visit on occasion.
Some of the women didn't mind her more liberal views on the world. Those trips had been put on
hold during the cold months, though. "Shame. Could use some company from time to time," she
murmured to the walls surrounding her. She strolled across the room to her cooking area and found a
small cup on the shelf she'd built into the logs. Placing it on the table, she held a hand over it and
thought of cool water filling the glass. The liquid came to just below the top before she stopped it,
and then placed her blossoms in

How Did Bodice Clothing Wear Different From Women's Clothing
Females wore fitted bodice dresses in waist–length and full skirts in various styles from the 1830s
to1860s. Toddler boys and little girls wore similar clothes, but they were different from women's
fashion. The bodice of the children's garment was unfitted and gathered into an inset waistband; the
neckline at that time usually had a wide off–the–shoulder style; the top had short sleeves in puffed
or cap cuts; the length of a full skirt had a varied style that the toddlers wore below–knee length, and
the oldest girls wore calf length. Furthermore, the fabric of daywear dresses for girls used printed
cottons or wool challis. Under the dresses, little girls and boys wore white cotton ankle–length
trousers, called pantaloons or pantalets.3 In the

Black Bodice Overhead And The Moon
Stars twinkled in the black bodice overhead and the moon was nowhere in sight, yet, no one
questioned why. All lay dead in the sky while below on land, badlam occurred. It was the 18th Era
on Gaia, in the small mountain town of Nibelheim. Squall Leonhart was clutching Cloud's hand,
running towards Mt. Nibel, away from the denizens of his hometown. His feet could barely keep up
with the speed of the blonde, who was sprinting at an inhuman pace. The ascent of the mountain was
too much to handle for the mere men chasing them, while Cloud had swept Squall up and ran with
the brunette in tow. Squall knew everything was backwards and wrong. He had fallen in love with
Cloud, and Cloud had fallen in love with him. Already not accepted in their ... Show more content
on Helpwriting.net ...
He released his lover from his chains and together, they made a break for the Mako caves. Squall
was a hunter, not hunted. Everything was backwards and wrong. They reached the caves, Cloud
slinging Squall in, away from the entrance. Cloud used his strength to move heavy boulders to block
the entrance, preventing anyone from coming in. He turned back to Squall, non–existent heart
thawing at the sight of his scared, anxious love. Cloud walked over, grabbing the man's face in his
gloved hands and kissing him with all the passion he had. "Are you okay, my love?" Cloud asked,
bringing Squall in close to him. "I am now," he whispered back, laying a kiss on Cloud's chest.
"What will we do? I can't go back, and when they get up here, there's no stopping them at all." "I
can't ask for protection from us. While it's not forbidden for a demon to love a human, it's looked
down upon. I only know of one hope for us, but it's not pleasant." "Anything, Cloud. Anything for
you. I'd take any pain over and over, if it meant I can stay with you." "We'll have to go to my home,
Squall. We'll have to go to the Underworld. What you call, Hell." "Hell is better than Nibelheim,"
Squall murmured, hugging Cloud tighter and closing his eyes. "How do we get there?" "My dear,
open your eyes, we're already there." Confused, Squall opened his eyes expecting to still be in the
cave, but instead saw he was inside of a dimly–lit castle.

How Was Clothing Used To Separate Genders
6. How was clothing used to separate genders? Was there a particular hairstyle or a special type of
clothing used to separate the genders?
8. Was clothing used to identify marital status?
12. How was clothing used to attract the opposite sex?
Gender Separation
In the 16th century fashion in Europe was similar in most countries. In this century women would
wear gowns or dresses. In Spain women wore cone–shaped skirts but as the century progressed the
gowns became more lavish. Gowns were made of different fabrics like silk, velvet and lace. The
dresses were adorned with beads, pearls and jewellery and were decorated with patterns of stiches
and embroideries.
Gowns were made of different parts; a bodice, a skirt and sleeves. The bodice was used to cover the
body from the shoulders to the waist and was similar to a man's jerking. Bodices, called vasquina in
Spain, were double layered garment that fit tight to the body. The bodice usually had a boat or a
scoop neckline. The noblewomen and royals necks were covered with a wide pleated collar which
was also used by men. ... Show more content on Helpwriting.net ...
In the late 16th century women wore farthingales, a series of stiff hoops made of wood, bone or
cane. The farthingale gave the gowns distinctive shapes. To make the skirt yards and yards of fabric
was used. Poor women that could not afford a farthingale wore a padded role around their waste.
The last part of the gown was the sleeves. Some sleeves came attached to the bodice. Most of the
time sleeves were made separately in different styles and were then attached to the

