Francisco Goya Third Of May Essay

Francisco Goya Third Of May Essay
The Third of May
Francisco Goya
I chose to my report on Francisco Goya Third of May, 1808. This painting represents the French
taking over Spain during the time Napoleon was in reign. This invasion was a two day process but
the painting is about what happened on the third of May. "Napoleon chose to invade Spain because
he wanted to out his brother, Joseph Bonaparte, in power in Spain to have an alliance with Spain to
conquer Portugal" (Zappella, 2014). "The invasion was an ambush as the French told the Spanish
they were just passing through, but events soon quickly changed when the intentions became clear"
(Zappella, 2014). According to Christine Zappella, "on the third of May Spanish freedom fighters
were rounded up and massacred by the French. Their Spanish blood ran through the streets of
Madrid" (2014). "The artist was so profound by the evets, he recreated the uprising in his paintings"
(Zappelle, 2014). The first painting Goya created was the Second of May, which is Leonardo's
Battle of Anghiari. In this painting he depicts mangled horses and bodies on the streets of France.
The second painting he created was the Third of May. This painting ... Show more content on
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The Spanish man are cornered by a hill behind them and French soldiers surrounding them.
Christine described them as,
"...become mechanical or insect–like. They merge into one faceless, many–legged creature
incapable of feeling human emotion." (Zappella, 2014)
It seems as if nothing will stop their intentions from killing this innocent man. There is only one
man really standing up straight with his stretched out, but a pile of dead bodies by his feet. On his
right hand side, he has a few many whimpering for their lives and shielding themselves for
protection. The city is to the left side of the man in the distances, with a dimming look to it. It
almost is letting the viewers know thousands of lives were
... Get more on HelpWriting.net ...

Van Gogh Vs Francisco Goya
Zoe Benavides
March 7, 2017
CULF 1319–14
Professor Thrasher
Francisco Goya and Vincent Van Gogh
A Giant Seated in a Landscape, sometimes called The Colossus by Francisco de Goya y Lucientes
and Peasant Woman Cooking by a Fireplace that was painted by Vincent Van Gogh are two very
meaningful artworks. Regarding their nationalities, Goya's artwork's geographic location is Spain
while Van Gogh's is Dutch. Goya's art is an etching that is part of the romanticism movement.
Contrary to Goya's, Van Gogh's painting was created during the time of the post–impressionism art
movement. These two artworks contrast each other very well, while also containing a few
similarities with each other. Both artists depict a simple yet strong message in their artworks, ...
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Accessed 8 Mar. 2017.
"Francisco de Goya Biography." Biography, 2 Apr. 2014. Accessed 8 Mar. 2017.
"Impressionism...Impressive Indeed." Word press, 27 Oct. 2014. Accessed 7 Mar. 2017.
"Peasant Painter." Van Gogh Museum. Accessed 7 Mar. 2017.
"Peasant Woman Cooking by a Fireplace." Met Museum, 2000–2017. Accessed 8 Mar. 2017.
Thrasher, Jill. "Romanticism." Pdf. Accessed 2 Mar.

The Execution Of Third Of May Francisco Goya
There is a particular painting that portrays the style of Romanticism very effectively. In the painting
"The Execution of Third of May" by Francisco Goya, we can see a great example of an artist who
utilized the style of the day to create a piece of art that leaves an impression. Francisco Goya was
from Spain, and a large part of the Romantic work that took place there was portrayed through
Goya's work. This particular painting of his, is an example of Romantic Nationalism. There is a
large story behind what is seen in paint. The historical context of this painting involves Portugal,
when Spain and France invaded into Portugal. Spain was defeated, and overrun by Napoleon.
Napoleon made his brother King of Spain, but on May 2 1808 the Spanish

Exploring Economic Status Vs. Painter's Actual Lifestyle
This project involves the discovery and interpretation of paintings ranging from the mid 14th–
century to the mid 18th–century. More importantly, the paintings are those which have a figure
shown in a portrait type setting that are in the process of working or showing a task of their
everyday life. I explore the use of light pertaining to the painters attitude and also the fine details to
explore economic status vs the painter's actual lifestyle. Given that both artist had contrasting
lifestyles, I believe the style reflected their personal life or current events as well. To help interpret
this research, many paintings from five different artist were divided into folders and scientifically
broken down and compared using a state of the art program. The final result of these images
concluded that Johannes Vermeer and Francisco Jose de Goya, had opposite styles. Given the fact
that Vermeer and Goya were artists of neighboring centuries, why are their styles different? This
research implies that between the mid–16th century and the mid–18th century, portraits had a
significant difference. The differences in artwork show that painting styles are directly related to
events in the particular artist lifestyle. The first artist involved in this experiment is Johannes
Vermeer (1632–1675). According to the article, "A View of Delftto", Vermeer grew up on a street
where many painters existed and was put in charge of his fathers art business when his father passed
in 1652, leaving him

Cannibalism In The Medusa By Theodore Gericault And...
Artist's within the Romantic period reacted to the brutalities of inhumane occurrences in the world.
Romanticism was an art movement that occurred in the 19th century in which undoubtedly allowed
artists to react personally and emotionally to a specific subject matter. Contrasting to the refined
period of Neoclassicism, Romantics broke it's conformist, logic of the movement. The use of
centring the human figure as the dominant feature embodied the tortuous and ghastly occurrences of
war, depicting terror within their works. Theodore Gericault and Francisco Goya both made sense of
their world by expressing what they critically believed needed to be shown, the horrific act of
inhumanity.
The determined, passionate artist Gericault depicted the horrific act of abandonment of man at sea,
the Medusa which occurred in 1819. Departing from the Senegal, one hundred and forty–seven
french men and women were left knowingly abandoned on a makeshift after the wreckage on the
coast of Africa. Lacking lifeboats, individuals built a raft in order to survive whilst their conceited
captain boarded a lifeboat to safety. Upon the Medusa, individuals experienced episodes of
immeasurable starvation, extreme insanity and the beastly act of cannibalism for approximately
thirteen days.
Undoubtedly, the chaotic circumstance of soldiers and settlers were significantly portrayed by the
artist. "Neither poetry or painting can ever do justice to the horror and anguish of the men on the
raft."

Francisco Goya Research Paper
The French Revolution, which was a critical period of reformation, was an era in which war
happened frequently. Francisco José de Goya y Lucientes was an important artist of that time, who
created many artwork that portrayed wars. In the analysis of his masterpieces, people can find his
disappointment in how people pursue freedom, their ignorance, and the brutality of the wars.
Freedom was one of the main ideas in French Revolution, but in Goya's painting, he was
disappointed in how the society fought for it. In his artwork, he showed the stupidity of how people
pursued freedom during that period. In The Sleep of Reason Produces Monsters (1797–1798), Goya
used the mocking owls and bats to imply folly and ignorance, while the lynx stayed alert "against
the monsters of greed and stupidity" ... Show more content on Helpwriting.net ...
In The Disasters of War (1810–1820), he showed how brutal the French were in the invasion of
Spain. In the early plates of the series, Goya depicted "the dead and injured are carried away,
soldiers strip corpses, which are then thrown into a common grave" in the Plate 18 – Bury them and
keep quiet (Tomlinson 1994, p.191). This picture wholly described how the war looked in Spain
during that time: how people were killed and then buried like it was a normal scenario. The
ruthlessness of the French also sent out another message that "beauty is not only destroyed, but
grotesquely ravaged to attest the end of any faith in an ideal" (p.193). In the paintings, people lost
their dignity, and there are no heroes countless unidentified victims in the picture, which indicate
that humanity is only ideal in the Revolution (p.202). The hand gestures in the paintings are in
motion, which emphasized the instantaneity of the climax. For example, in the painting, the soldiers'
are holding arms and already stabbing it into the victims. The capture of the particular moment
reinforce the brutality of people in that

