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1 of 9
Packages
Radio
Package
A good Radio Package essential includes reports
featuring interviews, jingles and sound effects-
which will grab the audiences attention and tell a
story in an entertaining and creative way.
what you need for a
good radio package
• Recordings of your interviews
• Lots of sound effects
• "Wild track" - the background noise when you
are interviewing someone
• A narrative: for this, you could record yourself on
location, explaining where you are and including
facts about the story and introducing interviewees.
Or you can record "links" in the studio later, when
you have worked out what you want to say
Pre-Recorded
RESEARCH
“Ok! I need to make a comedy
package about a donkey! Right
– I need to find a good donkey
sound effect.” *Fifteen
minutes later…* “I can’t find a
good donkey sound effect!”.
Sound
1: Clarity
Before you start, have a clear idea of how long your finished item is likely to be and roughly how much
footage of your interviewees you are likely to use.
2: Format
Map out a structure for the piece and try to work out a likely order for the interview clips and which
points they will address.
3: Main points
Try to limit yourself to three main points for one item.
4: Use of interviewees
Make sure each of these three points is addressed by a different interviewee.
5: Review
Listen or watch the interview in full from start to finish at least once in order to refamiliarise yourself
with the material, taking note of the time on the recording of each potential interview clip, the words
that begin the clip and the words that end it.
6: Coherence
When you have repeated the process for all the interviews in your piece, return to the structure you
have mapped out and see if it is still coherent or if the order of interviewees needs to change.
7: Strength
Try to put the strongest interview near the start of the piece.
8: Selection
When you are selecting interview clips, choose ones which give opinion over ones which relay only
information; information which is not controversial can easily be summarized by you in your linking
commentary.
9: Pace
Try to leave a pause at the start and end of each clip. Life isn’t breathless; neither should a radio or
television package be.
10: Clichés
In television avoid using noddies and walking shots to illustrate your material. They are the mind-
numbingly boring to look at and do not make best use of the medium.
11: Editing
BY
Sara Hassan
Jade Eduh-Grant

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Radio package

  • 2. Radio Package A good Radio Package essential includes reports featuring interviews, jingles and sound effects- which will grab the audiences attention and tell a story in an entertaining and creative way.
  • 3. what you need for a good radio package • Recordings of your interviews • Lots of sound effects • "Wild track" - the background noise when you are interviewing someone • A narrative: for this, you could record yourself on location, explaining where you are and including facts about the story and introducing interviewees. Or you can record "links" in the studio later, when you have worked out what you want to say
  • 5.
  • 7. “Ok! I need to make a comedy package about a donkey! Right – I need to find a good donkey sound effect.” *Fifteen minutes later…* “I can’t find a good donkey sound effect!”. Sound
  • 8. 1: Clarity Before you start, have a clear idea of how long your finished item is likely to be and roughly how much footage of your interviewees you are likely to use. 2: Format Map out a structure for the piece and try to work out a likely order for the interview clips and which points they will address. 3: Main points Try to limit yourself to three main points for one item. 4: Use of interviewees Make sure each of these three points is addressed by a different interviewee. 5: Review Listen or watch the interview in full from start to finish at least once in order to refamiliarise yourself with the material, taking note of the time on the recording of each potential interview clip, the words that begin the clip and the words that end it. 6: Coherence When you have repeated the process for all the interviews in your piece, return to the structure you have mapped out and see if it is still coherent or if the order of interviewees needs to change. 7: Strength Try to put the strongest interview near the start of the piece. 8: Selection When you are selecting interview clips, choose ones which give opinion over ones which relay only information; information which is not controversial can easily be summarized by you in your linking commentary. 9: Pace Try to leave a pause at the start and end of each clip. Life isn’t breathless; neither should a radio or television package be. 10: Clichés In television avoid using noddies and walking shots to illustrate your material. They are the mind- numbingly boring to look at and do not make best use of the medium. 11: Editing