What Is The Little Black Dress Essay
Little Black Dress perfect for any occasion
Little dark dress is the perfect decision for each event. Whether you have an evening party to attend
or you have a meeting at your workplace, Little black dress will always help you to look elegant and
gorgeous. Having a little black dress that flatters your body type is a worry–free way to get dressed
and noticed. This article will help you to find your perfect Little Black Dress irrespective of your
shape and size.
Pear Shape
If you have a pear shaped body then search for a bridle dress. "The shape shows off your shoulders,
balancing and adjusting the triangular shape," says Sarah Shirley, a style master for CBS's The Early
Show. The width of your hips will appear to be littler and in better extent to your body.
Petite
The ... Show more content on Helpwriting.net ...
Clearly, all dark is super chic. However, you can accomplish more than that with this extreme key
piece. Contingent upon the event, the little black dress comes in numerous styles and you can wear
it a few distinct ways whether you need to dress it up or down. Most importantly, whether you are
going to wear your little black dress for informal breakfast with companions, office gatherings,
young ladies' evenings out, or your next hot date, in spite of the fact that you can wear precisely the
same for every single diverse event, you likely still need to pick the right dress for the right event.
Check out our list of seven cute little black dresses below:
Bring the little black dress into the 21st century with a yield out subtle element. Midi Dress in Crepe
with Double Layer is perfect to be worn in parties as well as any formal event.
If you are a bit cold out then add some long sleeves to your dress for the ideal fantastic look.
Smaller than normal Bodycon Dress with Long Sleeves in Rib is made to wear in

What Happened To Elizabeth's Clothing In The Renaissance?
Woman Clothing in The Renaissance
Woman who were from the higher class had different clothing in the Renaissance era which has
changed across the years, whether with time or influence . Clothing was powerful as they were used
to represent your social class. Each one of the social classes had certain things that they were
allowed to wear (different in each class). One of the fashion icon during the renaissance was Queen
Elizabeth I. She possessed a large amount of influence on fashion as well as the people. Queen
Elizabeth I was a fashion icon for both men and women. At the dawn of the Elizabeth reign women
wore dresses that covered them from head to toe. Drilled collars development into more of a
complex, which grow into the Elizabethan ruffs. By opening up the ruffs at the collar to expose
more of the neck and collar changed the design of the ruffs into more of a feminine and seductive
look. Elizabeth continued using sumturary laws just like her father and sister before her, ... Show
more content on Helpwriting.net ...
Wearing a hoop with accessories and expensive needed was a sign of importance and wealth. Only
wealthy people could afford fabrics needed and leisure to wear dresses the required a farthingales ( a
hoop skirt that holds skirts out). Women wore a bodice that was tightly fitting and made from one or
more expensive fabric. It fastens in the back and may lace on the side for additional sizing if needed.
the Elizabethans intentions were to button up in the front, but the noble woman bodice, lace in the
back not the front. There were different kinds of sleeves that could change the overall appearance of
the bodice. Choosing a sleeve, It's all about the weather. Choosing one with heavy fabrics and more
materials the warmer it gets. During warm climate woman wore detachable sleeves and still have the
arms covered. Some might make the sleeves from out of fancy lightweight materials , that way they
could up hole they're image and keep

Cornflower Bridesmaid Dress Research Paper
Cornflower Bridesmaid Dress
Make that special day in your life a truly memorable experience with cornflower bridesmaid
dresses. The cornflower is not only a great choice of color for your bridesmaid dresses but also for
your wedding setting. The cornflower color is a shade of medium to light blue and was one of the
favorite colors of Johannes Vermeer, a Dutch painter during the Golden Age era.
The cornflower is a unique choice of color for bridesmaid dresses. Cornflower bridesmaid dresses
are becoming a trend in many weddings. Actress Rachel McAdams was stunning in her cornflower
blue halter bridesmaid dress at the wedding of her sister. She complemented her cornflower
bridesmaid dress with a pair of golden stilettos.
The cornflower color is a hue that demands ... Show more content on Helpwriting.net ...
If you are a pear body shape or an apple figure, then the princess cut is right for you because it does
not hug the stomach or the midsection area. The linear panels of this cut produce a slimming effect
and draw attention lengthwise down the seams of the cornflower bridesmaid dress.
The popular image that comes to mind when you hear the word halter is a sundress style that ties
around the neck and exposes a great amount of shoulder skin. The halter cut is synonymous to
sexiness as it helps define the bust as well as the shoulders. A backless halter cornflower bridesmaid
dress is ideal for a beach or casual wedding. If you want this cut to be more formal, you can use a
chiffon or satin fabric and add some embellishments. A halter cut is usually secured with a tie at the
back of the neck and the waistline.
The relaxed style of the revel cut makes it an ideal choice for a casual or summer wedding. The
swingy silhouette fits comfortably without being too tight or fitted. The revel cut gives the illusion
of curves and is a perfect example of an edgy and sophisticated

