Princess Mononoke Character Analysis

Princess Mononoke Character Analysis
Introduction
Portrayal of characters is an essential element that contributes to a good story–telling, be it film, poem, drama play, or animation. Whether it's film or
animation, the different characters featured in the scene plays an important role that brings up the story from the beginning to the end. According to
Aristotle (1999) character is the second most important element as they relate to the action, which is the main object of representation, and character
must go through the plot that is the most important element.
For this particular essay, I will be discussing on a particular animation, Princess Mononoke. This 2D animation was produced and directed by Hayao
Miyazaki in August 1994, and was released by Studio Ghibli of Japan in July 12, 1997 (animenewsnetwork.com 2015). According to O'Brian (2014), ...
Show more content on Helpwriting.net ...
However, the title itself offers hints of mononoke.
Okayama (2015 p. 112) explained that the word mononoke consists of three apparent parts: mono ( "body or creature"), no ( "belonging to"), and ke
("spirit"). The word Mononoke itself is to define the unusual identity of the wolf Princess as a half–human, half animal. If translated, the meaning of
the title is to symbolize the spirit of the forest, the vengeful spirit of a princess.
The keywords in this movie are 'spirit', 'nature', and 'coexistence', the spirit of nature that battles against humanity. It is where the spirit of the forest
possessed the wolf Princess to take revenge on the humans, but then there's Ashitaka who believes in the coexistence between nature and humanity,
which captures the audience's attention in knowing the final outcome of the relationship between the Princess and Lady Eboshi of the iron town
(Rathke 2015).
Bruce Block theory on story and visual
... Get more on HelpWriting.net ...

Introduction . A Mass Media Effect, As Defined By W.J.
Introduction
A mass media effect, as defined by W.J. Potter (2011), is "a change in an outcome within a person or social entity that is due to mass media influence
following exposure to a mass media message or series of messages" (p. 903). Simply put, this is when a medium – in this essay, a motion picture –
changes an individual's or group of individuals' cognitions, attitudes, beliefs, affects, physiology or behaviors. Since its conception, film has been used
as a way to entertain, educate, or influence the masses. Princess Mononoke, or Mononoke–hime in Japan (1997), is a Japanese animated film which
teaches its audience that, despite many green aesops which suggest otherwise, the conflict between the preservation of nature and the ... Show more
content on Helpwriting.net ...
Other social entities, such as the main demographic audience of this movie, are similarly affected as Princess Mononoke takes care to delve into the
reasons of Lady Eboshi, a perceived antagonist, in order to humanize her and her decisions. By portraying both opposing sides from each of their own
viewpoint, we are able to understand that neither side is inherently good or inherently bad. This essay will discuss Potter's outcomes to analyze the
social effects of Princess Mononoke on its audience.
The Anti–Conflict Effects of Princess Mononoke
Princess Mononoke as a Mass Medium
Princess Mononoke is a Japanese animate film produced by Toshio Suzuki ofStudio Ghibli. It was written and directed by Hayao Miyazaki, an
internationally acclaimed animator. According to IMDB, Princess Mononoke's production companies are Studio Ghibli, Tokuma Shoten, Nippon
Television and Dentsu Music and Entertainment ("Princess Mononoke," 1997). In Japan it was released by Toho on July 12, 1997. Shortly before the
premier of Princess Mononoke, Disney and Tokuma Shoten Publishing made a deal that Disney would internationally distribute Tokuma 's Studio
Ghibli animated films. Therefore, for North American distribution, it was dubbed into English released by Miramax, an independent operating unit of
Walt Disney Studios, on October 29, 1999. The production budget of the film was $23,500,000. Its gross income

Comparing Princess Mononoke And Disney Movies
They say:
–When I first saw Princesses Mononoke at five, I didn't understand any conflict or meaning of the film. Only the scene where the Forest Spirit is
finding his head and killing all the living things on earth stayed in my mind. I remember laying in my bed that night after watching the film thinking,
"This movie is so scary... how nice will it be if this princess is a Disney princess." I have believed for a long time that if Princess Mononoke was
produced by Disney, the film will be so much more successful.
I say
–After becoming a young adult and rewatching Princess Mononoke again, my old thought of the film, which was Princess Mononoke being produced
by Disney will be more successful, has twisted. The style of Studio Ghibli provided the movie the unique, exciting, and memorable features. To be
more specific, the fascinating and well–thought storyline was the most outstanding part of the film. How Hayao Miyazaki did not separate good and
evil with a clear defined line; illustrated a deeper environmentalist message than Disney films; created an open ending which gives the audiences more
space to imagine and contemplate, are all what made the film a big hit during the 1990s.
Supporting points:
1. ... Show more content on Helpwriting.net ...
There are no definite evil characters in Princess Mononoke. While Lady Eboshi kills and hunts down the animals in the forest, she also stays loyal to
the Iron Town and tries to give the citizens a better quality of life. Additionally, when Nature is fighting the humans back, they themselves got into an
internal conflict and lost their unity. This feature makes the film more convincing and relatable to audiences. In real life, people are not always bad or
good. Humans' reactions depend on different situation. Comparing Princesses Mononoke (1997) to The Jungle Book (1967) by Disney, both of them
are telling a story that happened in the woods and the conflict between human and nature, however, The Jungle Book has a clear line between the good
and bad

Auteur Director Case Study
2. Make the case for either Hayao Miyazaki or Isao Takahata as an auteur director I choose the case of Hayao Miyazaki as an auteur director for
this essay. First, what is an auteur director? The word "auteur" comes from french that means "author" and the auteur theory itself is a lens or way
of looking at movies that put the director as the "author" of the movie. The Auteur Theory argues that a movie represents the director's passion and
vision; thus, movies that are directed by an auteur director will reeks of their own signature styles which can be found in repetitive and recognisable
patterns, themes, and in some cases visual (in our case is art) that will give the audience hints as who is the director of the movie. It is pretty rare to
find an auteur director these days because usually to be able to be an auteur director, a director has to have a full control, from the cast, the visual and
the music, of the the movie that they make. Most producers don't give directors that kind of full control. There's not a lot of auteur directors that make
it big in the movie industry. Think of Quentin Tarantino, Stanley Kubrick, Christopher Nolan. They are a few of the most famous auteur directors...
First and foremost is the big amount of time and effort Miyazaki spend on a project. One of the most surprising thing is that he creates his own
storyboards without any intervention from external parties. That means he can unleash 100% of his creativity to his works. Second, in addition to
creating his own storyboard, he will then review every single animation cell that come out from the storyboard. It's not a rare occurrence that he will
re–do the animation cells if he deems that the artist's work is not up to his standard and the animation cell cannot properly depict his vision4. This
way, Miyazaki has total control of all story and visual that appear in the final cut of the