Research Paper On Francisco Goya
Francisco José de Goya, a Romantic painter born and raised in Spain, was one of the most gifted and
versatile artists of the 1800s. Goya found great success as a painter, becoming first painter to King
Charles IV and amongst royal court. He retained this position for quite a while, affording him the
ability to foraying into etching and printing in his personal time. It's his explorations here, in a series
called Los Caprichos that indicate the early signs of Goya's fascinations with the macabre. Prior to
1808, Goya's private studies would have been considered a peculiarity. Often sadistic and sinister in
their subject matter. Unbeknownst to the Spanish people, it was soon to become a harsh reality. May
second and third, 1808, the Napoleonic army invaded Spain and then proceeded to unjustly execute
all Spaniards suspected of involvement in the uprising. Already 62 years old and in poor health at
the time of the initial invasion, this left a profound impact on Francisco José de Goya. He began
chronicling the horrors he was ... Show more content on Helpwriting.net ...
Notorious bad boys of modern art, they're also renowned for their knowledge of Goya. Knowledge
being a kind way of saying an obsession to the point of compulsion. Inspired by the incendiary
nature of Goya's artworks and his horrific daunting aesthetic, the Chapman brothers create works
that appropriate Goya's prints. Creating miniature tableaux, large scale sculpture, and going so far as
to purchase and then deface original Goya prints. Jake Chapman spoke about this innate gloomier
meaning in Goya's works in a documentary on BBC in 2016. Jake Chapman argues that "Goya's
works are far more radical than conventional history allows. Rather than illuminate the recesses of
the human soul, Goya Propels us into an irredeemable gloom." (Chapman 1:55) An fascinating
notion that opens up a quarry of intriguing and fresh thoughts on the works of Goya. What was the
true ambition of his etchings? What's the deeper

Francisco Goya The Third Of May Essay
For my writing assignment, I chose to discuss "The Third of May," by Francisco Goya. On May 2,
1808, hundreds of Goya's countrymen rebelled against the French. On May 3, these Spanish
freedom fighters were rounded up and put to death by the French. Francisco Goya was in a tough
position because he had supported the French Revolution, but the slaughter of his countrymen and
the horrors of war made him change his tune and had a profound effect on the artist. This painting is
acclaimed as one the great paintings of all time and has even been called the world's first modern
painting. The work of art itself is in the early hours of the morning taking after the uprising and
spotlights on two gatherings of men: a firing squad, and a scattered gathering or hostages held at
gunpoint. There is a row of French soldiers aiming for a Spanish man, who puts his arms up in
accommodation both to the officers and to his sure demise. There is a slope/hill behind him that
represents an executioner's wall. There is a heap of grisly dead bodies that lie at his feet, painting the
territory with their gushing blood. On his other side, you can see a line of his fellow countryman that
can be seen extending out of the scene. You can see that they cover their eyes to abstain from
watching the butcher of their kindred Spaniard, and they realize that death is ... Show more content
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Goya's painting presents us with an anti–hero, pervaded with genuine emotion that had not seen
since, the ancient Roman sculpture of The Dying Gaul. Goya's main figure is not dying heroically in
battle but rather slaughtered on the side of a road like an animal. Both the scene and the dress of the
men are non–descriptive, making the artistic creation an immortal bit of workmanship. This is
unquestionably why this piece of work remains emotionally charged

The Third Of May Meaning
'The Third of May 1808' was painted by a Spanish painter – Francisco Goya in 1814. In this
painting, Goya attempted to describe the battle between Spanish and Napoleon during the
occupation of 1808 in the Peninsular War. It is also meant to commemorate the braveness of the
Spanish army who is trying to fight against Napoleon who backtracked his promise and betrayed the
Spain's King – Charles IV.
The Third of May is claimed as one of the greatest painting of all time. According to the art historian
Kenneth Clark, this painting is 'The first great picture which can be called revolutionary in every
sense of the word, in style, in subject and in intention.'
From the picture you can see there is a confrontation between two groups of people. On ... Show
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He added a psychological value inside by raising our sympathy through looking at the faces of the
unarmed people. They are covering their face in order to avoid looking at the death which is
awaiting for them. And we cannot see the face of the army, as thought they were not human and
with no mercy. This brings up an emotional contrast between the ruthless solders and the fearful
people.
Secondly, this picture is asymmetrical balanced which creates a dynamic composition. Even thought
there is different body gesture, action and facial expression between two groups of people. We can
see that both of them are well organized in order to show a parallel pattern between left and right
side of the painting.
Thirdly, there is a horizontal line created in between the soldiers, they are all in the same posture
with their hat located on similar level, continuing with the posture of their legs.
Fourthly, repeating the existence of soldiers in the painting creates rhythm, and it leads to
movement. Movement is created by the tendency which soldiers are getting more and more
transparent at the back. You can actually imagine there is still countless amount of solders coming to
join their crew and posting the same 'ready–to–murder'

The Works Of Francisco De Goya
Francisco de Goya was born in 1746 in the village of Fuendetodos in Aragon. He started studying
painting before the age of 14. Goya lived in Spain during the French occupation in 1808 that led to
the Peninsular War of 1808–1814;therefore, the war changed Goya's paints pallet from bright colors
to dark colors. Goya painted the struggle the Spanish people went through. For instance, he painted
The Third of May and The Disaster of The War series. Goya also suffered from a severe and
undiagnosed illness in ,1793, which left him completely deaf. This was another reason leading to his
darker paintings. Also Josefa's death affected Goya's painting, while he was mentally and
emotionally processing the war by painting the Second of May, 1808 and ... Show more content on
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Goya's painted a man who is about to be shot, men who have just been shot, and line of men who
are about to be shot. Goya makes us see the Spanish people's faces, and their emotions, to make us
have empathy. In the other hand, the solders lined up with their backs toward us leave us with no
feeling for them. Saturn Devouring His Son is another painting by Goya. It was painted from 1819
to 1823. According to the traditional interpretation, it depicts the Greek myth of the Titan Cronus .
Saturn Devouring His Son is one of Goya's darkest paintings. It was painted directly onto the wall of
his house. The painting is about Saturn, the God of time, who was told that one of his sons will
dethrone him. In order to prevent that Saturn devoured his children as they were born, but Jupiter
escaped so Saturn in the end was dethroned and couldn't escape. This terrifying story is depicted in a
horrific way in this painting. We can see the horror in Saturn's eyes as he pulls his son's arm into his
mouth. He is trying to seek revenge, and tells us that no one can take away what he has. Also
Saturn's facial expression gives us the feeling that Saturn knows that he is not doing the right thing,
so he tries to do it as quickly as possible, he is trying not to listen to his heart, but to listen to his
head only. Although this is his son, he thinks he shouldn't feel sorry for him