Mic Pack Monologue
I don't think I have ever experienced pain quite like having a mic pack roll on me. I've always been
one to experiment in theatre. This time I had decided to place my mic pack on my right upper thigh
under my skirt since the traditional location, my waist, was currently being squeezed by a rigid
corset. I knew this was risky. It had never been done before by my troupe, but it was the only place I
could find that wouldn't be crushed by the costume, or the combat choreography. It seemed like the
perfect place to hide it; however, the trick was getting it to stay. My mic assistant tightly bound the
mic pack to my thigh with an ace bandage, then wrapped another bandage around it to secure the
pack. Since that wasn't secure enough, she added a solid

Tutu
In Margaret Fuhrer's article entitled The Life of a Tutu, she said, "If tutus could talk, they would tell
some pretty amazing stories" (Fuhrer). In today's dance world, the popularity of a ballet tutu is
bigger than ever and the industry continues to be an ever–growing one. The intricate work put into
each one has mesmerized audiences and has helped to compliment the story of a ballet and a
dancer's movement for many years. As said by Victoria Looseleaf, "A tutu frames a dancer's
movements, its construction supporting the physicality of ballet. Wearing a tutu generally marks a
mature stage in a classical dancer's career, since nothing exposes the precision of classical technique
as does the brief, jutting skirt with the snug–fitting bodice. ... Show more content on Helpwriting.net
...
Victoria Looseleaf said of classical tutus, "Known later as classical tutus and made famous by
ballets like Swan Lake, these freer garments climbed farther north, becoming even shorter when
ballet entered the 20th century, the added tarlatan layers creating a flared–from–the–body effect"
(Looseleaf). Classical tutus generally will use 25 meters of tulle, but it is not unusual to find tutus
out in the ballet world that have tulle as long as 110 meters. This length is longer than a football
field! The top layers are generally 13 to 15 inches long from the hip to the edge of the skirt.
However, some dancers such as the Russian like plates that reach as far as 18 inches. One dancer
says, "I was once told by a designer that the Russian ballerinas don't like to be able to see their feet"
(Hamilton). Beneath these top layers are 15 inch layers that surround the hoop. The hoop was a new
innovation in that time period that gave the tutu a sense of lifting, especially when in action on the
dance floor. Finally, some tutus will have little ruffles that go down to the panty to create a
continuous look of frill from the top to the bottom of the tutu. This gives a nice, lengthy

Short Story: The Dance At The Sewickley Country Club
The next day was Sunday and so Annie went off to church. She hated it and tried her best to focus
instead of remembering every detail of the wonderful night before, particularly the memory of the
blond boy she had met. Linda, one of Annie's friends sat beside her. Annie notices the change in
Linda's behavior, noting that last night at the dance she was laughing and funny, while at church she
was grave and reserved. "I hated being here," Annie states. Some of the boys from the dance at the
Sewickley Country Club were there, too, with a sullen look on their faces, and Annie assumed that
they hated being there as much as she did. The difference between her and the boys, however, were
that they probably had fought with their parents on attending

What Does Guilt Symbolize In The Scarlet Letter
There are certain social expectations that communities have, and when those expectations are met
with an unconventional method, the community is taken aback. The Scarlet Letter by Nathaniel
Hawthorne highlights this irony with the character Hester Prynne. Hester is expected to take her
letter and feel shameful, but she exceeds their expectations when she changes the meaning into
something beautiful without feeling extreme guilt. Ironically, Hester does not feel guilt as the
community feels she should. She is expected to take her letter and be forever ashamed of herself, but
instead she takes it and stands tall to receive her punishment with grace. While she is being publicly
shamed, one woman comments on how Hester does not look phased by