Studio Ghibli Is A Universe Apart
Studio Ghibli is by many lazily known as the Asian equivalent to Disney, but the comparison only remains true in terms of box office sales. In terms
of content, Studio Ghibli is a universe apart. Founded in 1984 by founder and world renowned director Hayao Miyazaki, Studio Ghibli has for decades
since its establishment churned out iconic films known for their beautifully drawn frames and fantastical plots, nearly all of which star strong,
intelligent, independent–minded female protagonists. This trend can be traced all the way back to Miyazaki's first feature length animated film titled
NausicaГ¤ of the Valley of the Wind, which debuted in theaters in Japan May of 1984. This was the same decade Disney released The Little Mermaid
(1989) in... Show more content on Helpwriting.net ...
Another of Ghibli's films, Princess Mononoke (1997), made emphatic this archetype. Mononoke is a movie about the warrior–princess San, who lives
amongst wolf–gods and attacks the human villages that threaten her forest home; it is certainly not a film about a damsel in distress as are many
Western films centered around a female lead. San is best described as an independent, ferocious, wild, but also virtuous individual. The prince and
princess characters never enter into the realm of romance either in Mononoke, an occurrence very much contrary to the typical love–story arc that
drives numerous other animated movies (Aladdin, Snow White, The Little Mermaid, etc). In fact when San first meets Ashitaka, the prince from a
human village, she is sucking poison from the gunshot wound of a giant wolf and spitting blood into a river. She never swoons nor falters, but stares
covered in blood and tells him to "go away." Even later in the story when Ashitaka calls her beautiful, she recoils. "What is it, San?" asks one of the
wolf–gods. "Want me to crunch his face off?" In her interactions with Ashitaka, San is indeed obstinate but later is forced to confront her human
identity. This never comes across as him taming her however, but is a relationship of shared respect. This is seen in the conclusion of the film when–
after the two characters have formed a strong friendship and have worked together

Stereotypes In Miyazaki's Princess Mononoke
Studio Ghibli is probably one of my most preferred animation studios out there. Their best movies typically contain powerful female lead characters,
which is awesome since you don't really see that in animation. It's difficult to find female characters who take the situation in their own hands without
waiting for a prince charming to come save the day. Miyazaki, the lead animator is a genius for coming up with many creative storylines and significant
illustrations.
Princess Mononoke (1997)
Princess Mononoke is a dark and adventurous story about man's infinite battle with nature. This movie is a tale of a Prince (Ashitaka) who travels
far away from home in order to find a solution to a curse that was cast upon him. If left untreated he will die. Ashitaka is pulled between a war
throughout his journey with an industrial village of Iron Town and the animals in the forest led by San, a princess of wolves.... Show more content on
Helpwriting.net ...
She is fierce and an awesome lead to little girls out there. You usually find female characters in animation portrayed as a damsel in distress.
Especially in the mainstream box offices like what Walt Disney produces. San is the opposite of all the damsel in distress stereotype that females
usually have, instead of waiting around for her home (which was the forest) to be destroyed she helps the main character Ashitaka rid of the people
harming the forest and help the animals living there. She definitely deserves the number one spot on this list in my opinion.
Spirited Away(2001)
"Spirited Away" is one of the classics or an introductory movie I guess. It's one of the movies that you should watch before you die if you're When I
first started to get into Studio Ghibli "Spirited Away" was the first movie I saw. It blew me away, the soundtrack was very fitting to a situation and the
animation, how they drew the characters was astonishing.
Howl's Moving Castle

Analysis Of The Film Princess Mononoke
I selected the film Princess Mononoke from director Hayao Miyazaki and Studio Ghibli. The animated film consists of the genres action, adventure,
fantasy, drama, and historical. Mamoru Fujisawa, also known professionally as Joe Hisaishi, is the sole composer of the film Princess Mononoke. The
music pinpointed the battles that would take place in the film and even introductions of some integral characters that would have an affect on the story.
The music even highlighted and enhanced the climax of the film.
The story begins when a prince named Ashitaka had gotten cursed with pain and death on his right forearm by a demon boar he was trying to fight
with and was sent away from the village, losing his status as a prince by cutting off his hair. On his journey, he finds two injured men and sees an
injured wolf as well as a girl who drinks the poisoned blood from the wolf's wound. He makes sure the men are fine and goes to another town called
IronTown. In IronTown, the men greet him and the women demonstrate their job to Ashitaka and Lady Eboshi examines the cursed wound that he
harbors on his right arm which she casted on the Boar God. Unplanned, the same girl who drank the poisoned blood attacks the village. Her name is
Princess Mononoke and her other name is San. San starts a brawl with weapons with Lady Eboshi and Ashitaka stuns both of them with his hands.
Kiyo, one of Lady Eboshi's workers, shoots Ashitaka with a gun since he hurt Lady Eboshi. Despite his circumstances, he

Challenging Lutgendorf's Ideas within his Article through...
Intro: The discourse of film is a questionable field of study in its own respect. To say whether a film is influence or not by another medium is a
problematic area as there are many factors to account for which can influence an artist's project. In Philip Lutgendorf's article, Is There An Indian Way
of Filmmaking? (2006), he attempts to suggest how texts from the Indian cultural heritage could be used for the discourse of both Indian cinema as
well as to the study of cinema itself, which justifies discussion. This essay will attempt to challenge Lutgendorf's ideas within his article through Hayao
Miyazaki's film, Spirited Away(2001) through the discussion of manga/animae origin, Japanese mythology, and genre hybridity.
Plot Summary: ... Show more content on Helpwriting.net ...
Manga literally translates to "informal drawings" or "impromptu sketches", and are the Japanese equivalent to comic books. "New Treasure Island
featured many western influences such as the use of big eyes, which is noticeable in Walt Disney's work. Ultimately, Tezuka laid the foundations for
modern manga. Because of manga's large popularity, it went onto the filmic medium known as animae. Like manga and its early development,
animae has had help in its creative development. The large sum of aid in the growth of animae was western influences in cartooning, such as Walt
Disney, as well as literature from works from Lewis Carroll's Alice in Wonderland (1865) and L. Frank Baum's The Wonderful Wizard of Oz (1900).
Spirited Away contains influences of both Alice in Wonderland as well as The Wonderful Wizard of Oz since both Chihiro, Dorothy, and Alice are lost
in a fantastical world which they know nothing about, and face a female power hungry antagonist who attempts to stop their desire to go back home.
Para. 1: Referring back to the origins of manga and animae, these art forms were created to repress the American influence over Japan through the
revival of traditional Japanese art practices such as woodblock paintings, and jojЕЌ–ga– literally translated to "sentimental", or "lyrical painting",
which was created by Yumeji Takehisa (1884
–1934), and often depicted portrait paintings of Japanese women. These

Howl's Moving Castle
HOWL'S MOVING CASTLE FILM REVIEW:
Howl's Moving Castle, a Walt Disney Studio and Studio Ghibli production, made in 2004, is mutli–award winning movie. It is rated PG and is based
on a novel by Diana Wynne Jones, Howl's Moving Castle is directed by Hayao Miyazaki and is produced by Toshio Suzuki. Howl's Moving Castle
is set in an unknown, magical realm possibly inspired by the twentieth century. Miyazaki is known for his anime type drawing style also evident in his
other movies such as 'Spirited Away' (2001), 'My Neighbor Totoro' (1988) and 'The Wind Rises' (2013).
Throughout the movie we follow one of our main characters, Sophie as she follows in search of a powerful wizard by the name of Howl to help her
break free of a curse put onto her by the Witch of the Waste. A terrible, ghastly, vile creature who is in love with Howl and wants his heart as it
'Belongs to her'. Sophie carries on with her prosperous journey along with many companions together facing many enemies who help to make this story
truly complete. ... Show more content on Helpwriting.net ...
These techniques are evident in the scene where we see an opening of Madame Suliman acknowledging Sophie to come and take a seat as Sophie had
come to talk about Howl. Hayao uses a close–up to zoom onto Sophie's face to show how she reacts to seeing Heen (who she thinks is Howl) sitting
under Madame Suliman's personal table and Madame Suliman telling Sophie that Heen is her 'errand dog'. Hayao also uses a low angle shot when
Sophie is fed up with Madame Suliman's behavior towards Howl and stands up to defend him. The low angle shot is used to show Sophie with a
powerful and strong attitude to make the viewer notice that she is dominating, demanding and is in

