Stanley Kubbrick Filmography

Stanley Kubbrick Filmography
Filmography
Stanley Kubrick uses his intense talents of filmography in order to preserve the relationship between
'ultra–violence' and art. This is hard to ignore in the introductory scene, where Kubrick teases
Greco–Roman and classical cultures in synchronization with delinquency in order to insinuate that
violence has become the new indicator of class. This is seen also with the widespread eroticism
within the film, ranging from the scenery of the milk bar where Alex takes his Droogs, to the murder
in by which Alex uses a porcelain phallus to bludgeon a woman to death. Kubrick means to
insinuate that within Alex's polarizing culture, art has evolved to embrace natural eroticism, or in
Alex's case, forced eroticism.
Part of the efforts that ... Show more content on Helpwriting.net ...
The camera then continues to crawl down accompanied by The Thieving Magpie Overture,
completing a setting of high society. When Billy Boy and his gang enter the scene attempting to rape
a woman a timeline is formed, the use of the falling apart building is meant to demonstrate an
evolution. No longer is humanity bound by the previous art form, instead it has transcended to this
violence, to further drive the point Alex enters the scene and initiates a battle between both gangs,
embracing this new wave of ultra–violence. As the woman is struggling on stage her movements
begin lining up with the tempo from Thieving Magpie Overture, this, along with the stage itself,
demonstrates hyper–violence as an artistic and theatrical presentation. Billy Boy's goal is in that
moment to approach what Alex has been able to succeed. Therefore it can be interpreted that the
long shot used to film his 'performance' meant that it was off base and flawed, it has lost its
relatability that is present with Alex's violence. However, even after Alex has been proclaimed the
victor, the police begin perusing him, fighting against what is the 'logical' embrace of new era
artistic expression. In conclusion the multiple differing techniques of filmography by Kubrick add a
second layer of analytic meaning to the film. By analyzing
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The Role Of Extraterrestrials In 2001: A Space Odyssey
Although extraterrestrials never seen in 2001: A Space Odyssey, let along directly encounter by the
characters in it, they play a vital role within the movie's narrative. The monoliths encountered by the
Australopithecines, scientists, and Dr. David Bowman in the desert, on the moon, and orbiting
Jupiter, respectively, were all heavily implied to be placed by the unseen extraterrestrials. Each of
these monoliths initiated an event that affected the party that encountered it, usually by causing
some form of philosophical evolution. Furthermore, Bowman was transported to, lived, and died
inside a palatial hotel room, and then was transformed into the Star Child and returned to Earth.
Because of the physical and emotional separation of the extraterrestrials

Why Is A Clockwork Orange So Popular?
A Clockwork Orange is a film that will always be talked about as long as other films are being made
and produced. The reason this film is so popular is because it was one of the most exalted and
problematic motion pictures of all time. It was liked by many people because of film work and
intelligence that went on in the film. People also despised the film because of violence, murder, and
rape. One person in particular that did not enjoy the film was Ben Russell, a filmmaker who wrote a
review about this movie.
In the review, he states how he was part of the minority that did not enjoy the film. He says that
Kubrick could have used an easier way to get his message across than the ways he did. Although,
Russell likes the way Stanley Kubrick

Stanley Kubrick's Film, 2001: A Space Odyssey
Although Stanley Kubrick's film, 2001: A Space Odyssey, was first shown in theaters in 1968, it is
still thought to be one of the single most phenomenal films ever released. For this reason, the film is
shown in schools throughout the country, providing an example of exclusive style and visual
breakthroughs. Kubrick avoids the use of dialogue throughout most of the film, displaying to people
the importance of pure visuals and music. 2001: A Space Odyssey is paced at a slow and meticulous
manner, something unique to films produced both before and after its time. Kubrick's film is perhaps
most well known for its revolutionary visual sequences, continually astounding people throughout
the world almost five decades after the release.
As soon as viewers hear the suspenseful, and somewhat familiar, beating of the drums as the credits
roll by, they are met with feelings of anticipation. The film then begins with a long silence, where
only discrete sounds of undeveloped man–apes and leopards are heard. When Moon–Watcher, the
leading man–ape of one tribe, reaches out to touch the mysterious monolith that has landed on Earth,
the anticipation returns. The familiar hypnotic beating of the drums provides viewers with a sense of
suspense, which seems to accompany each breakthrough into the unknown. The reappearance of the
fast–paced drumming occurs yet again when Dr. Heywood Floyd, a scientific specialist, mirrors
Moon–Watchers actions, and places his hand on the monolith ... Show more content on
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This is taking a different route from what people know as the 'traditional' film style of fast–paced
action and heroic characters. The ambiguity of the film allows the viewers to form their own
impressions with the visuals and music given. Much like when one beholds a painting or listens to a
music piece, written explanations are not needed. Each viewer perceives the film differently than the

What Is The Similarities Between Arrival And Space Odyssey
astronauts and disciples have nothing in common. However, it is noticeable that each group contains
a betrayer. This supports the religious analogy.
Even more religious symbols can be found. The black hole is surrounded by bright yellow light.
This light orbits the black hole along two different axes which gives it the appearance of two halos.
This gives the black hole a celestial connotation. Dr. Romilly explains that human beings cannot
understand the singularity of a black hole because it lies beyond the horizon, a place humans cannot
reach. In some religions celestial beings, like gods, dwell in heaven, a place normal humans cannot
enter.
Later Cooper enters the black hole and is transported to the Tesseract, a fifth dimensional space
appearing to him as a three dimensional one. Cooper assumes that it was created by a higher
advanced alien race. The Tesseract looks ... Show more content on Helpwriting.net ...
Kubrick's and Villeneuve's strength is the framing. In Space Odyssey an enormous number of scenes
that show central perspective can be seen. A very strong scene is the one in which David and Frank
are inside the space pod and talking about HAL. This shot indicates a vanishing point in the center
of the frame. Kubrick enhances the depth by dividing the frame in a foreground and background;
David and Frank are in the foreground whereas HAL is in the background (cf. Kargl 134). Kubrick
often uses the central perspective to create additional depth. Although the persons and objects that
are filmed by a camera are three–dimensional the screen on which the film is shown is a flat surface.
Therefore, Kubrick uses certain perspectives to enhance the three–dimensional effect. Villeneuve on
the other hand uses the perspective to guide the audience. A lot of Arrival's scenes show guiding
lines that lead to a vanishing point. Sometimes the camera pans to that vanishing point. Sometimes
he guides the audience towards the object of

Inception Film Analysis
The Dark Knight wasn't the only time that Nolan was inspired by art on how to express his story
cinematically. His film Inception features a classic optical illusion called the Penrose staircase
(impossible staircase), which folds back upon itself in space. "The only job that was ever of interest
to me other than filmmaking is architecture". Inception is a heist movie, but heist movies are usually
unemotional. They tend to be glamourous and deliberately superficial. Nolan wanted to deliver a
more emotional narrative, instead of the usual heist story where the hero's journey and the heist are
based around the MacGuffin (the desired object), they were instead based on emotion. Part of that
emotion came from M.C. Escher's Ascending and ... Show more content on Helpwriting.net ...
In Ascending and Descending its whether the monks will ever ascend or if the two down below will
choose to conform. Nolan used those "what if" questions to construct his world, and in one the films
sequences you can really see Escher's influence on Nolan, "Are you really sure that a floor can't also
be a ceiling?" (M.C. Escher). In the scene, the staircase is introduced by Arthur (Joseph Gordon–
Levitt) to Ariadne (Ellen Page) to construct a never–ending dreamscape within an otherwise finite
world. While impossible to build on our real world, it has not stopped people from depicting this
illusion, "I have always been fascinated by the idea that your mind, when you are asleep, can create
a world in a dream and you are perceiving it as though it really existed". In both scenes the steps
forever carry the traveler(s) upward in a loop. When you're looking at these works, there are four
ways you can interpret them: the most real, mostly real, mostly dream, and full dream. Most real,
Cobbs wife is dead, and he can return to his family in reality. The monks are climbing a destroyed
building and don't realize it. Mostly real, Cobb is stuck in limbo and does not make it back to his
children. The monks are trapped on a destroyed staircase. Mostly dream, what Cobb thinks is reality
is reality, but when he tries a sedative he gets trapped in a

