Day 1. 6.12.16
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Contemporary Philippine Arts from the Regions
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Day 1. 6.12.16
- 1. Jay Ann Toledo Pilar Subject Teacher
- 2. • Contemporary- Current, now, the present. • Art- Art is creation. Creating something new, something original and something different. It is doing something to change a subject, to build. Art is life. It is creating life on a material and making inanimate objects to have life. To create art is to give life (RAMON ORLINA-Glass Sculptor)
- 3. • B Group- • A Group- RUBRICS CRITERIA PERCENTAGE Content 50% Creativity 50%
- 4. What is Art?
- 5. ART AR (Aryan – “to join or put together”) Artizein (Greek – “to prepare”) Arkiskein (Greek – “to put together”) SKILLARS/ARTIS (Latin) TECHNE (Greek)
- 8. Contemporary Art •Produce by living artist and contemporary to us. •Contemporary Art may become Traditional and Academic art at some point.
- 9. GREEK PERIOD ROMAN PERIOD CHRISTIAN PERIOD RENAISSANCE PERIOD MODERN PERIOD ROMANTIC PERIOD CONTEMPORARY PERIOD Instruction: Activity for 3 mins Group of male and female. Fill up the timeline using the ART CARD.
- 10. GREEK PERIOD ROMAN PERIOD CHRISTIAN PERIOD RENAISSANCE PERIOD MODERN PERIOD ROMANTIC PERIOD CONTEMPORARY PERIOD T I M E L I N E Skill Technique Craftmanship Genius and Design Fine Arts Self Expression New Art FormsARTS through the Ages 1050 – 31 BC 753-509 BC 350 -1450AD 1400-1500 1700 - 1800 1800 - 1900 20th – 21st Century
- 12. Historical Overview VISUAL ARTS Pre- Conquest COLONIAL PERIODS INDEPENDENT REPUBLIC Spanish American Japanese Post-War Contemporary 1521-1898 1898-1940 1941-1945 1946-1969 1970’s – present Painting Pottery, Body Adornment and Ornament Religious Portraiture Landscape, portrait, still life Wartime Scenes Propaganda Indigenizing and Orientalizing works Modern, conservative, abstract, experimental, public art Figurative, non figurative, art for art sake ,multi- media, mixed media and transmedia Sculpture Pottery, wood and metal carving Religious figures and carving Free Standing, relief, public Architecture Dwellings and houses (Bahay kubo) Church, plaza, Civic building, fortress, road and lighthouse construction City planning, public works, structures and infrastructures Public works Real Estate, safe housing, condominiums, subdivisions, villages, malls, commercial/business/convention buildings
- 13. Stylistic overview Form Pre-colonial Spanish/Islamic colonial American colonial Modern Post contemporary Painting Religious (animalist or Islamic) Community-based Inter-ethic relations Collective history Religious/devotio nal Secular Formal Naturalistic, (Homegrown miniaturismo, guild) Academic Classical, Idylitic, Nostalgic Incipient Triumvirate 13 moderns, abstract, Surreal Expressionist Collaborative, hyper-realist, new painting Sculpture Abstract Expressionism Junk scrap, neo- indigenous, site- specific, performance art, hybrid Architecture Workship-related and residential Earthquake baroque Hispanic revivalist (neogothic, neoromanesque, Islamic Neoclassic, art deco International Industrializing, eclectic Filipino Architecture Urban planning Economic zone, Neovernacular, Prefab, Regionalist cosmopolitan
- 14. Cultural Overview Form Indigenous southeast Asian Islamic or Philippine Muslim Folk or lowland Fine or world- based Popular or urban and mass based Painting Rituals and governance Colonial and post colonial Museum- circulated, artist centered gallery distributed Mass produced market oriented Sculpture Architect
- 15. Painting
- 17. The Philippine artist Fernando Amorsolo (1892 -1972) was a portraitist and painter of rural landscapes. He is best known for his craftsmanship and mastery in the use of light.
- 18. Lavandera
- 19. Lavendera (1957) Amorsolo's bather represent the epitome of Philippine beauty. The wet drapery on this young woman is both revealing and sensuous. The flower is symbolic of the woman herself.
- 20. Sculpture
- 21. Sculpture in the Philippines mirrors its culture – complex and diverse. The art in this area has been influenced by many different cultures, the most prevalent being the east Asian nations, such as China. In Islamic traditions began to be shown in these areas in the Philippine Islands near the 14th century. However, its culture began to expand in the recent decades from influences in the United States and other western nations.
- 22. The sacred and the mythical, the physical and the erotic, the magical and the mundane, the religious and the profane, and music and song all permeate the art of Filipina artist Agnes Arellano. Drawing from rich personal experience and an extraordinary range of influences, she makes some of the most dramatic art in Asia. Best known for surrealist and expressionist work in plaster (cast and directly modeled), bronze, and cold-cast marble, Her work tends to stress the integration of individual elements into one totality or "inscape". She has participated in international group exhibitions in Berlin, Fukuoka, Havana, Johannesburg, New York, Brisbane and Singapore.
- 23. Temple to the Moon Goddess
- 24. Architecture
- 25. Tausug House: To the seafaring Tausug, Sulu, a house built on flat dry land or a site that slopes towards Mecca is lucky. The one-room, gabled roof house is known as “bay sinug” has a separate kitchen accessible through a side porch.
- 26. Ivatan House Ivatans’ houses are up made of limestone walls, reeds, and cogon roofs
- 27. In your own opinion, what is your impression to the given picture sculpture. (50 words)
- 28. “The privileged dwelling of beauty in our universe is the HUMAN PERSON with its perfect body, marvelous memory, capacity for the arts, its love, virtue and wisdom. For what do we praise in bodies? Nothing else but beauty.” St. Augustine Bishop and Doctor of the Church
- 29. Assignment 1. Give five(5) examples of Art in Region 2.