How The Media Is The Issue Of The 21st Century
1. "The relationship of money to Free Speech is the issue of the 21st century." (Bill Moyers in Freedom of Speech for Sale).
a) In the light of this quotation, explain both the advantages and dangers of media ownership concentrated in only a few mega–corporations. Refer to
specific readings/viewings to back up your thoughts.
b) According to Robert McChesney ("Corporate Media & the Threat to Democracy"), and the movie Free Speech for Sale, why is such a
concentration of corporate ownership a "threat to democracy"? (Hint: begin by defining "democracy.")
c) Include in your discussion both what the function of the media should be in a democracy, and what the function of the media is in danger of
becoming under the current system. Use specific examples from the readings and the viewings.
The issue in the 21st century is the fact that corporations are the hand that guides the media and the government. When Viacom, Disney, and other
large companies are also paying for the lobbying for the politicians, it is no longer a democracy for the people, by the people, but a corporatocracy.
This is a term used to refer to an economic and political system under control by corporations and/or corporate interests. Only the people with deep
pockets use their access to the media to overwhelm the general public. Such as The Telecom Act of 1996 tried to break up television monopolies but
Title 3 "Cable Services", which allowed for media cross–ownership just basically canceled out the main idea

Walt Disney Company Vs. Studio Ghibli
Marina Klimova
Professor Stacy
English 111
1 October 2017
The Walt Disney Company vs. Studio Ghibli
What does a whistling mouse and a catlike bunny creature have in common? They are both the logos of two leading animation companies: the Walt
Disney Company and Studio Ghibli. While Disney and Studio Ghibli vary in their style, production, and overall themes, they both produce award
winning and adventurous movies for Western and Non–Western audiences alike.
In 1928, the whistling Mickey Mouse in the short cartoon Steamboat Willie led to the beginnings of success in Walt Disney's company and set the ball
rolling for the studio to become the widest known in the world (Holliss and Sibley 5). Before that, the company was strained financially and ... Show
more content on Helpwriting.net ...
While the directors of Studio Ghibli had in mind to meet these goals as well, they founded the studio more to have free reign in their artistic visions for
animated movies. They wished to produce original anime movies(Takai). They on the other hand aimed for just their home country Japan and came to
more renown than they intended.
Altogether Studio Ghibli and Disney have won many different
Therefore, Studio Ghibli's animations embody a strong sense of Japanese culture while also using Western characters and settings in its productions
(Odell and Michelle 33–35). Each animation has the characteristic style of Anime or animations made in Japan which usually looks like the manga,
Japanese comic books, they are adapted from. Each has their own look but usually the characters have bigger eyes, small nose and mouth. The two
directors of Studio Ghibli brought different themes and genres of animation to the table. Hayao Miyazaki was preoccupied with fantastical worlds
hidden inside of our own world, flying machines or flying in general, and environmentalism. Isao Takahata focused more on realistic settings such as
school life during adolescence and collaborated with Miyazaki to produce films that had more themes such as, growing up, strong female lead
characters, forming an identity, animals with human characteristics and anti–war sentiments (Odell and Michelle 23–30). Disney in contrast, has

The Disney Of Jap Japanese History, Traditions, Rites,...
"We are often not aware of the richness and uniqueness of our cultural heritage – from stories, traditions, rites, designs and tales of the gods. Surrounded
by high technology and its flimsy devices, children are more and more losing their roots. We must inform them of the richness of our traditions."Hayao
Miyazaki
I can't help but wonder how does Studio Ghibli's leading director Hayao Miyazaki draw on western sources and settings as well as Japanese history and
traditions in two of Studio Ghibli's films: 'My Neighbour Totoro' and 'Spirited Away' ?
With headquarters based in Koganei, Tokyo, Japan, Studio Ghibli is easily one of Japan's most famous animation studio's in the world and is
known as "the Disney of Japan". It was founded June 15th, 1985 after the great success of 'Nausicaa of the valley of the wind' the studio is headed
by directors Hayao Miyazaki and Isao Takahata even though they were uncertain as to whether the studio would find any success or crash and burn
they had a vision to "blow a new wind through the anime industry" which was pretty ambitious to say the least but has certainly lived up to its name.
Hence the clever name given to the studio by Miyazaki himself, Ghibli means "hot wind blowing through the Sahara Desert". The name was used for
Italian scouting airplanes during World War II. Miyazaki, who has a great love for airplanes, named his studio after it.
One thing that I think makes the studio stand out is not only its lovable characters and its

The Success Of Twilight, The Hunger Games, And Divergent...
Recent trends in pop culture have given a rise in movie adaptations based on young adult novels. The success of Twilight, The Hunger Games, and
Divergent are all common topics of today. An excellent adaption that some may not realize is based off a book is the movie Howls Moving Castle,
from Studio Ghibli, a Japanese animation company that has had quite some success in the United States. It may go against the grain in its portrayal of
the novel when compared to current trends in novel adaptions, however that's where it finds its strengths.
The criteria for judging an adaptation is different than it would be for an original script. First, it is typically judged based on how well it follows the
story. Are departures beneficial to its transition to the big screen, or does it muddy the themes of the original novel? Second, how does the piece
transition to the big screen? Does the movie simply exist as an advertisement for the book, and finally, the third criteria, does it add something to the
experience that makes it a truly noteworthy stand alone film.
Typically, for many young adult adaptations, audiences first read the book and proceed to quote the movie word for word. Departures from the
novel's original formula would create an outcry. When Beverly Rodriguez, a local college student was asked whether a movie should follow the plot
of the book exactly, she stated, "[s]ometimes it should follow it throughly because that's how people expect to see it in the movie and get

Environmentalism In Princess Mononoke
Hayao Miyazaki is an ingenious Japanese animator and film director, and has created many beloved masterpieces that are both visually enchanting and
rich in meaning. Also known as the 'Japanese Walt Disney', Miyazaki has won numerous awards, for films including Spirited Away, Laputa: Castle In
The Sky and My Neighbour Totoro. Each of his movies have messages integrated into the storyline that delve into deeper issues relating to the current
world and society. Princess Mononoke is no exception and the intentions, choices and influences of Miyazaki are instrumental to understanding his
creation.
Unlike Miyazaki's usual 'entertainment first, lessons second' approach, Princess Mononoke was produced to inspire people to think about the issues
within the film. In Princess Mononoke, Miyazaki explores themes such as the environment and the conflict between humans and nature, and pacifism.
Environmentalism is often depicted in Miyazaki's films, due to his belief that people are intended to live amongst nature. The basis of Princess
Mononoke is centered around the forest, which is alive and thriving despite the growing threat of industrilisation. Throughout the movie, beautiful and
enchanting Japanese landscapes are shown, with clear signs of life (such as the Kodama spirits) in the forest. Kodama spirits are known in Japanese
folklore to inhabit the trees, and if one were to cut down the tree, they would be cursed. The Kodama spirits are also representative of guardians of the