Neil Degrasse Tyson Episode
For my entertaining biology article, I chose to review an episode of Cosmos: A Spacetime Odyssey
called "Some of the Things That Molecules Do" which is a documentary television series and
follow–up to the 1980 series Cosmos: A Personal Voyage. This series was brought back as a
revitalization of space in the public eye. The main principle behind this series was to bring space
back to the forefront of our curiosity as Americans. Neil deGrasse Tyson does an amazing job
presenting fairly complex concepts in a way that would capture the attention of anyone watching
and give them knew knowledge on difficult concepts that they can share with others. In this episode
of Cosmos Neil deGrasse Tyson leads us on an exploration of the origins of life and

Technical Essay On The Movie 'The Shining'
Technical Essay
Director: Kubrick, Stanley
Movie: The Shining
Sources: "Understanding Movies"
For my technical essay I am going to talk about the movie "The Shining". I will explore in
this essay I am going to set to prove that Stanley Kubrick is trying to prove that violence can
happen when you are lefted alone and isolated. I use a screen from 1:43:44 to 1:53:08 to prove
this point. This scene is about when Wendy looks though Jacks work and is scared though the
whole scene and and ends up knocking him out and trapping him in a storage room. I will use
techniques such as Camera angles, Lighting and sound. This movie users all of this elements
really well.
The Shining is a movie that ... Show more content on Helpwriting.net ...
Kubiback did a fanatic
job that making this scene very well lit and had the room look great and really made the scene
work.
For my 2nd argument I will talking about camera angles. In this scene there is a lot of
different shot and lots of different camera angles. There are a lot of close ups and a of slow
moving camera motions when Jack is moving. This is to make jack look more and more crazy,
which he becomes more and more in this scene alone. Though the whole scene , when Wendy

and Jack are walking their is a slow camera motion and you can see that wendy is getting more
and more scared of Jack. This scene has a lot of camera angles going on but it helps in the
sense to make it better. Louis Giannetti and Jim Leach stated in in "UnderStanding Movies"
when talking about camera angles in movies that " The angle from which an object is
photographed can often serve as an expressive commentary on the subject matter". There is
also a great good close ups on jacks and Wendy's face during this whole scene . Camara
Angles can go a long way in a making a scene and Kubrick did a great work in making Jack
work and feel more and violence in the shining.
For my last augment i will be talking about sound. Though the whole scene their is

2001: A Space Odyssey: The Dawn Of Man
2001: A Space Odyssey
'The Dawn of Man' sequence is based in a prehistoric time period and the most important theme of
this sequence is nature. Kubrick shows the two stages of nature before showing us as the audience
how humans evolved as a species. The various shots of land are staged in altered settings within
different time zones, which express the Earth as a large place. With no characters and no type of
dialogue, the non–diegetic sound of birds chirping is a representation of nature. The sound of the
birds in this sequence created a natural atmosphere and made it believable for the viewer.
The Dawn of Man sequence emphasizes the importance of food and eating. In the beginning, the
apes are shown eating plants, Kubrick then contrasted the eating of the apes with the diets of
carnivores which involves an ape getting killed by a leopard. In the ... Show more content on
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From this scene until the end of the sequence, Kubrick plays with different editing techniques. When
this ape is observing skeleton, the shot cuts to a low angle shot of the monolith. This shows the
audience that the ape is thinking about the monolith. When the ape smashes the skull with the bone,
it cuts to a shot of a dead tapir. The quick–cuts of the crushed bones and another cut of a beaten tapir
illustrates that the apes are no longer scared of tapirs or any other predatory creature. It gives the
apes a sense of power and dominance over their so called predators. This method of editing not only
becomes an insight to an ape's thoughts but it also seen as a depiction of mankind's predatory
instincts. The music also invokes the feeling of power because it indicates a connection between the
outskirts of space and this major breakthrough of human evolution. As a result of evolution, the apes
have a newly–developed intelligence as well as a dietary change that primarily consists of

The Sentinel and 2001: a Space Odyssey
Abstract Within the pages of a book, authors are able to create great visual images of locations and
landscapes by using elaborate and descriptive words. Sometimes these images are transferred into an
actual visual by the subsequent creation of films based upon these great works. "2001: A Space
Odyssey" by Stanley Kubrick is an example of such as it is based upon the literary short story, "The
Sentinel" by Arthur C. Clarke. Kubrick has done an astounding job at developing the original short
story by combining music with visual images way before it's time. The film allows its viewers to see
the original short story told by Clarke, creatively expanded and elaborated upon in comparison with
great detail.
Table of Contents
Introduction ... Show more content on Helpwriting.net ...
2001: A Space Odyssey by Stanley Kubrick, 1968 "2001: A Space Odyssey" is a film loosely based
on the short story "The Sentinel". It is based on an alien species that has placed monoliths on
different planets in order to evaluate the evolution of mankind. After a space exploration to the
moon, the explorers discover the second monolith on the moon. When the sunlight hits the monolith
for the first time it sends a piecing signal towards the planet Jupiter. The United States then send
another spaceship to the distant planet. The spaceship is equipped with an artificial intelligence
computer named Hal. On board the spaceship are astronauts David Bowman, Frank Poole, and three
others frozen in cryogenic pods. Hal, the super computer who is in control of the ship, informs the
crew that there has been a component failure on one of the antennas. Poole is sent out to replace the
component when Hal severs his lifeline. Bowman ventures out to rescue Poole but Hal closes the
entry doors and then terminates the lives of the three others on board the ship. Bowman is forced to
abandon Poole and go in through the emergency hatch to terminate Hal. He manually shuts down
the computer's memory and logic circuits and continues his journey for Jupiter. Bowman then
discovers a third monolith and is sent plunging into a new dimension of time and space. He then
stops in a green room, aged

Analysis Of The Movie ' 2001 : A Space Odyssey '
The Dawn of Man. Four simple words introduced what is remarked as one of the greatest films of
all time. There is no spoken dialogue within the first 25 minutes and the last 23 minutes of the film.
"2001: A Space Odyssey" is an ambiguous film. The broad range of audience captures various
interpretations of the film. The main theme seems to be about the evolutionary process of mankind
interwoven with elements of a higher or extraterrestrial entity guiding this evolution. There are some
film theories that suggest this movie was all propaganda used in conjunction with the space race that
occurred during World War 2. Some even go as far as to say that the same set used in "2001: A
Space Odyssey" was used to fake the moon landing of 1969. However, theories with more evidence
suggest that the iconic monolith doesn't represent aliens or "God", but instead represents the cinema
screen of which we are viewing. The artistic importance of "2001: A Space Odyssey" is derived
from its ability procure various conclusions. The story begins at the dawn of time. The setting seems
to be a location in Africa. Apes surround the setting in a pack. This pack represents the beginning of
civilization. As is commonly known, mankind has always had a sense of greed. This first act of
greed is displayed when one group of apes take a source of water from another group. The morning
after the instance of greed, a monolith appears. Confused with this perfectly geometrical object, the
apes begin to examine.