Essay On The Third Of May By Francisco Goya
Francisco Goya's, The Third of May, 1808 was painted right about 1814–15. It is an oil on canvas
painting and is the size of 8' 9" x 13' 4". It is displayed at Museo del Prado, Madrid. According to
smarthistory.org, "The Third of May is acclaimed as one of the great paintings of all time, and has
even been called the world's first modern painting" (khanacademy.org). The interpretation of
Francisco Goya's The Third of May 1808 is a vivid representation of the atrocities of war during the
Napoleonic war in Spain, which is captured and illustrated brilliantly. The depiction of French
soldiers in a row lining prisoners up to be executed is a snapshot of an event in time, which is frozen
in this timeless piece of art painted by Goya.
The elements of art design with Goya's use of lines, shape and forms, value, space, color and time
and motion is evident within this art work and is brilliantly ... Show more content on
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The image is symbolic of Christianity because of what the emphasized prisoner in the center is
doing in the painting he spreads his arms out like how Christ was position on the cross and he is the
only figure in the painting looking directly at the firing squad. According to khanacademy "The
central figure of the painting, who is clearly a poor laborer, takes the place of the crucified Christ; he
is sacrificing himself for the good of his nation" (khanacademy.org). Furthermore Goya brilliantly
paints a single light source from the lantern that shines and covers the emphasized figure that can be
interpreted as holy light accenting the prisoner and depicting him as brave and courageous before he
is shot. Goya also represents Christianity by painting a monk included in the image with the
prisoners kneeling and praying to God before being

Francisco De Goya Research Paper
It is often said that losing one sense causes the others to sharpen. Undoubtedly one of history's great
artists in regards to painting and etching, Francisco de Goya is no exception to this legend. The
images created after his brush with death that left him deaf, and especially those painted during the
final years of his life known as the "Black Paintings", certainly suggest that his vision grew keener
with the loss of his hearing. A closer look at his career proves that Goya always possessed a keen
eye for depicting people and the world around him as they truly were, even before disease stripped
him of his hearing. From his earliest tapestry cartoons to his politically charged depictions of the
Peninsular War, Goya's paintings and etchings express a brash approach through which he unveils
the folly, foolishness, and cruelty of mankind ... Show more content on Helpwriting.net ...
Preceding Goya in the line of Spanish painters was "...Velázquez, painter of Spain's worldly pride
and power, of the pomp and panoply of that brief moment in the 17th Century when the nation stood
boldly, if insecurely, at the center of the historical stage," (Schickel 7). Velázquez's great works such
as Las Meninas and The Surrender of Breda show a grandeur and sophistication of the Spanish
nobility as well as "preparations...not only to end the war, but also to initiate the peace that follows,"
(Velazquez). Unfortunately, even a century before Goya would truly begin the height of his artistic
journey, "shadows lie across most of [Velazquez's] canvases, as if Velázquez sensed what his sitters
did not – that the tide had turned against Spain," (Schickel 7). By the time Goya began creating
works the public of today recognize, any veil of peace his predecessor clung to was stripped away,
leaving Goya to depict the truth of Spain's precarious political situation and the reality of the human

The Popularity of John Constable's Paintings "Dedhame...
John Constable was a 19th century English Romantic painter. Constable is known best for his
landscape paintings, he believed that his paintings should come right from nature instead of
imagination. He made hundreds of outdoor oil sketches, he was said to be his happiest when
painting places he knew well. His landscapes were usually of the area surrounding his home that he
lived in while growing up. which is now locally referred as "Constable Country". Constable was
influenced by dutch artist, Jacob Van Ruisdael. John's most famous paintings were "Dedhame Vale"
and "The Hay Wain" his realism and vitality make his works very original. John Constable's
paintings are now very popular in British art, however in his life–time they were not very popular in
England, he only found success in France.
John had four very strong styles of painting which were usage of light, type of brushstroke, and
composition. His usage of light really separated himself from other artist in history, he found a way
to make his paintings look more realistic by adding red and green together in his trees for example.
That specific color addition was never seen before him and really caught the eye of people in his
time. He had a impressive natural brushstroke which in The Royal Academy wasn't very popular.
Only later after his passing was his technique actually appreciated and became a normal use. Lastly
his composition, he loved to paint exactly what he saw in front of him, he rarely used realism in his

How Does Goya Design Transcend Into Modern Caricature And...
Baudelaire once said, "Caricatures are often the most faithful mirror of life." The art of caricature
was established into print in eighteenth–century England as a form of commentary on the current
events of the time. Caricature as a style itself is a combination of two separate social inventions.
"Caricature Adopting the Italian invention of caricatura–the graphic exaggeration of facial and
bodily features for comic effect and combining it with an updated repertoire of visual metaphor,
personification, and allegorical attributes. " Though born in England, the story about to be told in
this paper is one of Spanish origin, a story about Francisco Goya. This paper will discuss how Goya
implemented painting, drawing, and printing technique to stimulate social critique of and satirize the
subjects of his works. Then how does Goya's methodology transcend into modern caricature and
social critique?
Before one can talk about his prints, one must understand who Francisco Goya is as an artist. Goya
was a Spanish romantic painter and printmaker of late 18th and early 19th centuries and throughout
his long career was an important commentator and chronicler of his era. Goya produced a great
number of works in a variety of media in his lifetime. He did religious subjects in painted frescos
and portraits, he then also depicted life in Spain through aquatints, etchings, and lithographs .
Gautier comments saying:
"Never has originality been so marked... A sketch by him¬; four strokes in a

The Fifth Of May By Francisco De Goya
Gladis Flores
Humanities 1101 The Third of May Francisco De Goya was born on March 30 about 1746 in
Fuentes de todos, Spain. He studied painting from age 14. He became a court painter to the Spanish
Crown in 1786 and the early portion of his career. Goya was considered one of the most crucial
Spanish artists of the late 18th and early 19th centuries. Francisco married Josefa Bayeu y
Subías.The couple had only one child; he received the name of Xavier. One of the most recognized
paintings was the Third of May in 1808. "The third of May, is one of the greatest testament to the
honors of the war ever painted" (Discovering the humanities page. 405) The oil canvas painting is
shocking since it shows a terrible moment in the Spanish war versus French army. The French army
invaded the Spanish, putting them in a line and they started to shoot, not asking questions just
shooting.This painting is very controversial, because in the picture the very first thing that we can
see are the terrifying faces of the Spanish moreover, the face of monk asking for marcy is symbolic
because a monk in the hispanic culture mean church, religion and seeing him in his knees is
unrespefull. Second, the symbolic lamb that is in the middle can reflect faith for Spanish in the
moment. the fellow in the middle is calling all attention in the painting with the light on him with
the white shirt and yellow pants and his terrifying gestures. Lastly, the french soldiers who are ready
to kill the Spanish

