SlideShare a Scribd company logo

9 queen's park melody - jacob de haan - set of clarinets

•
•
Kristal42 .
Kristal42 .

The piece "Queen's Parc Melody" was inspired by the busy atmosphere of a town park in the spring. The style combines light music with baroque influences, which are reflected in the richly ornamental statues found in the park.

1 of 32
Download to read offline
Queen’s Parc Melody (Jacob de Haan) The atmosphere in a busy town park in the spring provided me with the inspiration for this piece. The style of this piece can be described as light music with baroque influences. These baroque influences directly point to the richly ornamental statues, which can be found in the park.
                        Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                      Moderately Fast                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                      5                                                                                                                                                             QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          10                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                  15                                      2 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                   20             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                           3 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                       25                                                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                     30                                                               4 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                        33                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                            40 5 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                       45                                                                                                                                       6 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                           50                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                7 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                         60             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                8 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          65                                                                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                       70                                                               9 Queen's Park Melody
            Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          73                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                    10 Queen's Park Melody
                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                    83                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                            11 Queen's Park Melody
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                    90                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                    12 Queen's Park Melody
              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                         100             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                               13 Queen's Park Melody
               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                 105                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                               14 Queen's Park Melody
               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                      115                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                             120 15 Queen's Park Melody
               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                meno mosso                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                       125 rit............. accel. accel.                                                             Allargando                                                                                                                16 Queen's Park Melody
             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                             rit.............                               17 Queen's Park Melody
        Moderately Fast                  5                                   10                                            15                              20                                   25                                      30                   33                                                 40      45                 50 QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 1ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                                                   60                              65                                      70                   73                                                                           83                              90                                                 100                         2 Queen's Park Melody CL1
                105                                                                                115                                            120             meno mosso                              125 rit.............   Allargando                  rit.............      3 Queen's Park Melody CL1
       Moderately Fast                5                                      10                                       15                                  20                                         25                               30                    33                                     40                              45                                        50                                                                              60              QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet Bass Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                            65                                   70                  73                                                   83                                      90                                           100                                     105                                                                                      115                                              120     meno mosso                   125 rit.............    Allargando      rit.............      Queen's Park Melody CLB 2
                 Moderately Fast                                    5                                     10                                   15                         20                                       25                                  30                   33                                           40                  45                                        50                                QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
              60                             65                                  70                   73                                                                           83                                                                    90                                  100                              105                 Queen's Park Melody CL2 2
                                                                     115                                         120             meno mosso                             rit............. 125              Allargando                                   rit.............      3 Queen's Park Melody CL2
                 Moderately Fast                                     5                                    10                                  15                       20                                   25                                     30                    33                                            40                                                45                                     50                                             60                            65                       QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 3ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
               70                  73                                                                        83                                                        90                                              100                                       105                                                                         115                                        120               meno mosso                  125 rit.............               Allargando                                   rit.............      2 Queen's Park Melody
       Moderately Fast                  5                                    10                               15                                    20                            25                               30              33                                       40             45                           50                                                                                    60                                                    65  QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                             70                73                                                       83                                              90                                                                 100                        105                                                                          115                              120           meno mosso         rit.............         125               Allargando                                               rit.............      2 Queen's Park Melody
      Moderately Fast                 5                                10                               15                 20                              25                   30                   33                         40               45                           50                                     60                   65                         70           QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 5ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
            73                                                 83                                               90                                                                          100                                   105                                                                        115                           120               meno mosso                   125 rit.............              Allargando                                     rit.............      2 Queen's Park Melody

Recommended

Choral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of ClarinetsChoral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of Clarinets
kristal41
 
Queen of the Dolomites - Jacob de Hann - Set of Clarinets
Queen of the Dolomites - Jacob de Hann - Set of Clarinets Queen of the Dolomites - Jacob de Hann - Set of Clarinets
Queen of the Dolomites - Jacob de Hann - Set of Clarinets
kristal41
 
La Storia - Jacob de Haan - Set of Clarinets
La Storia - Jacob de Haan - Set of ClarinetsLa Storia - Jacob de Haan - Set of Clarinets
La Storia - Jacob de Haan - Set of Clarinets
kristal41
 
Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets
kristal41
 
Spirit - Stallion of the Cimarron - Set of Clarinets
Spirit - Stallion of the Cimarron - Set of ClarinetsSpirit - Stallion of the Cimarron - Set of Clarinets
Spirit - Stallion of the Cimarron - Set of Clarinets
Kristal42 .
 