Nuclear weapons have been used for intimidation and power...
Nuclear weapons have been used for intimidation and power amongst countries around the world.
Even till this day, there is news of tension and oppression between countries for power and use
nuclear weapons in order acquire the upper head. But in reality, if the world ever goes on the brink
of an all out nuclear war, everyone would be dust flowing in the wind. Author Arthur C. Clarke
speaks against nuclear weapons in his book 2001: A Space Odyssey. In his book, the message that
he tries convey is that technology is advancing rapidly, and the use of it could be either beneficial, or
can ultimate be the cause of the destruction of the human race. Its where have to look at our
priorities and see what can be used for the greater good. During ... Show more content on
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These fears are what were caused by the advancements of technology used in a horrific manner,
threatening with such destructive weaponry, there seems to be no hope or bright future ahead. In the
book 2001: A Space Odyssey, it greatly reflects that predicament.
The book begins in a setting that took place millions of years ago, where mankind's origins began.
The man–apes inhabitant this early stage of the earth, their food source consisted of gathering
berries and nuts. But this daily diet proved insufficient for it would quickly be depleted, which
caused them to slowly die from starvation. Then one day, a massive monolith appeared out of
nowhere on Earth. The man–apes took a large interest in this strange object especially Moon–
Watcher, who was the only man–ape that was able to stand upright and consider the leader of the
group. This monolith, which the apes did not know, was experimenting on them, slowing developing
their minds to be able to comprehend their surroundings and use it for their benefits. This knowledge
was obtained to a certain group of apes that were capable of doing so. They were taught during the
night, and during the day, their innovation began. Moon Walker discovered how to use tools in order
to hunt for food; this ends the hunger dilemma for the man–apes. As time progressed, so has
technology advancement and human evolution. Since man's brain has grown, new languages,
organized societies, and inventions like the

Comparison Of Star Wars And 2001: A Space Odyssey
Presenting space and time in cinema is a technological medium that offers endless possibilities of
exploration, especially during the late 1960's, Kubrick's film invited us to experience the world
rather than to master it. In the end Bowman destroy's Hal 9000, instead of using the force. He must
turn off his ship's computer to let the Force be with him. Astronauts in 2001 never had any
telekinetic powers such as Obi–Wan or Luke had. According to Robert Kolker, he claims that
George Lucas space opera:
"is anything like 2001, for the Star Wars saga is a juvenile oedipal drama that embraces the very
patriarchal myths of space adventure fiction...that Kubrick seems to go beyond. Where Luke must
grow up and take his place within the patriarchal order, ... Show more content on Helpwriting.net ...
"Robby the Robot" in Forbidden Planet bears a resemblance to C3P0 in Star Wars rather similar.
Threepio mentions how he speaks six million forms of communication to Luke upon meeting him
for the first time. Robby did it first when being introduced to the human space travelers. "If you do
not speak English, I am at your disposal with 187 other languages, dialects and sub–genres"
(Forbidden Planet, 1956). This example means artificial intelligence in both science fiction movies
plays an effective role in the narrative, both are proto–protocol droids. It's logistical to suggest
Lucas must have been inspired by Robby as he developed C3PO's character. Even though Threepio's
gold color scheme matches more of Metropolis (1927) android, called the Metropolis

Response To Nicholas Carr's Article
Response to Nicholas Carr's Article
In Nicholas Carr's article, "Is Google Making Us Stupid", he argued his view on how he believes the
internet has affected peoples' brain functions. He seems to think that the internet has affected how
people now intake information. He begins his reasonings using a scene from Stanley Kubrick's
2001: A Space Odyssey. HAL is being disassembled by the man the machine almost killed. Carr
highlights the fact that the computer could feel it's' brain being taken away as the man removed its
memory circuits.
Carr then goes on to describe how research once use required large amounts of time in the library, in
comparision to now being able to Google or click on hyperlinks. ... Show more content on
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The researchers studied and observed the behavior of visitors to a couple popular sites. The
researchers state "It is clear that users are not reading online in the traditional sense; indeed, there
are signs that new forms of "reading" are emerging as users "power browse" horizontally through
titles, contents pages and abstracts going for quick wins. It almost seems that they go online to avoid
reading in the traditional sense (734).
Carr then introduces a concept called "intellectual technologies". Carr uses the mechanical clock to
explain. "In deciding when to eat, work, to sleep, to rise, we stopped listening to our senses, and
started obeying the clock"(737).
The attention is finally turned to this articles subject title,Google. The chief executive, Eric Schmidt
says Google is "A company founded around the science of measurement..." (740) The creators admit
to wanting to develop "the perfect search engine" or something as smart as people if not smarter.
Carr mentioned the fact the creators believed "humans would be "better off". Furthermore, they
would like to they would like to build artificial intellegance on a large scale. This leaves Carr with
an "unsettling" feeling. He makes his point by saying, "It suggests a belief that intelligence is the
output of a mechanical process, a series of discrete steps that can be isolated, measured, and

Carl Sagan Honor Essay
to an admired person. My personal definition of honor is someone who sticks to what they believe
or say, or did something good and is respected for it. Such as how Carl Sagan who was honored for
all the books he wrote and his show Cosmos, which The definition of honor is respect that is given
still remains one of the most watched tv series in television history. In 1934 Carl Sagan was born
November 9th in Brooklyn, New York. Sagan is the oldest of two children. When Carl was five his
mom sent him to the library to get a book of the stars. Soon after his parents took him to the New
York World's Fair where his interest grew larger. In 1952 Sagan graduated high school at the age of
16. He then headed to the university of Chicago. It was ... Show more content on Helpwriting.net ...
He is honored by many aspiring scientist, even twenty years after his passing. His Tv series is back
only hosted by other people, and many people are extremely stoked about it. The creator of Family
guy, Seth Macfarlane,and Sagan's widow Ann Druyan is whose reinventing the Cosmos series. Carl
Sagan's last interview was with Charlie Rose on May 27th, 1996. He spoke about his latest work
"The Demon Haunted World". Sagan also spoke about the new aged technology and science. Sagan
suffered of Myelodysplasia (groups of cancerous blood cells in bone marrow) for two years, and got
three bone marrow transplants from his sister Cari. He died on December 20th at the Fred
Hutchinson Cancer Research Center in Seattle due to pneumonia. Carl's body was buried at
Lakeview Cemetery in Ithaca, New York. And, even though he isn't in our presents anymore him
memory ans discoveries live on.
Work

A Comparison Between Star Trek And Star Wars
For years Americans have looked to the skies, dreaming of the intergalactic future, and Hollywood
has filmed the skies, latching onto America's love for fictional space travel. Of the numerous cosmic
entertainment franchises, Star Trek and Star Wars undoubtedly claim the title of the two most
successful, and with great power comes great controversy. As long as the two franchises have
existed, Star Trek and Star Wars have sparked some of the most intense conflicts that could possibly
occur between nerds. With lightsabers in hand and phasers set to stun, Star Wars and Star Trek ignite
battles at the box office, with critics and among super fans to ultimately decide which is the most
popular. The senior of the two space franchises, Star Trek, began back in 1966 with Star Trek: The
Original Series, starring William Shatner as Captain Kirk and Leonard Nimoy as Spock. Before the
release of Star Wars, Star Trek: The Original Series was canceled, and an animated series debuted
and canceled, which suggests that early Star Trek had low popularity. Then, in 1977, Star Wars:
Episode IV– A New Hope was released, boasting a record–breaking box office, the establishment of
an instant "fan club," and the title of the highest–grossing film in America. From a purely numerical
standpoint, Star Trek and Star Wars each prove to be more prolific than the other in certain
categories. For instance, Star Trek has debuted seven television series and thirteen films while Star
Wars has released