What Is The Eight Head Theory
2. PATTERN MAKING 2.1 Body Measurement Garment fitting is based on taking body
measurements. So it is very important for a dress maker to know how to take accurate
measurements. For a successful garment cutting, one must know the size and shape of the human
body, for which designing has to be done. Anatomy begins with the eight head theory (Adu–Boakye
et.al 2012). 2.1.1 Body Anatomy The father of tailoring Mr. Wampon drew seven imaginary lines
across the body structure for the purpose of easy measurement in tailoring. The whole body
structure was lengthwise divided into eight equal parts, which is known as the eight head theory.
This theory has become the foundation of all fashion drawing and for understanding the body shape
and structure ... Show more content on Helpwriting.net ...
Cutting table and cutting board – cutting table is 6' long, 4' wide and 3' height. People to work in
standing position use table and people who work sitting, use cutting board. Cutting board should be
6" height. ii. Shears – This is mostly used for cutting thick materials and usually 10 – 15" in length.
iii. Scissors – It is used for cutting ladies and children's garment. It is 7" to 10" in length. iv. Paper
cutting scissors – This is a small scissors available in various sizes and meant for cutting paper. v.
Pinking shears – This cuts the edges in zig–zag manner. It is used for finishing seams and raw edges.
It gives a decorative appeal to the raw edges at the same time avoid unravelling of yarns. vi.
Trimming scissors – It is used for repairs, alterations, trimming seams and cut thread while sewing.
vii. Buttonhole scissors – This is used for making holes for buttons and eyelet holes in the garments.
2.2.2.5 Sewing devices Sewing can be done either by hand or machine. For hand sewing, the
following are required: i. Needles – These needles come in the denominations of a t012 numbers.
Based on the thickness of cloth, the needle number is used. ii. Crewel needle or Darn needle – This
is used for darning. The front side of the needle is in bent

Victorian Influence on Women's Fashions Essay
Before Research
Before the Victorian Era, the main focus of fashion was for men. Women's' fashion changed some,
but the general idea of long skirts, tight bodices, and heavy fabrics stayed consistent. Real changes
to style and fashion were not made until about the 1840's, when Queen Victoria came into power.
After her rise to Queen, the fashions began to change dramatically. Pride and Prejudice is a book
written in this time, and the fashion is clearly visible. Looking at fashion of the time can be clear
examples of social customs, role models, and other aspects of the time period.
The question to start off with is how has royalty affected women's fashions through the ages?
Royalty is influential on all sorts of things, so why not fashion? ... Show more content on
Helpwriting.net ...
The beginning of the civil war in America affected the cotton production, so fabric became more
scarce, leading into the next era, one that used less fabric. The early bustle period featured a
narrower skirt, with gathered fabric on the back. Bodices ended at the natural waist. By 1877, the
bustles had dropped to knees, leading into the Natural Form period. By this time, a tall, slim figure
was born. Dresses were long and the bodice became long and tight. The Late bustle period brought
the bustle back into style. The skirts stayed long and tight, with a large amount of fabric gathered in
the back. The 1890's saw the disappearance of the bustle for good. At this time, skirts became plain,
and the bodice was dressed up with frills and puffed sleeves. The popular "Pigeon Silhouette" of the
Victorian era was born. The Edwardian Period was a time of ultimate femininity. The skirts became
soft and flowing, and the hobble skirt became popular (What is). This was probably the most
interesting part of my research, because I got a deeper look into the world of fashion.
The Queen's Fashion
I now needed to know what Queen Victoria did for fashion in this time period. I learned through my
next source that Queen Victoria and her daughters were often fashion models for women of this
period. Typical outfits of this time consisted of cotton fabrics, as they were in abundant supply and
allowed air into the often heavy fabrics. Day dresses were worn inside the home, and were

Descriptive Essay On Ebay
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How to Buy Stylish Beach Dresses eBay eBay 1.6K Views Like Share
18 April 2016
How to Buy Stylish Beach Dresses
Going to the beach requires a special kind of attire. Although wearing a bathing suit makes sense,
some people prefer to cover up at least part of the time. This is where cute and stylish beach dresses
come into play. They feature lightweight materials, short lengths, and attractive designs, and they
keep the body covered just enough to make women feel comfortable without needlessly weighing
them down in yards of material.
Beach Kaftans
The kaftan is the epitome of feminine beauty. The style originated in Pakistan, Persia, and other
Middle Eastern countries. The original kaftan dresses were full length with yards of flowing,
lightweight fabric. Beach kaftans, however, are much shorter and have less fabric. Some are even
see–through, which is perfectly suitable when worn over a bathing suit. Some beach dresses have
large pockets that blend into the sides, and most beach kaftans have sleeves that reach the elbows
and billow out. They come in all sorts of vibrant colours and patterns for the summer.
Maxi Beach Dresses
Maxi beach dresses are long and come in a