Informative Speech On Studio Ghibli
Catherine Collazo
Behind the Scenes Studio Ghibli
Topic: Studio Ghibli
Organization: Topical
Specific Purpose: To inform my audience about the art of anime and the history of Studio Ghibli.
Introduction
Attention getter: Miyazaki once said, "humans have both the urge to create and destroy." (BrainyQuote, n.d.)
Relevance: The ability to make great movies that makes a difference in people's lives takes years of practice and it would seem that Studio Ghibli has
mastered that art.
Credibility statement: Just like everyone else I love to be able to sit down and watch a good movie to take my mind off of thinks. I have been
watching Studio Ghibli movies for as long as I can remember and have also listened to many of the soundtracks that go with them. ... Show more
content on Helpwriting.net ...
Conclusion
Transition to Conclusion: In conclusion,
Restate central idea: Never look down on something that you don't fully understand because it could turn out to be something beautiful that you could
end up enjoying.
Final summary: Today, we talked about the history of Studio Ghibli and one of the founders of the studio, the relationship the studio has with Walt
Disney World, and the type of art they use.
Memorable closing: After watching all of these movies for as long as I can remember I know that they will always have a place in my heart and I can
hopefully show them to my kids when I get older and show how much I love them.
References
BrainyQuote. (n.b.). Hayao Miyazaki Quotes. Retrieved from http://www.brainyquote.com/quotes/authors/h/hayao_miyazaki.html
The Hayao MIYAZAKI Web. (n.b.). Hayao Miyazaki. Retrieved from http://www.nausicaa.net/miyazaki/miyazaki/
The Hayao MIYAZAKI Web. (n.b.). Ghibli 101: Past, Present, and Future of Studio Ghibli. Retrieved from http://www.nausicaa.net/miyazaki/ghibli
/ghibli101.html#alliance
McDonald, R. (2004). Studio Ghibli Feature Films and Japanese Artistic Tradition. Retrieved from

Studio Ghibli 's Princess Mononoke, Directed By Hayao...
Human civilization is linked with environmental destruction, and despite the many implemented laws to limit the pollution released into the
environment, degradation persists because humans have enough influence to cause harm to the environment as shown with overdeveloped human
settlements (Shea). Global warming is growing as a predominant problem that can affect future generations and to spread awareness films are
incorporating a pro–environmental message. Studio Ghibli 's Princess Mononoke, written and directed by Hayao Miyazaki, draws a connection between
human greed and environmental consequences. The difference between this film and many other environmental films is that the supernatural forces of
nature serve as a symbol of retaliation against humans ' actions instead of the consequences of those actions showing retribution. In "Animating Child
Activism: Environmentalism and Class Politics in Ghibli's Princess Mononoke (1997) and Fox's Fern Gully (1992)", Michelle J. Smith and Elizabeth
Parsons state that the film failed to properly show human run corporations as the direct cause of environmental disaster because the supernatural
creatures are represented as the immediate cause. I believe, however, that the film appeal to the emotions of anger and hatred that began due to human
actions and that have led to the overall negative impact on the environment. Through the characters, Ashitaka, and Lady Eboshi, and the portrayal of
animals as Gods, the theme of man versus

Hayao Miyazaki and Animated Film Essay
Getting inspired is something that can happen unexpectedly. A single thing can just set the stage for an amazing creation to come about. Much of
what people are exposed to due to the media and also literature can really affect someone's life. Hayao Miyazaki is a film director, animator,
screenwriter and also producer. He is someone who's work really changed my perspective on animation and also the conventional idea of a hero.
Miyazaki was born on January 5, 1941 in Japan. His parents were Dola and Katsuji Miyazaki. His father Katsuji Miyazaki and worked for Miyazaki
Airplanes which was Miyazaki's uncles business. The company manufactured parts for warplanes that were used during World War II. Miyazaki had
three brothers which... Show more content on Helpwriting.net ...
The following year Miyazaki also met Akemi Ota, an animator that then became his wife in 1968. Overall Miyazaki worked in a total of six different
animation studios, his positions varied from director to animator but his work also influenced many other directors or screenwriters within those
companies. Having grown independent from the companies he set off to start his own company known today as Studio Ghibli. Studio Ghibli was
founded in 1985. The studio was created due to a collaboration by Hayao Miyazaki, his friend Isao Takahata, and also producer Toshio Suzuki. There
furst film collaboration was done in 1984, with the film NausicaГ¤ of the Valley of the Wind. Many people believe that this film is what set the
stage for Studio Ghibli to be created. Much of the studio's success has not solely been due to Miyazaki, but also because of his associates. One of
the most prominent films from the studio was directed by Isao Takahata, the film is Grave of the Fireflies, which depicts the story of orphans living in
Japan during World War II. The company is also well known for their "no
–edits" policy which basically states that the film cannot be altered when
being dubbed. However, this policy has caused many issues with American companies because some films have been Americanized or altered, which
then tends to change the message of the story and the plot. With the great success that Studio Ghibli has had Miyazaki

Film Analysis Of Spirited Away
Spirited Away is an Oscar award winning, 2001 animated film from Japan, written, directed, and animated by Hayao Miyazaki (IMDb: Spirited Away).
The story follows Chihiro, A young girl who is dealing with separation from family, tradition, and self–identity. Studio Ghibli films often have younger
protagonists in their films, but in an interview with Miyazaki commented that "[he] felt [Japan] only offered such things as crushes and romance to
10–year–old girls" and that " [Studio Ghibli] has not made a film for 10–year–old girls, who are in their first stage of adolescence" (Miyazaki 2001).
Here, Miyazaki is signifying the lack of, what he sees to be, a proper presentation of a tweenaged girl. Miyazaki refrains from making the main plotline
... Show more content on Helpwriting.net ...
Chihiro is not taken seriously, and this may have been because of her gender. Often times it common for males to be taken more seriously, especially
in children's and tweenager media. This plot point would create an early internalization that her ideas and values are not as valid as her male
counterparts.
Another instance in which Chihiro is seen without being afforded agency is in her first encounter with Yubaba. There are multiple instances of the
power dynamics that exist between the tween character and her elder. When Chihiro initially asks Yubaba for a job at the bathhouse, her mouth is
transformed into a zipper that is shut so she can no longer speak (00:36:20). While Yubaba zips Chihiro's mouth she calls her a "useless weakling".
This assumption is made from simply looking at her seeing as Chihiro and Yubaba have had no prior interaction. The forced silencing of Chihiro
demonstrates that she, as a tween, does not have any valuable input, and is therefore limited in her autonomy due to age and Yubaba's assumptions
about her. By calling her a useless weakling, age and gender are the factors that would be most present. In the bathhouse, Yubaba has many different
servants. The work however, appears to be gendered. The men in the bathhouse are greeters, chefs, and very occasionally are they the ones who serve
other guests in terms of giving them the baths. The women in the bathhouses are often the ones who serve the food prepared, and service the guests in