Stan the man kubrick Essay
Stan the man kubrick
It is easy to look into the eyes of a motion picture and dissect it for its form, style, underlying
meanings, and other characteristics that separate it from a film and a classic. There are concrete
elements that can be found in all classics that make it such a powerful and remarkable work. One of
these elements is undoubtedly the concept of the auteur theory. The Auteur theory is described as a
filmmaker, usually a director, who exercises creative control over his or her works and has a strong
personal style. Next to this definition should be the line "–for more help see Stanley Kubrick." He
exemplifies all the characteristics of not just a film director, but also a film auteur because of the
intellect and ... Show more content on Helpwriting.net ...
hyper masculinity in Ripper's case; an already dehumanized, artificial world {and apparently hyper
masculinity and power if all the phallic symbols Alex is associated with is any indication, i.e. mask,
car, Beethoven, etc.} and then the overt reconstruction by the system {science, the state} in Alex's
case) brings it to the surface, though even here, I think , it is more complicated than that]
Though it may at first appear to be a science fiction film, Dr. Strangelove's true emphasis is not on
science but rather on human nature. The entire apocalyptic scenario is nothing more than a clever
analogy to make some very moving observations on certain aspects of human behavior. Not only
does it provide an analysis of on screen characters but it gives a unique profile of the audience as
well. The title alone has several deep implications for those who actually went to go see the movie
when it was first released, and in a clever way Kubrick ridicules

Space Odyssey Vs Technology
Technology has long become a part of our everyday lives from small gadgets like our phones to
huge scientific breakthroughs like rockets. Even discovering how humans evolved from apes into
the organisms that they are today, revealed how humans are still undergoing evolution. Curiosity is a
trait that has inspired humans to innovate and be where they are today, and has given them the
capability to be able to make tools that can make their lives easier. Unfortunately, these tools have
inclined humans to become increasingly dependent on them, giving the tools more control as
technology innovates. In Space Odyssey: 2001 by Stanley Kubrick, as humans invent more and
more technology, they invest their own power in it, becoming dependent on it and relying on the
tools to live their own lives. In the movie, a computer system with artificial intelligence, Hal, has
control over the entire spaceship, risking the human passengers aboard the vessel. When humans
build new technology, the devices are meant to be controlled by their inventors, not vice versa. Yet,
Hal conducts the mental health reports of the passengers on board, checking in every once in awhile
to make sure they are emotionally and mentally healthy. As he conducts there periodic surveys, Hal
gets to know a lot more about the passenger's, Dave and Frank's lives, snatching their most basic
right of privacy away. Furthermore, Frank and Dave have to go into a space pod and turn off the
audio connection to Hal's computer

2001 Space Odyssey Analysis
2001: A Space Odyssey is a novel like no other. It entices the reader to read more after finishing
every chapter, whilst providing facts about the universe that may be viewed as dull when explained
outside the novel. It combines a reader's love for complex characters, such as Hal, with an intricate
plot surrounding extraterrestrial life, and finally a lingering feeling of the unknown when the novel
finishes. One theme in this novel was most certainly the perils of technology. The novel explores
technological innovation, its possibilities, and its perils. Hal controlled the navigation, held the
controls for inner mechanisms, such as the doors and airlocks and pods, and controlled message
relay from the Earth, etc. Given this power, Hal turned into a ... Show more content on
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He created one of the major conflicts of the novel off of this theme. This conflict was resolved, but
not without destruction and tragedy, which further solidified the success of this theme. The other
conflict in this novel was man vs. extra–terrestrial life. This conflict was never resolved. Bowman
was transformed into light energy by TMA–2 and returned to the solar system. One of the most
intriguing aspects of this novel was the fact that it was written before man set foot on the moon. The
complexity and depth of the information given about setting and extra–terrestrial systems was
beyond its time. This novel helped to reinforce the idea in my mind that we may not be alone in the
universe. Throughout reading it, I asked myself questions, such as, 'Could this form of civilization
on the moon possibly become real one day?' and 'Could intelligent extra–terrestrial life be closer
than we think?' After reading this novel, these questions circulate more often in my mind and I plan
to delve into their research. What I found most interesting in this novel, along with Clarke's
extensive knowledge of the universe, was that he coupled his knowledge with a broad

What Is The Setting Of 2001 A Space Odyssey
Summary Review The title of this novel is 2001: A Space Odyssey, this amazing book was written
by Arthur C. Clarke. Clarke has many degrees that allow him to give depth to the plot. Clarke has
also written a lot of books, like the Space Odyssey series, Childhood's End, and many more. There
are three major settings in this story. The first takes place on the moon, where the climax begins
when TMA–1 is found. The second setting is the Inter–planetary ship Discovery, when it is on its
way to one of Jupiter's moons. The last setting is actually a lot mini settings because TMA–2
becomes a star gate, which leads to a variety of wondrous places, like an abandoned spaceport and
an inhabited sun. The main character in the book 2001: A ... Show more content on Helpwriting.net
...
It all started when HAL was created, he was programmed to not lie because it was meaningless to lie
when he was in a lab full of ethnical scientists. Later on, when HAL was installed into the ship
Discovery, he was given orders to not tell the real propose of the voyage to the moons of Jupiter, but
HAL considered this as lying and developed a sort of computer guilt. Then, HAL cut the
communication link between the ship and Earth, in order to cut of his source of guilt. However, the
crew of Discovery notice and went outside to replace the equipment. Since HAL had orders to not
reveal the secret, he could not tell them that he caused the problem. So, again HAL disabled the link,
and once again one of the crew members cam out to fix it, however this time HAL stop him by
sending him into deep space. Afterwards, Bowman confronted HAL and ordered him to wake up the
other crew mates out hibernation, but HAL knew that in doing so, he would risk revealing the secret.
So, instead HAL opened the air lock killing the frozen crew, never less Bowman survived and pulled
out HAL?s personality boards so that HAL could not act but still manage the life support systems.
The climax begins on the moon, when TMA–1 was found, the scientists tried everything to examine
it. However, radio waves, x–rays, and even a laser of immense energy could not penetrate its
surface. Then something unexpected happened, TMA–1 sent of a radio

Comparison Between Christopher Nolan's 2001: A Space...
All human achievements are built with the inspiration from others either consciously or
subconsciously. Michael Ondaatje once said "there is the hidden presence of others in us, even those
we have known briefly". I'd like to examine the influence of Stanley Kubrick on Christopher Nolan,
through the use of their films 2001: A Space Odyssey and Interstellar.
Two major highlights within Christopher Nolan's 2014 movie, Interstellar, are the robots TARS and
CASE. TARS and CASE are demonstrative of the connections the film has to another well known
space movie, Stanley Kubrick's 2001: A Space Odyssey in 1968. This connection is not obscure:
Nolan has admitted to referencing A Space Odyssey when creating Interstellar. Particularly, Nolan
took inspiration from Kubrick's HAL–9000 for the concept of TARS and CASE and the Monoliths
for their actual designs, as all three are artificial intelligences that act as assistants and companions
to the human crew of the ship. ... Show more content on Helpwriting.net ...
While HAL–9000 was treacherous and eventually attempted to kill the astronauts under his care in
an attempt to equate conflicting orders, TARS and CASE remain loyal to the crew of the spaceship.
Thus, while Kubrick's influence with artificial intelligence in media is noticeable, Nolan builds upon
the idea and takes it in a completely new direction: showing another nature of robots. Kubrick
focused on the unpredictability of robots and the dangers of an artificial intelligence that can
develop emotion but Nolan focuses on how an emotional robot can evolve the capacity to feel trust
and love for human