Memories of You - Michael Geisler - Set of Clarinets
Memories of You - Michael Geisler - Set of ClarinetsMemories of You - Michael Geisler - Set of Clarinets
Memories of You - Michael Geisler - Set of Clarinets
kristal41
 
Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of ClarinetsYellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets
kristal41
 
The Tower (2021-22) - Anthony Moles
The Tower (2021-22) - Anthony MolesThe Tower (2021-22) - Anthony Moles
The Tower (2021-22) - Anthony Moles
AnthonyMoles
 

Recommended

Choral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of ClarinetsChoral and Rock Out - Ted Huggens - Set of Clarinets
Choral and Rock Out - Ted Huggens - Set of Clarinets
kristal41
 
Queen of the Dolomites - Jacob de Hann - Set of Clarinets
Queen of the Dolomites - Jacob de Hann - Set of Clarinets Queen of the Dolomites - Jacob de Hann - Set of Clarinets
Queen of the Dolomites - Jacob de Hann - Set of Clarinets
kristal41
 
La Storia - Jacob de Haan - Set of Clarinets
La Storia - Jacob de Haan - Set of ClarinetsLa Storia - Jacob de Haan - Set of Clarinets
La Storia - Jacob de Haan - Set of Clarinets
kristal41
 
Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets
kristal41
 
Spirit - Stallion of the Cimarron - Set of Clarinets
Spirit - Stallion of the Cimarron - Set of ClarinetsSpirit - Stallion of the Cimarron - Set of Clarinets
Spirit - Stallion of the Cimarron - Set of Clarinets
Kristal42 .
 
Memories of You - Michael Geisler - Set of Clarinets
Memories of You - Michael Geisler - Set of ClarinetsMemories of You - Michael Geisler - Set of Clarinets
Memories of You - Michael Geisler - Set of Clarinets
kristal41
 
Yellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of ClarinetsYellow Mountains - Jacob de Haan - Set of Clarinets
Yellow Mountains - Jacob de Haan - Set of Clarinets
kristal41
 
The Tower (2021-22) - Anthony Moles
The Tower (2021-22) - Anthony MolesThe Tower (2021-22) - Anthony Moles
The Tower (2021-22) - Anthony Moles
AnthonyMoles
 
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
Kristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf
Kristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Kristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Kristal42 .
 
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Kristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of Clarinets
Kristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Kristal42 .
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Kristal42 .
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
Kristal42 .
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Kristal42 .
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
Kristal42 .
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Kristal42 .
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Kristal42 .
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
Kristal42 .
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
Kristal42 .
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Kristal42 .
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
Kristal42 .
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Kristal42 .
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Kristal42 .
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Kristal42 .
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
Advantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO PerspectiveAdvantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO Perspective
Krisztián Száraz
 

More Related Content

More from Kristal42 .

El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
Kristal42 .
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf
Kristal42 .
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Kristal42 .
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Kristal42 .
 
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Kristal42 .
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of Clarinets
Kristal42 .
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Kristal42 .
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Kristal42 .
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
Kristal42 .
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Kristal42 .
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
Kristal42 .
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Kristal42 .
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Kristal42 .
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
Kristal42 .
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
Kristal42 .
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Kristal42 .
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
Kristal42 .
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Kristal42 .
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Kristal42 .
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Kristal42 .
 

More from Kristal42 . (20)

El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
El arte de Cúchares - E. Pastor Celda - Set of Clarinets.pdf
 
La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf La concha flamenca - P. Artola - Set of Clarinets.pdf
La concha flamenca - P. Artola - Set of Clarinets.pdf
 
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdfSi vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
Si vas a Calatayud - R. Zarzoso - Set of Clarinets.pdf
 
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdfPaquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
Paquito Chocolatero - Gustavo Pastor - Set of Clarinets.pdf
 
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
Amparito Roca - Jaime Teixidor - Set of Clarinets.pdf
 
Pepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of ClarinetsPepe Antón - A. Carrillos - Set of Clarinets
Pepe Antón - A. Carrillos - Set of Clarinets
 
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdfBohemian Rhapsody - Queen - Set of Clarinets.pdf
Bohemian Rhapsody - Queen - Set of Clarinets.pdf
 