Analysis Of Kiki 's Delivery Service
Kiki's Delivery Service (1989: Hayao Miyazaki) revolves around a young girl named Kiki who leaves her home with her talking cat familiar Jiji in
order to hone her skills as a witch, but has difficulties to find her place in a new town while running an air courier service. Overall the movie focuses
on tradition vs. modernity as well as the problems a young person can face while first living independently. I will be analysing the mise–en–scene and
cinematography in the scene when Kiki first arrives in the town that she will call home. The scene starts with an over the shoulder establishing shot
of the town that Kiki will be staying in, this is done to give the audience an idea about the size of the place and also allows us to see the town from
Kiki's perspective – imposing but exciting. After this we see a low angle sot looking up at Kiki as she flies over the ocean, she is laughing and
yelling while flying her broom which connotates that she is having fun, this is done to create a contrast later in the scene where she is flying very
formally to try and make a good impression. Another reason the ocean is used in this part is that the colour blue is used to represent calmness and
serenity. Moreover, as with most Miyazaki movies flight represents the greatest form of freedom, therefore the shots of Kiki flying over the ocean
while enjoying herself is used as a contrast to later in the movie when Kiki feeling trapped by her own feeling of inadequacy. In addition, a crabbing

Hayao Miyazaki: Auteur Essay
"I never read reviews. I'm not interested. But I value a lot the reactions of the spectators."– Hayao Miyazaki.
The director is responsible for overseeing creative aspects of a film. They develop the vision for a film and carry the vision out, deciding how the
film should look. The director may also be heavily involved in the writing and editing of the film, as well as managing the script into a sequence of
shots, coordinating the actors in the film and supervising musical aspects. The Auteur Theory suggests that films contain certain characteristics or
'signatures' that reflect the director's individual style and give a film its personal and unique stamp. Hayao Miyazaki is one such auteur whose
entertaining plots, compelling characters ... Show more content on Helpwriting.net ...
Miyazaki's childhood was short as he was born January 5, 1941 during World War II, thus without exception, his films main characters are
children, deal with growing up and often consist of one young female lead and one young male lead. This is evident in My Neighbor Totoro
(1988) as the two main characters are young girls who, unlike adults, can see and befriend the spirits of the spirit world. In Spirited Away (2001),
the leading character Chihiro is a young girl who must deal with growing up, similarly to Kiki in Kiki's Delivery Service (1989). Princess
Mononoke (1997) also features these stock characters in the form of young San, adopted daughter of the wolf goddess Moro and Prince Ashitaka, a
young girl and boy. Hayao Miyazaki has expressed strong feelings about childhood, saying that it's a paradisiacal time when, "you're protected by your
parents and unaware of the problems around you". Miyazaki's upbringing during World War II would explain another unique mark of his films, that
being his interest in flight.
Human flight is a frequent theme in Miyazaki's animations. This theme is found in almost every film directed by him such as in Laputa: Castle in the
Sky (1986) as it is a flying metropolis and in Kiki's Delivery Service as Kiki rides her broomstick and watches dirigibles fly over her city. In Spirited
Away, Chihiro soars across the sky as she rides on Haku's back when he is in dragon form. The critically acclaimed Howl's

Spirited Away: Joseph Campbell's Monomyth
The film Spirited Away was written and directed by Hayao Miyazaki, produced in anime by Studio Ghibli in Tokyo, Japan, and released in 2001
(Sparknotes Editors). The film Spirited Away was very popular around the world and received the Best Animated Feature Film at the 75th Annual
Academy Awards becoming the first anime film to win an Oscar ("Credits and Awards"). One of the reasons for its success is that it accurately
represents the idea of Joseph Campbell's monomyth or hero's journey. The film has all of the elements of the monomyth: the call to adventure, a
supernatural aid, a threshold into another world, mentor characters, the road of trials, an abyss and a revelation, a transformation, atonement, a crossing
back over the threshold to the regular world, and apotheosis.
The main character and heroine of Spirited Away, Chihiro, is characterized as an average 10 year old girl who is moving with her parents to their new
house in another town (Spirited Away). She is childish and whiny, and sulks in the car because she does not want to move away from her friends. They
take a wrong turn and find themselves at an entrance to what they think is an abandoned theme park. The family gets out of their car and walks through
a tunnel–this is the physical threshold into another world. They leave behind their car on a small forest road and walk into a magical world of spirits
and magic.
Chihiro's parents begin to eat cursed food from an empty stall in the theme park, and Chihiro

Hayao Miyazaki Research Paper
Hayao Miyazaki Path to Animation Star artists inspired him. Hayao Miyazaki was only one of many during postwar Japan who wanted to become
a comic artist (master). Like many others, Miyazaki would look to star artists, such as Osamu Tezuka, Tetsuji Fukushima, and Zohei Shiratsuchi, for
inspiration. Of the three, Tezuka, who was named "the manga god" by fans, had the ingrained effect on Miyazaki. Miyazaki has written in a Tezuka
memorial collection: It's true to say that I was very heavily influenced by Tezuka. When I was in both elementary and junior high school, I liked his
manga best of all the ones I read... when I passed the age of eighteen and felt that I just had to draw manga of my own, the question of how best to
peel away the... Show more content on Helpwriting.net ...
In addition, many more art and literature figures had an influence on Miyazaki's direction and philosophy. For example, a French animation, The
Shepherdess and the Chimneysweeper, directed by Paul Grimault, showed Miyazaki how an animation feature film could be targeted at an adult
audience. And, while he did not want to follow Disney's way of neatly finishing movies with main characters living happily ever after, Miyazaki did
admit that he enjoyed Disney shorts such as Silly Symphonies. All this exposure to Western culture, paired with the foundation that Tezuka laid out for
the Japanese animation industry, put fuel on Miyazaki's passion for animation and his vision as to exactly what Japanese animation, or animГЁ, could
deliver. Early Film Miyazaki joined Toei Animation Studios, upon graduating Gakushuin University. After three months of training, the young
Miyazaki got to be a part of his first animation productions, Watchdog Woof–Woof and Wolf Boy Ken, as an in–betweener. An in–betweener is
someone who draws, or fills, the animation between two positions. For example, main artist would draw characters in key positions–compose the
shots–and an in–betweener would fill in the action planned, like a character standing up from a chair. However, the work of somewhere along the
bottom of the animation workflow couldn't match Miyazaki's ambition. Tired of doing low–level work, Miyazaki seriously considered quitting, but he
was drawn back after watching Lev Atamatov's The

Spirited Away Sociology
Family should always be a top priority in life, nevertheless many people view money and wealth as a greater importance than family. Spirited Away
by Studio Ghibli is a film centered on a young girl named Chihiro as she struggles to escape a spirit world after her, and her family, stumble into it.
Throughout the story, Chihiro's journey to save her family, and escape the strange world she's trapped in, Chihiro faces greedy bathhouse workers,
discrimination, and the value of family over riches.
Spirited Awayhas lots of commentary on our current society on how we view money, and wealth. In the film, workers in the bathhouse, the main
setting of the film, are depicted to be money hungry, and greedy. Workers will even abandon their work stations,