Guises In The Odyssey
According to Greek mythology, gods often disguise themselves as human beings to hide their true,
overwhelming identities. In The Odyssey, for example, Athena took on the form of a young girl and
guided Odysseus around King Alcinous's city. Later on, Odysseus disguised himself as a poor, old
man in order to make it into Ithaca without being noticed by his enemies (Fagles, 1996). In many
cases, guises become a necessary part of accomplishing tasks. In the criminal justice field,
detectives must occasionally disguise themselves as "Johns" in order to save women who are being
sold into prostitution. Similarly, in the medical field, doctors must put on a brave 'face' in order to
tell individuals that they have fallen ill. When guises are involved ... Show more content on
Helpwriting.net ...
The chapter consists of eight sentences that explain the internal monologue of Molly Bloom. To
begin the chapter, Molly's husband has just asked her to make breakfast in bed. Though she becomes
annoyed by his question, she is also surprised and curious about whether or not he has had an affair.
The thought reminds her of her own nefarious acts with Mr. Boylan. Her mind begins to wonder
toward thoughts of sex with both her husband and Boylan and, although she enjoys sleeping with
Boylan more than her husband, her mind shifts to the kind–hearted Bloom who wipes his feet on the
front mat come rain or shine. Molly's second sentence consists of thoughts in regard to all of the
men she has been with. Boylan, the first man she mentions is fond of her feet. Bartell D'Arcy, the
second man, once kissed her in church. Although her thoughts stray to other town members such as
the Dedalus sisters, Molly continues to return to thought of her husband, Leopold. At the end of the
second sentence Molly remembers trying to patch up his job after being fired by a Mr. Cuffes. The
third sentence in the chapter involves Molly's opinion of male and female body parts. Her thoughts
begin with breasts and how museums with statues of women often show how beautiful breasts are.
After this thought she considers how vulgar men are in their desire to show off genitalia. Once
again, she begins to think of Leopold and the interesting statements he makes before shifting her
thoughts to the orgasm she had while with Boylan at 4:00pm. The sentence ends with Molly's
excitement for Monday. Monologue in the fourth sentence beings with a train sound and Molly's
thoughts of her childhood home in Gibraltar. After this thought letters enter her mindset. Though
Bloom and her daughter have written her letters, she is unsure if Boylan ever will. The fifth sentence
is a continuation of the fourth. Molly remembers the first letter

Technology and Human Evolution in the Film, 2001: A Space...
In the science fiction film, 2001: A Space Odyssey. The director, Stanley Kubrick, portray his
masterpiece in an ambiguous understanding where he examines topics such as extraterrestrial life,
the dealings with technology and the human evolution. Throughout the movie, Kubrick depicts the
facade, monolith as an instrument in awakening intelligence. Moreover, the protagonists go through
a drastic change of struggle to explore on the idea of technology and extraterrestrial life.
In the opening scene, a mysterious black monolith is bestowed upon the prehistoric apes. It appears
in the cool desert dawn as the sun rises with blinding light. Prior to the rising of the monolith, the
apes lived in a very peaceful manner. Once, the apes reached in ... Show more content on
Helpwriting.net ...
Nevertheless, the appearing of the monolith is an indication of apes advancement in higher orders
and knowledge, with the ability to hunt and search for food in a much more efficient fashion. Which
resulted in their first murder.
Not only does Kubrick, focuses the monolith with the apes. He further depicted the monolith in
outer space with the contacts by humans. The setting of the monolith is not too different from the
prehistoric setting. As the sun rises over the top of the monolith, just like in the previous setting of
the monolith. Reactions by the humans were not that far different from the reaction by the apes. As
both species, reacts in a confusing manner by such an unknown object. All the same, the appearing
of the monolith in both scenes is a sign of advancement in society and the minds of people
Even in space, the encounter with the monolith opens up another part to evolution, represented by
Dave as he experiences the evolution. Kubrick uses the monolith in each part as a sign of a new
chapter in life. Overall, the successes of human achievement are consistent by the appearance of a
façade structure known as "the monolith" which adds on to the evolution of exposing new spices
and exposing the avant–garde generation.
Every scene with the showing of the monolith, all exposes a experience that changes the society.
Starting with the Moonwatcher, the invention of tools and technology comes into play, by
transforming the apes to uses

Cormac Mccarthy The Road Analysis
Composers often shape their work around the prism of their own experiences to allow the audience
to understand the composer 's perception of the world. To achieve this they employ the use of
various language techniques, as seen in The Road (Cormac McCarthy), City Of Glass (Paul Auster)
and 2001: A Space Odyssey (Stanley Kubrick). Cormac McCarthy wrote The Road to represent his
experiences in a post 9/11 world, where he witnessed the violent nature of humanity both during the
attacks as well as in the reactionary conflicts of the following decade where violent acts became
normalised. The violent nature of Humanity is shown through the repeated acts of cannibalism and
murder, usually committed to ensure survival, present when the boy and ... Show more content on
Helpwriting.net ...
By choosing to write in format McCarthy is making the point that things that are unnecessary to the
survival of a group, such as language, will slowly fall away and be lost. The concept of the loss of
superfluous language that does not reference things needed for survival, is further explored when the
father is thinking about saying something reassuring to the boy but cannot and he remarks about the
loss of language, "The names of those things slowly following those things into
oblivion.Colours.The names of birds...Finally the names of things one believed to be true". The
father references the loss of things like the names of colours and birds as well as things one believes
to be true, a possible reference to religion, as useless. McCarthy selectively writes in a certain form
to portray the melting away of things useless to survival, a truth he experienced himself. Paul Auster
's City Of Glass is a depiction of the composers of internal struggle with his conflicting identities as
well as the power his work holds, the text is a representation of Auster's own reality. The idea of his
conflicting identities is shown through the character of the author Daniel Quinn, who holds an
interesting relationship with his writing pseudonym William Wilson (Auster also wrote under a pen
name) and his character Max work, "If Wilson did not exist, he nevertheless was the bridge that
allowed Quinn to pass from