Francisco Goya The Third Of May
Francisco Goya brings oils to life in this painting titled The Third of May, 1808 to life around the
year of 1814 on a canvas frame of 104.7 inches by 135.8 inches of canvas. Goya painted this piece
in remembrance of hundreds of Spanish freedom fighters that were killed by French after Napoleon
set out to concur Spain. Goya also painted an oil painting entitled The Second of May, 1808 that was
the same size and depicts the rebellion that the Spaniards help lead (Zappella, Christine 2017).
In The Third of May, 1808, you can see the lines of the guns from the men on the right drawing your
eye to the men being shot at on the left. While the soldiers wear mostly dark clothes the few to the
front grows lighter in their hue as to not be forgotten by the bright light being shown on the victims
of the painting. Behind this scene, there are people in dark clothing or ones that almost fade into the
hill behind them, that are cowering in fear. ... Show more content on Helpwriting.net ...
The negative space of the painting seems to be greater than the positive, even though the box that
seems to be emitting the light seems to be in the middle of the painting. I say this because despite
the light that is on the ground showing the blood on the street, the man standing in a surrendered
stance, and the few soldiers that are highlighted yet with still some shadows there is great darkness
in the painting. The left corners are darker or shadowed, sky of the painting is black and shows just
an outline of a town and what seems to be people coming from it, and the soldiers on the far right
are seemingly fading into the

The De Goya Y Lucientes
He is considered the most important artist in Spain during the late 18th and early 19th century and
was one of the most prominent and successful painters in Europe. Francisco Jose de Goya y
Lucientes was a romantic painter and printmaker whose style changed drastically throughout his
life; he is considered the last of the Old Masters and the first of the moderns. His style fits into the
category of Romanticism, which is most apparent in his paintings of the Spanish Royal family after
becoming First Painter to the King of Spain in 1786. Six years later, he suffered an awful illness
which ultimately left him deaf and shaped his future work. After Napoleon Bonaparte rose to
prominence during the French Revolution, Spain was invaded due to its political and strategic
importance to the French. Goya was able to capture the horrors he saw in his anti–war works
produced in paintings and with intaglio prints which he didn't make public. The throne of Spain was
taken by Joseph Bonaparte, Napoleon 's brother, who was backed by a large French military force.
After the political situation in Spain normalized and rule was returned to it's rightful heir, Goya
returned to painting commissioned portraits. With ailing health, he moved to a country home where
he completed the haunting Black Paintings which were painted directly to his walls. Due to his
health, he received permission from King Ferdinand IV for an indefinite leave of absence and
relocates to Paris. He completes a small number of

The French Occupation Of Spain During The Peninsular War
Francisco Goya was a Spanish painter and printmaker, especially known for his works depicting and
commenting on the horrors of the French Occupation of Spain during the Peninsular War, in the
early 1800's. 'The Third of May', an oil on canvas painting created in 1814 by Goya, illustrates the
mass executions of innocent Spanish civilians, in response to the uprising of civilians against the
French military the previous day. 'Saturn Devouring his son', another oil on canvas masterpiece by
Goya, depicts the mythological, gruesome figure of the god Saturn, who, based upon the fear of a
prophecy, ate each one of his own children.
'The Third of May' depicts a pitch black sky, looming over crowds of people below, dimly lit by
geometric lanterns nearby. The focus of the scene involves two separate groups – the faceless,
practically identical French military, aiming their guns towards the direction of a group of petrified
civilians, making various different positions. Around the civilians are lifeless bodies, coated in their
own blood. As many of the civilians turn away, one figure is prominent in the centre. The man's
arms are outstretched in a seemingly surrendering manner, as he kneels upon the ground, waiting to
be shot. Unlike the other people, whose clothes are a sea of dark blues, greens and browns, the man
wears bright white and yellow clothing, emphasised through the illuminating light of the lantern
which is cast in his direction. If examined closely, the man also appears

Francisco Goya The Terrible Monster Comparison
The following essay is going to examine works by Francisco Goya (1746–1828) and Kathe Kollwitz
(1867–1945). These artists lived in different times and cultures, yet had remarkably similar styles in
several of their works. The two artworks that will be in focus are Goya's "Horrible Monster" (From
the Disasters of War series 1806–1820) and Kollwitz's "Death, woman, and child" (1910). These
works will be compared and contrasted to discover the similarities and differences between each of
their meanings, the artistic elements and principles used, their handling of materials and techniques,
and their individual styles. Both of these works have a dark nature depicted within it. Goya's
"Horrible Monster" displays a large beast as the main object ... Show more content on
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"Horrible Monster" is an etching which achieved a slightly scratchy look, with a more illustrated in
some parts, as well as the lines themselves being darker. To achieve this finish, he had to cover a
metal plate with an acid–resistant coating and then scratch through creating the desired lines. The
plate is then immersed in a pool of acid which eats through the spaces which have been scratched
clean. The acid darkens and widens the line, depending on how long it is in the acidic pool. On the
other hand, Kollwitz underwent the aquatint method. This achieved a finish that is softer, and has an
overlaying grain to it. Aquatinting is when you apply a fine resin dust to the surface of a metal plate,
which is then heated from below. The dust then melts to form protective spots on the plate. When
the etching process happens, the acid bites around each

How Significant Artists Are Influenced By Events
Examine how significant artists are influenced by events in the world INTRO: In art, Romanticism
is the expression of a personal response to a subject or emotion. It was a reaction against the formal
logic and organisation of neo–classicism as artists added free manifestation of their personal
interpretation of events in their world through subject matter reflecting attitudes or moods. Withing
artworks, artists expressed traumatic and gruesome circumstances of war and terror through the
politics of figurative art. With this, human bodies were centralised using figures as the focal point as
they were the dominant feature, in an environment that adds meaning. Artists Theodore Gericault
and Francisco de Goya utilise bodies to demonstrate ... Show more content on Helpwriting.net ...
With this, the silhouetted figures are also seen to convey the dramatic and inhumane movement of
figures as well as their intense facial emotions and gestures. In strong contrast, the prior movement
of the logical neo–classicism is seen, which a balanced design, clear composition and action that is
easily read in 'The Oath of Horatii', by Jacques–Louis David. David's painting is a neo–classical
work that restores the ethical ideas of antiquity. Ancient ideas are demonstrated with the use of
structural devices such as the columns used to support the building. These arches correspond with
the grouping figures. Figures that are framed by the arches and being separated by the columns
include; the brothers, the father, and the women. Roman architecture in this painting is characterised
by the absence of a base. However, it is grounded by strong tiles displayed as a grid. As seen in 'The
Raft of Medusa', David's painting also consists of triangular composition which is a clear focal
point. Gericault's triangle of hope is seen as a progression from the depths of despair to an apex of
hope, whereas David's is a logically organised triangle configuration which highlights the allegiance
to the family. A contrasting allegiance to family to disgrace and despair in 'Raft of Medusa'. BODY
2: Both Gericault and Goya emotionally reacted to significant events causing them to express these
emotions through intense paintings. Francisco de Goya's 'The Third

Francisco Goya May 3 1808
Francisco Goya's The Executions of May 3, 1808, is a remarkably interesting piece of art. This piece
represents a protest against the Napoleon Occupational Army in Madrid. There are various visual
elements and design principles in the art, which will be covered. The beginning of this ILO will
contain the visual elements first, followed by the design principles, and what they mean in the
artwork. In Goya's art, we can see the primary, visual element of lines. Lines represent motion,
dynamics, and direction. The soldiers are aiming their rifles at a group of prisoners waiting for
execution. Horizontal lines indicate a peaceful scene, however, in this case, it would be appropriate
to say they mean a sense of destruction or death, as the title of the art depicts. As the view follows
the direction of the lines, the viewer is immediately drawn to the man with the bright white shirt.
The values of the piece are relatively dark and morbid, however, when we look at the man with the
white shirt, we can see the opposite effect of the bright white shirt. Going back to the element of
lines, once the viewer looks at the man with the white shirt, you can see his hands are in a diagonal
position. These diagonal lines represent dynamics and tension. The pressure comes from the
imminent execution of that man.
When we talk ... Show more content on Helpwriting.net ...
We must also deduce whether the balance is symmetrical or asymmetrical. If one splits the painting
in half, one can see it is not completely balanced. You have more "weight" on the right–hand side
than you do on the left. However, regarding art, it is balanced. Even though there are more objects
on the right, the values of the bright white shirt give it a sense of equal distribution. This uneven, yet
balanced proportion of the art tells the viewer that it is asymmetrical. It is asymmetrical because it is
unequally distributed, yet it is still