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdfLo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
Lo cant del Valenciá - Pedro Sosa - Set of Clarinets.pdf
 
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf L'entrá de la murta- S. Giner - Set of Clarinets.pdf
L'entrá de la murta- S. Giner - Set of Clarinets.pdf
 
Caravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdfCaravana - Pedro J. Francés - Set of Clarinets.pdf
Caravana - Pedro J. Francés - Set of Clarinets.pdf
 
Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets Segrelles - José P. Vilaplana - Set of Clarinets
Segrelles - José P. Vilaplana - Set of Clarinets
 
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdfReo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
Reo de Muerte - Nicolas B. Barbero - Set of Clarinets.pdf
 
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdfSuspiros de España - A. Alvarez - Set of Clarinets.pdf
Suspiros de España - A. Alvarez - Set of Clarinets.pdf
 
Around the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdfAround the Whiskey Jar - Set of Clarinets.pdf
Around the Whiskey Jar - Set of Clarinets.pdf
 
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdfThe Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
The Ghost Ship - José Alberto Pina - Set of Clarinets.pdf
 
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdfCarrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
Carrascosa - Jaime Texidor Dalmau - Set of Clarinets.pdf
 
Xabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdfXabia - Salvador Salvá - Set of Clarinets.pdf
Xabia - Salvador Salvá - Set of Clarinets.pdf
 
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdfSantiano - Hans Joachim Rogol - Set of Clarinets.pdf
Santiano - Hans Joachim Rogol - Set of Clarinets.pdf
 
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
Pérez Barcelo - Bernabé Sanchis - Set of Clarinets.pdf
 
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdfFet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
Fet a Posta - Miguel Picó Biosca - Set of Clarinets.pdf
 

Recently uploaded

Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
Advantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO PerspectiveAdvantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO Perspective
Krisztián Száraz
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
DeeptiGupta154
 
Chapter -12, Antibiotics (One Page Notes).pdf
Chapter -12, Antibiotics (One Page Notes).pdfChapter -12, Antibiotics (One Page Notes).pdf
Chapter -12, Antibiotics (One Page Notes).pdf
Kartik Tiwari
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
Delapenabediema
 
Best Digital Marketing Institute In NOIDA
Best Digital Marketing Institute In NOIDABest Digital Marketing Institute In NOIDA
Best Digital Marketing Institute In NOIDA
deeptiverma2406
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
Sandy Millin
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star - Saka Neela TaraOperation Blue Star - Saka Neela Tara
Operation Blue Star - Saka Neela Tara
Balvir Singh
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
Nguyen Thanh Tu Collection
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
Jisc
 
Language Across the Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.Language Across the Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
Atul Kumar Singh
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
Vivekanand Anglo Vedic Academy
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Akanksha trivedi rama nursing college kanpur.
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
Jisc
 
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Dr. Vinod Kumar Kanvaria
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
heathfieldcps1
 
Digital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion DesignsDigital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion Designs
chanes7
 
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHatAzure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
Scholarhat
 
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th SemesterGuidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Atul Kumar Singh
 

Recently uploaded (20)

Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
 
Advantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO PerspectiveAdvantages and Disadvantages of CMS from an SEO Perspective
Advantages and Disadvantages of CMS from an SEO Perspective
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
 
Chapter -12, Antibiotics (One Page Notes).pdf
Chapter -12, Antibiotics (One Page Notes).pdfChapter -12, Antibiotics (One Page Notes).pdf
Chapter -12, Antibiotics (One Page Notes).pdf
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
 
Best Digital Marketing Institute In NOIDA
Best Digital Marketing Institute In NOIDABest Digital Marketing Institute In NOIDA
Best Digital Marketing Institute In NOIDA
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star - Saka Neela TaraOperation Blue Star - Saka Neela Tara
Operation Blue Star - Saka Neela Tara
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
BÀI TẬP BỔ TRỢ TIẾNG ANH GLOBAL SUCCESS LỚP 3 - CẢ NĂM (CÓ FILE NGHE VÀ ĐÁP Á...
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
 
Language Across the Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.Language Across the Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
 
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
 
Digital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion DesignsDigital Artifact 2 - Investigating Pavilion Designs
Digital Artifact 2 - Investigating Pavilion Designs
 
Azure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHatAzure Interview Questions and Answers PDF By ScholarHat
Azure Interview Questions and Answers PDF By ScholarHat
 
Guidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th SemesterGuidance_and_Counselling.pdf B.Ed. 4th Semester
Guidance_and_Counselling.pdf B.Ed. 4th Semester
 

9 queen's park melody - jacob de haan - set of clarinets

  • 1. Queen’s Parc Melody (Jacob de Haan) The atmosphere in a busy town park in the spring provided me with the inspiration for this piece. The style of this piece can be described as light music with baroque influences. These baroque influences directly point to the richly ornamental statues, which can be found in the park.
  • 2.                         Clarinet in B 1 Clarinet in B 2 Clarinet in B 3 Clarinet in B 4 Clarinet in B 5 Bass Clarinet                                      Moderately Fast                                                                                                                       Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                      5                                                                                                                                                             QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan (Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals
  • 3.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          10                                                                                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                  15                                      2 Queen's Park Melody
  • 4.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                   20             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                           3 Queen's Park Melody
  • 5.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                       25                                                                                                                           Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                     30                                                               4 Queen's Park Melody
  • 6.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                        33                                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                            40 5 Queen's Park Melody
  • 7.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                       45                                                                                                                                       6 Queen's Park Melody
  • 8.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                           50                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                7 Queen's Park Melody
  • 9.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                         60             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                8 Queen's Park Melody
  • 10.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          65                                                                                                                                   Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                       70                                                               9 Queen's Park Melody
  • 11.             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                          73                                                                                                                                    Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                    10 Queen's Park Melody
  • 12.                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                    83                                                                         Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                            11 Queen's Park Melody
  • 13.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                    90                                                                      Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                    12 Queen's Park Melody
  • 14.               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                         100             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                               13 Queen's Park Melody
  • 15.                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                 105                                                                                                                                     Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                               14 Queen's Park Melody
  • 16.                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                      115                                                             Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                                                                                                                             120 15 Queen's Park Melody
  • 17.                Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                                meno mosso                                                                               Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                                       125 rit............. accel. accel.                                                             Allargando                                                                                                                16 Queen's Park Melody
  • 18.              Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 B.Cl.                                             rit.............                               17 Queen's Park Melody
  • 19.         Moderately Fast                  5                                   10                                            15                              20                                   25                                      30                   33                                                 40      45                 50 QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 1ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 20.                                                    60                              65                                      70                   73                                                                           83                              90                                                 100                         2 Queen's Park Melody CL1
  • 21.                 105                                                                                115                                            120             meno mosso                              125 rit.............   Allargando                  rit.............      3 Queen's Park Melody CL1
  • 22.        Moderately Fast                5                                      10                                       15                                  20                                         25                               30                    33                                     40                              45                                        50                                                                              60              QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet Bass Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 23.                             65                                   70                  73                                                   83                                      90                                           100                                     105                                                                                      115                                              120     meno mosso                   125 rit.............    Allargando      rit.............      Queen's Park Melody CLB 2
  • 24.                  Moderately Fast                                    5                                     10                                   15                         20                                       25                                  30                   33                                           40                  45                                        50                                QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 2ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 25.               60                             65                                  70                   73                                                                           83                                                                    90                                  100                              105                 Queen's Park Melody CL2 2
  • 26.                                                                      115                                         120             meno mosso                             rit............. 125              Allargando                                   rit.............      3 Queen's Park Melody CL2
  • 27.                  Moderately Fast                                     5                                    10                                  15                       20                                   25                                     30                    33                                            40                                                45                                     50                                             60                            65                       QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 3ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 28.                70                  73                                                                        83                                                        90                                              100                                       105                                                                         115                                        120               meno mosso                  125 rit.............               Allargando                                   rit.............      2 Queen's Park Melody
  • 29.        Moderately Fast                  5                                    10                               15                                    20                            25                               30              33                                       40             45                           50                                                                                    60                                                    65  QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 4ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 30.                              70                73                                                       83                                              90                                                                 100                        105                                                                          115                              120           meno mosso         rit.............         125               Allargando                                               rit.............      2 Queen's Park Melody
  • 31.       Moderately Fast                 5                                10                               15                 20                              25                   30                   33                         40               45                           50                                     60                   65                         70           QUEEN'S PARK MELODY Gino Gonçals Jacob de Haan Clarinet 5ºB Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 32.             73                                                 83                                               90                                                                          100                                   105                                                                        115                           120               meno mosso                   125 rit.............              Allargando                                     rit.............      2 Queen's Park Melody