Review Of Stanley Kubrick 's ' 2001 : A Space Odyssey '
ESSAY
Drawing on the work of Chion, Eisenstein or others, assess how effective the film soundtrack is in
either Forbidden Planet, Points in Space or 2001.
Stanley Kubrick's legendary film "2001 : A Space Odyssey" (1968) is an epic of space exploration
and meditation on the possibility of extraterrestrial influence on the process of human evolution. The
film is set in the near future at a time when the moon is colonised and space travel, at least around
the planetary system, is quite usual.
Kubrick said "2001 aspired not to the condition of a science fiction novel but to that of music" (
Baxter,1997 :215)
Kubrick gave this description of "2001": "It is a scientifically based yet dramatic attempt to explore
the infinite possibilities ... Show more content on Helpwriting.net ...
The Richard Strauss' "Thus Spake Zarathustra", Johann Strauss' "Blue Danube Waltz" and Ligeti's
"Requiem" act as recurrent themes in the film's story. The C–G–C chords of "Zarathustra" is first
heard playing triumphantly like a fan fare in the opening title which juxtaposes the Sun, Earth and
Moon. "Zarathustra" acts as bookends for the beginning and end of the film and indicates the
importance of the moments of the evolutionary transformation first from ape to man to Star Child.
"Zarathustra" is heard near the end of the film as Bowman is transformed into the Star Child which
moves earthwards through space, its glowing eyes look back at us. The grandeur of "Zarathustra's"
timpani pounds across space supporting this image of human transcendence. "Zarathustra" gives it's
visual component immense power.
The "Blue Danube" is used during the space station docking and lunar landing sequences turning a
spacecraft's orbit into a ballet. It's also used for the closing credits. The particular recording used is
important. Kubrick chose a sumptuous and expansive recording by the Berlin Philharmonic. The
"Blue Danube" serves many functions. The Waltz acts as musak – happy music for space travellers.
According to Michel Chion (Chion 2001), a shock, both pleasant and intoxicating, was produced by
this choice .
Kubrick said "It's hard to find anything much

2001 : A Space Odyssey
"2001: A space Odyssey" opens in the African Rift Valley, where a tribe of hominids encounter a
stone monument which has obstructed on their domain. This stone monument transmits radio waves
that end up expanding their IQ 's, teaching them weaponry and other tool uses to help them live, as
they proceed to defeat a rival tribe. Four million years later, we see the luxurious space travel that
the vintage science fiction of the 1960's, with space stations for air terminals and such. Dr. Heywood
Floyd is heading to Clavius Base, a United States lunar station. Along the way, he finds out about
gossipy tidbits about an unidentifiable disease going around on the Clavius Base and his
responsibility to study a four–million–year–old structure. Floyd ... Show more content on
Helpwriting.net ...
As Bowman deactivates HAL, HAL retreats to sing his first memory, the tune "Daisy Bell". Dave
executes Hal, and a prerecorded video message from Floyd plays, uncovering the presence of the
stone monument on the moon, its purpose and source unclear. Except for one short yet intense radio
discharge for Jupiter, it has been dormant. Orbiting Jupiter, Bowman leaves Discovery One to
research another monolith. When Dave heeds the monolith, and then a wormhole sucks in the unit,
racing Bowman crosswise athwart mindboggling separations of space, review a mind bowing trek
through the space–time continuum. Bowman later gets himself, still in the case, in a room delegated
in the neoclassical style. With each changing view, he perceives himself dying, up until a vast stone
monument resurrects him as an embryo encased in a forthright sphere of light. The film closes as the
new being buoys in space, as he watches planet Earth.
In a film full of metaphors and messages, one could refer to "2001: A Space Odyssey" as a key
scene! But, to cherry pick, one key scene would be the story of Hal. "Incapable of error", Hal talks,
plays, and fears, but the emotion 's authenticity are unknown. The astronauts do not suspect
rebellion from their comrade until later. When Hal signals an error, Hal blames humans, but this
makes Frank and Dave distrustful. Is Hal making errors, or plotting something? Dave and Frank
meet in one of the most valuable soundproof pods to talk about disengaging

Video Games : Video Game Console
Although the first video games appeared in the 1950s,[1] they were played on massive computers
connected to vector displays, not analog televisions. Ralph H. Baer conceived the idea of a home
video game in 1951. In the late 1960s while working for Sanders Associates he created a series of
video game console designs. One of these designs, which gained the nickname of the "Brown Box",
featured changeable game modes and was demonstrated to several TV manufactures ultimately
leading to an agreement between Sanders Associates and Magnavox.[2]
In 1972 Magnavox released the Magnavox Odyssey, the first home video game console which could
be connected to a TV set. Ralph Baer 's initial design had called for a huge row of switches that
would allow gamers to turn on and off certain components of the console (the Odyssey lacked a
CPU) to create slightly different games like tennis, volleyball, hockey, and chase. Magnavox
replaced the switch design with separate cartridges for each game. Although Baer had sketched up
ideas for cartridges that could include new components for new games, the carts released by
Magnavox all served the same function as the switches and allowed gamers to choose from the
Odyssey 's built–in games.
The Odyssey only initially sold about 100,000 units,[3] making it moderately successful, and it was
not until Atari 's arcade game Pong popularized video games, that the public began to take more
notice of the emerging industry. By autumn 1975, Magnavox, bowing to

Summary Of Stanley Kubrick's 2001 : A Space Odyssey
Stanley Kubrick's "2001: A Space Odyssey" is largely considered to be one of the greatest and most
influential films ever made, especially when it comes to the science–fiction genre. It is Kubrick's
intriguing and unique take on the human life when it comes into conflict with many things like
human behavior, social orders, and technology. Even though many films revolve around the idea of
humanity, Kubrick takes it to a completely other level, by exploring the outer limits in which human
beings reside in to tell his story. Kubrick brings some extremely interesting questions to the table in
this film when it comes to humanity and how it has evolved over the years, and how will it continue
to potentially evolve. In this critique I'll talk about all of the film's ambitious ideals and what it all
means, as well as deciphering how the film changed the science–fiction genre when it comes to
special effects and cinematography. When watching "2001: A Space Odyssey," you will find that it's
not so much of a film as it is an experience. Because instead of focusing on things like plot and
character development, it instead focuses on the journey in space and time, as well as focusing on
the film's complex themes that are very often hard to make sense of. By the time the film ends, it
feels like you hardly knew any of the characters at all, mainly due to the beautiful and gigantic
setting of time and space. It says a lot about the film when it's most memorable character isn't even a

A Space Odyssey: Kubrick and Clarke
In the production of 2001: A Space Odyssey, Kubrick and Clarke looked to produce a piece of work
unlike any other before. The rather simple plot line tells of a series of encounters between humans
and black "monoliths" that allegedly affect human evolution. The movie is divided into four major
parts. The first part covers the Dawn of Man as it shows presumably the first beings to walk the
earth. These beings are known as herbivorous hominids or more commonly known as apes. They
forage for food and eventually come upon a black monolith. After the first monolith is introduced,
several more appear as the movie develops. After an unusual signal is emitted by one of the
monoliths found on the Moon, a crew of six members is compiled and sent to investigate in an
expedition to Jupiter. The sixth and final member, a computer known as the HAL 9000, is the brain
and voice to the aircraft. Hal is the latest form of computer technology as it is capable of speaking
and holding in depth conversations with the crew members. In the movie, 2001: A Space Odyssey,
directors Kubrick and Clarke present the dangers of technological dependence, warning people of
the negatives that technology itself brings to humanity. When the movie first begins, a group of
early hominids are shown searching for food in the African desert. After one member of the tribe is
killed, the rest of the tribe mourn and sleep in a nearby crater. They awake to find a monolith next to
their sleeping grounds. Technology is