Essay On Francisco Goya
Francisco Goya is one of the most remarkable artists of the eighteenth century. Born in the village of
Fuendetodos in Spain, Goya grew up to become an inspirational painter after pursuing his studies in
art. Goya began working for the Spanish royal court and created several works that were a criticism
to the political and social problems of the contemporary era. He won several commissions from the
royal court after establishing his esteem as a portrait artist. During the period of enlightenment, the
artistic works of Goya were prominent throughout Spain. Goya introduced royal workshops, which
spanned over four monarchies. He painted several cartoons and haunting scenes for the royal
palaces. Goya's tapestries glorify the leisure activities of the young, rich and poor. His etchings are a
resemblance of the royal elite class. Most of Goya's paintings capture the sensitivity of artistic
techniques through brushstrokes. Some of Goya's artistic works introduce to the audience, a world
of ghosts, witches and other creatures, which invade the mind and include nightmarish visions.
Goya's famous ... Show more content on Helpwriting.net ...
The painting was a true indication of the actions, which took place when one of the fiercest fights at
Hotel de Ville. Although the painting is not a depiction of the Partisan revolution, it was visually
striking by capturing the excitement of the event. The painting was a potent symbol of the struggle
for liberty. Painted in the backdrop of cannon smoke, the personification of the painting is a
combination of both real and ideal. In Liberty Leading the People, the woman wears a red cap on
her head, which symbolizes freedom. The red cap was a symbol of the first French revolution, which
was an emblem of freed slaves. The bare breasted woman holds a tricolor in one hand and a musket
in the other, and appears as half goddess and half

Francisco De Goya Black Paintings
Francisco de Goya's Pinturas negras, or Black Paintings, are some of the most grotesque and
unsettling images in art history, with one painting in particular, Saturno devorando a su hijo, or
Saturn Devouring One of His Sons, standing out the most amongst them all. With his wildly staring
eyes, gaping mouth and half–eaten son in his hands, it makes one wonder what would drive an artist
to create an image like this. Goya, however, was not uneducated in the horrors of the world,
witnessing the travesties of the Peninsular War, the atrocities of the Spanish Inquisition, surviving
two life threatening illnesses, with one leaving him completely deaf, and the death of six of his
seven children. Perhaps it was one of these instances in particular that encouraged him to conceiving
this disconcerting figure, or perhaps it was a combination of the three.
At the beginning of Goya's career, in 1777, he was commissioned to create a series of tapestry
cartoons from the Royal Tapestry Factory, designing some 42 patterns over five years. Some of his
more popular paintings were originally tapestry cartoons such as The Parasol. His use of the popular
Rococo style, brought him to the attention of the aristocracy of Spain. In 1789, he was appointed to
court painter to Charles IV and then the following year, he became First Court Painter. His portraits
of the king, queen and royal family, were anything but flattering. While he was given this great
position of influence and prestige, he

Francisco Goya Essay
Francisco Goya's The Third of May1808: Principles of Art Design
Great insights went into the intricate composition of Francisco Goya's painting The Third of May
1808, his painting utilizes the principles of art and design which displays all six principles: unity and
variety; emphasis; balance; rhythm and movement; perspective; and proportion and scale. All six
principles could also be identified and critically analyzed within his painting The Third of May 1808
which ultimately resulted in a whole cohesive composition.
Goya's use of the principle of art design, unity is evident as the shapes and sizes he painted in The
Third of May 1808 are easily recognizable when looking at the prisoners and soldiers, the viewer
can notice that all the human bodies represent mass equally in the painting. Unity is defined as a
method of organizing artwork to bring all the parts together to make one integrated whole by
repeating elements in it. Furthermore he adds ... Show more content on Helpwriting.net ...
Emphasis is exemplified by Goya when he painted a horizontal line to represent death. Convergence
is when many elements point to one thing, again this is exemplified when he painted the riffles
horizontally pointing at one of the prisoners brightly painted in yellow. Moreover it focuses the
attention of the viewer to that one prisoner painted brighter than the others and is easily notice when
the painting is first viewed.
Goya integrates the design principle balance in The Third of May 1808 when he utilizes informal
balance and is evident when he painted the soldiers and building on the right of the painting and
prisoners and hill on the left side of the painting which created a balanced visual weighted artwork
Informal Balance is defined as the elements of art and design used to create the same comfortable
feeling as with formal balance, but in a much more subtle way, using unlike objects that have equal
visual

Essay on Goya: Truth and War
GOYA:
Truth and War
On May 2nd 1808 the people of Madrid revolted against the French troops
occupying their city. The following day the French retaliated. In the remembrance of
this event Francisco de Goya painted The Third of May. The horrific scene takes place at
night on a deserted hillside. The feeling of horror is conveyed by the churoscuro use of
lighting. Painted with intense emotional expression the Spaniards stand before there
deaths. The soldiers before them lined up with guns in hand and ready to fire. The
Spaniard facial expression and body language differ ... Show more content on Helpwriting.net ...
This was an idea he used in many of his works, for Goya
himself was a conflicted man.
After 1808 Spain was occupied by Napoleonic forces and Goya witnessed first
hand accounts of murder, rape, pillaging, and mutilation. He quietly recorded these
events until Napoleons demise in 1814. During this 6 year period the brutalities and
miseries of war that had occurred effected the lives of every Spaniard as well as the art of
Goya. After the demise of Napoleon, Goya saw a chance to create a permanent
remembrance of this time period. The results were two large paintings recording May
2nd 1808 and May 3rd 1808 when the French shot suspected Spaniards without trial.
Much like Gerricault's The Raft of Medusa, The Third of May portrays brutal human

tragedy. These two paintings tell stories of heroism turned to horrific tragedy with
scenes so close that the viewer is forced into the event. In–humanity has now become
human. Heroism and suffering now seem equally desperate and pathetic. Although
these two paintings are scenes of tragedy, Goya's painting correlates more directly to
war. He conveys war in its most brutal form giving the soldiers a machine like quality.
They are lined up in almost identical positioning and attire. Each soldier is in the same
tense stance, gripping his rifle as if it were a part of his body, anticipating the recoil of the
shots to come. The line of the soldiers, as well as