Themes Of Japan 's Indigenous Religion
THEMES
Japan 's indigenous religion is ShintЕЌ, and its customs are enmeshed in Japanese culture. It is animistic, seeing gods and spirits in everything. This
leads to a deep respect for human harmony with the environment. Many Ghibli films contain jinja, or shrines, and torii, or sacred gates, which are used
to pay respect or give offerings in ShintЕЌism. Ghibli films also contain kami, spirits that reside in all things. Princess Mononoke is filled with a kami
(Odell 28).
Other Japanese mythology is seen through Miyazaki films through spirits that have the ability to transform their shape, such as the foxes and raccoons
in Pom Poko. Buddhism also influences Miyazaki films. Dragons derive from Buddhist legends and are in Spirited Away. Buddhist statues are also seen
in My Neighbor Totoro, and Pom Poko (Odell 28). All of his movies contain variations of spirits, demons, or fantastical creatures rooted in nature. There
is a balance of empathy through his human elements, but mystery in his fantasy elements.
One major theme that runs through all Miyazaki films is environmentalism, or how mankind interacts with nature. This is closely linked with the
ShintЕЌ ethic that sees the environment as interconnected beings that deserve respect. In Princess Mononoke, the center of the plot is focused on the
conflict between humans destroying the forest and the gods and spirits who are fighting back. In Ponyo, the dumping of waste is almost her downfall
right at the beginning of the movie

Reaction Of Howl's Moving Castle
Howl's Moving Castle is a Japanese animated fantasy film scripted and directed by Hayao Miyazaki, produced by Toshio Suzui and animated by
Studio Ghibli.
The grahics for this film was beautifully made, there were gorgeous panoramic scenes, diverse and detailed character designs and with a flourish
when the colors are applied. The wide range of colors used in this film really help things stand out and it also accentuate the antastical aspects of this
film. Howl's Moving castle is set in a magical, fictional land of Ingary where the director's amazing imagination and astonishing detail is exhibited
through the plot where the heroine unearths male protagonist's true nature and struggles to save him gave evocative power to this oblique fantasy ...
The wizard shows Sophie an old mill house where he spent much of his childhood. This beautiful rustic setting replete with a glorious lake is in stark
contrast to the fast–paced city where Sophie lives. There the dark black clouds of smoke from the trains fill the air with pollution. But the most toxic
thing of all is war itself with destructive battles going on in the air and on the land. Howl is transformed into a great birdlike warrior as he tries to put
an end to conflict.
CONCLUSION
The first reason I chose this Japanese animated fantasy is to show that the standard perception of Japanese anime being strange, noisy and weird
cartoons were misguided. – Howl's Moving Castle is a perfect example of both that popularity (it was nominated for a Best Animated Feature Oscar)
and of how the genre defies easy classification. This story reinforces healthy lessons about the importance of family and friendship
Second reason is that this film is hard to understand for some viewers, prompting a response like "It seems very pretty but it's rather hard to
understand." therefore I would like to attempt to analysize this film as I feel that through patience and careful observation the film has a lot of depth
and meaning to it. – This film is trying to communicate many important messages some of which that I have analyzed above to its

Analysis Of The Film ' The Tale Of The White Serpent '
Ever since watching Hayao Miyazaki's film, 'Spirited Away', I was enamoured with the art style aesthetics, smooth animation and storytelling. His
work in Studio Ghibli had played a major part in my desire to work in animation and to create artistic and compelling stories. But it's not just me he has
influenced and inspired, and it's in this essay that I will discuss how this illustrious individual has influenced and placed his mark in the animation
world.
Miyazaki had always had an interest in drawing in his youth. Though his fascination with animation had started during his high school years when he
first watched the feature–length anime film, 'The Tale of the White Serpent'. And after joining a children 's literature club in college, his interest only
grew. It was in 1963 after completing his degrees, that Miyazaki decided to pursue animation as a career and joined Toei Animation. There, he learned
the basic fundamentals of animation and met up with his future collaborators, associates and even his future wife.
He started off drawing key frames in the animations he worked on, making sure that the figures moved and transitioned smoothly. His skill and
determination in creating such free–flow work had impressed his higher ups, and he was soon moved up from being an in–between artist, to becoming
heavily involved with the Animators Union. That's where he would eventually work alongside many other forward–thinking and progressive animators
and help create Isao Takahata's

The Importance Of Female Characters In Disney Films
Children's animation has always been a specific genre that attracts a lot of attention due to the affect its characters can have on young kids. Arguably
the most popular children's animated films franchise is the Disney Princess line, where about twelve female characters from these Disney films serve
as the main protagonist throughout their respective movies. Young girls around the world obsess over the Disney Princesses as they remain highly
popular due to frequent films and merchandising. The Princesses who star in these films are seen as role models to these young women, especially in
American culture as they typically have redeemable qualities and make the best out of troublesome situations. Although Disney films are especially
popular in the United States as well as worldwide, they are not as well favored in Japan. Japanese animated children's films are beloved in their home
country, specifically ones that feature a strong, pre–teen female protagonist. The Studio Ghibli film studio has many female roles in their animated
films, and audiences view these characters as more age–appropriate to their target audience: female children and pre–teen girls. American audiences
that are exposed to these Japanese films seem to agree that the female characters are more realistic, more personable, and have better views and goals
than those of the Disney Princess franchise. Two films both released in 1989, Disney's The Little Mermaid and Studio Ghibli's Kiki's Delivery Service
both

Studio Ghibli Research Paper
For the past few decades now, this production studio has created many classics appealing to generations all over the world, creating different genre
films for people to enjoy. For years this company has been overwhelmingly successful, winning multiple awards and receiving love from millions of
fans. Studio Ghibli is one of the most successful production companies in all of Japan because of the awards they won for their films.
Studio Ghibli Inc, is a Japanese animation film studio based in Koganei, Tokyo, Japan. The studio is recognized for many rewarding anime feature
films, such as Spirited Away(2001), and My Neighbor Totoro(1988). Ghibli was established in 1985 by Yasuyoshi Tokuma,
Hayao Miyazaki, Isao
Takahata, and Toshio Suzuki. However,... Show more content on Helpwriting.net ...
He is the co–head at Studio Ghibli with his long time colleague Hayao Miyazaki. Takahata is recognized for being a famous director of Ghibli
films. One of his films; Grave of the Fireflies, is considered one of the greatest animated films ever made. It tells the story of teenager being forced to
take care of his younger sister after losing their home in an American bombing during WWII. He is very talented at capturing the audience's emotions
in his movies. Toshio Suzuki was born August 19th, 1948. He is chief producer and co–founder of Studio Ghibli. He was the president of Studio Ghibli
from 2005–2008. Furthermore, Suzuki is recognized for being one of the most successful producers after the box office success (in Japan) for his
many Ghibli films. Suzuki worked on the Asahi Geino Magazine before becoming an editor of Animage in 1978. In fact, he met Hayao Miyazaki
when he created the Nausicaa of the Valley of the Wind manga. Suzuki was so impressed that he convinced Miyazaki to make Nausicaa into a film, as
a result, he co–founded Studio Ghibli. Hayao Miyazaki was born January 5, 1941, in Tokyo, Japan and is known as a famous director of many anime
films. He is also the co–founder of Studio Ghibli Inc. Along with Isao Takahata and Toshio Suzuki. However, most of Miyazaki's films are set around
the same kind of themes of the struggle between good and evil, and other common things like politics and environmentalism. Usually, the protagonist in
his films is young, strong, independent females, while the antagonist is full of jealousy, rage or greed. In conclusion, Miyazaki announced his
retirement directing in 2013, after his last film, The Wind