Arthur C. Clarke's A Space Odyssey
A Space Odyssey, written by Arthur C. Clarke is a story about an man named
David Bowman and Frank Poole, two courageous astronauts. With Bowman's intelligence and
Poole's mechanically skilled knowledge, they plan to reach Saturn and stay awake the entire time.
The Giver, written by Lois Lowry is a story about an eleven–year–old boy named Jonas which is
also intelligent, cares for others and is thoughtful. He was to be chosen to be the new Receiver of
Memory for his community once he turns twelve. The Giver, who is an old man which is currently
the Receiver of Memory for multiple years and helps the Committee of Elders make important
decisions. A Space Odyssey is a science fiction/thriller/mystery/fantasy novel, one of the best stories
that ... Show more content on Helpwriting.net ...
The memories were before their community was established, the love, gender, race, and continuity
of which are missing from Jonas's world. The very first memory he receives is him sledding down a
hill in the snow. While Jonas got to experience the best times of his life, for instance Christmas and
birthday parties, he also has to deal with the bad memories, such as losses and fights. The objective
between these to stories was to complete what they were supposed to accomplish sooner, in 2001: A
Space Odyssey, the objective was to inspect outer space and reach Jupiter, and in The Giver, Jonas'
task was to leave the community in order to save Gabriel from Release, and making sure that
Gabriel is not harmed. But there is another task he has to complete; in order to receive his memories
back from the Community, he has to be gone forever meaning once he is away and has completed
the objective, he can receive his memories. There are two major interpretations in the ending, one is
when Jonas and Gabriel have successfully escaped the physical boundaries of their society and
discovered a village in Elsewhere, and when Jonas's vision of the village is only a hallucination he

Comparing The Sentinel 'And 2001: A Space Odyssey'
Arthur C. Clarke's 1951 short story "The Sentinel" is a basis for Stanley Kubrick's masterpiece 1968
movie 2001: A Space Odyssey. As a result, both stories partially share the same theme and parts of
the plot; nonetheless, the movie expands the theme and the plot of the short story, while the latter
focuses mainly on the communication of the importance of the discovery. Due to the difference in
forms, the two stories use methods most suitable for each of them to communicate the most
important moments of the plot. While Kubrick had an advantage of visual and audio–effects that
make an indelible impression on the viewer, Clarke's detailed personal narration makes the reader
dive deep into the feelings of the main character to realize the significance ... Show more content on
Helpwriting.net ...
2001: A Space Odyssey has no narrator and is known for the minimal quantity of dialogues and
abundance of long silent scenes that show the viewer how human life and actions are relatively
unimportant in the history of human evolution and in the infinity of space. Each episode has its own
main characters, which interact with the monolith: the first episode it is the hominid, in the second
episode – Dr. Heywood R. Floyd; in the third episode – Dr. David Bowman, Dr. Frank Poole and
computer Hal; and in the last episode – Bowman, who is the last surviving member of the mission.
The settings of "The Sentinel" are the Moon and Mare Crisium, in particular, while 2001: A Space
Odyssey takes place on Earth at the beginning of humanity, on a space ship, on the Moon, near the
orbit of Jupiter and in an unknown apartment somewhere in the future. In "The Sentinel" the artifact,
the pyramid, is considered a sentinel that transferred signals to those, who installed it. It is shown as
a pyramid, which makes Wilson confuse the stage of development of its creators thinking that the
pyramid is simple enough and could have been built in the Ancient Egypt. Only later he understands
that human race is billion years younger, and the aliens are far more evolved. The pyramid
symbolizes

Kubrick's Effect Of A 'Black Monolith'
audience sees the environment as if they were part of the tribe (Figure 1). Eventually the attacking
tribe claims the waterhole and chases the other one away. Later an establishing shot shows the
chased away tribe and their new "home". Roaring from other animals is audible; medium shots and
close–ups showing the apes' reaction to their new situation. The next morning one ape wakes up and
discovers a black monolith. First the audience does not see why the ape is so upset; a reaction shot
shows that there is something outside the frame that disturbs the ape (Figure 2). That reaction shot
makes it possible to "[...] get the entire emotional content of the scene" (Brown 24). Music in the
form of a choir is audible and gets louder over time. A long shot from a higher angle reveals the
reason for the ape's reaction – a black monolith has appeared in front of the tribe. The appearance of
a big black monolith somewhere in Africa millions of years ago is inherently strange. Furthermore
Kubrick enhances this effect my using eerie music. The apes circle around the monolith in panic but
touching it when they notice it poses no threat to them. Consequently the monolith is shown from an
extreme low angle. The alien monolith is now depicted in an overpowering upshot (Figure 3). It
becomes an overwhelming and imposing figure (cf. Mateu–Mestre 40). ... Show more content on
Helpwriting.net ...
One of them discovers some bones lying on the ground. For one second the upshot with the
monolith appears as if it popped into the ape's mind. Its facial expression changes and it curiously
begins grabbing a bone and hitting other bones with it. Also sprach Zarathustra starts to play while
the apes continuous hitting the skeleton of a tapir. Mankind has acquired a mighty ability, the ability
to use tools. To emphasize this superiority the ape is shown from a lower camera angel letting it
appear mightier and more powerful (Figure

Spectacle Technique
Spectacle Technique: Smoke and Mirrors
Stanley Kubrick's 2001: A Space Odyssey (1968) is a space–travel, science–fiction film about
evolution and advanced alien architects. The film is broken into four parts: the apes (who encounter
the 1st monolithic triggered evolutionary step), humanity's discovery of the 2nd monolith (which
encourages the trip to Jupiter), Bowman and Poole's trip to Jupiter aboard a ship equipped with a
HAL 9000 unit, and Bowman's extraordinary experience with the 3rd monolith. Throughout the
film, the narrative is muted, or at the very least Kubrick intentionally took steps to diminish the
viewer's ability to get involved with the narrative. Spectacle is the focus of this film. Kubrick made
use of camera angles, elaborate sets, and computer graphics to focus in on the spectacle that is 2001:
A Space Odyssey.
Camera Camera angles were chosen to simulate the disorientation of space and to separate/isolate
the viewer from the characters. Many scenes are shot at seemingly arbitrary angles to highlight the
absence of a preferred rotational frame. ... Show more content on Helpwriting.net ...
These sets garnered a realistic approximation of how rotating habitat modules and space travel
would be. Some of my favorite scenes include the trip up to the moon made by Floyd (the trip
operated by none other than Pan–Am) and the jogging and dining scenes in the habitat module of
the trans–Jovian spacecraft. The very first time you view the film (in a more modern film era), you
immediately remind yourself that computer assisted graphics were not sufficiently advanced to be
used for this scenes and that something, camera or the entire set, must be rotating. This was
probably fairly novel, exciting, and fun for the actors when shooting these scenes. The use of the
sets in this manner combined with the lack of narrative focus firmly plants the viewer into a
spectacle observing

Essay about 2001 A Space Odyssey Analysis
2001: A Space Odyssey
The following paper will analyze the movie, "2001: A Space Odyssey" by Stanley Kubrick" and
"The Centinel" by Arthur C. Clarke. Although there are many themes present between the story and
the film, the following are the most dominant. I will be discussing Scientific themes, Religious and
Moral Themes, and Clarke's development of the short story into a full–length film.
The first issue, I will be discussing the scientific themes of the movie. The movie, "2001: A Space
Odyssey," has a one of a kind vision of science and technology. The movie "2001" brings a great
new style of reality and realism to space technology and travel. Since there was no great ... Show
more content on Helpwriting.net ...
Therefore, even though HAL 9000 is a computer, he possesses many humanlike characteristics.
The discussion about science leads into the second point of monoliths and technology.
www.dictionary.com defines a monolith as something, such as a column or monument, made from
one large block of stone. This is first portrayed in the first couple of scenes in the movie. As the
gorilla finds the monolith, picks it up and uses it as a weapon to kill prey. Next, when the gorilla
throws the bone up in to the air, it becomes a space ship over Earth. As I researched, this was the
longest time change in history of all the movies. Considering the bone became the spaceship just
shows that even though technologically people have progressed, the minds still stayed relatively the
same with the same goals. As a saying my mother once told me, Men are like children, but when
they get older they change their toys. I find this to be relevant in "2001" as the time change only
portrays a different time period but more or less the same content. Because the movie is very slow
paced, in my opinion, it gives the viewer a lot of time to question everything that is happening and
make sure to understand everything. There is not much conversation there either which is not
serving as another distraction. Makes the theme of the movie very clear. Stanley Kubrick also
includes the