Masks And Figures In Picasso's Guernica By Pablo Picasso
In the painting Guernica by Pablo Picasso, the artist uses abstract shapes and figures to represent the
horrors of war. The work is a large mural painted in oils and the colors used are variations of black
and white. By using these dark somber colors instead of bright vibrant colors, Picasso shows that
Guernica is not a painting that is supposed to be visually pleasing but instead is supposed to present
a message. Certain shades of grey in the painting look like that of an old printed newspaper and
almost make the work seem like it is a picture you might see on the front page. Picasso uses shape
quite a bit and the painting seems to be centered on a triangular shape that draws the eye upwards
and to the center to the eyeball. This eyeball, with an iris made out of a lightbulb, looks to be casting
a light down upon all of the carnage. The jumble of human limbs, geometric shapes, and animal
heads are given emphasis because they appear to rest atop a solid black background. There are quite
a few figures in this piece and the overall movement in it is chaotic. Certain figures are given
emphasis because of their size, such as the woman holding the candlestick, the bull's head, and the
crying woman holding her child.
Guernica was named after a village in Picasso's home country that was bombed for two days straight
during the Spanish Civil War. This painting was his response to the tragedy. It was largely
overlooked when it was first unveiled because of the abstract nature of its composition but is now
seen as famous representation of the devastating effects of war on innocent people.
Francisco Goya's The Disasters of War, No. 18: Bury Them and Say Nothing is an etching with
aquatint. It is also in black and white and features another gruesome image of war. It is smaller in
scale than Guernica, but it's realistic depiction of a pile of dead bodies lying on the ground make it a
powerful image. The dark black ink used to cover the ground beneath them emphasizes the bodies
and draws the viewers eye to them. Standing just above the bodies to the right are two figures that
appear to be mourning the dead lying before them. The upper half of the etching that represents the
sky is completely empty, drawing the eye to two

Essay about Francisco de Goya's Painting, The Third of May
Francisco de Goya's Painting, The Third of May
Goya's painting has historical significance, as well as a social message that he wanted to send to
generations to come.
The painting The Third of May, by Francisco de Goya, was done in 1814 to commemorate the
events of that took place during the Napoleonic Wars in Madrid, Spain on May 2 and 3 1808. The
painting sets the scene of a man about to be killed by a firing squad. The bodies of those who have
already been killed are scattered around him, and those that wait to be killed stand in line behind
him. The ground is covered in blood from those who have already been executed. The sky in the
background is black, with the outline of a convent on the horizon. Through my religious ... Show
more content on Helpwriting.net ...
As a result of the revolt, eighty peasants were gathered together and executed during the pre–dawn
hours of May third. Despite the overwhelming defeat of the revolt, the Spanish people were not
daunted. In the countryside, during the next six years, the first guerilla warfare was waged.
Eventually Napoleon and his troops were forced from Spain, but with them left their liberal reforms
(Tone 49). Goya had been pleased with the liberal reforms and other changes that Napoleon had
instituted in Spain, but was completely disgusted with what had happened during the war. He felt
that nothing lasting had been accomplished, while many had suffered and died as a result of the war.
Goya made a series of etchings and paintings depicting the atrocities of both sides involved with the
war. The most famous of these paintings are the two depicting the scenes from the second and third
of May. The work focuses on the victims of the situation, which in this case are the Spanish citizens
being executed. The work is not meant to be beautiful, but is instead supposed to be horrible in order
to shock the viewer. Goya's purpose within the painting is less to blame the French, but instead to
point out to people the "faceless and mechanical forces of war itself, blindly killing a representative
of humanity"(Stokstad). He used the incident as an example of how horrible war is and what can
happen when violence is instituted.

Saturn Devouring His Son
Saturn Devouring His Son
Saturn Devouring His Son is a name given to a mural painting painted by Francisco Jose de Goya y
Lucientes during year 1820 to 1823 at his house Quinta del Sordo (Villa of The Deaf Man) which is
located at Spain. He used al secco technique (also called fresco–secco) which means the color
pigments are mixed with water and egg york and applied on the moistened plaster. This painting was
painted in oils on one of the wall of his dining room. Goya showed Saturn crouched in the centre of
the painting with expanded face, bulging eyes and widely opened mouth which he was consuming a
smaller human figure with his fists had clenched into it. A headless cadaver is also painted in the
back side view which only has a left ... Show more content on Helpwriting.net ...
His sixth child Jupiter (Zeus) survived because his wife, Ops (Rhea) tricked on him. Jupiter later
overthrew Saturn and saved all his five brothers and sisters which still survived inside their father's
stomach.
Goya might inspired by Peter Paul Rubens who also previously painted a Saturn Devouring His Son
on 1636. But Goya's Saturn Devouring His Son is different with Rubens's. Rubens's Saturn was
painted less cannibalistic whereas Goya's Saturn is more cannibal as he emphasized on Saturn's
expression.
However, Wright (1993, p.51) had written that Rubens's is more horrific as viewer's sympathy is
straight drop on the innocent baby yet to be eaten. There is also another difference spotted. Rubens's
painted an innocent child whereas Goya painted a cadaver that looked like a younger adult. In
Goya's painting, the cadaver was in long legged, round buttocks and wide hips. The gender of the
young adult is remained unknown as there is headless and not facing to us. But some experts
suggested that the cadaver was a female young adult due to Goya's later love life.
Emotionalism aspect also can be seen in this painting. The public is curious why Goya painted
Saturn. Some historians suggested that this is related to Goya's son, Javier. Goya and his wife,
Josefa, had plenty of children but only Javier

Francisco Goya's 'Saturn Savouring His Son'
Francisco Goya created a painting called "Saturn Devouring His Son" that was made during 1819
and 1823. This is one of the 14 Black Painting that Goya painted directly onto the walls of his
House. The paintings had a intense, haunting theme, that reflected both his fear of insanity and his
bleak outlook on humanity. In 1819, at the age of 72, Goya moved into a two story house outside
Madrid that was called Quinta del Sordo that means Deaf Man's Villa. Although the house had been
named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of an
illness he had suffered when he was 46. The painting originally was painted as murals on the wall of
the house, later being "hacked off the wall and attached to a canvas." Currently it is held in the
Museo del Prado in Madrid. ... Show more content on Helpwriting.net ...
He had a first hand and acute awareness of panic, terror, fear and hysteria. He had survived two near
fatal illnesses, and grew increasingly anxious and impatient in fear of relapse. The combination of
these factors is thought to have led to his production of the Fourteen works Known collectively as
the Black Paintings. Using oil paints and working directly on the walls of his dining and sitting
rooms, Goya created works with dark, disturbing themes. The paintings were not commissioned and
were not meant to leave his home.It is likely that the artist never intended the works for public
exhibition. "These paintings are as close to being hermetically private as any that have ever been
produced in the history of western

Impact Of Francisco Goya's Majas On A Balcony
Francisco Goya was born in March 30th, 1746; he was a Spanish painter, printmaker, and draftsman.
His paintings played an important role in the history of art. Goya went through many hardships and
struggles during his careers and his illness cost him his hearing. Living in such disastrous period of
French–Spanish war, combine with his illness had given him strength to carry on deep meanings in
his paintings. Many of his paintings consist horror themes such as war, death and corpses. However,
his unique styles and emotions in the paintings gave him the position of the first modern artist
claimed by many other art historians. During the struggle years between Spain and France war,
Goya focused on painting under large canvas. One of his paintings, Majas on a Balcony, helped him
gained position to become a great Spanish painter. The painting adapted a new style with the details
in the high–class gown and ... Show more content on Helpwriting.net ...
The painting 2 de Mayo de (1808) is a scene where citizens of Madrid are rebelling against the
French soldiers. The image showed a chaos action where people are killing each other. There are
lots of tension in the painting, however, by the beautiful color combination and over all
composition, Goya lead our eyes around the image creating harmony. Moreover, Goya painted the
figures in the image differently; they had a more three–dimension and round looking. Followed by
the 2 de Mayo de, He painted El tres de mayo de (1808) where the main action in the painting focus
on the emotions in the horror of war. In this painting, Goya successfully expressed rage and fear,
and the painting is acknowledged as the first painting in modern era. The white color on the man's
shirt emphasis the focal point and indicates the pure and innocent of a citizen and also showed the
brave side of a man who protects others. Goya's painting had become iconic symbols for the
violence of France to the