Fashion During The Colonial Era
"During the Colonial period, formal dress clearly marked status in the social hierarchy."
Women's fashion had undergone many characteristic modifications prior to 1750 and more so into
the eighteenth century. Fashion trends were being set in the Old World, from France to England, and
Colonial women were all too painfully aware of the need to adapt towards a sophisticated and up–
to–date appearance.
The popular style of dress, modified for the occasion, was characterized by a full skirted silhouette.
The look included form fitting bodices paired with long hoop skirts of washable linen, cotton or
wool atop shifts and form fitting corsets (stays). Stays were the rage or curse for women's wear
during the Colonial era and were inset with unforgiving whalebone...a feature that could tend to
restrict the movements and activities of the wearers. Little wonder why. (Its been recorded that
ladies of the day were considered quite the 'loose woman' if not wearing their stays when out in
public.) A Stomacher, a bit of inverted triangular fabric that held the front of the gown together, was
also part of the overall dress presentation (The Stomacher was carried over from the European
representation in women's clothing.) ... Show more content on Helpwriting.net ...
Panniers were side–hoops that resembled a woman's hip. They were also referred to as 'false hips'.
The dress style for ladies continued to have an emphasis on the narrow waist, but the bodice shifted
to a low–necked gown trimmed with fabrics, lace ruffles, or a fichu tucked into the low neckline.The
front of the skirt was open to feature a separate petticoat, which made up the ensemble.
colonial–fashion–low–neckline
By the 1780s, a glimpse of delicate thread stockings held in place with ribbon–like garters, could be
seen beneath ankle length skirts that were surprisingly entirely

Women 's Fashion During The 19th Century
Introduction
The 18th century, more precisely between 1715 and 1789, was a significant time period in the
fashion sphere for women in France. The time period itself was a mark of great change for the
history of France due to various political reasons as well as various art movements and often times
fashion, despite being a branch of art, is overlooked by most viewers. However, fashion during this
time excelled in France and was essentially the symbol of a new era in this domain; French fashion
was now snowballing into something much greater that still echoes to this today. Ultimately, the
goal of this essay is to describe women's fashion during the period of 1715–1789 and the shifts it
made through the analytical use of various sources including artwork, literature, museums' online
archives and internet sources.
Critical Review of Sources
One of the main sources used in this essay was a general historical overview from the end of the
15th century up until the French revolution. The source is subdivided into essays and gave detailed
descriptions apropos to France's political, economical, and social circumstances during the time
period of 1715–1789. Apropos to artwork, Vigée Le Brun's, 'La reine en gaulle', was looked at in
order to have a better understanding as to what the chemise à la reine was like and since this
painting was done during the time period by the artist, it seemed appropriate to incorporate this
painting as source to the essay. With regards to museums

A Presentation Of Emmy Award Show 2016
Emmy Award Show Report There were gorgeous and amazing dresses in Emmy Award Show 2016.
Among many beautiful dresses by talented designers, I chose five best dresses of the female stars
and two best tuxedos of the male stars. I chose those dresses not only because the dresses were
beautiful themselves, but also because the dresses looked fantastic on the stars with perfect colors
and moods. First female star was Michelle Dockery. She wore white and black dress by Oscar de la
Renta. It was ankle length on the front and floor length on the back with sweetheart neckline and A–
line silhouette. It was made with rough texture and heavy weighted jacquard. The dress was
strapless ruffled belted dress with contrasting black pipping. The dress had ... Show more content on
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The last female star was Sophie Turner. She wore black dress by Valentino. It was floor length with
empire silhouette. The dress was embellished with sheer laces all over the dress and the straps. She
styled the dress with Christian Louboutin black sandals and Forevermark rings and necklace. Her
dress looked more chic with her nude lips and braided hair. First male star was Caleb McLaughlin.
He looked so handsome with his tuxedo even though he is a young boy. The tuxedo fitted nicely on
him because he mixed colors very well. He wore navy blazer that was embellished with silver
flower patterned jacquards. It was notch lapels and a single–breasted with one button. He didn't
mention the brand or designer of the tuxedo, but he just said that he rented it. He wore white classic
medium spread collar shirt with black buttons. He didn't wear vest but it gave simple look since he
wore patterned blazer and glittered suede loafers. He also wore white bowtie to balance the colors of
the blazer. Second male star was Liev Schreiber. He looked classic with his black single–breasted
blazer by Tom Ford. It was made with notch lapels and two buttons. He wore white evening shirt
with spread collars and black buttons. Even though he didn't wear vest, he wore black bowtie and
glossy black patent oxford shoes to give simple but classic and luxurious styles. Jenny Packham and
Christian Siriano were the two designers who were mentioned the most in Emmy Award

Australia Fashion Analysis

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Australia Fashion Analysis