Whisper Of The Heart Comparison
Studio Ghibli is known for its strong depiction of its female characters so I nicknamed you after one of them. In each film, the female protagonists go
on a journey where they are judged on their strength of character, integrity and skills, similar to what you are going through during the new member
process. At the end of the journey, each character becomes stronger and grows as a person. I can't wait to witness the things you accomplish
throughout your college career and I hope to be there to support you every step of the way. Shizuku is the main character from the film Whisper of the
Heart, which is a simple yet intricate film that depicts a coming–of–age story encompassing topics like friendship, ambition, and dreams. In the film,
Shizuku is usually seen hanging out with two of her closest friends. The trio are supportive of each other as they are preparing for their high school
entrance exams. Like Shizuku, you can find support in your line sisters as the three of you complete the new member process and continue to support
each other through your academic career and personal goals. ... Show more content on Helpwriting.net ...
Although you don't get really angry, you remind of Shizuku when you are ranting about the things you dislike. Shizuku is constantly seen reading
books, a leisurely activity you also enjoy. One day, she notices that all the library books she borrowed had previously been checked out by the
mysterious Seiji Amasawa. It turns out that Seiji admired Shizuku and tried to get her attention by putting his name in every book in the library.
Similar to how Seiji was drawn to Shizuku, I was drawn towards you during the rush events and I wanted to get to know you

Looking At A Few Of Them
Introduction
Throughout the last twenty–five years, the notable director of animated films, Hayao Miyazaki, has brought not only exhilarating and mysterious
stories to life, but also multiple issues that he tries to convey through each of his films. Looking at a few of them, Miyazaki expresses issues about
feminism, war, environmental issues, and much more. The question that will try to be answered throughout this essay is, how does Hayao Miyazaki use
the elements and principles of art to express environmental issues and impacts within his films? Through the use of color, scene composition, and
motion, Hayao Miyazaki is able to portray the earth's natural beauty while also conveying human waste and destruction of the environment and its ...
This is an important and yet, traumatic memory for Miyazaki. He expresses its significance in his life by incorporating it within the films, My
Neighbor Totoro and also his latest movie, The Wind Rises. The characters with tuberculosis are both female and struggle with being diagnosed
with it. He tries to portray the love, sadness, and possible hope for a cure for tuberculosis within those films. What inspired Miyazaki and also
directed him towards the path of animation and the world of manga (Japanese comics) was in 1958 when he watched the colored film Hakuja Den
("Hayao Miyazaki Biography"). Surprisingly, instead of acquiring a degree in the arts, he went to Gakushuiin University and graduated with a
Political Science and Economics degree ("Hayao Miyazaki Biography"). Miyazaki chose this degree because he thought it was practical and he had
planned on helping reestablish Japans economy and recovery from war ("Hayao Miyazaki" Newsmakers). However, during his time in university
and his strong passion for drawing, he joined the "children's literature research club" ("Hayao Miyazaki Biography"). This had been the closest thing
to comics at the time ("Hayao Miyazaki Biography"). It exposed him to many fairytales, myths, and mysteries around the world and is probably the
reason why his stories mainly involve children, are mainly fantasy based, and incorporate old tales. The same year he graduated, he quickly entered his
animation

Abstract Art, Character Design, And Pencil Tests
For my case study the three pieces of artwork that I'll be talking about revolve around animation, as that is my field of study. The artwork I chose
will range from concept art, character design, and pencil tests. First let's take a look at Hayao Miyazaki's concept art for one of his movies known as
Spirited Away, which was released in the United States in 2002. "The movie appears to be satire, but that isn 't my purpose. I have five young female
friends who are about the same age as Hiiragi–san*, and I spend every summer with them at my mountain cabin. I wanted to make a movie they could
enjoy. That is why I started this film, and that is my true purpose" (Shoten). Those were the words of Miyazaki, translated by Ryoko Toyama, showing
that this image and the movie's purpose in general was to provide entertainment. The intended audience for all Studio Ghibli films is family, and
especially children. Miyazaki's goal from his art is to make movies that everyone can enjoy, as stated above. Getting back to this specific image, it
is most likely a mixed media of watercolor, acrylic paint, and probably edited with a computer, as it is a final background that was used in the
movie. Immediately you can see balance within this piece. While both sides are not exactly symmetrical it gives off that implication by having both
sides very similar if you were to split the image down the middle, especially the train that almost appears that way on it's own. It also has a nice sense of

Analysis of Filming Techniques in Spirited Away
Spirited Away, titled Sen to Chihiro no Kamikakushi in Japan, follows a young girl named Chihiro on an adventurous, yet threatening journey into a
magical realm after her parents are turned into pigs. She forms relationships with people that will help her find her way back home such as Haku,
Zeniba, and Mr. Kamaji. She also encounters those like Yubaba who try to make her time in the realm of spirits difficult.Spirited Awayquickly became
Japan's highest grossing film of all time. It received many great reviews in every aspect of filmmaking. It won several awards, including A Golden
Bear in 2002 at the Berlin International Film Festival, and an Academy Award in 2003 for Best Animated Film.Hayao Miyazaki, the film's writer and
director, ... Show more content on Helpwriting.net ...
Miyazaki also introduces to the audience the importance of one's name. From the moment she gets a job from Yubaba the bathhouse owner, Chihiro
is bound under a contract that magically changes her name to Sen. If it had not been for a goodbye card from a friend, Chihiro would have forgotten
her real name. As for Haku, he has not been able to recall his own name for years. When he does remember later in the film, his eyes are opened and
he undergoes emotional and physical changes. Another aspect of Japanese folklore involved in the film highlights passing through spaces which mark
a separation between one world and another. Areas like the bridge to the bathhouse, and the tunnel to the abandoned theme park represent this part of
Japanese culture. However, the most important cultural aspect included in the film is the original title. When women or children suddenly disappeared
and could not be located for a long period of time, it was assumed "'they had met kamikakushi,'" as Reider puts it. Once they come back from
Kamikakushi, they are believed to be socially resurrected. One could say that in the film Chihiro meets her own Kamikakushi during the time she is
away from her parents.
As she goes through the tunnel at the beginning of the film, Chihiro is a whiny little girl who does not like change. When she comes out of the tunnel
at the end of the film, she is standing tall, fearless, and confident. This post–Kamikakushi is one of many examples of character

The Characteristics Of Disney And Other Disney Princesses '
Another interesting way Disney and Studio Ghibli codes their characters are possessing them with either "feminine" or "masculine" traits. Traditional
"feminine" traits include being easily hurt emotionally, verbal, dependent, and non–aggressive. "Masculine" traits are defined as aggressive,
independent, and active. Ariel and other Disney Princesses typically fall into the feminine traits– throughout the film, Ariel cries and is extremely
emotional, dramatically throwing herself down and sobbing over her conflicts. She is also extremely talkative, unlike her father, who is more stoic and
tough. Ariel doesn't seem to possess any traditional masculine traits, and is mostly seen as very dependent on her relationship with her love interest for
happiness. Meanwhile, Kiki is described as both traditionally masculine and feminine– and this is seen as a good thing. The article "Miyazaki's
Heroines" notes that while Kiki longs for "traditionally feminine" things, like a prettier dress to wear, this is not seen as a negative quality, just as
something that's typical for a teenage girl to think. Overall, Kiki possesses a strong balance of traits that are both traditionally seen as masculine and
feminine. While she sometimes gets emotional, it's due to the fact that she's away from home for the first time and facing the challenges of growing
up. She is also seen as extremely independent, and faces such tasks such as finding a place to live and getting a job at a very young age. The