Francisco Goy Deaf Man's Villa
Between the years 1820 and 1823, Francisco Goya casted himself away from society in his farm
house outside of Madrid. In this house, also known as Deaf Man's Villa, Goya painted what is now
known as the Black Paintings. One painting stuck out more than others due to its horrifying
depiction of Saturn Devouring His Son. The name of this painting was not given by Goya himself,
but rather later after his death. Goya painted the painting originally with no intent of showcasing it
to the public. The painting was no ordinary painting since it was painted on the walls of Goya's
estate. Today, the painting currently resides in the Museo del Prado in Madrid where the target
audience is anyone who would like to see the magnificently horrifying piece of work for themselves.
Goya's purpose for this painting was to seek people's attention and stand out, leave a mark or
message, and overall question what that message. Goya is able to successfully fulfill his purpose by
using high contrasting colors, radical imagery, and unusual body positions. ... Show more content on
Helpwriting.net ...
Many wars have broken out during the time that Goya was alive. Goya was a painter for many high–
class families and his works were generally joyful and bright at the start of his career. After facing
life–threatening illnesses which resulted in completely becoming deaf his paintings started slowly
becoming more and more dark. He would start painting battles of war that displayed gruesome
violence and later called his series The Disasters of War (1810–1820). Toward the end of his career,
Goya had a sour and poor look on what was happening around him, which drove him to isolation
where he painted the Black

Francisco De Goya Research Papers
Francisco de Goya y Lucientes was conceived on March 30, 1746, in Fuendetodos, a town in
northern Spain. The child of a guilder, Goya spent the vast majority of his childhood in Saragossa.
There he started considering painting around the age of fourteen. He was an understudy of José
Luzán Martínez. At to begin with, Goya learned by impersonation. He duplicated the works of
incredible experts, discovering motivation in progress of such craftsmen as Diego Rodríguez de
Silva y Velázquez and Rembrandt van Rijn.
Later, Goya moved to Madrid, where he went to work with siblings Francisco and Ramón Bayeu y
Subías in their studio. He looked to further his specialty instruction in 1770 or 1771 by heading out
to Italy. In Rome, Goya concentrated on the ... Show more content on Helpwriting.net ...
At some time between late 1792 and early 1793, a serious illness, whose exact nature is not known,
left Goya deaf, and he became withdrawn. During his recuperation, he undertook a series of
experimental paintings. His experimental art–that would encompass paintings, drawings as well as a
bitter series of aquatinted etchings, published in 1799 under the title Caprichos. French forces
invaded Spain in 1808, leading to the Peninsular. Goya's involvement with the court of Joseph I, the
brother of Napoleon Bonaparte, is not known: he did paint works for French patrons, but upon the
restoration of the Spanish king, Ferdinand VII, in 1814, Goya denied any involvement with the
intruder. In 1819, with the idea of isolating himself, he bought a country house by the Manzanares
river just outside of Madrid. It was known as the Quinta del titled after the previous owner and not
after Goya himself. There he created the Black Paintings with intense, haunting themes, reflective of
the artist's fear of insanity, and his outlook on humanity. Several of these, including Saturn
Devouring His Son, were painted directly onto the walls of his dining and sitting rooms. Goya left
Spain in May 1824 for Bordeaux, where he settled, and Paris. He returned to Spain in 1826, but
returned to Bordeaux, where he died in 1828 at the age of

The Art of War: Goya and Picasso Essay
The Art of War: Goya and Picasso War is hell. Literally. In an instant, in the blink of an eye, the
world as we know it is torn apart and shredded. Normality explodes into atrocity as we see the
depths of depravity that man can sink to. Even though their reasons for painting the pictures are
different, Goya's Third of May, 1808, and Picasso's Guernica are testaments to the violence of war
using specific events and symbolic features as their vehicle while their representations and styles are
different. Goya and Picasso both depicted actual events, though their reasons for painting the scene
were greatly different. Goya requested official permission to paint the events of the Third of May,
1808 six years after the executions ... Show more content on Helpwriting.net ...
These unknown men could be from anywhere. Seeing the soldiers lined up in a row, their backs
turned to us, their aggressive stance with legs spread apart and guns held high give the feeling that
nothing will hold them back from their appointed task, neither the prayers of the monk nor the pleas
of Spaniards who are on their knees. Death does not come quickly to all as evidenced by the number
of men still standing as this group is shot one at a time by all the riflemen as evidenced by the
numerous bullet holes in the dead and the blood flowing from their wounds. There is no mercy here,
but a lesson to be learned. In Picasso's statement about the horrors of war, you feel the immediacy of
the bombing, along with the confusion, and horrific stark reality of a surprise attack from the
victim's point of view which evokes a response that this should not happen again. There are no
bombs depicted, yet we see the mass destruction as it is happening. A woman runs screaming while
holding her dead child. A warrior with a severed arm lays dead or dying while clutching a broken
sword. A horse has a spear run through it. The woman on the right stretches to the heavens as though
she is beseeching God to rescue her right now; this effect

Analysis Of'saturn His Son, At The Museum Of El Prado...
I first saw this painting, Saturn Devouring His Son, at the Museum of El Prado alongside the other
Black Paintings. My initial reaction was of fear. These are artworks that should not be simply seen
in front of a computer screen. The thickness of the paint and the careful attention to details; these are
things that are missed if not seen in person. Upon walking into the small room the first painting that
draws the attention of visitors is this painting. Not only is this a grotesque piece in an otherwise
frightening room, Saturn also looks like he's rather enjoying this action, and his intense glare from
his bulging eyes gives the impression as if you (the viewer) are the next target. The goal for this
essay is to show Goya's way of depicting events that have affected not only society but him
personally.
It is a mythological subject that literally shows Saturn devouring his son. Light is very important as
it focuses directly on the face of Saturn and the body of his son. It is a blinding light that leaves the
dark background with a feeling of gloominess. The composition revolves around a single plane in
which Saturn is placed devouring his victim. The dark background marks the sense of depth. Violent
motion appreciates both his posture, and his mouth. His face reflects an expression of drama and
tenebrism. The predominant color on the drawing emphasizes the dark tones that contrast with the
clarity of the body of the victim. His deformity produces more drama in the scene.

Challenging Society Through Art.
Challenging Society Through Art
Art makes a statement, it is as simple as that. The most preferred type of art emotes happiness to the
viewer throughout all of history. Yet, throughout the years, artists have come to challenge society's
preference of art. Artists like Gustave Courbet, Francisco Goya, and Ai Weiwei, who decided to take
the challenge and start a new progression. Social critique through art is blatantly shown throughout
each of their pieces: Stonebreakers, The Third of May 1808, and Sunflower Seeds. All three are
similar yet different. Through comparison, a similar theme still remains present: Each artist 's social
critique through their artwork. These particular types of artwork will show how one moment in
history changed the view of millions throughout centuries of time. With the use of symbolism,
positioning of figures, historical context, color usage, and many other elements, these three works of
art make an inspiring statement to the world.
The first painting, Stone Breakers by Gustave Courbet depicts two males that go to work breaking
stone and wearing torn and tattered clothing. This job was usually done by the lower classes of
society. At this time in France there was a rising of revolutionary thinking. The reason for the
sudden outbreak involved many factors, the ones portrayed in this painting are the demands of the
working classes. The figures are not arranged in the typical way. Both the young and the old males
are turned away from the viewer.