Analysis Of 2001 A Space Odyssey
In 1968, reputable director/producer Stanley Kubrick revolutionized the art of film with his Arthur
C. Clark collaboration, 2001: A Space Odyssey. The MGM film is known for it's striking imagery
mostly because, upon an audience member's first viewing, it is the only thing that actually makes
sense. After the second or third viewing, though, one realizes that the story is something larger than
life. Or at least it is larger than the human race. 2001 tells the story of evolution and the future that
humans might eventually encounter. The plot of 2001: A Space Odyssey is complex. The basic plot
takes place after the human race finds a mysterious monolith buried on the moon. A crew of
astronauts, the main of which are Dr. Dave Bowman, played by Keir Dullea, and Dr. Frank Poole,
played by Gary Lockwood, set out on a mission to the outer moons of Jupiter. With them is the
artificial intelligence computer, H.A.L. 9000, which controls all of the functions of the ship,
including the life support systems holding part of the still–hibernating crew. After a series of events
that lead Dr. Bowman and Dr. Poole to believe Hal is malfunctioning, relations between human and
computer become hostile. The function of this film is not to portray computers as evil beings. 2001
serves as a science fiction thought piece on what the next step of evolution might be. The film starts
by showing the dawn of man four million years ago. The actions of the apes are primal. They are
mostly herbivores

Symbolism Of The Monolith And Re Red By Stanley Kubrick
Human made structures in this film are curved and spherical. However, before our main characters
are presented with the monolith for the first time the rooms and spaces they inhabit are square and
sharp in nature. The meeting room on the Clavius, HAL's core on the Discovery. This impending
doom is a subtly hint by Kubrick, an indication that the monolith is about to appear, the sharp lines
and dark interiors replace smooth curves and white walls. All this gives a sense of dread and
powerlessness from the onset of the monolith. Humans are simply pawns, running about. White is a
predominant color in Kubrick films. From the costumes, liquids and phallic sculptures of A
Clockwork Orange (Stanley Kubrick, US/UK, 1971) to almost every set in 2001. White is safe in
2001, comforting and non–threatening. This is juxtaposed with red. ... Show more content on
Helpwriting.net ...
Introduced first by the apes at the beginning and then used throughout to emphasize the notion of
humanity and other intelligence i.e. the monolith. The moon base interior looks like a vascular
system and HAL's core looks like a brain. Kubrick gives life to spaces through the use of red in
2001. Making the audience feel and subconsciously know and feel different upon the introduction of
red from the offset when one ape kills another. Black is used for the absence of knowledge. The
intro to the film is a black screen. The monolith is black. Space is black. The scene where Poole
floats off through space and is subsequently devoured by it is dimly lit by the stars in space, he
becomes a speck in the vastness of uncertainty. Black is used as fear in this film, the unknown, we
begin with black and end with it, the monolith leads us through time in a sequence filled with and
color and only then do we know of its intention to be brought right back to the beginning of the

The Visual and Audio Representations in Arthur C Clarke's...
There are an abundance of similarities found in the visual and audio representations in Arthur C.
Clarke's short story, "The Sentinel", and those found in director Stanley Kubrick's film, 2001: A
Space Odyssey. Clark actually aided Kubrick in writing the script for the movie, which was in no
small part based on the work of literature the author had previously written (Soriano, 2008). To that
end, Kubrick's film functions as an example of many of the concepts originally denoted by Clark in
"The Sentinel". While many of these ideas were mere thoughts and strands of notions that were not
fully developed within the short story, Kubrick's work had the length and budget to fully actualize
many of these concepts that both works of art are ultimately based on. 2001: A Space Odyssey
functions as a way to elucidate many of the important concepts that Clarke initiated in "The
Sentinel", some of the most important of which are the ineffable nature of existence and man's finite
role in it. One of the defining attributes of Clarke's original short story which Kubrick's film is based
upon is the fact that as a short story, there is little action and dialogue. There are a series of events
that take place and the narration definitely follows a plot, but some of the most important principles
which the work of literature is based upon and which captivated Kubrick actually take place within
the mind of the tale's protagonist, a man whom one of the other characters refers to as Wilson. The

The Video Game Video Games
The first video games appeared in the 1960s.[1] They were played on massive computers connected
to vector displays, not analog televisions. Ralph H. Baer conceived the idea of a home video game
in 1951. In the late 1960s, while working for Sanders Associates, Baer created a series of video
game console designs. One of these designs, which gained the nickname of the 1966 "Brown Box",
featured changeable game modes and was demonstrated to several TV manufacturers, ultimately
leading to an agreement between Sanders Associates and Magnavox.[2]
In 1972, Magnavox released the Magnavox Odyssey, the first home video game console which
could be connected to a TV set. Ralph Baer 's initial design had called for a huge row of switches
that would allow gamers to turn on and off certain components of the console (the Odyssey lacked a
CPU) to create slightly different games like tennis, volleyball, hockey, and chase. Magnavox
replaced the switch design with separate cartridges for each game. Although Baer had sketched up
ideas for cartridges that could include new components for new games, the carts released by
Magnavox all served the same function as the switches and allowed gamers to choose from the
Odyssey 's built–in games.
The Odyssey only initially sold about 100,000 units,[3] making it moderately successful, and it was
not until Atari 's arcade game Pong popularized video games, that the public began to take more
notice of the emerging industry. By autumn 1975, Magnavox, bowing

What Are Love Sequels
Seaquels. Why do we love them so much? Why do authors write them? For millennia people have
been fascinated by the idea of multiple stories in the same world. From The Iliad and The Odyssey
by Homer to The Hitchhiker's Guide to the Galaxy and it's lesser–known sequel The Restaurant at
the End of the Universe by Douglas Adams to all of the Harry Potter by J K Rowling books and
even to movies like the intricate Marvel Cinematic Universe that spans, sequels have shown
author's' ability to grow their characters even more than the original story did. But why do audiences
love sequels, and why do people feel such a need to read or watch the new installment in the series?
To understand people's' love affair with sequels one must go back to ... Show more content on
Helpwriting.net ...
He went on to make six more books and had a BBC television show and a movie based on the books
made. Clearly, Adams wanted to continue to write this series from the get–go because in the final
chapter of the book it is said that Arthur wants to continue living in space. He is asked if he wants to
change anything about the new earth that is being built after the first one blew up and he says "Yes,
me. I have decided that I have tired of this planet and I want to have a good lunch at the diner at the
end of the universe." This of course is the title of the next book The Restaurant at the End of the
Universe. Obviously, from the original book, Adams was keen on making a series out of his
universe. He would have wanted to do this for a multitude of reasons. Mostly for pay for that is his
profession, but also authors love giving us the satisfaction of a fandom. Fandoms are A group of
fans who "geek out" together around a particular story person or series. A good example of a fandom
is the fandom around Harry Potter. Fans argue and freak out together around a book that was written
21 years ago. fandoms are great for authors and for fans alike, and they are one of the reasons why
sequels are made for the

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