My Neighbor Totoro Essay
Hayao Miyazaki has directed ten Studio Ghibli films, and many more outside the company. Most of his films include a form of uncertainty, some of
which include technological ambiguity, moral ambiguity, and the ambiguity of age. The focus of this essay is Miyazaki's ambiguity of age, specifically
through his film My Neighbor Totoro. Through the theme of the ambiguity of age, Miyazaki is able to show the different characteristics that are
maintained through maturing, characteristics that are left behind, and characteristics that are gained from the process of growing up. I will focus on
the differences of maturity between the two sisters and the father in My Neighbor Totoro. Miyazaki's film My Neighbor Totoro "tells the story of the
two young daughters (Satsuki and Mei), their father (Tatsuo), and the family's interactions with friendly wood spirits in postwar rural Japan"
(Wikipedia). Satsuki seems to be around ten years old, and Mei seems to be around five years old. The imbalance of maturity in Satsuki and Mei is
first demonstrated when they are running around their new house. Nothing is explicit about age–Miyazaki only shows Satsuki running around the
house, and then shows Mei doing the "same thing, but she does it like a young child" (Miyazaki 10). This seemingly small age difference is the
foundation of Miyazaki's themes, motifs, and juxtapositions. In the film, Satsuki and Mei's mother (Yasuko) has a long–term illness
and is in the hospital. As a result, the

Hayao Miyazaki Research Paper
Hayao Miyazaki is a Japanese director and animator. He was born in Bunkyo–ho District of Tokyo, Japan on January 5th, 1941 to an affluent, liberal
family. His father, Katsuji Miyazaki, and his uncle made parts used in Japanese Zero fighter planes during World War II. His mother, Dola, was a
intelligent and strict woman. For nearly nine years, while Miyazaki was attending grade school, she suffered from spinal tuberculosis and had to spend
two years in hospital care. She eventually recovered and lived until 1980. Due to his mother's extended absence due to her illness, he shared household
responsibilities with his three brothers and sister. Miyazaki's started his higher education at Gakushuin University where he earned his degrees in
economics

The Life Of Hayao Miyazaki
The Life of Hayao Miyazaki
The Story of My Search
When we were first assigned this paper, I was stumped. My interests span throughout a broad variety of topics, and because of this, I did not really
know where to start. I have long been intrigued by the world of Japanese animation, and recently, I happened upon a hard copy of my favorite film
from when I was a child: Howl's Moving Castle. All of the nostalgic memories I have of watching it when I was a child flooded my mind, reminding
me of how much I admire the artwork in the movie. I began to brainstorm ideas related to this. In the end, I boiled it down to a biography of Hayao
Miyazaki (the director) and the strong themes in his movies. Combining the two lead me to decide on addressing how his personal life influenced the
persuasive themes and symbols he conveys through his beautiful art.
My first step to approaching this challenge was to go to the library and research sources that would be useful in completing this paper. After a few
hours I had a written list of dependable articles and websites that pertained to his movies. Unfortunately, no credible source discussed his life. By
chance, I managed to acquire a book discussing Miyazaki's art and also providing a history of his career; however, this made my list too plentiful, so I
chose the facts most relevant to my specific topic.
The Results of My Search
Hayao Miyazaki was born in the Bunkyo–ho district of Tokyo on January 5, 1941. His father, Katsuji Miyazaki, was

The Sound Recording For A Live Concert
The sound recording of Journey Dream of Flight in different situationsпјљ
For a film & a live concert
Mengjia Dai (641175)
Joe Hisaishi is the most famous film soundtrack master of Japan, the cooperation between him and the Japanese animation master Miyazaki Hayao
makes many animation works become screen classics, such as Spirited Away (One Summer's Day), Laputa: Castle in the Sky (Castle in the Sky). As
a great musician, Joe Hisaishi also often holds large symphony concerts all over the world. However, in terms of the sound recording, there are some
big differences between film soundtrack and live concert.
This essay will choose a piece of music from Joe Hisaishi as a study to analyze the sound recording in the two different situations (film soundtrack and
live concert). This subject includes four parts, the first will introduce the music and the production background. Secondly, this essay will explain the
sound recording in studio for film soundtrack. Thirdly, this essay will introduce the method of sound recording for a live concert. And finally, this essay
will compare the two different situations about sound recording.
The Wind Rises is the final full–length animation from Miyazaki Hayao, which talks about the story of Jiro Horikoshi, the developer of the Japanese
zero fighter. The theme music was composed by Miyazaki Hayao's old partner Joe Hisaishi as usual, which called Journey Dream of Flight. This music

Spirited Away Analysis
Spirited Away (2002) produced by Studio Ghibli, it is a dramatic animation told in the point of view of a ten year old girl, Chihiro. She is forced to
work in a bathhouse for exhausted spirits. She is then forced to tend to the every need of these beings. She has to escape the bathhouse and the grasp
of her Master/Boss (Yubaba) and save her parents lives.Hayao Miyazaki is the writer and director of this wonderful film. The leading roles are:
Chihiro (Daveigh Chase), Haku (Jason Marsden), Yubaba and Zeniba (Suzanne Pleshette), and Kamaji (David Ogden Stiers). Dramatic animation
is an animated film that shows any type of drama basically. This can be any type of animation from 3D to 2D to motion graphics and many more.
A drama is a genre in which it relies on emotional developments as well as characters that you can relate with. The drama element is there of course
because Chihiro (Sen) is trying to get back to the human world and has to save her parents life, all while trying to stay alive herself. That is a lot of
pressure for a 10 year old, right? In one scene in the beginning her parents decide to eat this huge, freshly prepared meal that was just sitting out in
an abandoned amusement park (nothing weird about that) and then they literally turn into pigs. Big Fat Pigs engorging themselves in many
platters of food as tall as they are! That seems quite dramatic. Another was when she needed to work in the bathhouse; she literally signed her name
away and was given a new name, Sen. This symbolizes her life, identity, everything. You are nothing without your name. After she signed it away
she started to forget parts of her life, this was how her "Boss" tried to control her. In the film she comes across a masked shadowy figure, No Face,
he is a really lonely spirit that just wants friends. However he is unwanted. No one wants a friend without a face, that's well... terrifying. It also doesn't
help that he eats them when they wrong him. Yes, a figure with no face eats them with a mouth that opens on the "abdomen" area of its shadowy form.
They also weren't true friends, they only liked him because he gave them gold. When he tried to befriend Sen by giving her gold, she wouldn't accept
it. This intrigued him and

Princess Mononoke Character Analysis

Recommended

Recommended

More Related Content

More from Jennifer Mower

More from Jennifer Mower (20)

Recently uploaded

Recently uploaded (20)

Princess Mononoke Character Analysis