Goya
Any art medium can be utilized to tell a story or evoke emotion in a viewer. Artistry is unique in that
it is purely visual and can be left to interpretation if the artist chooses to stay ambiguous in the
message they are trying to convey. As an artist, I am always trying to analyze the meanings behind
famous works of art, whether those meanings happen to be incidental or purposeful. So, when
contemporary artist, Enrique Chagoya expressed his adoration for the social commentary expressed
in Francisco Goya's Los Caprichos sketches, I was intrigued. Francisco José de Goya y Lucientes is
regarded as one of the most important Spanish artists from the late eighteenth and early nineteenth
centuries. His work spanned the time of four ... Show more content on Helpwriting.net ...
It should come as no surprise that Chagoya's style was heavily influenced by the late eighteenth
century artist. In his Met featurette, Chagoya mentions that he has a background in political
economy that has inspired him to add social commentary to his art. This inspiration original
stemmed from his love for Francisco Goya's art pieces, especially his series of sketches titled, Los
Caprichos. He mentions how Goya's art is like "a window to the world of the late 1700's" (Chagoya,
"The Artist Project"). What is so magical about these sketches though is that the sketches are not
representative of a specific time or place which allows the messages conveyed to still ring true. The
figures in his sketches are metaphorical and represent themes such as greed, vanity, and fear.
Chagoya believes that we are meant to see a piece of ourselves reflected in these figures but the dark
and humorous style of the sketches keep the message from damning us. His overall message in this
series seems to be that we, as humans, shouldn't aim to appear good but we should instead make the
world a better experience for

Jack And Lord Of The Flies Essay
My Chinese Literature teacher told me, "Everyone is special as they born in this world, but people
may have similar personalities and thoughts when they are in a similar situation." This kind of
saying is just like the environments affect the similarities of human being. The novel, Lord of the
Flies, author uses the innocent children to develop the theme of the evil and savage inside the
human, and in the painting from Goya Francisco, Saturn Devouring His Son, expressed the
inhumanity of the people obtain the power by hurting kinsfolk. Nevertheless, the main characters in
the novel like Jack and Ralph have a variety of similarities with Saturn and his son, Jupiter in the
painting. Furthermore, the author and painter also have something in common.
In the book, Jack was described as a boy who likes hunting. He represents the characteristic of evil,
it is correspond to the character, Saturn, who is eating his son in the painting. In the Lord of the
Flies, Jack is brutal, evil and ... Show more content on Helpwriting.net ...
For Ralph, he was fighting single–handedly after Jack made its own team. Ralph is a positive
character in Lord of the Flies, at first, he was the leader of all the boys that went through the plane
crash. Everyone listened to him but until Jack got his first boar arrogantly, each boy were appealed
by the deliciousness of the meat. More boys joined in Jack's hunting team. Afterwards, Ralph's only
2 closest friends, Piggy and Simon died. Remembering the scene of the big fire that made by Jack,
Ralph did not ever give up the chance of survival and surrender. He was brave when he worked
alone. Fortunately, Ralph got saved. "A naval officer stood on the sand, looking down at Ralph in
wary astonishment." (Golding 253)The officer was astonished by the appearance of Ralph that must
be very dirty. Ralph was saved by the adults which means he will back to a disciplined and peaceful

How Did Francisco Goya's Influence On Society
One of the greatest artists in the history of art, Francisco Jose de Goya y Lucientes had his own and
very peculiar life story that affected the way in which he viewed society in the different stages of his
life. He became the pioneer of many new artistic tendencies that came about in the 19th century and
his work extended over a period of 60 years in which he was both very acclaimed, and badly
criticized. Francisco Goya, artist whose different paintings, drawings, and engravings reflected
contemporary historical upheavals, influenced many important painters in the centuries that have
followed.
Francisco Goya was born in March 30, 1749 in Zaragoza, Spain. At the age of 14 he was
apprenticed to Jose Martin Luzan, who was a local ... Show more content on Helpwriting.net ...
It was after this success and achievements that he began to be critical about society, more
specifically after being left permanently deaf by a serious illness in 1792. As a result of his deafness
he concentrated in the fantasies of his imagination, with critical and satirical observations of
mankind. He was attracted to meditation and introspection. He stops seeing society as a group of
good customs and starts thinking about its negative aspects as well. From these new ideas he
evolved a bold, free style similar to caricature. In 1799 he published Caprichos, a series of etchings
satirizing human folly and weakness. His portraits were now penetrating characterizations, revealing
the subjects as Goya saw them. His religious portraits were now broad and free in style, with a
realism which was unprecedented in religious art. This series was not intended for the same group of
people as his earlier works, and so it had to be put away by orders from the Spanish Inquisition.
Francisco served as a director of painting at the Royal Academy from 1795 to 1797 and named as
the first Spanish court painter in 1799. It was after this criticism of society that Francisco Goya
became embittered and disillusioned with people and society.
It is now in his old age that Goya is totally disappointed by humanity as a whole. He had to serve as
a court painter to the French during the Napoleonic invasion of Spain, and

Francisco Goya
Through his art, Francisco Goya relayed his feelings toward the political unrest that plagued Spain
during his lifetime. As an artist of the late eighteenth and early nineteenth centuries, Goya lived
through a time of political and social upheaval, especially throughout Europe. At the time, the ideas
of the Enlightenment had captivated the minds of Spain's most influential citizens and soon, that of
Goya's. Born in Fuendetodos, Spain, in 1746, Francisco Goya came from very humble beginnings.
As the son of a gilder, Goya grew up in the lower class of society, and even after his amazing
success as court painter to Spanish royalty, he highly identified himself with the everyday Spaniard
or majo. It is this very bond to the people that ... Show more content on Helpwriting.net ...
In Winter, peasants trudge through the storm with a slaughtered pig. The bright pink used in the
color of the pig is symbolic of the Rococo style. A fierce wind blows the tree to near breaking,
further communicating the harshness of the weather. Among the colorful scenes that make up this
set, it is undoubtedly in those dedicated to winter that Goya manifests, for the first time in this
cartoon, a social awareness of the everyday reality around him, the same consciousness that would
evolve toward the more extreme and dramatic works characteristic of his maturity. The social
commentary of this painting lead to its rejection by the Royal Tapestry Factory. Francisco Goya's
questioning and irreverent attitude toward life was graphically conveyed in his works. His success
with the Royal Tapestry Workshop brought his artistic talents to the attention of the Spanish
monarchs who would later give him access to the royal court. As court painter (1789), he created
realistic, penetrating portraits of his patrons. Perhaps the most notable portrait painted during this
time, is that of The Family of Charles IV. In this piece, Goya does not emphasize on any particular
member of the family. No significant focus is placed on the king, whom one would assume the
portrait should predominantly be about. He and the queen

Francisco Goya Third Of May Essay

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